. . . . . . . . . . "Karen Lord, n\u00E9e le 22 mai 1968 \u00E0 la Barbade, est une \u00E9crivaine barbadienne de litt\u00E9rature de l'imaginaire. Son premier roman, Redemption in Indigo (2010), raconte l'histoire d'\u00AB Ansige Karamba the Glutton \u00BB issu du folklore s\u00E9n\u00E9galais et son deuxi\u00E8me roman, Le Meilleur des mondes possibles (2013), est un exemple de science-fiction sociale. Karen Lord \u00E9crit \u00E9galement sur la sociologie des religions."@fr . . . . . . . . . "Crawford Award, 2011;"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Kitschies Golden Tentacle Award for the Best Debut Novel, 2012"@en . . "Redemption in Indigo , The Best of All Possible Worlds"@en . . . . . "Karen Antoinette Roberta Lord"@en . . . . "Karen Lord"@en . . . . . . . "Karen Lord"@es . . "Karen Lord, n\u00E9e le 22 mai 1968 \u00E0 la Barbade, est une \u00E9crivaine barbadienne de litt\u00E9rature de l'imaginaire. Son premier roman, Redemption in Indigo (2010), raconte l'histoire d'\u00AB Ansige Karamba the Glutton \u00BB issu du folklore s\u00E9n\u00E9galais et son deuxi\u00E8me roman, Le Meilleur des mondes possibles (2013), est un exemple de science-fiction sociale. Karen Lord \u00E9crit \u00E9galement sur la sociologie des religions."@fr . . . "Carl Brandon Society Parallax Award, 2010;"@en . . "\u0643\u0627\u0631\u064A\u0646 \u0644\u0648\u0631\u062F (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Karen Lord)\u200F (22 \u0645\u0627\u064A\u0648 1968 \u0641\u064A \u0628\u0627\u0631\u0628\u0627\u062F\u0648\u0633)\u061B \u0631\u0648\u0627\u0626\u064A\u0629 \u0628\u0627\u0631\u0628\u0627\u062F\u0648\u0633\u064A\u0629."@ar . "Karen Lord (born 22 May 1968) is a Barbadian writer of speculative fiction. Her first novel, Redemption in Indigo (2010), retells the story \"Ansige Karamba the Glutton\" from Senegalese folklore and her second novel, The Best of All Possible Worlds (2013), is an example of social science fiction. Lord also writes on the sociology of religion."@en . . . . . "1968-05-22"^^ . . . . . . . . . . . . . . . "Writer"@en . "Karen Lord (22 de mayo de 1968) es una escritora de ficci\u00F3n especulativa barbadense. Su primera novela, Redemption in Indigo (2010), reubica la historia \"Ansige Karamba the Glutton\" del folklore senegal\u00E9s y su segunda novela, El mejor de los mundos posibles (2013), es un ejemplo de ciencia ficci\u00F3n social. Tambi\u00E9n escribe sobre la sociolog\u00EDa de la religi\u00F3n.\u200B"@es . . "\u041A\u0430\u0440\u0435\u043D \u041B\u043E\u0440\u0434"@uk . . . . . . . . . . . . "1968-05-22"^^ . . . "Lord at an environmental awareness literary event in Barbados, 2009"@en . . . . . . "Frank Collymore Literary Award, 2008;"@en . . . . . . . . . . . . . . . . . . "\u041A\u0430\u0440\u0435\u043D \u041B\u043E\u0440\u0434 (\u0430\u043D\u0433\u043B. Karen Lord; \u043D\u0430\u0440. 22 \u0442\u0440\u0430\u0432\u043D\u044F 1968) \u2014 \u0431\u0430\u0440\u0431\u0430\u0434\u043E\u0441\u044C\u043A\u0430 \u043F\u0438\u0441\u044C\u043C\u0435\u043D\u043D\u0438\u0446\u044F-\u0444\u0430\u043D\u0442\u0430\u0441\u0442\u043A\u0430. \u0407\u0457 \u0434\u0435\u0431\u044E\u0442\u043D\u0438\u0439 \u0440\u043E\u043C\u0430\u043D, \u00AB\u0421\u043F\u043E\u043A\u0443\u0442\u0443\u0432\u0430\u043D\u043D\u044F \u0432 \u0456\u043D\u0434\u0456\u0433\u043E\u00BB (2010), \u043F\u0435\u0440\u0435\u043A\u0430\u0437\u0443\u0454 \u0456\u0441\u0442\u043E\u0440\u0456\u044E \u00AB\u041E\u0431\u0436\u043E\u0440\u0430 \u0410\u043D\u0441\u0456\u0433\u0435 \u041A\u0430\u0440\u0430\u043C\u0431\u0430\u00BB \u0456\u0437 \u0441\u0435\u043D\u0435\u0433\u0430\u043B\u044C\u0441\u043A\u043E\u0433\u043E \u0444\u043E\u043B\u044C\u043A\u043B\u043E\u0440\u0443, \u0434\u0440\u0443\u0433\u0438\u0439 \u0440\u043E\u043C\u0430\u043D \u2014 \u00AB\u041D\u0430\u0439\u043A\u0440\u0430\u0449\u0438\u0439 \u0437 \u0443\u0441\u0456\u0445 \u043C\u043E\u0436\u043B\u0438\u0432\u0438\u0445 \u0441\u0432\u0456\u0442\u0456\u0432\u00BB (2013), \u0454 \u043F\u0440\u0438\u043A\u043B\u0430\u0434\u043E\u043C \u0441\u043E\u0446\u0456\u0430\u043B\u044C\u043D\u043E\u0457 \u043D\u0430\u0443\u043A\u043E\u0432\u043E\u0457 \u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u043A\u0438. \u041B\u043E\u0440\u0434 \u0442\u0430\u043A\u043E\u0436 \u043F\u0443\u0431\u043B\u0456\u043A\u0443\u0454 \u043A\u043D\u0438\u0433\u0438 \u0443 \u0433\u0430\u043B\u0443\u0437\u0456 \u0441\u043E\u0446\u0456\u043E\u043B\u043E\u0433\u0456\u0457 \u0440\u0435\u043B\u0456\u0433\u0456\u0457."@uk . . . "Karen Antoinette Roberta Lord"@en . . . "15826"^^ . . . . . . "Karen Lord (born 22 May 1968) is a Barbadian writer of speculative fiction. Her first novel, Redemption in Indigo (2010), retells the story \"Ansige Karamba the Glutton\" from Senegalese folklore and her second novel, The Best of All Possible Worlds (2013), is an example of social science fiction. Lord also writes on the sociology of religion."@en . . . . . . . . . . . . "1119769965"^^ . . "Karen Lord (22 de mayo de 1968) es una escritora de ficci\u00F3n especulativa barbadense. Su primera novela, Redemption in Indigo (2010), reubica la historia \"Ansige Karamba the Glutton\" del folklore senegal\u00E9s y su segunda novela, El mejor de los mundos posibles (2013), es un ejemplo de ciencia ficci\u00F3n social. Tambi\u00E9n escribe sobre la sociolog\u00EDa de la religi\u00F3n.\u200B"@es . "Karen Lord"@fr . . . . . . . . . . "\u0643\u0627\u0631\u064A\u0646 \u0644\u0648\u0631\u062F (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Karen Lord)\u200F (22 \u0645\u0627\u064A\u0648 1968 \u0641\u064A \u0628\u0627\u0631\u0628\u0627\u062F\u0648\u0633)\u061B \u0631\u0648\u0627\u0626\u064A\u0629 \u0628\u0627\u0631\u0628\u0627\u062F\u0648\u0633\u064A\u0629."@ar . "39227232"^^ . . . "\u041A\u0430\u0440\u0435\u043D \u041B\u043E\u0440\u0434 (\u0430\u043D\u0433\u043B. Karen Lord; \u043D\u0430\u0440. 22 \u0442\u0440\u0430\u0432\u043D\u044F 1968) \u2014 \u0431\u0430\u0440\u0431\u0430\u0434\u043E\u0441\u044C\u043A\u0430 \u043F\u0438\u0441\u044C\u043C\u0435\u043D\u043D\u0438\u0446\u044F-\u0444\u0430\u043D\u0442\u0430\u0441\u0442\u043A\u0430. \u0407\u0457 \u0434\u0435\u0431\u044E\u0442\u043D\u0438\u0439 \u0440\u043E\u043C\u0430\u043D, \u00AB\u0421\u043F\u043E\u043A\u0443\u0442\u0443\u0432\u0430\u043D\u043D\u044F \u0432 \u0456\u043D\u0434\u0456\u0433\u043E\u00BB (2010), \u043F\u0435\u0440\u0435\u043A\u0430\u0437\u0443\u0454 \u0456\u0441\u0442\u043E\u0440\u0456\u044E \u00AB\u041E\u0431\u0436\u043E\u0440\u0430 \u0410\u043D\u0441\u0456\u0433\u0435 \u041A\u0430\u0440\u0430\u043C\u0431\u0430\u00BB \u0456\u0437 \u0441\u0435\u043D\u0435\u0433\u0430\u043B\u044C\u0441\u043A\u043E\u0433\u043E \u0444\u043E\u043B\u044C\u043A\u043B\u043E\u0440\u0443, \u0434\u0440\u0443\u0433\u0438\u0439 \u0440\u043E\u043C\u0430\u043D \u2014 \u00AB\u041D\u0430\u0439\u043A\u0440\u0430\u0449\u0438\u0439 \u0437 \u0443\u0441\u0456\u0445 \u043C\u043E\u0436\u043B\u0438\u0432\u0438\u0445 \u0441\u0432\u0456\u0442\u0456\u0432\u00BB (2013), \u0454 \u043F\u0440\u0438\u043A\u043B\u0430\u0434\u043E\u043C \u0441\u043E\u0446\u0456\u0430\u043B\u044C\u043D\u043E\u0457 \u043D\u0430\u0443\u043A\u043E\u0432\u043E\u0457 \u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u043A\u0438. \u041B\u043E\u0440\u0434 \u0442\u0430\u043A\u043E\u0436 \u043F\u0443\u0431\u043B\u0456\u043A\u0443\u0454 \u043A\u043D\u0438\u0433\u0438 \u0443 \u0433\u0430\u043B\u0443\u0437\u0456 \u0441\u043E\u0446\u0456\u043E\u043B\u043E\u0433\u0456\u0457 \u0440\u0435\u043B\u0456\u0433\u0456\u0457."@uk . "Mythopoeic Award, 2011;"@en . . . . . . . . . . . . . . ""@en . . . . . "\u0643\u0627\u0631\u064A\u0646 \u0644\u0648\u0631\u062F"@ar . . . . . . . . .