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<http://dbpedia.org/resource/Jean_Metzinger>	<http://dbpedia.org/ontology/birthName>	"Jean Dominique Antony Metzinger"@en .
<http://dbpedia.org/resource/Jean_Metzinger>	<http://dbpedia.org/ontology/deathDate>	"1956-11-03"^^<http://www.w3.org/2001/XMLSchema#date> .
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<http://dbpedia.org/resource/Jean_Metzinger>	<http://dbpedia.org/ontology/abstract>	"\u30B8\u30E3\u30F3\u30FB\u30C9\u30DF\u30CB\u30AF\u30FB\u30A2\u30F3\u30C8\u30CB\u30FC\u30FB\u30E1\u30C3\u30C4\u30A1\u30F3\u30B8\u30A7\uFF08\u30E1\u30C3\u30C4\u30A3\u30F3\u30B2\u30EB\u3001Jean Dominique Antony Metzinger \u30D5\u30E9\u30F3\u30B9\u8A9E\u767A\u97F3: [m\u025Btsi\u014Bg\u025B\u0281]\u30011883\u5E746\u670824\u65E5 - 1956\u5E7411\u67083\u65E5\uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u306E\u30AD\u30E5\u30D3\u30B9\u30E0\u306E\u753B\u5BB6\u3002\u30D5\u30E9\u30F3\u30B9\u30FB\u30CA\u30F3\u30C8\u306B\u751F\u307E\u308C\u308B\u3002"@ja .
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<http://dbpedia.org/resource/Jean_Metzinger>	<http://dbpedia.org/ontology/abstract>	"Jean Metzinger (naski\u011Dis la 24-an de junio 1883 en Nanto, mortis la 3-an de novembro 1956 en Parizo) estis franca pentristo. Li komencis siajn studojn de pentrado kiam li estis 15-jara. Tiutempe, li proksimi\u011Dis al la laboro de Ingres. Kiam li estis 17-jara li transloki\u011Dis al Parizo, kie li vizitis plurajn akademiojn, forlasante \u0109iujn, malkontenta. Li estis influita de la historiaj avangardoj, tiaj kiaj la Punktismo de Seurat kaj la Fa\u016Dvismo. En 1910, konati\u011Dinte kun Picasso kaj Braque li fari\u011Dis kubisma pentristo. Unu el la verkoj kiuj markis la komencon de lia partopreno en la movado estis Nudo, elmetita en la A\u016Dtuna Salono de 1910. Krom pentristo, Metzinger anka\u016D estis teoriisto de la movado, kaj eldonis plurajn artikolojn. Plej grave, Du \"Cubisme\" (Pri \"Kubismo\"), estis verkita kune kun Gleizes. Ekde 1918, li inklini\u011Dis al ia speco de klasikismo, revenante al la originoj de sia formado. Li mortis 73-jara\u011Da."@eo .
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<http://dbpedia.org/resource/Jean_Metzinger>	<http://dbpedia.org/ontology/abstract>	"Jean Metzinger (24. \u010Dervna 1883, Nantes \u2013 3. listopadu 1956, Pa\u0159\u00ED\u017E) byl francouzsk\u00FD mal\u00ED\u0159 a teoretik um\u011Bn\u00ED, jeden z tv\u016Frc\u016F kubismu. Byl \u010Dlenem skupiny Section d'Or. Byl jedn\u00EDm z mnoha um\u011Blc\u016F, jejich\u017E d\u00EDlo bylo v roce 1933 odsouzeno jako zvrhl\u00E9 um\u011Bn\u00ED a v roce 1937 vystaveno na v\u00FDstav\u011B Entartete Kunst v Mnichov\u011B."@cs .
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<http://dbpedia.org/resource/Jean_Metzinger>	<http://dbpedia.org/ontology/abstract>	"Jean Dominique Antony Metzinger, n\u00E9 le 24 juin 1883 \u00E0 Nantes et mort le 1er novembre 1956 dans le 6e arrondissement de Paris, est un peintre, th\u00E9oricien de l'art, \u00E9crivain, critique d'art et po\u00E8te fran\u00E7ais. Ses premi\u00E8res \u0153uvres, de 1900 \u00E0 1904, semblent avoir \u00E9t\u00E9 influenc\u00E9es par le n\u00E9o-impressionnisme de Georges Seurat et Henri-Edmond Cross. Entre 1904 et 1907, Metzinger a travaill\u00E9 dans les styles divisionniste et fauviste. \u00C0 partir de 1908, il a \u00E9t\u00E9 directement impliqu\u00E9 avec le cubisme, \u00E0 la fois comme th\u00E9oricien et artiste du mouvement. Jean Metzinger, en collaboration avec Albert Gleizes, a \u00E9crit le premier trait\u00E9 majeur sur le cubisme, Du Cubisme, en 1912. Metzinger \u00E9tait un membre fondateur de la Section d'Or."@fr .
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<http://dbpedia.org/resource/Jean_Metzinger>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Jean Metzinger (25 Juni 1883 \u2013 3 November 1956) adalah seorang seniman, pelukis, dan penulis berkebangsaan Prancis. Pada usia 20 tahun, ia pergi ke Paris untuk mengejar karier sebagai pelukis. Salah satu rekan yang Metzinger temui pada awal kunjungannya di Paris adalah Robert Delaunay. Pada tahun tahun 1908, ia bertemu dengan penulis Max Jacob, yang mengenalkan Metzinger kepada seniman dan sastrawan ternama Guillaume Apollinaire, Pablo Picasso, dan Georges Braque. Pada tahun 1910, Metzinger untuk pertama kalinya memamerkan hasil karyanya di , sebuah asosiasi seniman independen di Prancis. Dalam periode 1910 hingga 1911, ia mempublikasikan beberapa artikel tentang lukisan kontemporer, serta berkontribusi menyumbang tulisan dalam berkala seni yang membahas seni modern. Lebih jauh lagi, dalam"@in .
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<http://dbpedia.org/resource/Jean_Metzinger>	<http://dbpedia.org/ontology/abstract>	"Jean Dominique Antony Metzinger (French: [m\u025Bts\u025B\u0303\u0292e]; 24 June 1883 \u2013 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong C\u00E9zannian component, leading to some of the first proto-Cubist works. From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's Note sur la Peinture, published in 1910. Before the emergence of Cubism, painters worked from the limiting factor of a single view-point. Metzinger, for the first time, in Note sur la peinture, enunciated the interest in representing objects as remembered from successive and subjective experiences within the context of both space and time. Jean Metzinger and Albert Gleizes wrote the first major treatise on Cubism in 1912, entitled Du \"Cubisme\". Metzinger was a founding member of the Section d'Or group of artists. Metzinger was at the center of Cubism both because of his participation and identification of the movement when it first emerged, because of his role as intermediary among the Bateau-Lavoir group and the Section d'Or Cubists, and above all because of his artistic personality. During the First World War Metzinger furthered his role as a leading Cubist with his co-founding of the second phase of the movement, referred to as Crystal Cubism. He recognized the importance of mathematics in art, through a radical geometrization of form as an underlying architectural basis for his wartime compositions. The establishing of the basis of this new perspective, and the principles upon which an essentially non-representational art could be built, led to La Peinture et ses lois (Painting and its Laws), written by Albert Gleizes in 1922\u201323. As post-war reconstruction began, a series of exhibitions at L\u00E9once Rosenberg's Galerie de L'Effort Moderne were to highlight order and allegiance to the aesthetically pure. The collective phenomenon of Cubism\u2014now in its advanced revisionist form\u2014became part of a widely discussed development in French culture, with Metzinger at its helm. Crystal Cubism was the culmination of a continuous narrowing of scope in the name of a return to order; based upon the observation of the artist's relation to nature, rather than on the nature of reality itself. In terms of the separation of culture and life, this period emerges as the most important in the history of Modernism. For Metzinger, the classical vision had been an incomplete representation of real things, based on an incomplete set of laws, postulates and theorems. He believed the world was dynamic and changing in time, that it appeared different depending on the point of view of the observer. Each of these viewpoints were equally valid according to underlying symmetries inherent in nature. For inspiration, Niels Bohr, the Danish physicist and one of the founders of quantum mechanics, hung in his office a large painting by Metzinger, La Femme au Cheval, a conspicuous early example of \"mobile perspective\" implementation (also called simultaneity)."@en .
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