. . . "972024"^^ . . . . . . . . . "4519"^^ . . . . . . . . . . "Leon Bibel"@sv . . . . . . . . . . . . . . . . . . . "Leon Bibel (1913\u20131995) was a Polish-born American painter and printmaker during the Great Depression. His themes were the social condition of workers and the politics of protest and war, although cityscapes and landscapes were included among his works. He later developed works in wood of especially Jewish themes. These included fanciful miniature buildings influenced by European spice boxes, figures and objects within shadow boxes, and in one case a synagogue ark, which still stands at Congregation B'nai Tikvah in North Brunswick, NJ, along with a Tallit holder he created and several other items. Leon Bibel was born in Poland, growing up in the shtetl of Szczebrzeszyn. He immigrated to the United States with his family. After graduating from Polytechnic High School in San Francisco, he trained at the California School of Fine Arts and apprenticed under the German Impressionist and assisted Bernard Zakheim (a student of Diego Rivera), on the frescoes of the San Francisco Jewish Community Center and the University of California at San Francisco's Toland Hall. He resided in New York beginning in 1936 as a WPA artist of the Federal Art Project at the Harlem Community Art Center in New York City. He also taught art at both P.S. 94 and . At the start of the Second World War, he and a number of other New York artists moved to South Brunswick, New Jersey, to make a living as chicken farmers. By the 1960s, Bibel returned to art, focusing on wood-based sculptures. He died in 1995. He was a friend and neighbor of the American sculptor George Segal, and was both an anonymous and named character of Segal's arrays and portraits. (He is the first man in Depression Bread Line, Segal's group of bronzed figures at the FDR Memorial, included in PBS\u2019s \"George Segal: American Still Life\")."@en . . . "Leon Bibel, f\u00F6dd 1913, d\u00F6d 1995, var en amerikansk m\u00E5lare inom socialrealismen och verksam under den stora depressionen. Hans verk skildrar samtida politiska teman som de sociala villkoren f\u00F6r arbetstagare och protester mot krig men omfattar \u00E4ven m\u00E5lningar \u00F6ver landskap och stadslandskap. Senare skapade han verk i tr\u00E4 med judiska teman. Bibel f\u00F6ddes i Polen och v\u00E4xte upp i shtetln och immigrerade senare till USA med sin familj. Bibels verk kan besk\u00E5das p\u00E5 Metropolitan Museum of Art, Museum of Fine Arts, Boston, B'nai B'riths Klutznick museum och museerna vid Rutgers University och Princeton University."@sv . . . . . . . . . . . . "Leon Bibel (1913\u20131995) was a Polish-born American painter and printmaker during the Great Depression. His themes were the social condition of workers and the politics of protest and war, although cityscapes and landscapes were included among his works. He later developed works in wood of especially Jewish themes. These included fanciful miniature buildings influenced by European spice boxes, figures and objects within shadow boxes, and in one case a synagogue ark, which still stands at Congregation B'nai Tikvah in North Brunswick, NJ, along with a Tallit holder he created and several other items."@en . . . . . . . . . . . . . . . . . . "Leon Bibel, f\u00F6dd 1913, d\u00F6d 1995, var en amerikansk m\u00E5lare inom socialrealismen och verksam under den stora depressionen. Hans verk skildrar samtida politiska teman som de sociala villkoren f\u00F6r arbetstagare och protester mot krig men omfattar \u00E4ven m\u00E5lningar \u00F6ver landskap och stadslandskap. Senare skapade han verk i tr\u00E4 med judiska teman."@sv . . . "Leon Bibel"@en . . . . . . . . . . . . . . . . . . . "1087836659"^^ . . . . . . . . . . . . . . . . . . .