. . "\u65E5\u672C\u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0\uFF08\u306B\u3063\u307D\u3093\u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0\u3001\u65E5\u672C\u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0\u3068\u3082\u3001\u82F1\u8A9EThe Japanese New Wave\uFF09\u306F\u30011950\u5E74\u4EE3\u672B\u304B\u30891970\u5E74\u4EE3\u306B\u51FA\u73FE\u3057\u305F\u65E5\u672C\u306E\u6620\u753B\u76E3\u7763\u306B\u3088\u308B\u3001\u65E5\u672C\u6620\u753B\u306E\u30E0\u30FC\u30F4\u30E1\u30F3\u30C8\u3067\u3042\u308B\u3002\u300C\u653F\u6CBB\u300D\u3001\u300C\u6027\u300D\u3092\u63CF\u304F\u70B9\u306B\u7279\u5FB4\u304C\u3042\u3063\u305F\u3002\u307E\u305F\u3001\u72AF\u7F6A\u3082\u904E\u53BB\u306E\u6620\u753B\u3068\u306F\u7570\u306A\u308A\u3001\u72AF\u7F6A\u8005\u5074\u304B\u3089\u306E\u8996\u70B9\u3082\u52A0\u3048\u308B\u3053\u3068\u3082\u3042\u3063\u305F\u3002"@ja . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Japana Nova Ondo"@eo . . . . . . . . . . . . . . . . . . . . . . . . "\u65E5\u672C\u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0\uFF08\u306B\u3063\u307D\u3093\u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0\u3001\u65E5\u672C\u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0\u3068\u3082\u3001\u82F1\u8A9EThe Japanese New Wave\uFF09\u306F\u30011950\u5E74\u4EE3\u672B\u304B\u30891970\u5E74\u4EE3\u306B\u51FA\u73FE\u3057\u305F\u65E5\u672C\u306E\u6620\u753B\u76E3\u7763\u306B\u3088\u308B\u3001\u65E5\u672C\u6620\u753B\u306E\u30E0\u30FC\u30F4\u30E1\u30F3\u30C8\u3067\u3042\u308B\u3002\u300C\u653F\u6CBB\u300D\u3001\u300C\u6027\u300D\u3092\u63CF\u304F\u70B9\u306B\u7279\u5FB4\u304C\u3042\u3063\u305F\u3002\u307E\u305F\u3001\u72AF\u7F6A\u3082\u904E\u53BB\u306E\u6620\u753B\u3068\u306F\u7570\u306A\u308A\u3001\u72AF\u7F6A\u8005\u5074\u304B\u3089\u306E\u8996\u70B9\u3082\u52A0\u3048\u308B\u3053\u3068\u3082\u3042\u3063\u305F\u3002"@ja . . . . . . "\u65E5\u672C\u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0"@ja . . . . . . . "La Nueva ola japonesa (en japon\u00E9s, \u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0 (n\u016Bberu b\u0101gu) o \u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0 (n\u016Bveru v\u0101gu)) designa una corriente del cine japon\u00E9s contempor\u00E1nea de la Nouvelle vague francesa."@es . . . . . . . . . . . . "\u0627\u0644\u0645\u0648\u062C\u0629 \u0627\u0644\u064A\u0627\u0628\u0627\u0646\u064A\u0629 \u0627\u0644\u062C\u062F\u064A\u062F\u0629 (\u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0\u060C N\u016Bberu b\u0101gu ) \u0647\u064A \u062D\u0631\u0643\u0629 \u0633\u064A\u0646\u0645\u0627\u0626\u064A\u0629 \u0638\u0647\u0631\u062A \u0641\u064A \u0627\u0644\u0633\u064A\u0646\u0645\u0627 \u0627\u0644\u064A\u0627\u0628\u0627\u0646\u064A\u0629 \u0628\u0634\u0643\u0644 \u0645\u062A\u0641\u0627\u0648\u062A \u0645\u0646 \u0628\u062F\u0627\u064A\u0629 \u0627\u0644\u062E\u0645\u0633\u064A\u0646\u0627\u062A \u062D\u062A\u0649 \u0646\u0647\u0627\u064A\u0629 \u0627\u0644\u0633\u0628\u0639\u064A\u0646\u0627\u062A \u0648\u0638\u0647\u0631 \u0641\u064A\u0647\u0627 \u0627\u0644\u0643\u062B\u064A\u0631 \u0645\u0646 \u0627\u0644\u0645\u0628\u062F\u0639\u064A\u0646 \u0627\u0644\u0633\u064A\u0646\u0645\u0627\u0626\u064A\u064A\u0646 \u0627\u0644\u0639\u0638\u0645\u0627\u0621 \u0648\u0645\u0646 \u0623\u0647\u0645\u0647\u0645 : \u0645\u0627\u0633\u0627\u0643\u064A \u0643\u0648\u0628\u0627\u064A\u0627\u0634\u064A \u0648\u0625\u064A\u0645\u0627\u0645\u0648\u0631\u0627 \u0634\u0648\u0647\u064A\u0647 \u0648\u0647\u064A\u0631\u0648\u0634\u064A \u062A\u064A\u0634\u064A\u062C\u0627\u0647\u0627\u0631\u0627 \u0648\u0646\u0627\u062C\u064A\u0633\u0627 \u0623\u0648\u0634\u064A\u0645\u0627 \u0648\u0633\u064A\u062C\u0648\u0646 \u0633\u0648\u0632\u0648\u0643\u064A \u0648\u0625\u064A\u0632\u0627\u0648 \u062A\u0627\u0643\u0627\u0647\u0627\u062A\u0627 \u0648\u0634\u0648\u062C\u064A \u062F\u064A\u0631\u0627\u064A\u0627\u0645\u0627 \u0648\u064A\u0648\u063A\u064A \u064A\u0627\u0645\u0627\u062F\u0627 \u0648\u0643\u0627\u0646\u064A\u062A\u0648 \u0634\u064A\u0646\u062F\u0648."@ar . "La Nouvelle Vague japonaise (\u65E5\u672C\u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0, Nihon n\u016Bveru v\u0101gu), n\u016Bberu b\u0101gu (\u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0), ou encore Sh\u014Dchiku n\u016Bberu b\u0101gu d\u00E9signe un courant cin\u00E9matographique japonais contemporain de la Nouvelle Vague fran\u00E7aise."@fr . . . . . "La Japana Nova Ondo (japane \u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0 N\u016Bberu b\u0101gu) estas grupo de malstre\u0109itaj japanaj filmofarantoj el la malfruaj 1950-aj jaroj al la 1970-aj jaroj. Kvankam ili ne konsistigas koheran movadon, \u0109i tiuj artistoj dividis malakcepton de tradicioj kaj konvencioj de klasika japana kino favore al pli malfacilaj verkoj, amba\u016D teme kaj formale. Venantaj al la fronto en tempo de nacia socia \u015Dan\u011Di\u011Do kaj agitado, la filmoj faritaj en \u0109i tiu ondo traktis tabuajn temojn, inkluzive seksan perforton, radikalismon, junulan kulturon kaj deliktecon, kontra\u016Dkorean diskriminacion, kaj la sekvojn de la dua mondmilito. Ili anka\u016D adoptis pli malmulte ortodoksajn kaj eksperimentajn alirojn pri komponado, redaktado kaj rakontado. La tendenco prenas sian nomon de la franca nova ondo, samtempa movado, kiu simile for\u0135etis la establitajn tradiciojn de sia nacia kino. Male al la franca ekvivalento, la japana nova ondo originis por fortigi lokan kinon (kiu estis subfosita de televidaj produktadoj) kun novaj ideoj de junaj direktoroj. Ne sukcesante en la studio-sistemo, tiuj produktoroj eventuale formis sendependajn produktentreprenojn."@eo . . . . . . . . . . "1970.0"^^ . . . . "\u65E5\u672C\u65B0\u6D6A\u6F6E\uFF08\u65E5\u8A9E\uFF1A\u65E5\u672C\u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0\uFF09\u662F\u5F71\u8A55\u4EBA\u5C0D\u65BC1950\u5E74\u4EE3\u672B\u81F31970\u5E74\u4EE3\u7684\u4E00\u4E9B\u65E5\u672C\u5C0E\u6F14\u8207\u4ED6\u5011\u7684\u96FB\u5F71\u4F5C\u54C1\u6240\u7D66\u4E88\u7684\u7A31\u547C\uFF0C\u4ED6\u5011\u4E3B\u8981\u53D7\u5230\u6CD5\u570B\u65B0\u6D6A\u6F6E\u7684\u5F71\u97FF\u3002\u65E5\u672C\u65B0\u6D6A\u6F6E\u7684\u4E3B\u8981\u4EE3\u8868\u4EBA\u7269\u5305\u62EC\u3001\u6555\u4F7F\u6CB3\u539F\u5B8F\u3001\u5897\u6751\u4FDD\u9020\u3001\u7BE0\u7530\u6B63\u6D69\u3001\u5927\u5CF6\u6E1A\u3001\u3001\u4ECA\u6751\u660C\u5E73\u3001\u9234\u6728\u6E05\u9806\u3001\u3001\u65B0\u85E4\u517C\u4EBA\u7B49\u4EBA\u3002"@zh . . . . . . . . . . . . . . . . . . . "\u0627\u0644\u0645\u0648\u062C\u0629 \u0627\u0644\u064A\u0627\u0628\u0627\u0646\u064A\u0629 \u0627\u0644\u062C\u062F\u064A\u062F\u0629 (\u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0\u060C N\u016Bberu b\u0101gu ) \u0647\u064A \u062D\u0631\u0643\u0629 \u0633\u064A\u0646\u0645\u0627\u0626\u064A\u0629 \u0638\u0647\u0631\u062A \u0641\u064A \u0627\u0644\u0633\u064A\u0646\u0645\u0627 \u0627\u0644\u064A\u0627\u0628\u0627\u0646\u064A\u0629 \u0628\u0634\u0643\u0644 \u0645\u062A\u0641\u0627\u0648\u062A \u0645\u0646 \u0628\u062F\u0627\u064A\u0629 \u0627\u0644\u062E\u0645\u0633\u064A\u0646\u0627\u062A \u062D\u062A\u0649 \u0646\u0647\u0627\u064A\u0629 \u0627\u0644\u0633\u0628\u0639\u064A\u0646\u0627\u062A \u0648\u0638\u0647\u0631 \u0641\u064A\u0647\u0627 \u0627\u0644\u0643\u062B\u064A\u0631 \u0645\u0646 \u0627\u0644\u0645\u0628\u062F\u0639\u064A\u0646 \u0627\u0644\u0633\u064A\u0646\u0645\u0627\u0626\u064A\u064A\u0646 \u0627\u0644\u0639\u0638\u0645\u0627\u0621 \u0648\u0645\u0646 \u0623\u0647\u0645\u0647\u0645 : \u0645\u0627\u0633\u0627\u0643\u064A \u0643\u0648\u0628\u0627\u064A\u0627\u0634\u064A \u0648\u0625\u064A\u0645\u0627\u0645\u0648\u0631\u0627 \u0634\u0648\u0647\u064A\u0647 \u0648\u0647\u064A\u0631\u0648\u0634\u064A \u062A\u064A\u0634\u064A\u062C\u0627\u0647\u0627\u0631\u0627 \u0648\u0646\u0627\u062C\u064A\u0633\u0627 \u0623\u0648\u0634\u064A\u0645\u0627 \u0648\u0633\u064A\u062C\u0648\u0646 \u0633\u0648\u0632\u0648\u0643\u064A \u0648\u0625\u064A\u0632\u0627\u0648 \u062A\u0627\u0643\u0627\u0647\u0627\u062A\u0627 \u0648\u0634\u0648\u062C\u064A \u062F\u064A\u0631\u0627\u064A\u0627\u0645\u0627 \u0648\u064A\u0648\u063A\u064A \u064A\u0627\u0645\u0627\u062F\u0627 \u0648\u0643\u0627\u0646\u064A\u062A\u0648 \u0634\u064A\u0646\u062F\u0648."@ar . . . . . . . . . . . . . . . . . . . . . . . "Gelombang Baru Jepang (\u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0 N\u016Bberu b\u0101gu) adalah sekelompok pembuat film Jepang yang memiliki koneksi longgar selama akhir 1950-an dan hingga 1970-an. Meski tidak membentuk gerakan yang koheren, para seniman ini sama-sama menolak tradisi dan konvensi sinema Jepang klasik demi karya-karya yang lebih menantang, baik secara tematis maupun formal. Muncul ke permukaan di masa perubahan dan kerusuhan sosial nasional, film-film yang dibuat dalam gelombang ini membahas tabu materi pelajaran, termasuk kekerasan seksual, , dan kenakalan, diskriminasi Korea, , dan setelah Perang Dunia II. Mereka juga mengadopsi pendekatan yang lebih tidak ortodoks dan eksperimental untuk , dan narasi. Tren ini meminjam namanya dari bahasa Prancis , sebuah gerakan serentak yang juga menghapus tradisi sinema nasional yang sudah mapan. Tidak seperti rekan Perancis, Japanese New Wave berasal dari pendirian studio film dalam upaya untuk menghidupkan sinema lokal (yang sedang dirusak oleh produksi televisi) dengan ide-ide baru dari sutradara muda. Gagal berkembang dalam sistem studio, para pembuat film ini akhirnya membentuk perusahaan produksi independen. Terutama, secara signifikan mendorong pergerakan dengan memproduksi dan mendistribusikan beberapa judul New Wave yang paling terkenal."@in . . . . . . . . . . . . . . . . . . . . . . . . . . . . "5469614"^^ . . "1118787965"^^ . "300"^^ . . . . . "\u65E5\u672C\u65B0\u6D6A\u6F6E"@zh . . . . . . . "Nueva ola japonesa"@es . . "Nouvelle Vague (Japon)"@fr . . . . "La Nouvelle Vague japonaise (\u65E5\u672C\u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0, Nihon n\u016Bveru v\u0101gu), n\u016Bberu b\u0101gu (\u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0), ou encore Sh\u014Dchiku n\u016Bberu b\u0101gu d\u00E9signe un courant cin\u00E9matographique japonais contemporain de la Nouvelle Vague fran\u00E7aise."@fr . . "27398"^^ . "The Japanese New Wave (\u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0, N\u016Bberu b\u0101gu) is a group of loosely-connected Japanese filmmakers during the late 1950s and into the 1970s. Although they did not make up a coherent movement, these artists shared a rejection of traditions and conventions of classical Japanese cinema in favor of more challenging works, both thematically and formally. Coming to the fore in a time of national social change and unrest, the films made in this wave dealt with taboo subject matter, including sexual violence, radicalism, youth culture and delinquency, Korean discrimination, queerness, and the aftermath of World War II. They also adopted more unorthodox and experimental approaches to composition, editing and narrative. The trend borrows its name from the French Nouvelle vague, a concurrent movement that similarly scrapped the established traditions of their national cinema. Unlike the French counterpart, Japanese New Wave originated within the film studio establishment in an attempt to invigorate local cinema (which was being undermined by television productions) with new ideas from young directors. Failing to thrive within the studio system, these filmmakers eventually formed independent production companies. Most notably, Art Theatre Guild significantly boosted the movement by producing and distributing several of the most renowned New Wave titles."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . "Gelombang Baru Jepang (\u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0 N\u016Bberu b\u0101gu) adalah sekelompok pembuat film Jepang yang memiliki koneksi longgar selama akhir 1950-an dan hingga 1970-an. Meski tidak membentuk gerakan yang koheren, para seniman ini sama-sama menolak tradisi dan konvensi sinema Jepang klasik demi karya-karya yang lebih menantang, baik secara tematis maupun formal. Muncul ke permukaan di masa perubahan dan kerusuhan sosial nasional, film-film yang dibuat dalam gelombang ini membahas tabu materi pelajaran, termasuk kekerasan seksual, , dan kenakalan, diskriminasi Korea, , dan setelah Perang Dunia II. Mereka juga mengadopsi pendekatan yang lebih tidak ortodoks dan eksperimental untuk , dan narasi."@in . . . . . . . . . . . . . . "The Japanese New Wave (\u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0, N\u016Bberu b\u0101gu) is a group of loosely-connected Japanese filmmakers during the late 1950s and into the 1970s. Although they did not make up a coherent movement, these artists shared a rejection of traditions and conventions of classical Japanese cinema in favor of more challenging works, both thematically and formally. Coming to the fore in a time of national social change and unrest, the films made in this wave dealt with taboo subject matter, including sexual violence, radicalism, youth culture and delinquency, Korean discrimination, queerness, and the aftermath of World War II. They also adopted more unorthodox and experimental approaches to composition, editing and narrative."@en . . . . . "La Nueva ola japonesa (en japon\u00E9s, \u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0 (n\u016Bberu b\u0101gu) o \u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0 (n\u016Bveru v\u0101gu)) designa una corriente del cine japon\u00E9s contempor\u00E1nea de la Nouvelle vague francesa."@es . . . . . . . . . "La Japana Nova Ondo (japane \u30CC\u30FC\u30D9\u30EB\u30D0\u30FC\u30B0 N\u016Bberu b\u0101gu) estas grupo de malstre\u0109itaj japanaj filmofarantoj el la malfruaj 1950-aj jaroj al la 1970-aj jaroj. Kvankam ili ne konsistigas koheran movadon, \u0109i tiuj artistoj dividis malakcepton de tradicioj kaj konvencioj de klasika japana kino favore al pli malfacilaj verkoj, amba\u016D teme kaj formale. Venantaj al la fronto en tempo de nacia socia \u015Dan\u011Di\u011Do kaj agitado, la filmoj faritaj en \u0109i tiu ondo traktis tabuajn temojn, inkluzive seksan perforton, radikalismon, junulan kulturon kaj deliktecon, kontra\u016Dkorean diskriminacion, kaj la sekvojn de la dua mondmilito. Ili anka\u016D adoptis pli malmulte ortodoksajn kaj eksperimentajn alirojn pri komponado, redaktado kaj rakontado."@eo . . . . . . . . . . . . . . . . . . "Japanese New Wave"@en . "\u0627\u0644\u0645\u0648\u062C\u0629 \u0627\u0644\u064A\u0627\u0628\u0627\u0646\u064A\u0629 \u0627\u0644\u062C\u062F\u064A\u062F\u0629"@ar . "\u65E5\u672C\u65B0\u6D6A\u6F6E\uFF08\u65E5\u8A9E\uFF1A\u65E5\u672C\u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0\uFF09\u662F\u5F71\u8A55\u4EBA\u5C0D\u65BC1950\u5E74\u4EE3\u672B\u81F31970\u5E74\u4EE3\u7684\u4E00\u4E9B\u65E5\u672C\u5C0E\u6F14\u8207\u4ED6\u5011\u7684\u96FB\u5F71\u4F5C\u54C1\u6240\u7D66\u4E88\u7684\u7A31\u547C\uFF0C\u4ED6\u5011\u4E3B\u8981\u53D7\u5230\u6CD5\u570B\u65B0\u6D6A\u6F6E\u7684\u5F71\u97FF\u3002\u65E5\u672C\u65B0\u6D6A\u6F6E\u7684\u4E3B\u8981\u4EE3\u8868\u4EBA\u7269\u5305\u62EC\u3001\u6555\u4F7F\u6CB3\u539F\u5B8F\u3001\u5897\u6751\u4FDD\u9020\u3001\u7BE0\u7530\u6B63\u6D69\u3001\u5927\u5CF6\u6E1A\u3001\u3001\u4ECA\u6751\u660C\u5E73\u3001\u9234\u6728\u6E05\u9806\u3001\u3001\u65B0\u85E4\u517C\u4EBA\u7B49\u4EBA\u3002"@zh . . . "Japanese New Wave"@en . . . . . . . "Japan"@en . . . . "Nuberu bagu"@in . . .