. . . "\u041B\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0436\u0430\u0445\u0456\u0432 (\u0430\u043D\u0433\u043B. horror fiction) \u2014 \u0436\u0430\u043D\u0440 \u0445\u0443\u0434\u043E\u0436\u043D\u044C\u043E\u0457 \u043B\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0438, \u0449\u043E \u043F\u043E\u0447\u0430\u0442\u043A\u043E\u0432\u043E \u043C\u0430\u0432 \u043D\u0430 \u043C\u0435\u0442\u0456 \u0432\u0438\u043A\u043B\u0438\u043A\u0430\u0442\u0438 \u0432 \u0447\u0438\u0442\u0430\u0447\u0430 \u0432\u0456\u0434\u0447\u0443\u0442\u0442\u044F \u0442\u0440\u0438\u0432\u043E\u0433\u0438, \u0441\u0442\u0440\u0430\u0445\u0443 \u0456 \u0441\u0443\u043F\u0443\u0442\u043D\u0456\u0445 \u0432\u0456\u0434\u0447\u0443\u0442\u0442\u0456\u0432. \u041D\u0430\u0434\u0430\u043B\u0456, \u0443 \u043F\u0440\u043E\u0446\u0435\u0441\u0456 \u0436\u0430\u043D\u0440\u043E\u0432\u043E\u0433\u043E \u0440\u043E\u0437\u0432\u0438\u0442\u043A\u0443, \u043C\u0456\u0441\u0442\u0438\u0432 \u0435\u043B\u0435\u043C\u0435\u043D\u0442\u0438 \u0433\u0443\u043C\u043E\u0440\u0443, \u043F\u0435\u0440\u0435\u0434\u0430\u0432\u0430\u0432 \u0430\u0442\u043C\u043E\u0441\u0444\u0435\u0440\u0443 \u0442\u043E\u0449\u043E. \u0422\u0430\u043A\u0430 \u043B\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0447\u0430\u0441\u0442\u043E \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u043C\u0456\u0441\u0442\u0438\u0447\u043D\u0435 \u0430\u0431\u043E \u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u043D\u0435 \u0434\u043E\u043F\u0443\u0449\u0435\u043D\u043D\u044F, \u043F\u0440\u043E\u0442\u0435 \u0432\u043E\u043D\u043E \u043D\u0435 \u0454 \u043E\u0431\u043E\u0432'\u044F\u0437\u043A\u043E\u0432\u0438\u043C."@uk . "Kitab al-Bulhan -- devil.jpg"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "1124266911"^^ . . . . . . . . . . . . . . . . . . "Horrorfilm"@nl . . . . . . . "La letteratura dell'orrore, comunemente detta horror (prestito dall'inglese), \u00E8 un genere che mira a suscitare nel lettore sentimenti di ribrezzo, di repulsione, di spavento o di raccapriccio. Tramite la commistione della realt\u00E0 quotidiana con elementi di carattere soprannaturale o surreale o tramite l'inserimento inatteso di circostanze non razionali, ipotizzando situazioni che destabilizzano le sicurezze acquisite nel lettore, vengono in questi instillate emozioni e sensazioni di paura."@it . . . . . . . . . . . "\u0647\u064A \u0646\u0648\u0639 \u0645\u0646 \u0627\u0644\u0643\u062A\u0627\u0628\u0629 \u064A\u0647\u062F\u0641 \u0644\u062A\u0631\u0639\u064A\u0628 \u0623\u0648 \u062A\u062E\u0648\u064A\u0641 \u0648\u062A\u0642\u0632\u064A\u0632 \u0648\u0627\u0641\u0632\u0627\u0639 \u0627\u0644\u0642\u0631\u0627\u0621 \u0645\u0646 \u062E\u0644\u0627\u0644 \u0627\u0642\u0646\u0627\u0639\u0647\u0645 \u0628\u0627\u0644\u0634\u0639\u0648\u0631 \u0628\u0627\u0644\u062E\u0648\u0641. \u0639\u0631\u0641 \u0627\u0644\u0645\u0624\u0631\u062E \u0627\u0644\u0623\u062F\u0628\u064A \u062C.\u0623 \u0643\u0648\u062F\u0648\u0646 \u062D\u0643\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628 \u0639\u0644\u0649 \u0623\u0646\u0647\u0627 \u062C\u0632\u0621 \u0645\u0646 \u0627\u0644\u0646\u062B\u0631 \u0641\u064A \u062E\u064A\u0627\u0644 \u0644\u0623\u0628\u0639\u0627\u062F \u0645\u062A\u0641\u0627\u0648\u062A\u0629\u060C \u0648\u0627\u0644\u062A\u064A \u0642\u062F \u062A\u0635\u062F\u0645 \u0623\u0648 \u062A\u062E\u064A\u0641 \u0627\u0644\u0642\u0627\u0631\u0626\u060C \u0648\u0631\u0628\u0645\u0627 \u062A\u0628\u0639\u062B \u0634\u0639\u0648\u0631 \u0627\u0644\u062A\u0642\u0632\u0632 \u0648\u0627\u0644\u0646\u0641\u0648\u0631 \u0641\u064A \u0646\u0641\u0633 \u0627\u0644\u0642\u0627\u0631\u0626 \u0648\u062A\u062E\u0644\u0642 \u062C\u0648\u0627\u064B \u063A\u0631\u064A\u0628\u0627\u064B \u0645\u0646 \u0627\u0644\u062E\u0648\u0641 \u0648\u063A\u0627\u0644\u0628\u064B\u0627 \u0645\u0627 \u062A\u0643\u0648\u0646 \u062D\u0643\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628 \u062E\u0627\u0631\u0642\u0629 \u0644\u0644\u0637\u0628\u064A\u0639\u0629\u060C \u0648\u0642\u062F \u062A\u0643\u0648\u0646 \u063A\u064A\u0631 \u062E\u0627\u0631\u0642\u0629 \u0644\u0644\u0637\u0628\u064A\u0639\u0629. \u0648\u063A\u0627\u0644\u0628\u0627\u064B \u0645\u0627\u064A\u0639\u0631\u0641 \u062A\u0631\u0643\u064A\u0632 \u062D\u0643\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628 \u0643\u0646\u0648\u0639 \u0645\u0646 \u0627\u0644\u062A\u0647\u062F\u064A\u062F \u0627\u0644\u0630\u064A \u064A\u0641\u0633\u0631 \u0643\u0646\u0648\u0639 \u0645\u0646 \u0627\u0644\u0627\u0633\u062A\u0639\u0627\u0631\u0629 \u0644\u062E\u0648\u0641 \u0643\u0628\u064A\u0631 \u0641\u064A \u0627\u0644\u0645\u062C\u062A\u0645\u0639.\u0623\u0635\u0628\u062D\u062A \u0631\u0648\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628 \u0645\u0646 \u062A\u0642\u0627\u0644\u064A\u062F \u0648\u0639\u0627\u062F\u0627\u062A \u0627\u0644\u0634\u0639\u0648\u0628 \u0627\u0644\u0623\u0635\u064A\u0644\u0647\u060C \u0641\u0623\u0635\u0628\u062D\u062A \u0631\u0648\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628 \u062A\u0631\u0643\u0632 \u0639\u0644\u0649 \u0627\u0644\u0645\u0648\u062A \u0648\u0627\u0644\u062D\u064A\u0627\u0629 \u0627\u0644\u0623\u062E\u0631\u0648\u064A\u0629 \u0648\u0627\u0644\u0634\u0631 \u0648\u0627\u0644\u0634\u064A\u0627\u0637\u064A\u0646. \u0647\u0646\u0627\u0643 \u0627\u0633\u062A\u062E\u062F\u0627\u0645 \u0644\u0638\u0627\u0647\u0631\u0629 \u0627\u0644\u0633\u0627\u062D\u0631\u0627\u062A \u0648\u0645\u0635\u0627\u0635\u064A \u0627\u0644\u062F\u0645\u0627\u0621 \u0648\u0627\u0644\u0645\u0633\u062A\u0630\u0626\u0628\u064A\u0646.\u0645\u0634\u0627\u0647\u064A\u0631 \u0623\u0641\u0644\u0627\u0645 \u0648\u062D\u0643\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628:"@ar . . . . . . . . . . . . . . . . . . . . . . . . "center"@en . . . "\u039F\u03B9 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B5\u03AF\u03B4\u03BF\u03C2 \u03C4\u03B1\u03B9\u03BD\u03B9\u03CE\u03BD, \u03C0\u03BF\u03C5 \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03BF\u03CD\u03BD\u03C4\u03B1\u03B9 \u03BC\u03B5 \u03C3\u03BA\u03BF\u03C0\u03CC \u03BD\u03B1 \u03C0\u03C1\u03BF\u03BA\u03B1\u03BB\u03AD\u03C3\u03BF\u03C5\u03BD \u03C3\u03C4\u03BF \u03B8\u03B5\u03B1\u03C4\u03AE \u03C6\u03CC\u03B2\u03BF, \u03B1\u03C0\u03BF\u03C3\u03C4\u03C1\u03BF\u03C6\u03AE \u03AE \u03C4\u03BF\u03C5 \u03B1\u03B3\u03BD\u03CE\u03C3\u03C4\u03BF\u03C5. \u03A3\u03C4\u03B1 \u03C0\u03C1\u03CE\u03C4\u03B1 \u03C7\u03C1\u03CC\u03BD\u03B9\u03B1 \u03C4\u03BF\u03C5 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03AC\u03C6\u03BF\u03C5, \u03C4\u03B1 \u03C3\u03B5\u03BD\u03AC\u03C1\u03B9\u03B1 \u03C4\u03C9\u03BD \u03C4\u03B1\u03B9\u03BD\u03B9\u03CE\u03BD \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5 \u03B5\u03BC\u03C0\u03BD\u03AD\u03BF\u03BD\u03C4\u03B1\u03BD \u03B1\u03C0\u03CC \u03C7\u03B1\u03C1\u03B1\u03BA\u03C4\u03AE\u03C1\u03B5\u03C2 \u03B2\u03B1\u03C3\u03B9\u03C3\u03BC\u03AD\u03BD\u03BF\u03C5\u03C2 \u03C3\u03B5 \u03B9\u03C3\u03C4\u03BF\u03C1\u03AF\u03B5\u03C2 \u03C4\u03B7\u03C2 \u03BA\u03BB\u03B1\u03C3\u03C3\u03B9\u03BA\u03AE\u03C2 \u03BB\u03BF\u03B3\u03BF\u03C4\u03B5\u03C7\u03BD\u03AF\u03B1\u03C2 \u03C4\u03BF\u03C5 \u0388\u03BD\u03C4\u03B3\u03BA\u03B1\u03C1 \u0386\u03BB\u03BB\u03B1\u03BD \u03A0\u03CC\u03B5, \u03C4\u03BF\u03C5 \u039C\u03C0\u03C1\u03B1\u03BC \u03A3\u03C4\u03CC\u03BA\u03B5\u03C1, \u03BA\u03B1\u03B9 \u03C4\u03B7\u03C2 \u039C\u03B1\u03AF\u03C1\u03B7 \u03A3\u03AD\u03BB\u03BB\u03B5\u03CB. \u03A4\u03BF \u03B5\u03AF\u03B4\u03BF\u03C2 \u03B1\u03C5\u03C4\u03CC \u03AD\u03C7\u03B5\u03B9 \u03B1\u03BD\u03C4\u03AD\u03BE\u03B5\u03B9 \u03C3\u03C4\u03BF \u03C7\u03C1\u03CC\u03BD\u03BF \u03B5\u03B4\u03CE \u03BA\u03B1\u03B9 \u03C0\u03AC\u03BD\u03C9 \u03B1\u03C0\u03CC \u03AD\u03BD\u03B1\u03BD \u03B1\u03B9\u03CE\u03BD\u03B1. \u03A4\u03BF \u03BC\u03B1\u03BA\u03AC\u03B2\u03C1\u03B9\u03BF \u03BA\u03B1\u03B9 \u03C4\u03BF \u03C5\u03C0\u03B5\u03C1\u03C6\u03C5\u03C3\u03B9\u03BA\u03CC \u03B5\u03AF\u03BD\u03B1\u03B9 \u03C3\u03C5\u03C7\u03BD\u03AC \u03B8\u03AD\u03BC\u03B1\u03C4\u03B1. \u03A4\u03BF \u03B5\u03AF\u03B4\u03BF\u03C2 \u03B1\u03C5\u03C4\u03CC \u03BC\u03BF\u03B9\u03C1\u03AC\u03B6\u03B5\u03C4\u03B1\u03B9 \u03BA\u03BF\u03B9\u03BD\u03AC \u03C3\u03C4\u03BF\u03B9\u03C7\u03B5\u03AF\u03B1 \u03BC\u03B5 \u03C4\u03B1 \u03B5\u03AF\u03B4\u03B7 \u03C4\u03B7\u03C2 \u03C6\u03B1\u03BD\u03C4\u03B1\u03C3\u03AF\u03B1\u03C2, \u03C4\u03BF\u03C5 \u03C5\u03C0\u03B5\u03C1\u03C6\u03C5\u03C3\u03B9\u03BA\u03BF\u03CD \u03BA\u03B1\u03B9 \u03C4\u03BF\u03C5 \u03B8\u03C1\u03AF\u03BB\u03B5\u03C1. \u039F\u03B9 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5 \u03C3\u03C4\u03BF\u03C7\u03B5\u03CD\u03BF\u03C5\u03BD \u03C3\u03C5\u03C7\u03BD\u03AC \u03C3\u03C4\u03B7\u03BD \u03B5\u03BD\u03B5\u03C1\u03B3\u03BF\u03C0\u03BF\u03AF\u03B7\u03C3\u03B7 \u03C4\u03C9\u03BD \u03B5\u03C6\u03B9\u03B1\u03BB\u03C4\u03CE\u03BD, \u03C4\u03C9\u03BD \u03C6\u03CC\u03B2\u03C9\u03BD, \u03C4\u03C9\u03BD \u03BC\u03B5\u03C4\u03B1\u03C3\u03C4\u03C1\u03BF\u03C6\u03CE\u03BD \u03BA\u03B1\u03B9 \u03C4\u03BF\u03C5 \u03C4\u03C9\u03BD \u03B8\u03B5\u03B1\u03C4\u03CE\u03BD. \u0397 \u03C0\u03BB\u03BF\u03BA\u03AE \u03B1\u03C5\u03C4\u03CE\u03BD \u03C4\u03C9\u03BD \u03C4\u03B1\u03B9\u03BD\u03B9\u03CE\u03BD \u03C3\u03C5\u03BD\u03AE\u03B8\u03C9\u03C2 \u03B1\u03C6\u03BF\u03C1\u03AC \u03C3\u03B5 \u03BA\u03B1\u03B9 \u03B5\u03BC\u03C0\u03B5\u03C1\u03B9\u03AD\u03C7\u03B5\u03B9 \u03C3\u03C4\u03BF\u03B9\u03C7\u03B5\u03AF\u03B1 \u03B1\u03C0\u03CC \u03B5\u03BE\u03C9\u03B3\u03AE\u03B9\u03BD\u03BF\u03C5\u03C2, \u03B2\u03B1\u03BC\u03C0\u03AF\u03C1, \u03B1\u03AF\u03BC\u03B1, , \u03AC\u03B3\u03C1\u03B9\u03B1 \u03B6\u03CE\u03B1, \u03C6\u03C5\u03C3\u03B9\u03BA\u03AD\u03C2 \u03BA\u03B1\u03C4\u03B1\u03C3\u03C4\u03C1\u03BF\u03C6\u03AD\u03C2, \u03BB\u03C5\u03BA\u03B1\u03BD\u03B8\u03C1\u03CE\u03C0\u03BF\u03C5\u03C2, \u03B6\u03CC\u03BC\u03C0\u03B9, \u03BC\u03BF\u03CD\u03BC\u03B9\u03B5\u03C2, , \u03BA\u03B1\u03C4\u03AC \u03C3\u03C5\u03C1\u03C1\u03BF\u03AE \u03B4\u03BF\u03BB\u03BF\u03C6\u03CC\u03BD\u03BF\u03C5\u03C2, \u03C8\u03C5\u03C7\u03BF\u03C0\u03B1\u03B8\u03B5\u03AF\u03C2, \u03BA\u03B1\u03BD\u03AF\u03B2\u03B1\u03BB\u03BF\u03C5\u03C2, \u03C0\u03BD\u03B5\u03CD\u03BC\u03B1\u03C4\u03B1, \u03B4\u03B1\u03AF\u03BC\u03BF\u03BD\u03B5\u03C2, \u03C3\u03B1\u03C4\u03B1\u03BD\u03B9\u03C3\u03BC\u03CC, \u03C6\u03B1\u03BD\u03C4\u03AC\u03C3\u03BC\u03B1\u03C4\u03B1, , \u03BA\u03B1\u03B9 \u03AC\u03BB\u03BB\u03BF\u03C5\u03C2 \u03C7\u03B1\u03C1\u03B1\u03BA\u03C4\u03AE\u03C1\u03B5\u03C2 \u03C0\u03BF\u03C5 \u03BC\u03C0\u03BF\u03C1\u03BF\u03CD\u03BD \u03BD\u03B1 \u03C0\u03C1\u03BF\u03BA\u03B1\u03BB\u03AD\u03C3\u03BF\u03C5\u03BD \u03C6\u03CC\u03B2\u03BF. \u03A5\u03C0\u03BF\u03BA\u03B1\u03C4\u03B7\u03B3\u03BF\u03C1\u03AF\u03B5\u03C2 \u03C4\u03BF\u03C5 \u03B5\u03AF\u03B4\u03BF\u03C5\u03C2 \u03B1\u03C5\u03C4\u03BF\u03CD \u03B5\u03AF\u03BD\u03B1\u03B9 \u03BF\u03B9 \u03B5\u03BE\u03AE\u03C2: \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5-\u03B4\u03C1\u03AC\u03C3\u03B7\u03C2, \u03BA\u03C9\u03BC\u03C9\u03B4\u03AF\u03B5\u03C2-\u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03C3\u03C9\u03BC\u03B1\u03C4\u03B9\u03BA\u03BF\u03CD \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03BA\u03B1\u03C4\u03B1\u03C3\u03C4\u03C1\u03BF\u03C6\u03AE\u03C2-\u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03B5\u03BF\u03C1\u03C4\u03B1\u03C3\u03C4\u03B9\u03BA\u03AD\u03C2-\u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03B4\u03C1\u03B1\u03BC\u03B1\u03C4\u03B9\u03BA\u03AD\u03C2-\u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03C8\u03C5\u03C7\u03BF\u03BB\u03BF\u03B3\u03B9\u03BA\u03BF\u03CD \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03B5\u03C0\u03B9\u03C3\u03C4\u03B7\u03BC\u03BF\u03BD\u03B9\u03BA\u03AE\u03C2 \u03C6\u03B1\u03BD\u03C4\u03B1\u03C3\u03AF\u03B1\u03C2-\u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03C3\u03BB\u03AC\u03C3\u03B5\u03C1-\u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03C5\u03C0\u03B5\u03C1\u03C6\u03C5\u03C3\u03B9\u03BA\u03AD\u03C2-\u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03B3\u03BA\u03CC\u03B8\u03B9\u03BA-\u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03C6\u03C5\u03C3\u03B9\u03BA\u03BF\u03CD \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03B6\u03CC\u03BC\u03C0\u03B9-\u03C4\u03C1\u03CC\u03BC\u03BF\u03C5, \u03C0\u03C1\u03CE\u03C4\u03BF\u03C5 \u03C0\u03BB\u03AC\u03BD\u03BF\u03C5-\u03C4\u03C1\u03CC\u03BC\u03BF\u03C5 \u03BA\u03B1\u03B9 \u03B5\u03C6\u03B7\u03B2\u03B9\u03BA\u03AD\u03C2-\u03C4\u03C1\u03CC\u03BC\u03BF\u03C5."@el . . . . . . . . . . . . "Frankenstein's monster"@en . . "Apocalyptic and post-apocalyptic fiction"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Der Horrorfilm (veraltet auch Gruselfilm) ist ein klassisches Kino-Genre, das sich auf Horrorfiktion st\u00FCtzt und somit darauf abzielt, seine Zuschauer durch die Erzeugung von Angstlust zu unterhalten. Gef\u00FChle der Angst, des Schreckens, der Verst\u00F6rung und des Ekels versucht der Horrorfilm in der Regel dadurch auszul\u00F6sen, dass er seine Protagonisten mit dem Unheimlichen, Unerkl\u00E4rlichen oder \u00DCbernat\u00FCrlichen mit extremer Gewalt oder dem B\u00F6sen an sich konfrontiert, mit Ph\u00E4nomenen und Akteuren \u2013 insbesondere Monstern \u2013 die sein Leben bedrohen oder auf andere Weise traumatisch wirken. Verbreitete Stilmittel sind eine suggestive Bildsprache und eine Filmmusik, die eine d\u00FCstere Atmosph\u00E4re, Spannung und ein Gef\u00FChl der Bedrohung erschaffen. Der Horrorfilm war seit seiner Entstehung Anfang des 20. Jahr"@de . . . . "Skr\u00E4cklitteratur \u00E4r i stora drag litteratur som avser skr\u00E4mma, oroa eller f\u00F6rskr\u00E4cka l\u00E4sarna. Historiskt sett har orsaken till \"skr\u00E4ckupplevelsen\" ofta grundats p\u00E5 n\u00E5got ont - eller, emellan\u00E5t, missuppfattat - \u00F6vernaturligt element som g\u00F6r intr\u00E5ng i vardagen. Sedan 1960-talet har litteratur med ett morbit, kusligt, surrealistiskt eller mycket sp\u00E4nnande eller skr\u00E4mmande tema kallats \"skr\u00E4ck\". Skr\u00E4cklitteratur \u00F6verlappar ofta science fiction eller fantasy och alla tre genrerna kategoriseras ibland som fantastisk litteratur. Exempel p\u00E5 k\u00E4nda skr\u00E4ckf\u00F6rfattare \u00E4r Bram Stoker, Mary Shelley, Stephen King, Clive Barker, Edgar Allan Poe och H.P. Lovecraft. Se \u00E4ven skr\u00E4ckromantik. Exempel p\u00E5 Svenska skr\u00E4ckf\u00F6rfattare \u00E4r John Ajvide Lindqvist och Anders Fager."@sv . . . . . . . . . . "Charles Derry proposed the three key components of horror are that of personality, Armageddon and the demonic."@en . "Der Horrorfilm (veraltet auch Gruselfilm) ist ein klassisches Kino-Genre, das sich auf Horrorfiktion st\u00FCtzt und somit darauf abzielt, seine Zuschauer durch die Erzeugung von Angstlust zu unterhalten. Gef\u00FChle der Angst, des Schreckens, der Verst\u00F6rung und des Ekels versucht der Horrorfilm in der Regel dadurch auszul\u00F6sen, dass er seine Protagonisten mit dem Unheimlichen, Unerkl\u00E4rlichen oder \u00DCbernat\u00FCrlichen mit extremer Gewalt oder dem B\u00F6sen an sich konfrontiert, mit Ph\u00E4nomenen und Akteuren \u2013 insbesondere Monstern \u2013 die sein Leben bedrohen oder auf andere Weise traumatisch wirken. Verbreitete Stilmittel sind eine suggestive Bildsprache und eine Filmmusik, die eine d\u00FCstere Atmosph\u00E4re, Spannung und ein Gef\u00FChl der Bedrohung erschaffen. Der Horrorfilm war seit seiner Entstehung Anfang des 20. Jahrhunderts stets ein Spiegel der \u00C4ngste seiner Zeit und hat eine Vielzahl von Subgenres und Ikonen der modernen Popkultur hervorgebracht."@de . "Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience. Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature of authors such as Edgar Allan Poe, Bram Stoker, and Mary Shelley. From origins in silent films and German Expressionism, horror only became a codified genre after the release of Dracula (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produced worldwide, varying in content and style between regions. Horror is particularly prominent in the cinema of Japan, Korea, Italy and Thailand, among other countries. Despite being the subject of social and legal controversy due to their subject matter, some horror films and franchises have seen major commercial success, influenced society and spawned several popular culture icons."@en . "La Literatura de terror \u00E9s un g\u00E8nere de ficci\u00F3 que pret\u00E9n o t\u00E9 la capacitat d'espantar, causar por o aterrir els seus lectors o espectadors en induir sentiments d'horror i terror. L'historiador literari JA Cuddon ha definit la hist\u00F2ria de terror com \u00ABuna ficci\u00F3 en prosa de longitud variable... que sacseja o tamb\u00E9 espanta el lector, o potser indueix una sensaci\u00F3 de repulsi\u00F3 o aversi\u00F3\u00BB. Crea una atmosfera misteriosa i aterridora. L'horror pot \u00E9sser sobrenatural o no sobrenatural. Sovint, l'amena\u00E7a central d'una obra de ficci\u00F3 de terror pot interpretar-se com una met\u00E0fora dels grans temors d'una societat."@ca . . . . . . . . . . . . "Apocalypse by Albert Goodwin"@en . . "La literatura de horror es un g\u00E9nero de ficci\u00F3n literario que pretende o tiene la capacidad de asustar, causar miedo o aterrorizar sus lectores o espectadores en inducir sentimientos de horror y terror. El historiador literario J. A. Cuddon ha definido la historia de terror como \u00ABuna ficci\u00F3n en prosa de longitud variable [...] que sacude o tambi\u00E9n asusta el lector, o tal vez induce una sensaci\u00F3n de repulsi\u00F3n o aversi\u00F3n\u00BB.\u200B Crea una atm\u00F3sfera misteriosa y aterradora. El horror puede ser sobrenatural o no sobrenatural. A menudo, la amenaza central de una obra de ficci\u00F3n de terror puede interpretarse como una met\u00E1fora de los grandes temores de una sociedad."@es . . . . "Film d'horreur"@fr . . . . "\u6050\u6016\u96FB\u5F71"@zh . . . . "Literatura de terror"@ca . . . . . . . . . . . . . . "\u041B\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0436\u0430\u0445\u0456\u0432"@uk . . . "\u062D\u0643\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628"@ar . . . "\u041B\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0443\u0436\u0430\u0441\u043E\u0432"@ru . . . . . . . . . . . . . . . . "La literatura de horror es un g\u00E9nero de ficci\u00F3n literario que pretende o tiene la capacidad de asustar, causar miedo o aterrorizar sus lectores o espectadores en inducir sentimientos de horror y terror. El historiador literario J. A. Cuddon ha definido la historia de terror como \u00ABuna ficci\u00F3n en prosa de longitud variable [...] que sacude o tambi\u00E9n asusta el lector, o tal vez induce una sensaci\u00F3n de repulsi\u00F3n o aversi\u00F3n\u00BB.\u200B Crea una atm\u00F3sfera misteriosa y aterradora. El horror puede ser sobrenatural o no sobrenatural. A menudo, la amenaza central de una obra de ficci\u00F3n de terror puede interpretarse como una met\u00E1fora de los grandes temores de una sociedad."@es . . . . "Cinema dell'orrore"@it . . . . . . "\u0424\u0456\u043B\u044C\u043C \u0436\u0430\u0445\u0456\u0432"@uk . . . "150"^^ . . . . . . . . . . . . "Horora filmo a\u016D terura filmo estas kiu karakteri\u011Das pro emo provoki en la spektanto sentojn de hororo, timo, mal\u015Dato, na\u016Dzo, ktp. La historioj ofte disvolvigas la tujan eniron en normala etoso de forto, evento a\u016D rolulo de malica naturo, tre ofte de supernatura deveno."@eo . . . . . "\u0424\u0438\u043B\u044C\u043C \u0443\u0436\u0430\u0441\u043E\u0432"@ru . . . . . . . "Die Horrorliteratur (auch Gruselliteratur) ist eine Literaturgattung, die sich auf Horrorfiktion st\u00FCtzt und deren Gegenstand daher angsteinfl\u00F6\u00DFende und oft \u00FCbernat\u00FCrliche Ereignisse sind. Dabei r\u00FCcken \u00FCberwiegend die grausigen Motive der Handlung (Monster, Untote, D\u00E4monen, Entstellungen, Qualen etc.) in den Vordergrund bzw. Mittelpunkt."@de . . . . . "\u0424\u0456\u043B\u044C\u043C \u0436\u0430\u0445\u0456\u0432, \u0444\u0456\u043B\u044C\u043C \u0436\u0430\u0445\u0456\u0442\u044C, \u0444\u0456\u043B\u044C\u043C \u0436\u0430\u0445\u0443, \u0444\u0456\u043B\u044C\u043C \u0441\u0442\u0440\u0430\u0445\u0456\u0442\u044C, \u0433\u043E\u0440\u043E\u0440, \u0445\u043E\u0440\u0440\u043E\u0440, \u0436\u0430\u0445\u0430\u0441\u0442\u0438\u043A (\u0430\u043D\u0433\u043B. horror film, horror movie) \u2014 \u0436\u0430\u043D\u0440 \u0445\u0443\u0434\u043E\u0436\u043D\u044C\u043E\u0433\u043E \u0444\u0456\u043B\u044C\u043C\u0443. \u0414\u043E \u0444\u0456\u043B\u044C\u043C\u0456\u0432 \u0436\u0430\u0445\u0456\u0432 \u043D\u0430\u043B\u0435\u0436\u0430\u0442\u044C \u0441\u0442\u0440\u0456\u0447\u043A\u0438, \u0449\u043E \u043F\u043E\u043A\u043B\u0438\u043A\u0430\u043D\u0456 \u043D\u0430\u043B\u044F\u043A\u0430\u0442\u0438 \u0433\u043B\u044F\u0434\u0430\u0447\u0430, \u0432\u0441\u0435\u043B\u0438\u0442\u0438 \u043F\u043E\u0447\u0443\u0442\u0442\u044F \u0445\u0432\u0438\u043B\u044E\u0432\u0430\u043D\u043D\u044F \u0430\u0431\u043E \u0440\u043E\u0437\u0441\u043C\u0456\u0448\u0438\u0442\u0438, \u0441\u0442\u0432\u043E\u0440\u0438\u0442\u0438 \u0430\u0442\u043C\u043E\u0441\u0444\u0435\u0440\u0443 \u043D\u0430\u043F\u0440\u0443\u0436\u0435\u043D\u043D\u044F \u0447\u0438 \u043D\u0435\u0441\u0442\u0435\u0440\u043F\u043D\u043E\u0433\u043E \u043E\u0447\u0456\u043A\u0443\u0432\u0430\u043D\u043D\u044F \u0447\u043E\u0433\u043E\u0441\u044C \u0436\u0430\u0445\u043B\u0438\u0432\u043E\u0433\u043E. \u041D\u0430 \u0432\u0456\u0434\u043C\u0456\u043D\u0443 \u0432\u0456\u0434, \u0437\u043E\u043A\u0440\u0435\u043C\u0430, \u043A\u043E\u043C\u0435\u0434\u0456\u0439/\u00AB\u043C\u0438\u043B\u0430\u00BB \u0447\u0438 \u043F\u043E\u0440\u043D\u043E, \u043A\u043E\u0442\u0440\u0456 \u0441\u043F\u0440\u0438\u044F\u044E\u0442\u044C \u0432\u0438\u0434\u0456\u043B\u0435\u043D\u043D\u044E \u0435\u043D\u0434\u043E\u0440\u0444\u0456\u043D\u0456\u0432 \u0442\u0430 \u0442\u0435\u0441\u0442\u043E\u0441\u0442\u0435\u0440\u043E\u043D\u0443, \u0436\u0430\u0445\u0438, \u044F\u043A \u0456 \u0435\u043A\u0448\u043D, \u0437\u0431\u0456\u043B\u044C\u0448\u0443\u044E\u0442\u044C \u0432\u0438\u043A\u0438\u0434 \u0430\u0434\u0440\u0435\u043D\u0430\u043B\u0456\u043D\u0443."@uk . . . . . . . "128738"^^ . . . . . "Horrorliteratur"@de . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Horora filmo a\u016D terura filmo estas kiu karakteri\u011Das pro emo provoki en la spektanto sentojn de hororo, timo, mal\u015Dato, na\u016Dzo, ktp. La historioj ofte disvolvigas la tujan eniron en normala etoso de forto, evento a\u016D rolulo de malica naturo, tre ofte de supernatura deveno."@eo . . . . . . . . . . . . . . . . . . . "Il cinema dell'orrore o cinema horror \u00E8 un genere cinematografico caratterizzato da personaggi immaginari e mostruosi, situazioni macabre, irrazionali o di origine soprannaturale e con atmosfere da brivido. Il genere fu presente gi\u00E0 dagli albori del cinema muto e continuer\u00E0 a esserlo per tutto il XX secolo e oltre anche con lungometraggi di grande successo, realizzati anche da grandi registi, che entrarono nella storia del cinema a partire da film come Nosferatu il vampiro (1922) di Murnau, Frankenstein di James Whale o Dracula di Tod Browning (1931), seguiti nei decenni successivi da altre opere di successo di altri grandi registi come Alfred Hitchcock, Federico Fellini, Werner Herzog o Stanley Kubrick che realizzarono rispettivamente Gli uccelli (1963), Tre passi nel delirio (1968), Nosferatu, il principe della notte (1979) e Shining (1980)."@it . "Apocalypse-Albert Goodwin.jpg"@en . . . . "\u6050\u6016\u96FB\u5F71\uFF08horror film\uFF09\uFF0C\u53C8\u540D\u6050\u6016\u7247\uFF0C\u9019\u4E00\u985E\u578B\u7684\u96FB\u5F71\u900F\u904E\u5F71\u50CF\u6216\u6545\u4E8B\u4F7F\u89C0\u773E\u611F\u53D7\u5230\u6050\u6016\u7684\u523A\u6FC0\u3002\u6700\u65E9\u7684\u6050\u6016\u96FB\u5F71\u6DF1\u53D7\u6587\u5B78\u8207\u6232\u5287\u7684\u5F71\u97FF\u3002\u96A8\u8457\u6642\u4EE3\u8207\u5730\u57DF\u7684\u4E0D\u540C\uFF0C\u6050\u6016\u96FB\u5F71\u5448\u73FE\u51FA\u4F86\u7684\u9762\u8C8C\u4E5F\u6709\u5DEE\u7570\u3002"@zh . . . . . . . . . . . . "\u039F\u03B9 \u03C4\u03B1\u03B9\u03BD\u03AF\u03B5\u03C2 \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B5\u03AF\u03B4\u03BF\u03C2 \u03C4\u03B1\u03B9\u03BD\u03B9\u03CE\u03BD, \u03C0\u03BF\u03C5 \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03BF\u03CD\u03BD\u03C4\u03B1\u03B9 \u03BC\u03B5 \u03C3\u03BA\u03BF\u03C0\u03CC \u03BD\u03B1 \u03C0\u03C1\u03BF\u03BA\u03B1\u03BB\u03AD\u03C3\u03BF\u03C5\u03BD \u03C3\u03C4\u03BF \u03B8\u03B5\u03B1\u03C4\u03AE \u03C6\u03CC\u03B2\u03BF, \u03B1\u03C0\u03BF\u03C3\u03C4\u03C1\u03BF\u03C6\u03AE \u03AE \u03C4\u03BF\u03C5 \u03B1\u03B3\u03BD\u03CE\u03C3\u03C4\u03BF\u03C5. \u03A3\u03C4\u03B1 \u03C0\u03C1\u03CE\u03C4\u03B1 \u03C7\u03C1\u03CC\u03BD\u03B9\u03B1 \u03C4\u03BF\u03C5 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03AC\u03C6\u03BF\u03C5, \u03C4\u03B1 \u03C3\u03B5\u03BD\u03AC\u03C1\u03B9\u03B1 \u03C4\u03C9\u03BD \u03C4\u03B1\u03B9\u03BD\u03B9\u03CE\u03BD \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5 \u03B5\u03BC\u03C0\u03BD\u03AD\u03BF\u03BD\u03C4\u03B1\u03BD \u03B1\u03C0\u03CC \u03C7\u03B1\u03C1\u03B1\u03BA\u03C4\u03AE\u03C1\u03B5\u03C2 \u03B2\u03B1\u03C3\u03B9\u03C3\u03BC\u03AD\u03BD\u03BF\u03C5\u03C2 \u03C3\u03B5 \u03B9\u03C3\u03C4\u03BF\u03C1\u03AF\u03B5\u03C2 \u03C4\u03B7\u03C2 \u03BA\u03BB\u03B1\u03C3\u03C3\u03B9\u03BA\u03AE\u03C2 \u03BB\u03BF\u03B3\u03BF\u03C4\u03B5\u03C7\u03BD\u03AF\u03B1\u03C2 \u03C4\u03BF\u03C5 \u0388\u03BD\u03C4\u03B3\u03BA\u03B1\u03C1 \u0386\u03BB\u03BB\u03B1\u03BD \u03A0\u03CC\u03B5, \u03C4\u03BF\u03C5 \u039C\u03C0\u03C1\u03B1\u03BC \u03A3\u03C4\u03CC\u03BA\u03B5\u03C1, \u03BA\u03B1\u03B9 \u03C4\u03B7\u03C2 \u039C\u03B1\u03AF\u03C1\u03B7 \u03A3\u03AD\u03BB\u03BB\u03B5\u03CB. \u03A4\u03BF \u03B5\u03AF\u03B4\u03BF\u03C2 \u03B1\u03C5\u03C4\u03CC \u03AD\u03C7\u03B5\u03B9 \u03B1\u03BD\u03C4\u03AD\u03BE\u03B5\u03B9 \u03C3\u03C4\u03BF \u03C7\u03C1\u03CC\u03BD\u03BF \u03B5\u03B4\u03CE \u03BA\u03B1\u03B9 \u03C0\u03AC\u03BD\u03C9 \u03B1\u03C0\u03CC \u03AD\u03BD\u03B1\u03BD \u03B1\u03B9\u03CE\u03BD\u03B1. \u03A4\u03BF \u03BC\u03B1\u03BA\u03AC\u03B2\u03C1\u03B9\u03BF \u03BA\u03B1\u03B9 \u03C4\u03BF \u03C5\u03C0\u03B5\u03C1\u03C6\u03C5\u03C3\u03B9\u03BA\u03CC \u03B5\u03AF\u03BD\u03B1\u03B9 \u03C3\u03C5\u03C7\u03BD\u03AC \u03B8\u03AD\u03BC\u03B1\u03C4\u03B1. \u03A4\u03BF \u03B5\u03AF\u03B4\u03BF\u03C2 \u03B1\u03C5\u03C4\u03CC \u03BC\u03BF\u03B9\u03C1\u03AC\u03B6\u03B5\u03C4\u03B1\u03B9 \u03BA\u03BF\u03B9\u03BD\u03AC \u03C3\u03C4\u03BF\u03B9\u03C7\u03B5\u03AF\u03B1 \u03BC\u03B5 \u03C4\u03B1 \u03B5\u03AF\u03B4\u03B7 \u03C4\u03B7\u03C2 \u03C6\u03B1\u03BD\u03C4\u03B1\u03C3\u03AF\u03B1\u03C2, \u03C4\u03BF\u03C5 \u03C5\u03C0\u03B5\u03C1\u03C6\u03C5\u03C3\u03B9\u03BA\u03BF\u03CD \u03BA\u03B1\u03B9 \u03C4\u03BF\u03C5 \u03B8\u03C1\u03AF\u03BB\u03B5\u03C1."@el . . . . . . . . "Terror ou Horror \u00E9 um g\u00EAnero cinematogr\u00E1fico que procura uma rea\u00E7\u00E3o emocional negativa dos espectadores, ao jogar com os medos prim\u00E1rios da audi\u00EAncia. Inspirado na literatura de autores como Edgar Allan Poe, H.P. Lovecaft, Bram Stoker ou Mary Shelley, os filmes de terror t\u00EAm mais de um s\u00E9culo, caracterizados por cenas que assustam o espectador. Os temas do macabro e do sobrenatural s\u00E3o muito frequentes. O terror tamb\u00E9m se pode sobrepor com os g\u00E9neros de fantasia, fic\u00E7\u00E3o cient\u00EDfica, sobrenatural e o thriller. Os filmes de terror, muitas vezes lidam com os pesadelos do espectador, as fobias ocultas, a repulsa e o medo do desconhecido. Os enredos dentro deste g\u00E9nero muitas vezes envolvem uma for\u00E7a maligna, evento ou personagem, geralmente de origem sobrenatural, para o mundo normal de todos os dias. Elementos predominantes incluem fantasmas, alien\u00EDgenas, vampiros, lobisomens, dem\u00F4nios, drag\u00F5es, gore, temas relacionados a morte, tortura, animais ferozes, bruxas m\u00E1s, monstros, rebeli\u00E3o das m\u00E1quinas, palha\u00E7os malvados, zumbis, canibais, final girl e assassinos em s\u00E9rie. Por outro lado, os filmes sobre o sobrenatural n\u00E3o s\u00E3o necessariamente sempre de terror e/ou horrorosos. O curta-metragem Le Manoir du diable (1896), de Georges M\u00E9li\u00E8s, \u00E9 considerado como o primeiro filme de terror da hist\u00F3ria do cinema."@pt . . . . . . . . . . . . . . . "Demon"@en . . . . . . . . . . . . . . . "\u0424\u0456\u043B\u044C\u043C \u0436\u0430\u0445\u0456\u0432, \u0444\u0456\u043B\u044C\u043C \u0436\u0430\u0445\u0456\u0442\u044C, \u0444\u0456\u043B\u044C\u043C \u0436\u0430\u0445\u0443, \u0444\u0456\u043B\u044C\u043C \u0441\u0442\u0440\u0430\u0445\u0456\u0442\u044C, \u0433\u043E\u0440\u043E\u0440, \u0445\u043E\u0440\u0440\u043E\u0440, \u0436\u0430\u0445\u0430\u0441\u0442\u0438\u043A (\u0430\u043D\u0433\u043B. horror film, horror movie) \u2014 \u0436\u0430\u043D\u0440 \u0445\u0443\u0434\u043E\u0436\u043D\u044C\u043E\u0433\u043E \u0444\u0456\u043B\u044C\u043C\u0443. \u0414\u043E \u0444\u0456\u043B\u044C\u043C\u0456\u0432 \u0436\u0430\u0445\u0456\u0432 \u043D\u0430\u043B\u0435\u0436\u0430\u0442\u044C \u0441\u0442\u0440\u0456\u0447\u043A\u0438, \u0449\u043E \u043F\u043E\u043A\u043B\u0438\u043A\u0430\u043D\u0456 \u043D\u0430\u043B\u044F\u043A\u0430\u0442\u0438 \u0433\u043B\u044F\u0434\u0430\u0447\u0430, \u0432\u0441\u0435\u043B\u0438\u0442\u0438 \u043F\u043E\u0447\u0443\u0442\u0442\u044F \u0445\u0432\u0438\u043B\u044E\u0432\u0430\u043D\u043D\u044F \u0430\u0431\u043E \u0440\u043E\u0437\u0441\u043C\u0456\u0448\u0438\u0442\u0438, \u0441\u0442\u0432\u043E\u0440\u0438\u0442\u0438 \u0430\u0442\u043C\u043E\u0441\u0444\u0435\u0440\u0443 \u043D\u0430\u043F\u0440\u0443\u0436\u0435\u043D\u043D\u044F \u0447\u0438 \u043D\u0435\u0441\u0442\u0435\u0440\u043F\u043D\u043E\u0433\u043E \u043E\u0447\u0456\u043A\u0443\u0432\u0430\u043D\u043D\u044F \u0447\u043E\u0433\u043E\u0441\u044C \u0436\u0430\u0445\u043B\u0438\u0432\u043E\u0433\u043E. \u041D\u0430 \u0432\u0456\u0434\u043C\u0456\u043D\u0443 \u0432\u0456\u0434, \u0437\u043E\u043A\u0440\u0435\u043C\u0430, \u043A\u043E\u043C\u0435\u0434\u0456\u0439/\u00AB\u043C\u0438\u043B\u0430\u00BB \u0447\u0438 \u043F\u043E\u0440\u043D\u043E, \u043A\u043E\u0442\u0440\u0456 \u0441\u043F\u0440\u0438\u044F\u044E\u0442\u044C \u0432\u0438\u0434\u0456\u043B\u0435\u043D\u043D\u044E \u0435\u043D\u0434\u043E\u0440\u0444\u0456\u043D\u0456\u0432 \u0442\u0430 \u0442\u0435\u0441\u0442\u043E\u0441\u0442\u0435\u0440\u043E\u043D\u0443, \u0436\u0430\u0445\u0438, \u044F\u043A \u0456 \u0435\u043A\u0448\u043D, \u0437\u0431\u0456\u043B\u044C\u0448\u0443\u044E\u0442\u044C \u0432\u0438\u043A\u0438\u0434 \u0430\u0434\u0440\u0435\u043D\u0430\u043B\u0456\u043D\u0443."@uk . . . . . "La Literatura de terror \u00E9s un g\u00E8nere de ficci\u00F3 que pret\u00E9n o t\u00E9 la capacitat d'espantar, causar por o aterrir els seus lectors o espectadors en induir sentiments d'horror i terror. L'historiador literari JA Cuddon ha definit la hist\u00F2ria de terror com \u00ABuna ficci\u00F3 en prosa de longitud variable... que sacseja o tamb\u00E9 espanta el lector, o potser indueix una sensaci\u00F3 de repulsi\u00F3 o aversi\u00F3\u00BB. Crea una atmosfera misteriosa i aterridora. L'horror pot \u00E9sser sobrenatural o no sobrenatural. Sovint, l'amena\u00E7a central d'una obra de ficci\u00F3 de terror pot interpretar-se com una met\u00E0fora dels grans temors d'una societat."@ca . . . "Horreur (litt\u00E9rature)"@fr . "\u30DB\u30E9\u30FC\u6620\u753B\uFF08\u30DB\u30E9\u30FC\u3048\u3044\u304C\uFF09\u307E\u305F\u306F\u6050\u6016\u6620\u753B\uFF08\u304D\u3087\u3046\u3075\u3048\u3044\u304C\uFF09\u306F\u3001\u6620\u753B\u306E\u30B8\u30E3\u30F3\u30EB\u306E\u4E00\u3064\u3002\u89B3\u308B\u8005\u304C\u6050\u6016\u611F\uFF08\u82F1\u8A9E\u3067\u3044\u3046\u3068\u3053\u308D\u306EHorror\u3001Fear\u3001Terror\u306A\u3069\uFF09\u3092\u5473\u308F\u3063\u3066\u697D\u3057\u3080\u3053\u3068\u3092\u60F3\u5B9A\u3057\u3066\u5236\u4F5C\u3055\u308C\u3066\u3044\u308B\u3082\u306E\u3092\u5E83\u304F\u6307\u3059\u3002\u307E\u305F\u3001\u30BE\u30F3\u30D3\u3001\u6BBA\u4EBA\u9B3C\u3001\u5E7D\u970A\u3001\u5438\u8840\u9B3C\u3001\u60AA\u9B54\u3001\u602A\u7269\u3001\u7CBE\u795E\u75BE\u60A3\u306A\u3069\u3001\u89B3\u5BA2\u306B\u6050\u6016\u611F\u3092\u4E0E\u3048\u308B\u305F\u3081\u306B\u30DB\u30E9\u30FC\u6620\u753B\u3067\u7528\u3044\u3089\u308C\u308B\u7D20\u6750\u3084\u984C\u6750\u3092\u542B\u3080\u3082\u306E\u3092\uFF08\u305D\u308C\u304C\u6050\u6016\u611F\u3092\u4E0E\u3048\u308B\u305F\u3081\u306E\u3082\u306E\u304B\u306B\u304B\u304B\u308F\u3089\u305A\uFF09\u3001\u30DB\u30E9\u30FC\u6620\u753B\u3068\u3059\u308B\u5834\u5408\u3082\u3042\u308B\u3002\u30DB\u30E9\u30FC\u6620\u753B\u306F\u3001\u65E5\u672C\u30FB\u97D3\u56FD\u30FB\u30A4\u30BF\u30EA\u30A2\u30FB\u30BF\u30A4\u306A\u3069\u306E\u6620\u753B\u64AE\u5F71\u3067\u7279\u306B\u666E\u53CA\u3067\u3042\u308B\u3002 \u65E5\u672C\u306E\u30DB\u30E9\u30FC\u6620\u753B\u306B\u3064\u3044\u3066\u306F\u300Cen:Japanese horror\u300D\u3092\u53C2\u7167"@ja . . . "\uACF5\uD3EC \uC601\uD654"@ko . "Skr\u00E4cklitteratur \u00E4r i stora drag litteratur som avser skr\u00E4mma, oroa eller f\u00F6rskr\u00E4cka l\u00E4sarna. Historiskt sett har orsaken till \"skr\u00E4ckupplevelsen\" ofta grundats p\u00E5 n\u00E5got ont - eller, emellan\u00E5t, missuppfattat - \u00F6vernaturligt element som g\u00F6r intr\u00E5ng i vardagen. Sedan 1960-talet har litteratur med ett morbit, kusligt, surrealistiskt eller mycket sp\u00E4nnande eller skr\u00E4mmande tema kallats \"skr\u00E4ck\". Skr\u00E4cklitteratur \u00F6verlappar ofta science fiction eller fantasy och alla tre genrerna kategoriseras ibland som fantastisk litteratur."@sv . . . . "\u0424\u0438\u043B\u044C\u043C \u0443\u0436\u0430\u0441\u043E\u0432 (\u0440\u0430\u0437\u0433. \u0443\u0436\u0430\u0301\u0441\u0442\u0438\u043A, \u0445\u043E\u0301\u0440\u0440\u043E\u0440; \u0430\u043D\u0433\u043B. horror film, horror movie) \u2014 \u0436\u0430\u043D\u0440 \u0445\u0443\u0434\u043E\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u043E\u0433\u043E \u0444\u0438\u043B\u044C\u043C\u0430. \u0422\u0435\u043C\u0430\u0442\u0438\u0447\u0435\u0441\u043A\u0438 \u043E\u0431\u0448\u0438\u0440\u043D\u044B\u0439 \u0438 \u0440\u0430\u0437\u043D\u043E\u043E\u0431\u0440\u0430\u0437\u043D\u044B\u0439 \u043A\u0440\u0443\u0433 \u0444\u0438\u043B\u044C\u043C\u043E\u0432, \u043F\u0440\u0438\u0437\u0432\u0430\u043D\u043D\u044B\u0445 \u0432\u044B\u0437\u0432\u0430\u0442\u044C \u0443 \u0437\u0440\u0438\u0442\u0435\u043B\u0435\u0439 \u0447\u0443\u0432\u0441\u0442\u0432\u043E \u0441\u0442\u0440\u0430\u0445\u0430, \u0442\u0440\u0435\u0432\u043E\u0433\u0438 \u0438 \u043D\u0435\u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0451\u043D\u043D\u043E\u0441\u0442\u0438, \u0441\u043E\u0437\u0434\u0430\u0442\u044C \u043D\u0430\u043F\u0440\u044F\u0436\u0451\u043D\u043D\u0443\u044E \u0430\u0442\u043C\u043E\u0441\u0444\u0435\u0440\u0443 \u0443\u0436\u0430\u0441\u0430 \u0438\u043B\u0438 \u043C\u0443\u0447\u0438\u0442\u0435\u043B\u044C\u043D\u043E\u0433\u043E \u043E\u0436\u0438\u0434\u0430\u043D\u0438\u044F \u0447\u0435\u0433\u043E-\u043B\u0438\u0431\u043E \u0443\u0436\u0430\u0441\u043D\u043E\u0433\u043E \u2014 \u0442\u0430\u043A \u043D\u0430\u0437\u044B\u0432\u0430\u0435\u043C\u044B\u0439 \u044D\u0444\u0444\u0435\u043A\u0442 \u00AB\u0441\u0430\u0441\u043F\u0435\u043D\u0441\u00BB (\u043E\u0442 \u0430\u043D\u0433\u043B. suspense \u2014 \u043D\u0435\u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0451\u043D\u043D\u043E\u0441\u0442\u044C). \u041E\u0434\u043D\u0430\u043A\u043E \u043A\u0430\u0441\u0430\u0442\u0435\u043B\u044C\u043D\u043E \u0438\u043C\u0435\u043D\u043E\u0432\u0430\u043D\u0438\u044F \u0436\u0430\u043D\u0440\u0430 \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u0443\u044E\u0442 \u0438 \u0434\u0440\u0443\u0433\u0438\u0435 \u043C\u043D\u0435\u043D\u0438\u044F. \u0422\u0430\u043A, \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0439 \u0432 \u0445\u043E\u0440\u0440\u043E\u0440-\u043A\u0440\u0443\u0433\u0430\u0445 \u0430\u043A\u0442\u0451\u0440 \u041A\u0440\u0438\u0441\u0442\u043E\u0444\u0435\u0440 \u041B\u0438 \u0432 \u043E\u0434\u043D\u043E\u043C \u0438\u0437 \u0441\u0432\u043E\u0438\u0445 \u0438\u043D\u0442\u0435\u0440\u0432\u044C\u044E, \u0434\u0430\u043D\u043D\u043E\u043C \u0432 1975 \u0433\u043E\u0434\u0443, \u0443\u0442\u0432\u0435\u0440\u0436\u0434\u0430\u043B, \u0447\u0442\u043E \u0442\u0435\u0440\u043C\u0438\u043D \u00ABhorror\u00BB \u043D\u0435\u0432\u0435\u0440\u0435\u043D, \u043F\u043E\u0441\u043A\u043E\u043B\u044C\u043A\u0443 \u0443\u0436\u0430\u0441 \u043F\u043E\u0434\u0440\u0430\u0437\u0443\u043C\u0435\u0432\u0430\u0435\u0442 \u0447\u0443\u0432\u0441\u0442\u0432\u043E \u043E\u0442\u0432\u0440\u0430\u0449\u0435\u043D\u0438\u044F \u0438\u043B\u0438 \u043E\u043C\u0435\u0440\u0437\u0435\u043D\u0438\u044F, \u0447\u0442\u043E \u043E\u0442\u043D\u044E\u0434\u044C \u043D\u0435 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0446\u0435\u043B\u044C\u044E \u044D\u0442\u0438\u0445 \u043A\u0430\u0440\u0442\u0438\u043D, \u043F\u043E \u043A\u0440\u0430\u0439\u043D\u0435\u0439 \u043C\u0435\u0440\u0435, \u043F\u043E\u0447\u0442\u0438 \u0432\u0441\u0435\u0433\u0434\u0430. \u0423\u0441\u043B\u043E\u0432\u043D\u043E\u0441\u0442\u044C \u0442\u0430\u043A\u0438\u0445 \u0444\u0438\u043B\u044C\u043C\u043E\u0432 \u0434\u0435\u043B\u0430\u0435\u0442 \u0438\u0445 \u0431\u0435\u0437\u0432\u0440\u0435\u0434\u043D\u044B\u043C\u0438. \u041E\u043D \u043D\u0430\u0441\u0442\u0430\u0438\u0432\u0430\u043B \u043D\u0430 \u0443\u043F\u043E\u0442\u0440\u0435\u0431\u043B\u0435\u043D\u0438\u0438 \u0442\u0435\u0440\u043C"@ru . "\u0424\u0438\u043B\u044C\u043C \u0443\u0436\u0430\u0441\u043E\u0432 (\u0440\u0430\u0437\u0433. \u0443\u0436\u0430\u0301\u0441\u0442\u0438\u043A, \u0445\u043E\u0301\u0440\u0440\u043E\u0440; \u0430\u043D\u0433\u043B. horror film, horror movie) \u2014 \u0436\u0430\u043D\u0440 \u0445\u0443\u0434\u043E\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u043E\u0433\u043E \u0444\u0438\u043B\u044C\u043C\u0430. \u0422\u0435\u043C\u0430\u0442\u0438\u0447\u0435\u0441\u043A\u0438 \u043E\u0431\u0448\u0438\u0440\u043D\u044B\u0439 \u0438 \u0440\u0430\u0437\u043D\u043E\u043E\u0431\u0440\u0430\u0437\u043D\u044B\u0439 \u043A\u0440\u0443\u0433 \u0444\u0438\u043B\u044C\u043C\u043E\u0432, \u043F\u0440\u0438\u0437\u0432\u0430\u043D\u043D\u044B\u0445 \u0432\u044B\u0437\u0432\u0430\u0442\u044C \u0443 \u0437\u0440\u0438\u0442\u0435\u043B\u0435\u0439 \u0447\u0443\u0432\u0441\u0442\u0432\u043E \u0441\u0442\u0440\u0430\u0445\u0430, \u0442\u0440\u0435\u0432\u043E\u0433\u0438 \u0438 \u043D\u0435\u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0451\u043D\u043D\u043E\u0441\u0442\u0438, \u0441\u043E\u0437\u0434\u0430\u0442\u044C \u043D\u0430\u043F\u0440\u044F\u0436\u0451\u043D\u043D\u0443\u044E \u0430\u0442\u043C\u043E\u0441\u0444\u0435\u0440\u0443 \u0443\u0436\u0430\u0441\u0430 \u0438\u043B\u0438 \u043C\u0443\u0447\u0438\u0442\u0435\u043B\u044C\u043D\u043E\u0433\u043E \u043E\u0436\u0438\u0434\u0430\u043D\u0438\u044F \u0447\u0435\u0433\u043E-\u043B\u0438\u0431\u043E \u0443\u0436\u0430\u0441\u043D\u043E\u0433\u043E \u2014 \u0442\u0430\u043A \u043D\u0430\u0437\u044B\u0432\u0430\u0435\u043C\u044B\u0439 \u044D\u0444\u0444\u0435\u043A\u0442 \u00AB\u0441\u0430\u0441\u043F\u0435\u043D\u0441\u00BB (\u043E\u0442 \u0430\u043D\u0433\u043B. suspense \u2014 \u043D\u0435\u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0451\u043D\u043D\u043E\u0441\u0442\u044C). \u041E\u0434\u043D\u0430\u043A\u043E \u043A\u0430\u0441\u0430\u0442\u0435\u043B\u044C\u043D\u043E \u0438\u043C\u0435\u043D\u043E\u0432\u0430\u043D\u0438\u044F \u0436\u0430\u043D\u0440\u0430 \u0441\u0443\u0449\u0435\u0441\u0442\u0432\u0443\u044E\u0442 \u0438 \u0434\u0440\u0443\u0433\u0438\u0435 \u043C\u043D\u0435\u043D\u0438\u044F. \u0422\u0430\u043A, \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0439 \u0432 \u0445\u043E\u0440\u0440\u043E\u0440-\u043A\u0440\u0443\u0433\u0430\u0445 \u0430\u043A\u0442\u0451\u0440 \u041A\u0440\u0438\u0441\u0442\u043E\u0444\u0435\u0440 \u041B\u0438 \u0432 \u043E\u0434\u043D\u043E\u043C \u0438\u0437 \u0441\u0432\u043E\u0438\u0445 \u0438\u043D\u0442\u0435\u0440\u0432\u044C\u044E, \u0434\u0430\u043D\u043D\u043E\u043C \u0432 1975 \u0433\u043E\u0434\u0443, \u0443\u0442\u0432\u0435\u0440\u0436\u0434\u0430\u043B, \u0447\u0442\u043E \u0442\u0435\u0440\u043C\u0438\u043D \u00ABhorror\u00BB \u043D\u0435\u0432\u0435\u0440\u0435\u043D, \u043F\u043E\u0441\u043A\u043E\u043B\u044C\u043A\u0443 \u0443\u0436\u0430\u0441 \u043F\u043E\u0434\u0440\u0430\u0437\u0443\u043C\u0435\u0432\u0430\u0435\u0442 \u0447\u0443\u0432\u0441\u0442\u0432\u043E \u043E\u0442\u0432\u0440\u0430\u0449\u0435\u043D\u0438\u044F \u0438\u043B\u0438 \u043E\u043C\u0435\u0440\u0437\u0435\u043D\u0438\u044F, \u0447\u0442\u043E \u043E\u0442\u043D\u044E\u0434\u044C \u043D\u0435 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0446\u0435\u043B\u044C\u044E \u044D\u0442\u0438\u0445 \u043A\u0430\u0440\u0442\u0438\u043D, \u043F\u043E \u043A\u0440\u0430\u0439\u043D\u0435\u0439 \u043C\u0435\u0440\u0435, \u043F\u043E\u0447\u0442\u0438 \u0432\u0441\u0435\u0433\u0434\u0430. \u0423\u0441\u043B\u043E\u0432\u043D\u043E\u0441\u0442\u044C \u0442\u0430\u043A\u0438\u0445 \u0444\u0438\u043B\u044C\u043C\u043E\u0432 \u0434\u0435\u043B\u0430\u0435\u0442 \u0438\u0445 \u0431\u0435\u0437\u0432\u0440\u0435\u0434\u043D\u044B\u043C\u0438. \u041E\u043D \u043D\u0430\u0441\u0442\u0430\u0438\u0432\u0430\u043B \u043D\u0430 \u0443\u043F\u043E\u0442\u0440\u0435\u0431\u043B\u0435\u043D\u0438\u0438 \u0442\u0435\u0440\u043C\u0438\u043D\u0430 \u00ABfilm du fantastique\u00BB (\u0444\u0438\u043B\u044C\u043C \u0444\u0430\u043D\u0442\u0430\u0437\u0438\u0438). \u0422\u0430\u043A\u0438\u043C \u0436\u0435 \u0442\u0435\u0440\u043C\u0438\u043D\u043E\u043C \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044B \u043E\u0431\u043E\u0437\u043D\u0430\u0447\u0430\u044E\u0442 \u043E\u043F\u0440\u0435\u0434\u0435\u043B\u0451\u043D\u043D\u044B\u0439 \u0442\u0438\u043F \u0444\u0438\u043B\u044C\u043C\u043E\u0432 \u0443\u0436\u0430\u0441\u043E\u0432."@ru . . . . . "\uACF5\uD3EC \uC601\uD654(\u6050\u6016\u6620\u756B, \uC601\uC5B4: horror film)\uB780 \uADC0\uC2E0\uC774\uB098 \uC720\uB839 \uB4F1 \uBB34\uC11C\uC6B4 \uAC83\uACFC \uCD08\uC790\uC5F0\uC801\uC778 \uC18C\uC7AC\uB97C \uC774\uC6A9\uD558\uC5EC \uB450\uB835\uACE0 \uBB34\uC11C\uC6B4 \uB290\uB08C\uC774 \uB4E4\uAC8C \uB9CC\uB4E0 \uC601\uD654\uC774\uB2E4. \uACF5\uD3EC \uC601\uD654\uB294 \uB450\uB824\uC6C0\uACFC \uB180\uB78C\uC744 \uD1B5\uD574 \uACE0\uC870\uB41C \uC2EC\uC7A5 \uBC15\uB3D9\uACFC \uAC19\uC740 \uC0DD\uB9AC\uD559\uC801 \uBC18\uC751\uC744 \uC774\uB04C\uC5B4 \uB0B4\uAE30 \uC704\uD574 \uB9CC\uB4E4\uC5B4\uC9C4 \uC601\uD654\uC758 \uC7A5\uB974\uC774\uB2E4. \uACF5\uD3EC \uC601\uD654\uB294 \uCC98\uC74C\uC5D0 \uC5D0\uB4DC\uAC00 \uC568\uB7F0 \uD3EC, \uBE0C\uB7A8 \uC2A4\uD1A0\uCEE4, \uADF8\uB9AC\uACE0 \uBA54\uB9AC \uC178\uB9AC\uC640 \uAC19\uC740 \uC791\uAC00\uB4E4\uB85C \uC601\uAC10\uC744 \uBC1B\uC740 \uC791\uD488\uC744 \uD1B5\uD574 \uD55C \uC138\uAE30 \uC774\uC0C1 \uC601\uD654\uC758 \uD55C \uC7A5\uB974\uB85C \uB2E4\uB8E8\uC5B4\uC838 \uC654\uB2E4. \uC8FC\uB85C \uC12C\uB729\uD558\uACE0 \uCD08\uC790\uC5F0\uC801\uC778 \uC8FC\uC81C\uB97C \uB2E4\uB8E8\uBA70, \uD310\uD0C0\uC9C0, \uCD08\uC790\uC5F0\uC801\uC778 \uC18C\uC124, \uC2A4\uB9B4\uB7EC \uC7A5\uB974 \uB4F1 \uB2E4\uB978 \uC7A5\uB974\uC640\uB3C4 \uC911\uCCA9\uB418\uB294 \uBD84\uC57C\uC774\uB2E4. \uACF5\uD3EC \uC601\uD654\uB294 \uC885\uC885 \uC2DC\uCCAD\uC790\uB4E4\uC758 \uC545\uBABD, \uB450\uB824\uC6C0, \uACF5\uD3EC, \uACF5\uD3EC\uB97C \uBD88\uB7EC\uC77C\uC73C\uD0A4\uB294 \uC758\uBB38\uC758 \uC874\uC7AC\uAC00 \uBD88\uB7EC\uC624\uB294 \uACF5\uD3EC\uAC10\uC744 \uBD88\uB7EC\uC77C\uC73C\uD0A4\uB294 \uAC83\uC744 \uBAA9\uD45C\uB85C \uD55C\uB2E4. \uACF5\uD3EC \uC601\uD654 \uC18D\uC758 \uD50C\uB86F\uC740 \uC885\uC885 \uC545\uC758\uC801\uC778 \uD798, \uC0AC\uAC74, \uD639\uC740 \uC77C\uC0C1 \uC138\uACC4\uC5D0 \uB300\uD55C \uCE68\uBC94\uC744 \uD3EC\uD568\uD55C\uB2E4. \uACF5\uD3EC \uC601\uD654\uC5D0\uC11C \uB4F1\uC7A5\uD558\uB294 \uC8FC\uC694 \uC18C\uC7AC\uB85C\uB294 \uC720\uB839, \uC678\uACC4\uC778, \uC790\uC5F0\uC7AC\uD574, \uBC40\uD30C\uC774\uC5B4, \uB291\uB300\uC778\uAC04, \uC545\uB9C8, \uB9C8\uB140, \uC0AC\uD0C4, \uC794\uC778\uD55C \uAC83, \uACE0\uBB38\uD558\uAE30, \uC545\uC758 \uC0C1\uC9D5\uC778 \uB3D9\uBB3C, \uAD34\uBB3C, \uC880\uBE44, \uC2F8\uC774\uCF54\uD328\uC2A4, \uC5F0\uC1C4\uC0B4\uC778\uBC94 \uB4F1\uC774 \uC788\uB2E4. \uACF5\uD3EC\uC601\uD654\uC758 \uBD80\uAC00\uC801\uC778 \uC7A5\uB974\uB85C\uB294 \uC561\uC158 \uD638\uB7EC, \uCF54\uBBF8\uB514 \uD638\uB7EC, \uC7AC\uC559 \uD638\uB7EC, \uCD08\uC790\uC5F0\uC801 \uD638\uB7EC, \uC880\uBE44 \uD638\uB7EC \uB4F1 \uB2E4\uC591\uD558\uB2E4."@ko . "Letteratura dell'orrore"@it . . . . . . . "Portal:Horror films"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "center"@en . . . . . . . "Beldurrezko zinema beldurrari lotutako zinema generoa da. Lehendabizikoak literaturaren klasikoetan oinarrituta zeuden: adibidez, Dracula, Frankenstein, The Phantom of the Opera etao Dr. Jekyll and Mr. Hyde. Gero, literaturaren munstroetara jotzen segitu arren, egungo bizitza modernoaren ziurtasun-gabeziak ere landu dira."@eu . . . . . . . . . . . . . . . . "Een horrorfilm, griezelfilm of gruwelfilm is een film waarin angst (Latijn: horror) het hoofdthema vormt. Horrorfilms vertonen vaak vaste patronen in stijl, setting, opbouw en boodschap en zijn daarom verder onder te verdelen in aparte subgenres. De vroegste horrorfilms werden sterk be\u00EFnvloed door de Duitse expressionistische cinema, zoals Das Cabinet des Dr. Caligari uit 1920 en Nosferatu, eine Symphonie des Grauens uit 1922."@nl . . . "Horor je filmov\u00FD \u017E\u00E1nr, jeho\u017E hlavn\u00EDm \u00FA\u010Delem je vyvolat v div\u00E1kovi strach a nebo dal\u0161\u00ED specifick\u00E9 emoce, jako jsou no\u010Dn\u00ED m\u016Fry, hnus \u010Di jin\u00E9 obavy. \u010Cin\u00ED tak pomoc\u00ED prvk\u016F dob\u0159e zn\u00E1m\u00FDch u\u017E z hororov\u00FDch knih \u010Di lidov\u00FDch pov\u00EDda\u010Dek, mezi nejzn\u00E1m\u011Bj\u0161\u00ED hororov\u00E1 stra\u0161idla pat\u0159\u00ED duchov\u00E9, up\u00ED\u0159i, vlkodlaci, d\u00E9moni, \u010Darod\u011Bjnice, zombies, ale tak\u00E9 monstra z vesm\u00EDru \u010Di lid\u0161t\u00ED antihrdinov\u00E9 jako s\u00E9riov\u00ED vrazi nebo psychopati. \u017D\u00E1nr hororu se \u010Dasto prol\u00EDn\u00E1 s fantasy, sci-fi \u010Di thrillerem."@cs . . . . . . . . . "Literatura de horror"@pt . "Terror ou Horror \u00E9 um g\u00EAnero cinematogr\u00E1fico que procura uma rea\u00E7\u00E3o emocional negativa dos espectadores, ao jogar com os medos prim\u00E1rios da audi\u00EAncia. Inspirado na literatura de autores como Edgar Allan Poe, H.P. Lovecaft, Bram Stoker ou Mary Shelley, os filmes de terror t\u00EAm mais de um s\u00E9culo, caracterizados por cenas que assustam o espectador. Os temas do macabro e do sobrenatural s\u00E3o muito frequentes. O terror tamb\u00E9m se pode sobrepor com os g\u00E9neros de fantasia, fic\u00E7\u00E3o cient\u00EDfica, sobrenatural e o thriller."@pt . . . . . . . . . . . . "Cine de terror"@es . . . "Filmov\u00FD horor"@cs . . . . . . . . . "no"@en . . . . "\u30DB\u30E9\u30FC\u6620\u753B"@ja . . . . . . . . . "Film horor adalah sebuah genre film yang berusaha untuk memancing emosi berupa ketakutan atau rasa jijik dari penontonnya. mereka sering melibatkan tema-tema kematian, supranatural, atau penyakit mental. Banyak cerita film horor yang berpusat pada sebuah tokoh antagonis tertentu yang . Film horor sering kali mengeksplorasi materi pelajaran yang gelap dan mungkin berhubungan dengan topik atau tema yang melampaui batas. Elemen luas termasuk monster, , dan kepercayaan agama atau rakyat. Teknik sinematik yang digunakan dalam film horor telah terbukti memancing reaksi psikologis penonton. Film horor telah ada selama lebih dari satu abad. Inspirasi awal dari sebelum pengembangan film termasuk cerita rakyat, kepercayaan agama dan takhayul budaya yang berbeda, dan sastra Gotik dan horor dari penulis seperti Edgar Allan Poe, Bram Stoker, dan Mary Shelley."@in . . "Frankenstein, or the Modern Prometheus Creature.jpg"@en . . . . . . . . . . . . . . . . . "\u0647\u064A \u0646\u0648\u0639 \u0645\u0646 \u0627\u0644\u0643\u062A\u0627\u0628\u0629 \u064A\u0647\u062F\u0641 \u0644\u062A\u0631\u0639\u064A\u0628 \u0623\u0648 \u062A\u062E\u0648\u064A\u0641 \u0648\u062A\u0642\u0632\u064A\u0632 \u0648\u0627\u0641\u0632\u0627\u0639 \u0627\u0644\u0642\u0631\u0627\u0621 \u0645\u0646 \u062E\u0644\u0627\u0644 \u0627\u0642\u0646\u0627\u0639\u0647\u0645 \u0628\u0627\u0644\u0634\u0639\u0648\u0631 \u0628\u0627\u0644\u062E\u0648\u0641. \u0639\u0631\u0641 \u0627\u0644\u0645\u0624\u0631\u062E \u0627\u0644\u0623\u062F\u0628\u064A \u062C.\u0623 \u0643\u0648\u062F\u0648\u0646 \u062D\u0643\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628 \u0639\u0644\u0649 \u0623\u0646\u0647\u0627 \u062C\u0632\u0621 \u0645\u0646 \u0627\u0644\u0646\u062B\u0631 \u0641\u064A \u062E\u064A\u0627\u0644 \u0644\u0623\u0628\u0639\u0627\u062F \u0645\u062A\u0641\u0627\u0648\u062A\u0629\u060C \u0648\u0627\u0644\u062A\u064A \u0642\u062F \u062A\u0635\u062F\u0645 \u0623\u0648 \u062A\u062E\u064A\u0641 \u0627\u0644\u0642\u0627\u0631\u0626\u060C \u0648\u0631\u0628\u0645\u0627 \u062A\u0628\u0639\u062B \u0634\u0639\u0648\u0631 \u0627\u0644\u062A\u0642\u0632\u0632 \u0648\u0627\u0644\u0646\u0641\u0648\u0631 \u0641\u064A \u0646\u0641\u0633 \u0627\u0644\u0642\u0627\u0631\u0626 \u0648\u062A\u062E\u0644\u0642 \u062C\u0648\u0627\u064B \u063A\u0631\u064A\u0628\u0627\u064B \u0645\u0646 \u0627\u0644\u062E\u0648\u0641 \u0648\u063A\u0627\u0644\u0628\u064B\u0627 \u0645\u0627 \u062A\u0643\u0648\u0646 \u062D\u0643\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628 \u062E\u0627\u0631\u0642\u0629 \u0644\u0644\u0637\u0628\u064A\u0639\u0629\u060C \u0648\u0642\u062F \u062A\u0643\u0648\u0646 \u063A\u064A\u0631 \u062E\u0627\u0631\u0642\u0629 \u0644\u0644\u0637\u0628\u064A\u0639\u0629. \u0648\u063A\u0627\u0644\u0628\u0627\u064B \u0645\u0627\u064A\u0639\u0631\u0641 \u062A\u0631\u0643\u064A\u0632 \u062D\u0643\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628 \u0643\u0646\u0648\u0639 \u0645\u0646 \u0627\u0644\u062A\u0647\u062F\u064A\u062F \u0627\u0644\u0630\u064A \u064A\u0641\u0633\u0631 \u0643\u0646\u0648\u0639 \u0645\u0646 \u0627\u0644\u0627\u0633\u062A\u0639\u0627\u0631\u0629 \u0644\u062E\u0648\u0641 \u0643\u0628\u064A\u0631 \u0641\u064A \u0627\u0644\u0645\u062C\u062A\u0645\u0639.\u0623\u0635\u0628\u062D\u062A \u0631\u0648\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628 \u0645\u0646 \u062A\u0642\u0627\u0644\u064A\u062F \u0648\u0639\u0627\u062F\u0627\u062A \u0627\u0644\u0634\u0639\u0648\u0628 \u0627\u0644\u0623\u0635\u064A\u0644\u0647\u060C \u0641\u0623\u0635\u0628\u062D\u062A \u0631\u0648\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628 \u062A\u0631\u0643\u0632 \u0639\u0644\u0649 \u0627\u0644\u0645\u0648\u062A \u0648\u0627\u0644\u062D\u064A\u0627\u0629 \u0627\u0644\u0623\u062E\u0631\u0648\u064A\u0629 \u0648\u0627\u0644\u0634\u0631 \u0648\u0627\u0644\u0634\u064A\u0627\u0637\u064A\u0646. \u0647\u0646\u0627\u0643 \u0627\u0633\u062A\u062E\u062F\u0627\u0645 \u0644\u0638\u0627\u0647\u0631\u0629 \u0627\u0644\u0633\u0627\u062D\u0631\u0627\u062A \u0648\u0645\u0635\u0627\u0635\u064A \u0627\u0644\u062F\u0645\u0627\u0621 \u0648\u0627\u0644\u0645\u0633\u062A\u0630\u0626\u0628\u064A\u0646.\u0645\u0634\u0627\u0647\u064A\u0631 \u0623\u0641\u0644\u0627\u0645 \u0648\u062D\u0643\u0627\u064A\u0627\u062A \u0627\u0644\u0631\u0639\u0628:"@ar . . "Horor je filmov\u00FD \u017E\u00E1nr, jeho\u017E hlavn\u00EDm \u00FA\u010Delem je vyvolat v div\u00E1kovi strach a nebo dal\u0161\u00ED specifick\u00E9 emoce, jako jsou no\u010Dn\u00ED m\u016Fry, hnus \u010Di jin\u00E9 obavy. \u010Cin\u00ED tak pomoc\u00ED prvk\u016F dob\u0159e zn\u00E1m\u00FDch u\u017E z hororov\u00FDch knih \u010Di lidov\u00FDch pov\u00EDda\u010Dek, mezi nejzn\u00E1m\u011Bj\u0161\u00ED hororov\u00E1 stra\u0161idla pat\u0159\u00ED duchov\u00E9, up\u00ED\u0159i, vlkodlaci, d\u00E9moni, \u010Darod\u011Bjnice, zombies, ale tak\u00E9 monstra z vesm\u00EDru \u010Di lid\u0161t\u00ED antihrdinov\u00E9 jako s\u00E9riov\u00ED vrazi nebo psychopati. \u017D\u00E1nr hororu se \u010Dasto prol\u00EDn\u00E1 s fantasy, sci-fi \u010Di thrillerem."@cs . "Literatura de terror"@es . "\u0641\u064A\u0644\u0645 \u0631\u0639\u0628"@ar . . . . . . . . . . . . . . . . . "Beldurrezko zinema beldurrari lotutako zinema generoa da. Lehendabizikoak literaturaren klasikoetan oinarrituta zeuden: adibidez, Dracula, Frankenstein, The Phantom of the Opera etao Dr. Jekyll and Mr. Hyde. Gero, literaturaren munstroetara jotzen segitu arren, egungo bizitza modernoaren ziurtasun-gabeziak ere landu dira. Kritikariek beldurrezko filmek biolentzia, aurrekontu urriko B filmak edo aldeak gehiegi erabiltzen dituzten arren, ekoiztetxe eta zinema zuzendari nagusiek, tartean Alfred Hitchcock, Roman Polanski, Stanley Kubrick, Martin Scorsese edo Francis Ford Coppola, genero horretako filmak moldatu dituzte. Zenbait filmek zientzia fikzio, fantastiko, komedia beltz edo thriller atalak ere dituzte."@eu . . . . . . . . . . . . . . . . "Die Horrorliteratur (auch Gruselliteratur) ist eine Literaturgattung, die sich auf Horrorfiktion st\u00FCtzt und deren Gegenstand daher angsteinfl\u00F6\u00DFende und oft \u00FCbernat\u00FCrliche Ereignisse sind. Dabei r\u00FCcken \u00FCberwiegend die grausigen Motive der Handlung (Monster, Untote, D\u00E4monen, Entstellungen, Qualen etc.) in den Vordergrund bzw. Mittelpunkt."@de . . . . . . . . . . . . "horror movie"@en . . "Le film d'horreur, ou film d'\u00E9pouvante, est un genre cin\u00E9matographique dont l'objectif est de cr\u00E9er un sentiment de peur, de r\u00E9pulsion ou d'angoisse chez le spectateur. Il est \u00E0 dissocier du thriller et surtout du film fantastique, qui apporte une notion de surnaturel sans pour autant avoir pour but de provoquer la peur. Parmi les sous-genres, le slasher est l'un des plus reconnus avec des personnages de r\u00E9f\u00E9rence comme Freddy Krueger (Les Griffes de la nuit), Michael Myers (Halloween) ou encore Jason Voorhees (Vendredi 13). Ces films o\u00F9 l'histoire des personnages principaux importe peu sont construits autour d'un sc\u00E9nario uniquement destin\u00E9 \u00E0 expliciter la mani\u00E8re dont le boogeyman s'applique \u00E0 tuer ses victimes. Les films impliquant des zombies, des vampires, des fant\u00F4mes, des forces d\u00E9moniaques ou encore des loups-garous comptent \u00E9galement parmi les classiques du genre. L'histoire de l'horreur au cin\u00E9ma commence d\u00E8s la fin du XIXe si\u00E8cle, mais ce n'est qu'avec le cin\u00E9ma expressionniste allemand, puis avec les productions Universal Monsters des ann\u00E9es 1930, que le genre prend vraiment son essor. Apr\u00E8s une p\u00E9riode creuse, le genre est relanc\u00E9 par les films de la Hammer \u00E0 la fin des ann\u00E9es 1950. La mode du fantastique gothique lanc\u00E9e par la firme c\u00E8de la place la d\u00E9cennie suivante \u00E0 des \u0153uvres plus ancr\u00E9es dans une r\u00E9alit\u00E9 contemporaine, tels Psychose, La Nuit des morts-vivants et Rosemary's Baby qui, conjugu\u00E9es avec l'arriv\u00E9e du gore, r\u00E9volutionnent le genre. Les ann\u00E9es 1970 et le d\u00E9but des ann\u00E9es 1980 sont une p\u00E9riode faste avec la sortie de classiques tels que L'Exorciste, Massacre \u00E0 la tron\u00E7onneuse, Les Dents de la mer, Suspiria, Halloween, Shining, Evil Dead et The Thing. L'horreur, bien qu'\u00E9tant toujours une cible privil\u00E9gi\u00E9e pour la censure, acc\u00E8de \u00E0 une certaine reconnaissance en tant que genre \u00E0 part enti\u00E8re. Apr\u00E8s un nouveau passage \u00E0 vide, le genre trouve un second souffle \u00E0 la fin des ann\u00E9es 1990 avec des \u0153uvres plus novatrices ou subversives, comme Scream, et la reconnaissance internationale du cin\u00E9ma d'horreur asiatique. La popularit\u00E9 de l'horreur ne se d\u00E9ment pas au d\u00E9but du XXIe si\u00E8cle, malgr\u00E9 une apparente surabondance de remakes et de suites, avec des films qui se d\u00E9marquent aussi bien parmi les grosses productions (comme l'illustre le succ\u00E8s commercial et critique de \u00C7a en 2017) que dans le cin\u00E9ma ind\u00E9pendant. Le studio Blumhouse s'est ainsi fait sp\u00E9cialiste du genre en se faisant remarquer par la production de succ\u00E8s populaires comme Paranormal Activity ou Get Out."@fr . . . "\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0631\u0639\u0628 \u0647\u064A \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u062A\u064A \u062A\u062B\u064A\u0631 \u0645\u0634\u0627\u0639\u0631 \u0627\u0644\u0631\u0639\u0628 \u0648\u0627\u0644\u062E\u0648\u0641 \u0641\u064A \u0646\u0641\u0633 \u0627\u0644\u0645\u0634\u0627\u0647\u062F\u060C \u0648\u064A\u0638\u0647\u0631 \u0641\u064A \u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0631\u0639\u0628 \u0627\u0644\u0643\u062B\u064A\u0631 \u0645\u0646 \u0627\u0644\u0623\u0634\u064A\u0627\u0621 \u0627\u0644\u0645\u0631\u0639\u0628\u0629 \u0645\u062B\u0644 \u0642\u0648\u0649 \u0634\u064A\u0637\u0627\u0646\u064A\u0629\u060C \u0648\u0623\u062D\u062F\u0627\u062B \u062E\u0627\u0631\u0642\u0629 \u0644\u0644\u0637\u0628\u064A\u0639\u0629 \u0648\u0623\u0634\u0628\u0627\u062D \u0644\u0627 \u062A\u0643\u0648\u0646 \u0645\u0648\u062C\u0648\u062F\u0629 \u0639\u0627\u062F\u0629 \u0641\u064A \u0627\u0644\u062D\u064A\u0627\u0629 \u0627\u0644\u064A\u0648\u0645\u064A\u0629 \u0627\u0644\u0639\u0627\u062F\u064A\u0629\u060C \u0648\u0639\u0627\u062F\u0629 \u064A\u0643\u0648\u0646 \u0647\u0646\u0627\u0643 \u0634\u062E\u0635 \u0634\u0631\u064A\u0631 \u064A\u0642\u0648\u0645 \u0628\u062F\u0648\u0631 \u0627\u0644\u0628\u0637\u0648\u0644\u0629 \u0641\u064A \u0641\u064A\u0644\u0645 \u0627\u0644\u0631\u0639\u0628\u060C \u0643\u0645\u0627 \u062A\u0645\u062A\u0627\u0632 \u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0631\u0639\u0628 \u0628\u0627\u0644\u0645\u0624\u062B\u0631\u0627\u062A \u0627\u0644\u0628\u0635\u0631\u064A\u0629 \u0648\u0627\u0644\u0635\u0648\u062A\u064A\u0629. \u0646\u0628\u0639\u062A \u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0631\u0639\u0628 \u0627\u0644\u0623\u0648\u0644\u0649 \u0648\u0634\u062E\u0635\u064A\u0627\u062A\u0647\u0627 \u0645\u0646 \u0627\u0644\u0623\u062F\u0628 \u0627\u0644\u0643\u0644\u0627\u0633\u064A\u0643\u064A \u0648\u0623\u0634\u0647\u0631\u0647\u0627 \u062F\u0631\u0627\u0643\u0648\u0644\u0627\u060C \u0648\u0641\u0631\u0627\u0646\u0643\u0646\u0634\u062A\u0627\u064A\u0646\u060C \u0648\u0627\u0644\u0645\u0648\u0645\u064A\u0627\u0621\u060C \u0648\u0627\u0644\u0631\u062C\u0644 \u0627\u0644\u0630\u0626\u0628 \u0648\u0632\u0648\u0645\u0628\u064A\u060C \u0648\u062A\u0644\u0627 \u0647\u0630\u0647 \u0627\u0644\u0645\u0631\u062D\u0644\u0629 \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u062A\u064A \u0627\u0633\u062A\u0642\u062A \u0623\u0641\u0643\u0627\u0631\u0647\u0627 \u0645\u0646 \u0623\u0648\u0636\u0627\u0639 \u0627\u0644\u062D\u0631\u0628 \u0627\u0644\u0639\u0627\u0644\u0645\u064A\u0629 \u0627\u0644\u062B\u0627\u0646\u064A\u0629."@ar . "right"@en . . . . . . . . . . "Beldurrezko zinema"@eu . . "\u6050\u6016\u96FB\u5F71\uFF08horror film\uFF09\uFF0C\u53C8\u540D\u6050\u6016\u7247\uFF0C\u9019\u4E00\u985E\u578B\u7684\u96FB\u5F71\u900F\u904E\u5F71\u50CF\u6216\u6545\u4E8B\u4F7F\u89C0\u773E\u611F\u53D7\u5230\u6050\u6016\u7684\u523A\u6FC0\u3002\u6700\u65E9\u7684\u6050\u6016\u96FB\u5F71\u6DF1\u53D7\u6587\u5B78\u8207\u6232\u5287\u7684\u5F71\u97FF\u3002\u96A8\u8457\u6642\u4EE3\u8207\u5730\u57DF\u7684\u4E0D\u540C\uFF0C\u6050\u6016\u96FB\u5F71\u5448\u73FE\u51FA\u4F86\u7684\u9762\u8C8C\u4E5F\u6709\u5DEE\u7570\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . . "Skr\u00E4ckfilm \u00E4r en filmgenre \u2013 eller en grupp av genrer \u2013 som f\u00F6rs\u00F6ker skr\u00E4mma alternativt chockera \u00E5sk\u00E5darna via n\u00E5got ok\u00E4nt, \u00F6vernaturligt eller tabubelagt. Historierna kan inkludera monster, seriem\u00F6rdare, sp\u00F6ken eller onda krafter. \u00C4ven sp\u00E4nning, \u00E4ckel och allm\u00E4nt obehag kan inkluderas i de uppv\u00E4ckta k\u00E4nslorna, och m\u00E5ls\u00E4ttningen att v\u00E4cka fysiska reaktioner har gjort att genren kopplats samman med kroppsgenrer. Inspiration till genren \u00E4r bland annat den gotiska romanen och den tyska 1920-talsfilmen."@sv . . "Category:Horror films"@en . . . . . . "El cine de terror es un g\u00E9nero cinematogr\u00E1fico que se caracteriza por su voluntad de provocar en el espectador sensaciones de pavor, terror, miedo, disgusto, repugnancia, horror, incomodidad o preocupaci\u00F3n. Sus argumentos frecuentemente desarrollan la s\u00FAbita intrusi\u00F3n en un \u00E1mbito de alguna fuerza, evento o personaje de naturaleza maligna o celestial, a menudo de origen criminal o sobrenatural.En los cines de terror es donde se produce una sensaci\u00F3n de miedo o temor sobre las distintas causas que genera un determinado personaje o actor no profesional."@es . . . . . . . . . . . . . . . . . . . . "A demon in the Book of Wonders"@en . . . . . . . . . . "Skr\u00E4ckfilm"@sv . . . . . . . . . . . "\u30DB\u30E9\u30FC\u6620\u753B\uFF08\u30DB\u30E9\u30FC\u3048\u3044\u304C\uFF09\u307E\u305F\u306F\u6050\u6016\u6620\u753B\uFF08\u304D\u3087\u3046\u3075\u3048\u3044\u304C\uFF09\u306F\u3001\u6620\u753B\u306E\u30B8\u30E3\u30F3\u30EB\u306E\u4E00\u3064\u3002\u89B3\u308B\u8005\u304C\u6050\u6016\u611F\uFF08\u82F1\u8A9E\u3067\u3044\u3046\u3068\u3053\u308D\u306EHorror\u3001Fear\u3001Terror\u306A\u3069\uFF09\u3092\u5473\u308F\u3063\u3066\u697D\u3057\u3080\u3053\u3068\u3092\u60F3\u5B9A\u3057\u3066\u5236\u4F5C\u3055\u308C\u3066\u3044\u308B\u3082\u306E\u3092\u5E83\u304F\u6307\u3059\u3002\u307E\u305F\u3001\u30BE\u30F3\u30D3\u3001\u6BBA\u4EBA\u9B3C\u3001\u5E7D\u970A\u3001\u5438\u8840\u9B3C\u3001\u60AA\u9B54\u3001\u602A\u7269\u3001\u7CBE\u795E\u75BE\u60A3\u306A\u3069\u3001\u89B3\u5BA2\u306B\u6050\u6016\u611F\u3092\u4E0E\u3048\u308B\u305F\u3081\u306B\u30DB\u30E9\u30FC\u6620\u753B\u3067\u7528\u3044\u3089\u308C\u308B\u7D20\u6750\u3084\u984C\u6750\u3092\u542B\u3080\u3082\u306E\u3092\uFF08\u305D\u308C\u304C\u6050\u6016\u611F\u3092\u4E0E\u3048\u308B\u305F\u3081\u306E\u3082\u306E\u304B\u306B\u304B\u304B\u308F\u3089\u305A\uFF09\u3001\u30DB\u30E9\u30FC\u6620\u753B\u3068\u3059\u308B\u5834\u5408\u3082\u3042\u308B\u3002\u30DB\u30E9\u30FC\u6620\u753B\u306F\u3001\u65E5\u672C\u30FB\u97D3\u56FD\u30FB\u30A4\u30BF\u30EA\u30A2\u30FB\u30BF\u30A4\u306A\u3069\u306E\u6620\u753B\u64AE\u5F71\u3067\u7279\u306B\u666E\u53CA\u3067\u3042\u308B\u3002 \u65E5\u672C\u306E\u30DB\u30E9\u30FC\u6620\u753B\u306B\u3064\u3044\u3066\u306F\u300Cen:Japanese horror\u300D\u3092\u53C2\u7167"@ja . . "400"^^ . . . . . . "Skr\u00E4ckfilm \u00E4r en filmgenre \u2013 eller en grupp av genrer \u2013 som f\u00F6rs\u00F6ker skr\u00E4mma alternativt chockera \u00E5sk\u00E5darna via n\u00E5got ok\u00E4nt, \u00F6vernaturligt eller tabubelagt. Historierna kan inkludera monster, seriem\u00F6rdare, sp\u00F6ken eller onda krafter. \u00C4ven sp\u00E4nning, \u00E4ckel och allm\u00E4nt obehag kan inkluderas i de uppv\u00E4ckta k\u00E4nslorna, och m\u00E5ls\u00E4ttningen att v\u00E4cka fysiska reaktioner har gjort att genren kopplats samman med kroppsgenrer. Inspiration till genren \u00E4r bland annat den gotiska romanen och den tyska 1920-talsfilmen."@sv . . . . . . . . . . . "La letteratura dell'orrore, comunemente detta horror (prestito dall'inglese), \u00E8 un genere che mira a suscitare nel lettore sentimenti di ribrezzo, di repulsione, di spavento o di raccapriccio. Tramite la commistione della realt\u00E0 quotidiana con elementi di carattere soprannaturale o surreale o tramite l'inserimento inatteso di circostanze non razionali, ipotizzando situazioni che destabilizzano le sicurezze acquisite nel lettore, vengono in questi instillate emozioni e sensazioni di paura."@it . . . "Film horor adalah sebuah genre film yang berusaha untuk memancing emosi berupa ketakutan atau rasa jijik dari penontonnya. mereka sering melibatkan tema-tema kematian, supranatural, atau penyakit mental. Banyak cerita film horor yang berpusat pada sebuah tokoh antagonis tertentu yang . Film horor sering kali mengeksplorasi materi pelajaran yang gelap dan mungkin berhubungan dengan topik atau tema yang melampaui batas. Elemen luas termasuk monster, , dan kepercayaan agama atau rakyat. Teknik sinematik yang digunakan dalam film horor telah terbukti memancing reaksi psikologis penonton."@in . . "Horora filmo"@eo . . . "L'horreur est un genre litt\u00E9raire s'inscrivant dans le registre de la peur. Ce genre met souvent en sc\u00E8ne des ph\u00E9nom\u00E8nes surnaturels (et des cr\u00E9atures \u00E0 l'avenant : vampires, fant\u00F4mes, loup-garous et autres monstres) ainsi que des psychopathes et des tueurs en s\u00E9ries. Le roman d'horreur cherche \u00E0 susciter chez le lecteur l'angoisse et l'effroi, ou tout du moins \u00E0 le mettre mal \u00E0 l'aise (l'inqui\u00E9tante \u00E9tranget\u00E9 par laquelle on a parfois cherch\u00E9 \u00E0 d\u00E9finir le fantastique est ici exacerb\u00E9e)."@fr . . . "Le film d'horreur, ou film d'\u00E9pouvante, est un genre cin\u00E9matographique dont l'objectif est de cr\u00E9er un sentiment de peur, de r\u00E9pulsion ou d'angoisse chez le spectateur. Il est \u00E0 dissocier du thriller et surtout du film fantastique, qui apporte une notion de surnaturel sans pour autant avoir pour but de provoquer la peur. Parmi les sous-genres, le slasher est l'un des plus reconnus avec des personnages de r\u00E9f\u00E9rence comme Freddy Krueger (Les Griffes de la nuit), Michael Myers (Halloween) ou encore Jason Voorhees (Vendredi 13). Ces films o\u00F9 l'histoire des personnages principaux importe peu sont construits autour d'un sc\u00E9nario uniquement destin\u00E9 \u00E0 expliciter la mani\u00E8re dont le boogeyman s'applique \u00E0 tuer ses victimes. Les films impliquant des zombies, des vampires, des fant\u00F4mes, des forces d\u00E9m"@fr . . . . . . . . . . . "El cinema de terror \u00E9s un g\u00E8nere f\u00EDlmic que busca causar por i angoixa en l'espectador. Per aix\u00F2 mateix tamb\u00E9 solen anomenar-se \"pel\u00B7l\u00EDcules de por\" a les obres cinematogr\u00E0fiques de terror. Els temes principals es poden agrupar en quatre grans blocs: \n* els morts que no han mort \n* els monstres i criatures fant\u00E0stiques \n* els \u00E9ssers humans pertorbats o modificats \n* els tirans o persones que excedeixen els seus l\u00EDmits (com per exemple el cient\u00EDfic boig)"@ca . . . . . . . . . . . . . . . . . . . "Cinema de terror"@ca . . . . . . . . . . . "Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apocalyptic events, and religious or folk beliefs. Cinematic techniques used in horror films have been shown to provoke psychological reactions in an audience."@en . . . . . . . . . "Horrorfilm"@de . . . . . . "\u03A4\u03B1\u03B9\u03BD\u03AF\u03B1 \u03C4\u03C1\u03CC\u03BC\u03BF\u03C5"@el . . . . . . . . "L'horreur est un genre litt\u00E9raire s'inscrivant dans le registre de la peur. Ce genre met souvent en sc\u00E8ne des ph\u00E9nom\u00E8nes surnaturels (et des cr\u00E9atures \u00E0 l'avenant : vampires, fant\u00F4mes, loup-garous et autres monstres) ainsi que des psychopathes et des tueurs en s\u00E9ries. Le roman d'horreur cherche \u00E0 susciter chez le lecteur l'angoisse et l'effroi, ou tout du moins \u00E0 le mettre mal \u00E0 l'aise (l'inqui\u00E9tante \u00E9tranget\u00E9 par laquelle on a parfois cherch\u00E9 \u00E0 d\u00E9finir le fantastique est ici exacerb\u00E9e)."@fr . . . . . . . . . . . . . "El cine de terror es un g\u00E9nero cinematogr\u00E1fico que se caracteriza por su voluntad de provocar en el espectador sensaciones de pavor, terror, miedo, disgusto, repugnancia, horror, incomodidad o preocupaci\u00F3n. Sus argumentos frecuentemente desarrollan la s\u00FAbita intrusi\u00F3n en un \u00E1mbito de alguna fuerza, evento o personaje de naturaleza maligna o celestial, a menudo de origen criminal o sobrenatural.En los cines de terror es donde se produce una sensaci\u00F3n de miedo o temor sobre las distintas causas que genera un determinado personaje o actor no profesional."@es . . . . . . "Filme de terror"@pt . . . . . . . . "Film horor"@in . . . . . . . . . . . . . . "El cinema de terror \u00E9s un g\u00E8nere f\u00EDlmic que busca causar por i angoixa en l'espectador. Per aix\u00F2 mateix tamb\u00E9 solen anomenar-se \"pel\u00B7l\u00EDcules de por\" a les obres cinematogr\u00E0fiques de terror. Els temes principals es poden agrupar en quatre grans blocs: \n* els morts que no han mort \n* els monstres i criatures fant\u00E0stiques \n* els \u00E9ssers humans pertorbats o modificats \n* els tirans o persones que excedeixen els seus l\u00EDmits (com per exemple el cient\u00EDfic boig) El cinema de terror sovint juga amb els efectes especials, la creaci\u00F3 d'atmosferes inquietants i la m\u00FAsica per provocar ensurts o nerviosisme en el p\u00FAblic. El terror pot ser causat pel que es veu a la pantalla (escenes d'assassinats, persecucions, criatures mal\u00E8fiques) o pel que se suggereix (imaginacions dels protagonistes, q\u00FCestionament de la realitat, falses expecatives...). Les primeres cintes tenien una atmosfera basada en la novel\u00B7la g\u00F2tica i els relats literaris del Romanticisme. Despr\u00E9s es van especialitzar en la filmaci\u00F3 de criatures monstruoses, formant sovint sagues on intervenia el misteri i l'acci\u00F3. El terror ha anat passant a l'\u00E0mbit privat, de manera que el que causa m\u00E9s por \u00E9s justament l'aparen\u00E7a de normalitat de determinades situacions, que mostren a l'espectador que all\u00F2 que veu a la pantalla podria ser real. La primera pel\u00B7l\u00EDcula de terror, tot i que no era el que es pretenia, va ser tamb\u00E9 una de les primeres filmacions de la hist\u00F2ria. Consistia tan sols en un tren arribant a l'estaci\u00F3, per\u00F2 com que la gent no estava acostumada a veure filmacions de cap tipus, es va pensar que era de veritat i fins i tot molta gent va sortir corrent de la sala. George Andrew Romero \u00E9s considerat un revolucionari de les pel\u00B7l\u00EDcules de terror. Amb la seva filmaci\u00F3 Night of the living dead, va sorgir la subcultura dels morts vivents (zombis) dins d'aquest g\u00E8nere."@ca . . . . . . . . . . . . . . . . . . . . . . "13451"^^ . . . . . . . . . . . "Een horrorfilm, griezelfilm of gruwelfilm is een film waarin angst (Latijn: horror) het hoofdthema vormt. Horrorfilms vertonen vaak vaste patronen in stijl, setting, opbouw en boodschap en zijn daarom verder onder te verdelen in aparte subgenres. De vroegste horrorfilms werden sterk be\u00EFnvloed door de Duitse expressionistische cinema, zoals Das Cabinet des Dr. Caligari uit 1920 en Nosferatu, eine Symphonie des Grauens uit 1922."@nl . . . . . . . "\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0631\u0639\u0628 \u0647\u064A \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u062A\u064A \u062A\u062B\u064A\u0631 \u0645\u0634\u0627\u0639\u0631 \u0627\u0644\u0631\u0639\u0628 \u0648\u0627\u0644\u062E\u0648\u0641 \u0641\u064A \u0646\u0641\u0633 \u0627\u0644\u0645\u0634\u0627\u0647\u062F\u060C \u0648\u064A\u0638\u0647\u0631 \u0641\u064A \u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0631\u0639\u0628 \u0627\u0644\u0643\u062B\u064A\u0631 \u0645\u0646 \u0627\u0644\u0623\u0634\u064A\u0627\u0621 \u0627\u0644\u0645\u0631\u0639\u0628\u0629 \u0645\u062B\u0644 \u0642\u0648\u0649 \u0634\u064A\u0637\u0627\u0646\u064A\u0629\u060C \u0648\u0623\u062D\u062F\u0627\u062B \u062E\u0627\u0631\u0642\u0629 \u0644\u0644\u0637\u0628\u064A\u0639\u0629 \u0648\u0623\u0634\u0628\u0627\u062D \u0644\u0627 \u062A\u0643\u0648\u0646 \u0645\u0648\u062C\u0648\u062F\u0629 \u0639\u0627\u062F\u0629 \u0641\u064A \u0627\u0644\u062D\u064A\u0627\u0629 \u0627\u0644\u064A\u0648\u0645\u064A\u0629 \u0627\u0644\u0639\u0627\u062F\u064A\u0629\u060C \u0648\u0639\u0627\u062F\u0629 \u064A\u0643\u0648\u0646 \u0647\u0646\u0627\u0643 \u0634\u062E\u0635 \u0634\u0631\u064A\u0631 \u064A\u0642\u0648\u0645 \u0628\u062F\u0648\u0631 \u0627\u0644\u0628\u0637\u0648\u0644\u0629 \u0641\u064A \u0641\u064A\u0644\u0645 \u0627\u0644\u0631\u0639\u0628\u060C \u0643\u0645\u0627 \u062A\u0645\u062A\u0627\u0632 \u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0631\u0639\u0628 \u0628\u0627\u0644\u0645\u0624\u062B\u0631\u0627\u062A \u0627\u0644\u0628\u0635\u0631\u064A\u0629 \u0648\u0627\u0644\u0635\u0648\u062A\u064A\u0629. \u0646\u0628\u0639\u062A \u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0631\u0639\u0628 \u0627\u0644\u0623\u0648\u0644\u0649 \u0648\u0634\u062E\u0635\u064A\u0627\u062A\u0647\u0627 \u0645\u0646 \u0627\u0644\u0623\u062F\u0628 \u0627\u0644\u0643\u0644\u0627\u0633\u064A\u0643\u064A \u0648\u0623\u0634\u0647\u0631\u0647\u0627 \u062F\u0631\u0627\u0643\u0648\u0644\u0627\u060C \u0648\u0641\u0631\u0627\u0646\u0643\u0646\u0634\u062A\u0627\u064A\u0646\u060C \u0648\u0627\u0644\u0645\u0648\u0645\u064A\u0627\u0621\u060C \u0648\u0627\u0644\u0631\u062C\u0644 \u0627\u0644\u0630\u0626\u0628 \u0648\u0632\u0648\u0645\u0628\u064A\u060C \u0648\u062A\u0644\u0627 \u0647\u0630\u0647 \u0627\u0644\u0645\u0631\u062D\u0644\u0629 \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u062A\u064A \u0627\u0633\u062A\u0642\u062A \u0623\u0641\u0643\u0627\u0631\u0647\u0627 \u0645\u0646 \u0623\u0648\u0636\u0627\u0639 \u0627\u0644\u062D\u0631\u0628 \u0627\u0644\u0639\u0627\u0644\u0645\u064A\u0629 \u0627\u0644\u062B\u0627\u0646\u064A\u0629."@ar . . . . . . . "Skr\u00E4cklitteratur"@sv . . "horizontal"@en . . . . "Il cinema dell'orrore o cinema horror \u00E8 un genere cinematografico caratterizzato da personaggi immaginari e mostruosi, situazioni macabre, irrazionali o di origine soprannaturale e con atmosfere da brivido. Il genere fu presente gi\u00E0 dagli albori del cinema muto e continuer\u00E0 a esserlo per tutto il XX secolo e oltre anche con lungometraggi di grande successo, realizzati anche da grandi registi, che entrarono nella storia del cinema a partire da film come Nosferatu il vampiro (1922) di Murnau, Frankenstein di James Whale o Dracula di Tod Browning (1931), seguiti nei decenni successivi da altre opere di successo di altri grandi registi come Alfred Hitchcock, Federico Fellini, Werner Herzog o Stanley Kubrick che realizzarono rispettivamente Gli uccelli (1963), Tre passi nel delirio (1968), Nosf"@it . . . . . "\uACF5\uD3EC \uC601\uD654(\u6050\u6016\u6620\u756B, \uC601\uC5B4: horror film)\uB780 \uADC0\uC2E0\uC774\uB098 \uC720\uB839 \uB4F1 \uBB34\uC11C\uC6B4 \uAC83\uACFC \uCD08\uC790\uC5F0\uC801\uC778 \uC18C\uC7AC\uB97C \uC774\uC6A9\uD558\uC5EC \uB450\uB835\uACE0 \uBB34\uC11C\uC6B4 \uB290\uB08C\uC774 \uB4E4\uAC8C \uB9CC\uB4E0 \uC601\uD654\uC774\uB2E4. \uACF5\uD3EC \uC601\uD654\uB294 \uB450\uB824\uC6C0\uACFC \uB180\uB78C\uC744 \uD1B5\uD574 \uACE0\uC870\uB41C \uC2EC\uC7A5 \uBC15\uB3D9\uACFC \uAC19\uC740 \uC0DD\uB9AC\uD559\uC801 \uBC18\uC751\uC744 \uC774\uB04C\uC5B4 \uB0B4\uAE30 \uC704\uD574 \uB9CC\uB4E4\uC5B4\uC9C4 \uC601\uD654\uC758 \uC7A5\uB974\uC774\uB2E4. \uACF5\uD3EC \uC601\uD654\uB294 \uCC98\uC74C\uC5D0 \uC5D0\uB4DC\uAC00 \uC568\uB7F0 \uD3EC, \uBE0C\uB7A8 \uC2A4\uD1A0\uCEE4, \uADF8\uB9AC\uACE0 \uBA54\uB9AC \uC178\uB9AC\uC640 \uAC19\uC740 \uC791\uAC00\uB4E4\uB85C \uC601\uAC10\uC744 \uBC1B\uC740 \uC791\uD488\uC744 \uD1B5\uD574 \uD55C \uC138\uAE30 \uC774\uC0C1 \uC601\uD654\uC758 \uD55C \uC7A5\uB974\uB85C \uB2E4\uB8E8\uC5B4\uC838 \uC654\uB2E4. \uC8FC\uB85C \uC12C\uB729\uD558\uACE0 \uCD08\uC790\uC5F0\uC801\uC778 \uC8FC\uC81C\uB97C \uB2E4\uB8E8\uBA70, \uD310\uD0C0\uC9C0, \uCD08\uC790\uC5F0\uC801\uC778 \uC18C\uC124, \uC2A4\uB9B4\uB7EC \uC7A5\uB974 \uB4F1 \uB2E4\uB978 \uC7A5\uB974\uC640\uB3C4 \uC911\uCCA9\uB418\uB294 \uBD84\uC57C\uC774\uB2E4. \uACF5\uD3EC \uC601\uD654\uB294 \uC885\uC885 \uC2DC\uCCAD\uC790\uB4E4\uC758 \uC545\uBABD, \uB450\uB824\uC6C0, \uACF5\uD3EC, \uACF5\uD3EC\uB97C \uBD88\uB7EC\uC77C\uC73C\uD0A4\uB294 \uC758\uBB38\uC758 \uC874\uC7AC\uAC00 \uBD88\uB7EC\uC624\uB294 \uACF5\uD3EC\uAC10\uC744 \uBD88\uB7EC\uC77C\uC73C\uD0A4\uB294 \uAC83\uC744 \uBAA9\uD45C\uB85C \uD55C\uB2E4. \uACF5\uD3EC \uC601\uD654 \uC18D\uC758 \uD50C\uB86F\uC740 \uC885\uC885 \uC545\uC758\uC801\uC778 \uD798, \uC0AC\uAC74, \uD639\uC740 \uC77C\uC0C1 \uC138\uACC4\uC5D0 \uB300\uD55C \uCE68\uBC94\uC744 \uD3EC\uD568\uD55C\uB2E4. \uACF5\uD3EC \uC601\uD654\uC5D0\uC11C \uB4F1\uC7A5\uD558\uB294 \uC8FC\uC694 \uC18C\uC7AC\uB85C\uB294 \uC720\uB839, \uC678\uACC4\uC778, \uC790\uC5F0\uC7AC\uD574, \uBC40\uD30C\uC774\uC5B4, \uB291\uB300\uC778\uAC04, \uC545\uB9C8, \uB9C8\uB140, \uC0AC\uD0C4, \uC794\uC778\uD55C \uAC83, \uACE0\uBB38\uD558\uAE30, \uC545\uC758 \uC0C1\uC9D5\uC778 \uB3D9\uBB3C, \uAD34\uBB3C, \uC880\uBE44, \uC2F8\uC774\uCF54\uD328\uC2A4, \uC5F0\uC1C4\uC0B4\uC778\uBC94 \uB4F1\uC774 \uC788\uB2E4. \uACF5\uD3EC\uC601\uD654\uC758 \uBD80\uAC00\uC801\uC778 \uC7A5\uB974\uB85C\uB294 \uC561\uC158 \uD638\uB7EC, \uCF54\uBBF8\uB514 \uD638\uB7EC, \uC7AC\uC559 \uD638\uB7EC, \uCD08\uC790\uC5F0\uC801 \uD638\uB7EC, \uC880\uBE44 \uD638\uB7EC \uB4F1 \uB2E4\uC591\uD558\uB2E4."@ko . . . . . . . . . "Horror film"@en . . "\u041B\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0436\u0430\u0445\u0456\u0432 (\u0430\u043D\u0433\u043B. horror fiction) \u2014 \u0436\u0430\u043D\u0440 \u0445\u0443\u0434\u043E\u0436\u043D\u044C\u043E\u0457 \u043B\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0438, \u0449\u043E \u043F\u043E\u0447\u0430\u0442\u043A\u043E\u0432\u043E \u043C\u0430\u0432 \u043D\u0430 \u043C\u0435\u0442\u0456 \u0432\u0438\u043A\u043B\u0438\u043A\u0430\u0442\u0438 \u0432 \u0447\u0438\u0442\u0430\u0447\u0430 \u0432\u0456\u0434\u0447\u0443\u0442\u0442\u044F \u0442\u0440\u0438\u0432\u043E\u0433\u0438, \u0441\u0442\u0440\u0430\u0445\u0443 \u0456 \u0441\u0443\u043F\u0443\u0442\u043D\u0456\u0445 \u0432\u0456\u0434\u0447\u0443\u0442\u0442\u0456\u0432. \u041D\u0430\u0434\u0430\u043B\u0456, \u0443 \u043F\u0440\u043E\u0446\u0435\u0441\u0456 \u0436\u0430\u043D\u0440\u043E\u0432\u043E\u0433\u043E \u0440\u043E\u0437\u0432\u0438\u0442\u043A\u0443, \u043C\u0456\u0441\u0442\u0438\u0432 \u0435\u043B\u0435\u043C\u0435\u043D\u0442\u0438 \u0433\u0443\u043C\u043E\u0440\u0443, \u043F\u0435\u0440\u0435\u0434\u0430\u0432\u0430\u0432 \u0430\u0442\u043C\u043E\u0441\u0444\u0435\u0440\u0443 \u0442\u043E\u0449\u043E. \u0422\u0430\u043A\u0430 \u043B\u0456\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0447\u0430\u0441\u0442\u043E \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u043C\u0456\u0441\u0442\u0438\u0447\u043D\u0435 \u0430\u0431\u043E \u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u043D\u0435 \u0434\u043E\u043F\u0443\u0449\u0435\u043D\u043D\u044F, \u043F\u0440\u043E\u0442\u0435 \u0432\u043E\u043D\u043E \u043D\u0435 \u0454 \u043E\u0431\u043E\u0432'\u044F\u0437\u043A\u043E\u0432\u0438\u043C."@uk . . . . . . . . . .