. . . . "C Major begins with the major third ."@en . . . . . . . . . . . "Major chord in the chromatic circle.png"@en . . . "220"^^ . . . . "In music, a guitar chord is a set of notes played on a guitar. A chord's notes are often played simultaneously, but they can be played sequentially in an arpeggio. The implementation of guitar chords depends on the guitar tuning. Most guitars used in popular music have six strings with the \"standard\" tuning of the Spanish classical guitar, namely E\u2013A\u2013D\u2013G\u2013B\u2013E' (from the lowest pitched string to the highest); in standard tuning, the intervals present among adjacent strings are perfect fourths except for the major third (G,B). Standard tuning requires four chord-shapes for the major triads. There are separate chord-forms for chords having their root note on the third, fourth, fifth, and sixth strings. For a six-string guitar in standard tuning, it may be necessary to drop or omit one or more tones from the chord; this is typically the root or fifth. The layout of notes on the fretboard in standard tuning often forces guitarists to permute the tonal order of notes in a chord. The playing of conventional chords is simplified by open tunings, which are especially popular in folk, blues guitar and non-Spanish classical guitar (such as English and Russian guitar). For example, the typical twelve-bar blues uses only three chords, each of which can be played (in every open tuning) by fretting six strings with one finger. Open tunings are used especially for steel guitar and slide guitar. Open tunings allow one-finger chords to be played with greater consonance than do other tunings, which use equal temperament, at the cost of increasing the dissonance in other chords. The playing of (3 to 5 string) guitar chords is simplified by the class of alternative tunings called regular tunings, in which the musical intervals are the same for each pair of consecutive strings. Regular tunings include major-thirds tuning, all-fourths, and all-fifths tunings. For each regular tuning, chord patterns may be diagonally shifted down the fretboard, a property that simplifies beginners' learning of chords and that simplifies advanced players' improvisation. On the other hand, in regular tunings 6-string chords (in the keys of C, G, and D) are more difficult to play. Conventionally, guitarists double notes in a chord to increase its volume, an important technique for players without amplification; doubling notes and changing the order of notes also changes the timbre of chords. It can make a possible a \"chord\" which is composed of the all same note on different strings. Many chords can be played with the same notes in more than one place on the fretboard."@en . . . . . . . . . . . . . . . . . . . . . . . . . . "Dominant seventh chord on C, played on guitar in open position and as a barre chord ."@en . . . . . . . . . . . . . . . . . . . . . . "Minor chord in the chromatic circle.png"@en . . . "Eleventh chord voice leading.png"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Commonly voiced with only four notes in open position, ninth and eleventh chords often play a dominant role."@en . . . . . . . "Dominant seventh chord on C guitar.png"@en . "81934"^^ . . . . . . . . . "Als Gitarrengriff bezeichnet man eine Fingerkombination, mit der Akkorde auf der Gitarre gegriffen werden. Mit den Fingern der Anschlaghand oder einem Plektrum werden dabei die Saiten gezupft oder geschlagen. Jeder Akkord kann in vielen verschiedenen Positionen und Lagen auf dem Griffbrett gespielt werden, wobei sich jeweils die Griffform \u00E4ndert. Diese verschiedenen M\u00F6glichkeiten werden h\u00E4ufig in Grifftabellen (siehe unten) dargestellt."@de . . . . . . . . . "Dominant seventh chord on C guitar open position"@en . . . . . . . . . . . . . . . . . . . . "C Minor begins with minor third ."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . "Major triad as a triangle inscribed in the chromatic circle"@en . . . . . . . . . "C_major.ogg"@en . . . . . . . . . . . . . . . "Als Gitarrengriff bezeichnet man eine Fingerkombination, mit der Akkorde auf der Gitarre gegriffen werden. Mit den Fingern der Anschlaghand oder einem Plektrum werden dabei die Saiten gezupft oder geschlagen. Jeder Akkord kann in vielen verschiedenen Positionen und Lagen auf dem Griffbrett gespielt werden, wobei sich jeweils die Griffform \u00E4ndert. Diese verschiedenen M\u00F6glichkeiten werden h\u00E4ufig in Grifftabellen (siehe unten) dargestellt. Bei einigen Akkorden ist es notwendig, mit dem Zeigefinger der Greifhand mehrere (bis zu sechs) Saiten an einem Bund niederzudr\u00FCcken (im Griffbild als Balken dargestellt). Solche Griffe bezeichnet man als Barr\u00E9-Griffe. Sie bereiten Anf\u00E4ngern oftmals M\u00FChe, weil dazu unter anderem ein sehr pr\u00E4zises Aufsetzen der Finger notwendig ist. Sie gelingen aber leichter, wenn der ben\u00F6tigte Druck des Daumens durch ein leichtes Ziehen der Greifhand nach hinten unterst\u00FCtzt wird. Die Vorteile der Barr\u00E9griffe: Bei Strumming-Rhythmen wird das D\u00E4mpfen der Saiten erleichtert und man kann damit Akkorde leicht transponieren. Saiten, die angeschlagen, aber nicht gegriffen werden, bezeichnet man als offene Saiten oder Leersaiten. Es existieren auch offene Stimmungen, in denen die sechs Leersaiten ohne Griff einen einfachen Akkord bilden."@de . . . . . . . . . . . "Ninth chord voice leading.png"@en . . . . . . . . . . . . . . "C major scale"@en . . . . "Gitarrengriff"@de . . . . . . "150"^^ . . "\uAE30\uD0C0 \uCF54\uB4DC"@ko . . . . . . . "130"^^ . . . . . . . "\uAE30\uD0C0 \uCF54\uB4DC\uB294 \uAE30\uD0C0\uB85C \uC5F0\uC8FC\uD558\uB294 \uCF54\uB4DC(\uD654\uC74C)\uC774\uB2E4."@ko . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Guitar chord"@en . . "Right image alt text"@en . . . . . "right"@en . . . . . . . . . . . . . . . . . . . . "In music, a guitar chord is a set of notes played on a guitar. A chord's notes are often played simultaneously, but they can be played sequentially in an arpeggio. The implementation of guitar chords depends on the guitar tuning. Most guitars used in popular music have six strings with the \"standard\" tuning of the Spanish classical guitar, namely E\u2013A\u2013D\u2013G\u2013B\u2013E' (from the lowest pitched string to the highest); in standard tuning, the intervals present among adjacent strings are perfect fourths except for the major third (G,B). Standard tuning requires four chord-shapes for the major triads."@en . . . . . . . . "Dominant seventh chord on C guitar barre.png"@en . . . . . . . . . . . . . . "Dominant seventh chord on C guitar barre chord"@en . . . . . . . . . "1577801"^^ . . . . . . . . "\uAE30\uD0C0 \uCF54\uB4DC\uB294 \uAE30\uD0C0\uB85C \uC5F0\uC8FC\uD558\uB294 \uCF54\uB4DC(\uD654\uC74C)\uC774\uB2E4."@ko . "Major and minor triads contain major-third and minor-third intervals in different orders."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Left image alt text"@en . . . . . . "One octave played up and down in the c major scale on the piano"@en . "Minor triad as a triangle inscribed in the chromatic circle"@en . . . . . . . . . . . "1122077167"^^ . . . . . .