. . . . . . . . . . . . . . . . . . . . . . . . . . . . . "left"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Lista de g\u00EAneros oper\u00EDsticos"@pt . . . . . . . . . . . . "22782556"^^ . . . . . . . . . . . . . . . . . . . . . . "List of opera genres"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "50213"^^ . . . . . "This is a glossary list of opera genres, giving alternative names. \"Opera\" is an Italian word (short for \"opera in musica\"); it was not at first commonly used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1116896113"^^ . . . . . . . . . . "Foire saint-laurent.jpg"@en . . . . "This is a glossary list of opera genres, giving alternative names. \"Opera\" is an Italian word (short for \"opera in musica\"); it was not at first commonly used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several."@en . . "1720.0"^^ . . . . . . . . . "The Paris foire St Germain, c. 1763, after the fire of 1762"@en . . . . . . . . . . . . "Esta p\u00E1gina \u00E9 uma lista inclusiva de g\u00EAneros oper\u00EDsticos, citando todos os nomes alternativos. Opera \u00E9 uma palavra italiana (uma forma reduzida de opera in musica), que no entanto n\u00E3o era comumente utilizada na It\u00E1lia (ou em qualquer outro pa\u00EDs) para se referir tanto ao g\u00EAnero quanto especificamente \u00E0s obras. A maior parte dos compositores utilizava designa\u00E7\u00F5es mais precisas e espec\u00EDficas ao apresentar suas obras para o p\u00FAblico. Frequentemente g\u00EAneros espec\u00EDficos de \u00F3pera eram comissionados por teatros ou mecenas, embora o formato final da obra pudesse sempre desviar-se em maior ou menos escala da norma do g\u00EAnero, dependendo da inspira\u00E7\u00E3o e inclina\u00E7\u00E3o do compositor). Os g\u00EAneros oper\u00EDsticos n\u00E3o s\u00E3o exclusivos; algumas \u00F3peras s\u00E3o classificadas como pertencentes a diversos deles. Em caso de d"@pt . . . "Foire saint-germain.jpg"@en . . . . . . . . . . . . "vertical"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Esta p\u00E1gina \u00E9 uma lista inclusiva de g\u00EAneros oper\u00EDsticos, citando todos os nomes alternativos. Opera \u00E9 uma palavra italiana (uma forma reduzida de opera in musica), que no entanto n\u00E3o era comumente utilizada na It\u00E1lia (ou em qualquer outro pa\u00EDs) para se referir tanto ao g\u00EAnero quanto especificamente \u00E0s obras. A maior parte dos compositores utilizava designa\u00E7\u00F5es mais precisas e espec\u00EDficas ao apresentar suas obras para o p\u00FAblico. Frequentemente g\u00EAneros espec\u00EDficos de \u00F3pera eram comissionados por teatros ou mecenas, embora o formato final da obra pudesse sempre desviar-se em maior ou menos escala da norma do g\u00EAnero, dependendo da inspira\u00E7\u00E3o e inclina\u00E7\u00E3o do compositor). Os g\u00EAneros oper\u00EDsticos n\u00E3o s\u00E3o exclusivos; algumas \u00F3peras s\u00E3o classificadas como pertencentes a diversos deles. Em caso de d\u00FAvida a \u00FAnica autoridade acaba sendo o pr\u00F3prio compositor."@pt . . . . . . . . . . . . . . . . . . . . . . . . . . "340"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Nicolet's theatre at the foire St Laurent, c. 1786"@en . . . . . . . . . . . . . .