"1120692763"^^ . "La cinematograf\u00EDa, posterior en el tiempo al auge literario del subg\u00E9nero de terror g\u00F3tico, retom\u00F3 sus arquetipos en pel\u00EDculas como: \n* El gabinete del doctor Caligari (1920), de Robert Wiene \n* Nosferatu, el vampiro (1921), de F.W. Murnau \n* Dr\u00E1cula (1931), de Tod Browning \n* Frankenstein (1931), de James Whale \n* La torre de los siete jorobados (1944), de Edgar Neville \n* Diversas pel\u00EDculas de Hammer Productions (a\u00F1os 50 y 60) \n* Dr\u00E1cula, de Bram Stoker (1992), de Francis Ford Coppola \n* Frankenstein de Mary Shelley (1994), de Kenneth Branagh \n* Sleepy Hollow (1999) de Tim Burton \n* El fantasma de la \u00F3pera (2004), de Joel Schumacher \n* Sweeney Todd (2008) de Tim Burton \n* (2008) y su secuela, de James Watkins. \n* El Hombre Lobo (2010) de Joe Johnston. \n* La cumbre escarlata (2015), de G"@es . . . . . . . . . . . . . . "6622"^^ . . "O filme g\u00F3tico \u00E9 um filme que \u00E9 baseado na literatura g\u00F3tica ou cont\u00EAm elementos g\u00F3ticos. Desde que v\u00E1rios g\u00EAneros de filme definitivos\u2014incluindo fic\u00E7\u00E3o cientifica, filme noir, thriller, e com\u00E9dia\u2014t\u00EAm usado elementos g\u00F3ticos, o filme g\u00F3tico \u00E9 desafiante para definir claramente como um g\u00EAnero. Elementos g\u00F3ticos t\u00EAm tamb\u00E9m infundido o g\u00EAnero de filme de horror, contribuindo elementos sobrenaturais e aterrorizantes. Para criar uma atmosfera g\u00F3tica, cineastas t\u00EAm procurado criar novos truques de c\u00E2mera que desafiam as percep\u00E7\u00F5es das audi\u00EAncias. Filmes g\u00F3ticos tamb\u00E9m refletem quest\u00F5es contempor\u00E2neas. A New Companion to The Gothic de Heidi Kaye diz \"visuais fortes, um foco sobre sexualidade e uma \u00EAnfase na resposta da audi\u00EAncia\" caracterizam filmes g\u00F3ticos como fizeram as obras liter\u00E1rias. The E"@pt . . "A Gothic film is a film that is based on Gothic fiction or contains Gothic elements. Since various definite film genres\u2014including science fiction, film noir, thriller, and comedy\u2014have used Gothic elements, the Gothic film is challenging to define clearly as a genre. Gothic elements have also infused the horror film genre, contributing supernatural and nightmarish elements. To create a Gothic atmosphere, filmmakers have sought to create new camera tricks that challenge audiences' perceptions. Gothic films also reflected contemporary issues. A New Companion to The Gothic's Heidi Kaye said \"strong visuals, a focus on sexuality and an emphasis on audience response\" characterize Gothic films like they did the literary works. The Encyclopedia of the Gothic said the foundation of Gothic film was "@en . . . "O filme g\u00F3tico \u00E9 um filme que \u00E9 baseado na literatura g\u00F3tica ou cont\u00EAm elementos g\u00F3ticos. Desde que v\u00E1rios g\u00EAneros de filme definitivos\u2014incluindo fic\u00E7\u00E3o cientifica, filme noir, thriller, e com\u00E9dia\u2014t\u00EAm usado elementos g\u00F3ticos, o filme g\u00F3tico \u00E9 desafiante para definir claramente como um g\u00EAnero. Elementos g\u00F3ticos t\u00EAm tamb\u00E9m infundido o g\u00EAnero de filme de horror, contribuindo elementos sobrenaturais e aterrorizantes. Para criar uma atmosfera g\u00F3tica, cineastas t\u00EAm procurado criar novos truques de c\u00E2mera que desafiam as percep\u00E7\u00F5es das audi\u00EAncias. Filmes g\u00F3ticos tamb\u00E9m refletem quest\u00F5es contempor\u00E2neas. A New Companion to The Gothic de Heidi Kaye diz \"visuais fortes, um foco sobre sexualidade e uma \u00EAnfase na resposta da audi\u00EAncia\" caracterizam filmes g\u00F3ticos como fizeram as obras liter\u00E1rias. The Encyclopedia of the Gothic diz que a funda\u00E7\u00E3o do filme g\u00F3tico foi a combina\u00E7\u00E3o de literatura g\u00F3tica, melodrama de palco, e expressionismo alem\u00E3o. Em The Cambridge Companion to Gothic Fiction, Misha Kavka diz que o filme g\u00F3tico n\u00E3o \u00E9 um g\u00EAnero estabelecido, em vez contribuindo para imagens, enredos, personagens, e estilos g\u00F3ticos para os filmes. Estes elementos s\u00E3o muitas vezes encontrados na \"categoria mais ampla do horror\". Kavka cita a defini\u00E7\u00E3o do g\u00F3tico de William Patrick Day, \"[ele] nos atormenta com o medo, tanto como seu assunto e seu efeito; faz isso, entretanto, n\u00E3o primariamente atrav\u00E9s de personagens ou enredos ou mesmo linguagem, mas atrav\u00E9s do spectacle\". O cinema atende a defini\u00E7\u00E3o g\u00F3tica em criar imagens que estabelecem o espet\u00E1culo. Um subg\u00EAnero \u00E9 o filme g\u00F3tico rom\u00E2ntico, focado nas quest\u00F5es femininas."@pt . . . . . . . . . . . . . . . . "48208378"^^ . . . "Cinematograf\u00EDa de terror g\u00F3tico"@es . . . . "Gothic film"@en . . . "Filme g\u00F3tico"@pt . . . . . . . . . . . . . . . . . . "La cinematograf\u00EDa, posterior en el tiempo al auge literario del subg\u00E9nero de terror g\u00F3tico, retom\u00F3 sus arquetipos en pel\u00EDculas como: \n* El gabinete del doctor Caligari (1920), de Robert Wiene \n* Nosferatu, el vampiro (1921), de F.W. Murnau \n* Dr\u00E1cula (1931), de Tod Browning \n* Frankenstein (1931), de James Whale \n* La torre de los siete jorobados (1944), de Edgar Neville \n* Diversas pel\u00EDculas de Hammer Productions (a\u00F1os 50 y 60) \n* Dr\u00E1cula, de Bram Stoker (1992), de Francis Ford Coppola \n* Frankenstein de Mary Shelley (1994), de Kenneth Branagh \n* Sleepy Hollow (1999) de Tim Burton \n* El fantasma de la \u00F3pera (2004), de Joel Schumacher \n* Sweeney Todd (2008) de Tim Burton \n* (2008) y su secuela, de James Watkins. \n* El Hombre Lobo (2010) de Joe Johnston. \n* La cumbre escarlata (2015), de Guillermo del Toro \n* Datos: Q5769663"@es . . . . . "A Gothic film is a film that is based on Gothic fiction or contains Gothic elements. Since various definite film genres\u2014including science fiction, film noir, thriller, and comedy\u2014have used Gothic elements, the Gothic film is challenging to define clearly as a genre. Gothic elements have also infused the horror film genre, contributing supernatural and nightmarish elements. To create a Gothic atmosphere, filmmakers have sought to create new camera tricks that challenge audiences' perceptions. Gothic films also reflected contemporary issues. A New Companion to The Gothic's Heidi Kaye said \"strong visuals, a focus on sexuality and an emphasis on audience response\" characterize Gothic films like they did the literary works. The Encyclopedia of the Gothic said the foundation of Gothic film was the combination of Gothic literature, stage melodrama, and German expressionism. In The Cambridge Companion to Gothic Fiction, Misha Kavka says Gothic film is not an established genre, rather contributing Gothic images, plots, characters, and styles to films. These elements are often found in \"the broader category of horror\". Kavka quotes William Patrick Day's definition of the Gothic: \"[it] tantalizes us with fear, both as its subject and its effect; it does so, however, not primarily through characters or plots or even language, but through spectacle\". Cinema suits the Gothic definition in creating images that establish the spectacle."@en . . .