. "1967-02-03"^^ . . . . . . . . . . . . . . . . . . . . "Robert George \"Joe\" Meek (5 de abril de 1929-3 de febrero de 1967) fue un productor discogr\u00E1fico, m\u00FAsico, ingeniero de sonido y compositor brit\u00E1nico pionero de la m\u00FAsica pop experimental y de la era espacial. Tambi\u00E9n colabor\u00F3 en el desarrollo de pr\u00E1cticas de grabaci\u00F3n como el overdubbing, el sampling y la reverberaci\u00F3n.\u200B Meek est\u00E1 considerado uno de los ingenieros de sonido m\u00E1s influyentes de todos los tiempos, siendo uno de los primeros en desarrollar ideas como la del estudio de grabaci\u00F3n como instrumento, y convirti\u00E9ndose en uno de los primeros productores en ser reconocido por su identidad individual como artista.\u200B"@es . . . . . . . . . . . "Telstar.ogg"@en . . . . . . . . "Robert George Meek"@en . . . . . . . "1929-04-05"^^ . . . . . . . . "Robert Duke, Peter Jacobs"@en . . . . . "\uB85C\uBC84\uD2B8 \uC870\uC9C0 \"\uC870\" \uBBF9(Robert George \"Joe\" Meek, 1929\uB144 4\uC6D4 5\uC77C \u2013 1967\uB144 2\uC6D4 3\uC77C)\uC740 \uC601\uAD6D\uC758 \uC74C\uBC18 \uC81C\uC791\uC790, \uC74C\uD5A5 \uC5D4\uC9C0\uB2C8\uC5B4, \uC791\uACE1\uAC00\uB2E4. \uBC0F \uC758 \uC120\uAD6C\uC790\uB85C \uD3C9\uAC00\uB41C\uB2E4. \uB610\uD55C \uC624\uBC84\uB354\uBE59, \uC0D8\uD50C\uB9C1, \uB9AC\uBC84\uBE0C \uB4F1 \uB2E4\uC591\uD55C \uC74C\uBC18 \uC81C\uC791\uAE30\uC220\uC758 \uAC1C\uBC1C\uC5D0 \uAD00\uC5EC\uD558\uC5EC \uC654\uB2E4. \uC778\uD558\uC5EC \uBBF9\uC740 \uC5ED\uB300 \uAC00\uC7A5 \uC601\uD5A5\uB825 \uC788\uB294 \uC74C\uD5A5 \uC5D4\uC9C0\uB2C8\uC5B4\uB85C \uD3C9\uAC00\uB418\uAE30\uB3C4 \uD558\uBA70, \uB294 \uBC1C\uC0C1\uC744 \uCC98\uC74C \uB0B3\uC740 \uC778\uBB3C \uC911 \uD55C \uBA85\uC73C\uB85C\uB3C4 \uD3C9\uAC00\uB41C\uB2E4. \uAC1C\uC131\uD30C \uC608\uC220\uC778\uC758 \uBA74\uBAA8\uB85C\uB3C4 \uB610\uD55C \uC720\uBA85\uD558\uB2E4. \u3008\u3009, \u3008\u3009, \u3008Angela Jones\u3009, \u3008\u3009, \u3008Tribute to Buddy Holly\u3009 \uB4F1 \uBBF9\uC774 \uC81C\uC791\uD55C \uC2F1\uAE00\uC774 \uC774\uB807\uAC8C \uB9CE\uC774 \uCC28\uD2B8\uC5D0 \uC62C\uB790\uB2E4. \uD2B9\uD788\uB098 \uADF8\uC758 \uC790\uC791\uACE1 \u3008\u3009\uB294 \uBBF8\uAD6D \uD56B 100\uC5D0 \uCC98\uC74C 1\uC704\uB85C \uCE58\uC62C\uB824\uC9C4 \uC601\uAD6D \uB85D \uADF8\uB8F9\uC758 \uB808\uCF54\uB4DC\uB2E4. \uC774\uAC83\uC740 \uC5ED\uC2DC \uC601\uAD6D\uC5D0\uC11C\uB3C4 1\uC704\uC5D0 \uC62C\uB790\uACE0, 5\uC8FC\uB97C \uC751\uB9BD\uD558\uB294 \uB370 \uC131\uACF5\uD588\uB2E4. \uBBF9\uC740 \uC774 \uB808\uCF54\uB4DC\uB85C 1962\uB144 \uC544\uC774\uBC84 \uB178\uBCA8 \uC5B4\uC6CC\uB4DC \"\uAC00\uC7A5 \uB9CE\uC774 \uD314\uB9B0 A\uBA74\" \uBD80\uBB38\uC744 \uC218\uC0C1\uD588\uB2E4. \uB300\uC911\uC74C\uC545 \uC601\uD654 \u300A\u300B\uC758 \uC74C\uC545\uC5D0\uB3C4 \uCC38\uC5EC\uD588\uB2E4. 1960\uB144 \uCF58\uC149\uD2B8 \uC568\uBC94 \u300A\u300B\uB294 \uD601\uC2E0\uC801\uC778 \uC77C\uB809\uD2B8\uB9AD \uC74C\uD5A5\uC744 \uD65C\uC6A9\uD55C \uAC83\uC73C\uB85C, \uC544\uC27D\uAC8C\uB3C4 \uC0DD\uC804 \uC644\uC804\uD55C \uD615\uD0DC\uB85C \uBC1C\uB9E4\uB418\uC9C0 \uBABB\uD588\uB2E4. \uD504\uB85C\uB4C0\uC11C\uB85C\uC11C\uC758 \uC131\uACF5\uC740 \uADF8\uB9AC \uAE38\uC9C0 \uBABB\uD588\uACE0, \uADF8\uB294 \uC810\uCC28 \uBE5A\uACFC \uC6B0\uC6B8\uC99D\uC758 \uB2AA\uC5D0 \uC7A0\uACA8 \uAC14\uB2E4. 1967\uB144 2\uC6D4 3\uC77C \uC74C\uC545\uC778 \uC18C\uC720\uC758 \uC0B0\uD0C4\uCD1D\uC73C\uB85C \uC9D1 \uC8FC\uC778 \uBC14\uC774\uC62C\uB80C \uC174\uD134\uC744 \uC3D8\uC544 \uC8FD\uC774\uACE0 \uB4A4\uBBF8\uCC98 \uC790\uC2E0\uB3C4 \uC790\uC0B4\uD588\uB2E4. \uBBF9\uC740 \uC218\uCC9C\uC5D0 \uB2EC\uD558\uB294 \uB179\uC74C\uBB3C\uC744 \uBBF8\uACF5\uAC1C \uC0C1\uD0DC\uB85C \uB450\uACE0 \uB5A0\uB0AC\uB294\uB370, \uC774\uAC83\uC744 \uD6C4\uC5D0 \"The Tea Chest Tapes\"\uB85C \uC774\uB984 \uBD99\uC5EC\uB193\uACE0 \uC788\uB2E4. 2009\uB144 \uB294 \"\uB6F0\uC5B4\uB09C \uD504\uB85C\uB4C0\uC11C\uC758 \uC120\uAD6C\uC790\uC801 \uC815\uC2E0\uC744 \uAE30\uB9AC\uB294 \uC758\uBBF8\"\uB85C \"\uC81C\uC791 \uD601\uC2E0\uC744 \uD45C\uCC3D\uD558\uB294 \uC870 \uBBF9\uC0C1\"\uC744 \uC81C\uC815\uD588\uB2E4. 2014\uB144 \u300ANME\u300B\uB294 \uAC00\uC7A5 \uC704\uB300\uD55C \uD504\uB85C\uB4C0\uC11C\uB85C \uBBF9\uC744 \uC120\uC815, \"\uBBF9\uC740 \uC644\uBCBD\uD55C \uC18C\uB9AC\uB97C \uCC3E\uACA0\uB2E4\uB294 \uBAA9\uD45C \uD558\uC5D0 \uB05D\uC5C6\uC774 \uC0C8\uB85C\uC6B4 \uC544\uC774\uB514\uC5B4\uB97C \uBC1C\uC0C1, \uC2DC\uB3C4\uD588\uB2E4. ... \uADF8 \uC720\uC0B0\uC740 \uC624\uB298\uB0A0 \uADC0\uD558\uB4E4\uC774 \uC88B\uC544\uD558\uB294 \uC74C\uC545\uC5D0\uC11C \uB108\uBB34\uB098\uB3C4 \uC26C \uD655\uC778\uC774 \uAC00\uB2A5\uD558\uB2E4.\"\uACE0 \uC774\uB984 \uB192\uD614\uB2E4."@ko . . . . . "\uC870 \uBBF9"@ko . . . . . . . . "55711"^^ . . . "Robert George \"Joe\" Meek, f\u00F6dd 5 april 1929 i Newent, Gloucestershire, d\u00F6d 3 februari 1967 i London, var en nyskapande brittisk musikproducent och l\u00E5tskrivare.Mest k\u00E4nd \u00E4r han f\u00F6r sin l\u00E5t Telstar som han skrev och producerade \u00E5t The Tornados 1962 som blev den f\u00F6rsta l\u00E5ten av en brittisk grupp att n\u00E5 f\u00F6rstaplatsen p\u00E5 Billboard Hot 100 i USA. Trots sin korta musikaliska karri\u00E4r hann han producera m\u00E5nga popul\u00E4ra l\u00E5tar med artister som The Honeycombs, Lonnie Donegan, Michael Cox, och hans bidrag till musikhistorien \u00E4r mycket stort. Meeks konceptalbum 1960 r\u00E4knas som ett inflytelserikt album och tidningen skrev om dess betydelse i en artikel med namnet \"100 Records that Set the World on Fire (When No One Was Listening)\"."@sv . . . . . . . . . . . . . . . . . . . . . . . . . . "Joe Meek (Robert George Meek), n\u00E9 le 5 avril 1929 \u00E0 Newent, Gloucestershire (Royaume-Uni) et mort \u00E0 Islington \u00E0 Londres le 3 f\u00E9vrier 1967, fut un pionnier parmi les producteurs britanniques de musique et un auteur compositeur reconnu comme l'un des premiers producteurs ind\u00E9pendants au monde. Sa production la plus c\u00E9l\u00E8bre est Telstar, enregistr\u00E9 en 1962 par les Tornados, instrumental qui a \u00E9t\u00E9 le premier morceau rock britannique \u00E0 atteindre la 1re place au Billboard Hot 100. Son concept-album est consid\u00E9r\u00E9 comme un tournant dans la musique moderne pour son utilisation de sons \u00E9lectroniques. Son succ\u00E8s commercial en tant que producteur a \u00E9t\u00E9 de courte dur\u00E9e et Meek sombra peu \u00E0 peu dans la d\u00E9pression et les dettes. Il s'est suicid\u00E9 le 3 f\u00E9vrier 1967, \u00E2g\u00E9 de 37 ans, huit ans jour pour jour apr\u00E8s la mort de son idole Buddy Holly."@fr . . . . . . . . . . . . . . . . . . . . . . . "Joe Meek"@en . . . . . . . . . . . . "Robert George \"Joe\" Meek (5 de abril de 1929-3 de febrero de 1967) fue un productor discogr\u00E1fico, m\u00FAsico, ingeniero de sonido y compositor brit\u00E1nico pionero de la m\u00FAsica pop experimental y de la era espacial. Tambi\u00E9n colabor\u00F3 en el desarrollo de pr\u00E1cticas de grabaci\u00F3n como el overdubbing, el sampling y la reverberaci\u00F3n.\u200B Meek est\u00E1 considerado uno de los ingenieros de sonido m\u00E1s influyentes de todos los tiempos, siendo uno de los primeros en desarrollar ideas como la del estudio de grabaci\u00F3n como instrumento, y convirti\u00E9ndose en uno de los primeros productores en ser reconocido por su identidad individual como artista.\u200B"@es . . . . . . "Joe Meek (5. dubna 1929 \u2013 3. \u00FAnora 1967) byl anglick\u00FD hudebn\u00ED producent. Svou hudebn\u00ED kari\u00E9ru zah\u00E1jil jako zvukov\u00FD in\u017Een\u00FDr v polovin\u011B pades\u00E1t\u00FDch let. V roce 1960 zalo\u017Eil spolu s hudebn\u00ED vydavatelstv\u00ED Triumph Records. Produkoval nahr\u00E1vky mnoha interpret\u016F, mezi n\u011B\u017E pat\u0159\u00ED nap\u0159\u00EDklad , a . V roce 1960 vydal vlastn\u00ED konceptu\u00E1ln\u00ED album nazvan\u00E9 I Hear a New World. Ke konci \u017Eivota upadal do depres\u00ED a m\u011Bl velk\u00E9 dluhy. V roce 1967 se zast\u0159elil."@cs . . . . . . . . "UK: Triumph , Pye Nixa, Piccadilly, Decca, Ember, Oriole, Columbia, Top Rank, HMV, Parlophone"@en . . . "Joe Meek (Robert George Meek, * 5. April 1929 in , Gloucestershire; \u2020 3. Februar 1967 in Islington) war ein britischer Musikproduzent, Songwriter und Inhaber einer Plattenfirma."@de . . . . . . "Joe Meek"@nl . . . . . . . . "1954"^^ . . . . . . . . . . "1929-04-05"^^ . . . . . . "Newent, Gloucestershire, England"@en . . . . . . . . . . . . . . . . . . . . . . . . "Robert George \"Joe\" Meek (5 April 1929 \u2013 3 February 1967) was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist."@en . . . . . . . . . . "1967-02-03"^^ . . "Record producer, sound engineer, songwriter"@en . . . . . . "Joe Meek (5. dubna 1929 \u2013 3. \u00FAnora 1967) byl anglick\u00FD hudebn\u00ED producent. Svou hudebn\u00ED kari\u00E9ru zah\u00E1jil jako zvukov\u00FD in\u017Een\u00FDr v polovin\u011B pades\u00E1t\u00FDch let. V roce 1960 zalo\u017Eil spolu s hudebn\u00ED vydavatelstv\u00ED Triumph Records. Produkoval nahr\u00E1vky mnoha interpret\u016F, mezi n\u011B\u017E pat\u0159\u00ED nap\u0159\u00EDklad , a . V roce 1960 vydal vlastn\u00ED konceptu\u00E1ln\u00ED album nazvan\u00E9 I Hear a New World. Ke konci \u017Eivota upadal do depres\u00ED a m\u011Bl velk\u00E9 dluhy. V roce 1967 se zast\u0159elil."@cs . . . . . . "Joe Meek (Robert George Meek, * 5. April 1929 in , Gloucestershire; \u2020 3. Februar 1967 in Islington) war ein britischer Musikproduzent, Songwriter und Inhaber einer Plattenfirma."@de . . . . . . . . . . . "Joe Meek, w\u0142a\u015Bc. Robert Georgie Meek (ur. 5 kwietnia 1929, zm. 3 lutego 1967) \u2013 pionier brytyjskich re\u017Cyser\u00F3w nagra\u0144 lat '50\u2013'60 XX w., kompozytor, wynalazca, pierwszy w historii niezale\u017Cny producent muzyczny, kt\u00F3rego dzia\u0142alno\u015B\u0107 mia\u0142a silny wp\u0142yw na rozw\u00F3j muzyki i kultury rockowej. Wsp\u00F3\u0142pracowa\u0142 z takimi artystami i zespo\u0142ami jak , , The Tornados, i ."@pl . . . . . . "Joe Meek"@en . . . . . . . . "Joe Meek"@sv . . . . . . . . . . . "1954"^^ . . . "Joe Meek"@it . "Robert George \"Joe\" Meek, f\u00F6dd 5 april 1929 i Newent, Gloucestershire, d\u00F6d 3 februari 1967 i London, var en nyskapande brittisk musikproducent och l\u00E5tskrivare.Mest k\u00E4nd \u00E4r han f\u00F6r sin l\u00E5t Telstar som han skrev och producerade \u00E5t The Tornados 1962 som blev den f\u00F6rsta l\u00E5ten av en brittisk grupp att n\u00E5 f\u00F6rstaplatsen p\u00E5 Billboard Hot 100 i USA. Trots sin korta musikaliska karri\u00E4r hann han producera m\u00E5nga popul\u00E4ra l\u00E5tar med artister som The Honeycombs, Lonnie Donegan, Michael Cox, och hans bidrag till musikhistorien \u00E4r mycket stort. Meeks konceptalbum 1960 r\u00E4knas som ett inflytelserikt album och tidningen skrev om dess betydelse i en artikel med namnet \"100 Records that Set the World on Fire (When No One Was Listening)\". Joe Meek producerade och skrev \u00E4ven en hel del musik f\u00F6r filmer, bland annat f\u00F6r 1963, en film om popmusik med bland annat Heinz Burt, Kenny Ball i huvudrollerna. Mot slutet av sitt liv blev Meek paranoid och deprimerad, delvis p\u00E5 grund av att han var homosexuell under en period d\u00E5 det var olagligt i Storbritannien, men ocks\u00E5 p\u00E5 grund av en \u00F6kande anv\u00E4ndning av droger. Dessutom var han i ekonomiska bekymmer d\u00E5 den franska komposit\u00F6ren Jean Ledrut st\u00E4mde honom f\u00F6r att ha stulit melodin till 'Telstar', och medan fallet var i domstolen kunde Meek inte f\u00E5 ut n\u00E5gon royalty fr\u00E5n hiten. Den 3 februari 1967 m\u00F6rdade Joe Meek sin hyresv\u00E4rd med ett hagelgev\u00E4r, innan han tog sitt eget liv genom att skjuta sig sj\u00E4lv. Strax efter hans d\u00F6d fattade domstolen sitt beslut: Joe Meek hade inte stulit melodin till 'Telstar' fr\u00E5n Jean Ledrut."@sv . "London, England"@en . . . "1967"^^ . . . . . . . . . . "Robert George Meek, meglio conosciuto come Joe Meek (Newent, 5 aprile 1929 \u2013 Londra, 3 febbraio 1967), \u00E8 stato un produttore discografico, tecnico del suono e compositore inglese. Meek ide\u00F2 e perfezion\u00F2 varie tecniche in studio fra cui la sovraincisione, il campionamento e il riverbero. Meek viene inoltre considerato uno dei pi\u00F9 influenti ingegneri del suono di tutti i tempi per essere stato uno dei primi ad aver trasformato lo studio di registrazione in uno strumento e ad aver reso le tecniche di produzione un'espressione artistica. Il suo innovativo uso delle tecniche di produzione spinsero alcuni a definirlo \"il Phil Spector inglese.\" Durante la sua vita, Meek lavor\u00F2 per artisti come John Leyton, , , The Honeycombs, e i Tornados, insieme ai quali scrisse la famosa Telstar (1962)."@it . . . . . . . . . . "197754"^^ . . . . . . . . . . . . . "Robert Duke, Peter Jacobs"@en . "\uB85C\uBC84\uD2B8 \uC870\uC9C0 \"\uC870\" \uBBF9(Robert George \"Joe\" Meek, 1929\uB144 4\uC6D4 5\uC77C \u2013 1967\uB144 2\uC6D4 3\uC77C)\uC740 \uC601\uAD6D\uC758 \uC74C\uBC18 \uC81C\uC791\uC790, \uC74C\uD5A5 \uC5D4\uC9C0\uB2C8\uC5B4, \uC791\uACE1\uAC00\uB2E4. \uBC0F \uC758 \uC120\uAD6C\uC790\uB85C \uD3C9\uAC00\uB41C\uB2E4. \uB610\uD55C \uC624\uBC84\uB354\uBE59, \uC0D8\uD50C\uB9C1, \uB9AC\uBC84\uBE0C \uB4F1 \uB2E4\uC591\uD55C \uC74C\uBC18 \uC81C\uC791\uAE30\uC220\uC758 \uAC1C\uBC1C\uC5D0 \uAD00\uC5EC\uD558\uC5EC \uC654\uB2E4. \uC778\uD558\uC5EC \uBBF9\uC740 \uC5ED\uB300 \uAC00\uC7A5 \uC601\uD5A5\uB825 \uC788\uB294 \uC74C\uD5A5 \uC5D4\uC9C0\uB2C8\uC5B4\uB85C \uD3C9\uAC00\uB418\uAE30\uB3C4 \uD558\uBA70, \uB294 \uBC1C\uC0C1\uC744 \uCC98\uC74C \uB0B3\uC740 \uC778\uBB3C \uC911 \uD55C \uBA85\uC73C\uB85C\uB3C4 \uD3C9\uAC00\uB41C\uB2E4. \uAC1C\uC131\uD30C \uC608\uC220\uC778\uC758 \uBA74\uBAA8\uB85C\uB3C4 \uB610\uD55C \uC720\uBA85\uD558\uB2E4. \u3008\u3009, \u3008\u3009, \u3008Angela Jones\u3009, \u3008\u3009, \u3008Tribute to Buddy Holly\u3009 \uB4F1 \uBBF9\uC774 \uC81C\uC791\uD55C \uC2F1\uAE00\uC774 \uC774\uB807\uAC8C \uB9CE\uC774 \uCC28\uD2B8\uC5D0 \uC62C\uB790\uB2E4. \uD2B9\uD788\uB098 \uADF8\uC758 \uC790\uC791\uACE1 \u3008\u3009\uB294 \uBBF8\uAD6D \uD56B 100\uC5D0 \uCC98\uC74C 1\uC704\uB85C \uCE58\uC62C\uB824\uC9C4 \uC601\uAD6D \uB85D \uADF8\uB8F9\uC758 \uB808\uCF54\uB4DC\uB2E4. \uC774\uAC83\uC740 \uC5ED\uC2DC \uC601\uAD6D\uC5D0\uC11C\uB3C4 1\uC704\uC5D0 \uC62C\uB790\uACE0, 5\uC8FC\uB97C \uC751\uB9BD\uD558\uB294 \uB370 \uC131\uACF5\uD588\uB2E4. \uBBF9\uC740 \uC774 \uB808\uCF54\uB4DC\uB85C 1962\uB144 \uC544\uC774\uBC84 \uB178\uBCA8 \uC5B4\uC6CC\uB4DC \"\uAC00\uC7A5 \uB9CE\uC774 \uD314\uB9B0 A\uBA74\" \uBD80\uBB38\uC744 \uC218\uC0C1\uD588\uB2E4. \uB300\uC911\uC74C\uC545 \uC601\uD654 \u300A\u300B\uC758 \uC74C\uC545\uC5D0\uB3C4 \uCC38\uC5EC\uD588\uB2E4. 1960\uB144 \uCF58\uC149\uD2B8 \uC568\uBC94 \u300A\u300B\uB294 \uD601\uC2E0\uC801\uC778 \uC77C\uB809\uD2B8\uB9AD \uC74C\uD5A5\uC744 \uD65C\uC6A9\uD55C \uAC83\uC73C\uB85C, \uC544\uC27D\uAC8C\uB3C4 \uC0DD\uC804 \uC644\uC804\uD55C \uD615\uD0DC\uB85C \uBC1C\uB9E4\uB418\uC9C0 \uBABB\uD588\uB2E4."@ko . . . . . . . . . . . . . . . . . "The Tornadoes \u2013 \"Telstar\""@en . . . . . . . . "Joe Meek"@en . . . "USA: Tower, London, Coral"@en . . . . "1124650545"^^ . . . . . . . . . . . ""@en . . . . . . . . . "Robert George (Joe) Meek (Newent, Gloucestershire, 5 april 1929 \u2013 Londen, 3 februari 1967) was een onafhankelijke muziekproducent, geluidstechnicus en liedjesschrijver. Hij was verantwoordelijk voor drie nummer 1-hits in de Engelse hitparade: \n* John Leyton, Johnny Remember Me (1961); \n* The Tornados, Telstar (1962); \n* The Honeycombs, Have I the Right? (1964). Joe Meek was toondoof en had moeite om timbres te onderscheiden. Dat was geen beletsel voor een carri\u00E8re in de muziekwereld."@nl . . . . . . "Experimental pop"@en . . . . . . . . . . . "Joe Meek"@cs . . . . . . . . . . . . . . . . "Joe Meek"@de . . . . . . . . . "Joe Meek"@fr . . . . . . . "Joe Meek"@pl . . . . . . . "Joe Meek (Robert George Meek), n\u00E9 le 5 avril 1929 \u00E0 Newent, Gloucestershire (Royaume-Uni) et mort \u00E0 Islington \u00E0 Londres le 3 f\u00E9vrier 1967, fut un pionnier parmi les producteurs britanniques de musique et un auteur compositeur reconnu comme l'un des premiers producteurs ind\u00E9pendants au monde."@fr . . . . . . . . . . . . . . . . . . . . . . "Robert George Meek, meglio conosciuto come Joe Meek (Newent, 5 aprile 1929 \u2013 Londra, 3 febbraio 1967), \u00E8 stato un produttore discografico, tecnico del suono e compositore inglese. Meek ide\u00F2 e perfezion\u00F2 varie tecniche in studio fra cui la sovraincisione, il campionamento e il riverbero. Meek viene inoltre considerato uno dei pi\u00F9 influenti ingegneri del suono di tutti i tempi per essere stato uno dei primi ad aver trasformato lo studio di registrazione in uno strumento e ad aver reso le tecniche di produzione un'espressione artistica. Il suo innovativo uso delle tecniche di produzione spinsero alcuni a definirlo \"il Phil Spector inglese.\" Durante la sua vita, Meek lavor\u00F2 per artisti come John Leyton, , , The Honeycombs, e i Tornados, insieme ai quali scrisse la famosa Telstar (1962)."@it . "1960.0"^^ . . "Robert George (Joe) Meek (Newent, Gloucestershire, 5 april 1929 \u2013 Londen, 3 februari 1967) was een onafhankelijke muziekproducent, geluidstechnicus en liedjesschrijver. Hij was verantwoordelijk voor drie nummer 1-hits in de Engelse hitparade: \n* John Leyton, Johnny Remember Me (1961); \n* The Tornados, Telstar (1962); \n* The Honeycombs, Have I the Right? (1964). Joe Meek was toondoof en had moeite om timbres te onderscheiden. Dat was geen beletsel voor een carri\u00E8re in de muziekwereld."@nl . . "Joe Meek"@es . . . "Robert George Meek"@en . . . "\"Telstar\" featured a clavioline, a keyboard instrument with a distinctive electronic sound. The piece won an Ivor Novello Award and sold over five million copies worldwide."@en . . . . . "Joe Meek, w\u0142a\u015Bc. Robert Georgie Meek (ur. 5 kwietnia 1929, zm. 3 lutego 1967) \u2013 pionier brytyjskich re\u017Cyser\u00F3w nagra\u0144 lat '50\u2013'60 XX w., kompozytor, wynalazca, pierwszy w historii niezale\u017Cny producent muzyczny, kt\u00F3rego dzia\u0142alno\u015B\u0107 mia\u0142a silny wp\u0142yw na rozw\u00F3j muzyki i kultury rockowej. Wsp\u00F3\u0142pracowa\u0142 z takimi artystami i zespo\u0142ami jak , , The Tornados, i . To Meek wprowadzi\u0142 do studia nagraniowego takie narz\u0119dzia jak kompresor, efekt pog\u0142osu, (odtwarzania ta\u015Bmy \u201Eod ty\u0142u\u201D) jak te\u017C pocz\u0105tki samplingu. Zaadaptowa\u0142 do wsp\u00F3\u0142czesnych mu brzmie\u0144 muzycznych , instrument muzyczny z lat '30 XX w., kt\u00F3ry p\u00F3\u017Aniej wykorzystali muzycy Tangerine Dream i Pink Floyd. W przeciwie\u0144stwie do innych producent\u00F3w, d\u0105\u017Cy\u0142 bardziej do uzyskania okre\u015Blonego wra\u017Cenia og\u00F3lnego ni\u017C do precyzyjnego uchwycenia wszystkich d\u017Awi\u0119k\u00F3w, generowanych przez muzyk\u00F3w w studiu. W ci\u0105gu swej kr\u00F3tkiej kariery sta\u0142 si\u0119 samotnym tw\u00F3rc\u0105 \u201Ed\u017Awi\u0119kowego autografu\u201D swojego w\u0142asnego brzmieniowego pi\u0119tna, kt\u00F3ry nadawa\u0142 produkowanym przez siebie nagraniom."@pl . . . . . . . . "Robert George \"Joe\" Meek (5 April 1929 \u2013 3 February 1967) was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Charting singles Meek produced for other artists include \"Johnny Remember Me\" (John Leyton, 1961), \"Just Like Eddie\" (Heinz, 1963), \"Angela Jones\" (Michael Cox, 1960), \"Have I the Right?\" (the Honeycombs, 1964), and \"Tribute to Buddy Holly\" (Mike Berry, 1961). The Tornados' instrumental \"Telstar\" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five weeks at number one in the UK singles chart, with Meek receiving an Ivor Novello Award for this production as the \"Best-Selling A-Side\" of 1962. He also produced music for films such as Live It Up! (US title Sing and Swing, 1963), a pop music film. Meek's concept album I Hear a New World (1960), which contains innovative use of electronic sounds, was not fully released in his lifetime. His reputation for experiments in recording music was acknowledged by the Music Producers Guild who in 2009 created \"The Joe Meek Award for Innovation in Production\" as a \"homage to [the] remarkable producer's pioneering spirit\". In 2014, Meek was ranked the greatest producer of all time by NME, elaborating: \"Meek was a complete trailblazer, attempting endless new ideas in his search for the perfect sound. ... The legacy of his endless experimentation is writ large over most of your favourite music today.\" At the time of his death, Meek possessed thousands of unreleased recordings later dubbed \"The Tea Chest Tapes\". His commercial success as a producer was short-lived, and he gradually sank into debt and depression. On 3 February 1967, using a shotgun owned by musician Heinz Burt, Meek killed his landlady, Violet Shenton, and then shot himself."@en . .