. "Giuseppe Baini (n\u00E9 le 21 octobre 1775 \u00E0 Rome et mort le 21 mai 1844 dans la m\u00EAme ville) est un compositeur et un chef de ch\u0153ur italien."@fr . "Abbate Baini"@pl . "\u0414\u0436\u0443\u0437\u0435\u043F\u043F\u0435 \u0411\u0430\u0438\u043D\u0438 (\u0438\u0442\u0430\u043B. Giuseppe Baini; 21 \u043E\u043A\u0442\u044F\u0431\u0440\u044F 1775, \u0420\u0438\u043C \u2014 21 \u043C\u0430\u044F 1844, \u0420\u0438\u043C) \u2014 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u0438\u0439 \u0441\u0432\u044F\u0449\u0435\u043D\u043D\u0438\u043A, \u043C\u0443\u0437\u044B\u043A\u0430\u043D\u0442, \u0443\u0447\u0451\u043D\u044B\u0439-\u043C\u0443\u0437\u044B\u043A\u043E\u0432\u0435\u0434, \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u043A\u0440\u0438\u0442\u0438\u043A, \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u043F\u0435\u0434\u0430\u0433\u043E\u0433. \u0412\u044B\u0434\u0430\u044E\u0449\u0438\u0439\u0441\u044F \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u0434\u0435\u044F\u0442\u0435\u043B\u044C, \u043F\u043E\u0441\u0432\u044F\u0442\u0438\u0432\u0448\u0438\u0439 \u0432\u0441\u044E \u0441\u0432\u043E\u044E \u0436\u0438\u0437\u043D\u044C \u043F\u0440\u043E\u043F\u0430\u0433\u0430\u043D\u0434\u0435 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u044F \u041F\u0430\u043B\u0435\u0441\u0442\u0440\u0438\u043D\u044B."@ru . "Giuseppe Baini"@de . . . . . . . . . . . "Giuseppe Baini (Erroma, 1755eko urriaren 21a-Ibidem, 1844ko maiatzaren 21a) musikagile eta abesbatza-zuzendari italiar ospetsua izan zen."@eu . "Abbate Giuseppe Baini (ur. 21 pa\u017Adziernika 1775 w Rzymie, zm. 21 maja 1844 tam\u017Ce) \u2013 w\u0142oski kompozytor muzyki liturgicznej, ksi\u0105dz i krytyk muzyczny. Najbardziej znanym utworem kompozytora jest Miserere \u015Bpiewane w Kaplicy Syksty\u0144skiej podczas Wielkiego Tygodnia. Baini przyczyni\u0142 si\u0119 do spopularyzowania muzyki Giovanniego Pierluigiego da Palestriny."@pl . . "Giuseppe Baini, f\u00F6dd 21 oktober 1775 i Rom, d\u00F6d d\u00E4r 21 maj 1844, var en italiensk pr\u00E4st, musikkritiker och tons\u00E4ttare.Baini fick sin f\u00F6rsta undervisning i komposition av sin farbror, och senare av Giuseppe Jannaconi. 1814 blev han dirigent f\u00F6r k\u00F6ren i det p\u00E5vliga kapellet som han redan 1802 hade b\u00F6rjat sjunga i p\u00E5 grund av sin vackra basst\u00E4mma. Hans kompositioner, av vilka inte m\u00E5nga finns utgivna, visar prov p\u00E5 en allvarlig kyrklig stil. En av dessa, ett tiost\u00E4mmigt Miserere, komponerat f\u00F6r Stilla veckan 1821, p\u00E5 uppdrag av p\u00E5ven Pius VII, har \u00E4nnu en \u00E5terkommande plats i programmet under Stilla veckan i Sixtinska kapellet."@sv . . "Giuseppe Baini, f\u00F6dd 21 oktober 1775 i Rom, d\u00F6d d\u00E4r 21 maj 1844, var en italiensk pr\u00E4st, musikkritiker och tons\u00E4ttare.Baini fick sin f\u00F6rsta undervisning i komposition av sin farbror, och senare av Giuseppe Jannaconi. 1814 blev han dirigent f\u00F6r k\u00F6ren i det p\u00E5vliga kapellet som han redan 1802 hade b\u00F6rjat sjunga i p\u00E5 grund av sin vackra basst\u00E4mma. Hans kompositioner, av vilka inte m\u00E5nga finns utgivna, visar prov p\u00E5 en allvarlig kyrklig stil. En av dessa, ett tiost\u00E4mmigt Miserere, komponerat f\u00F6r Stilla veckan 1821, p\u00E5 uppdrag av p\u00E5ven Pius VII, har \u00E4nnu en \u00E5terkommande plats i programmet under Stilla veckan i Sixtinska kapellet. Baini var emellertid mer musikkritiker och musikhistoriker \u00E4n tons\u00E4ttare och hans verk om Palestrinas liv och musik fr\u00E5n 1828 (Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina), ans\u00E5gs av Encyclopedia Britannica 1911 vara \u201Dett av de b\u00E4sta verken av sitt slag\u201D. Palestrinas epitet \u201DIl Principe della Musica\u201D h\u00E4rr\u00F6r fr\u00E5n Bainis biografi. Bainis bok om Palestrina grundlade 1800-talets hj\u00E4ltedyrkan av ren\u00E4ssansens m\u00E4stare i kontrapunkt och kallade ocks\u00E5 Palestrina f\u00F6r kyrkomusikens f\u00F6rsvarare mot det p\u00E5st\u00E5dda f\u00F6rbudet mot kontrapunkt som skulle ha utf\u00E4rdats av Tridentinska kyrkom\u00F6tet. Nutida forskare menar inte att detta p\u00E5st\u00E5ende var falskt \u2013 men \u00E4nd\u00E5 mycket \u00F6verdrivet. Palestrina var en av m\u00E5nga skickliga tons\u00E4ttare vid den h\u00E4r tiden och det Tridentinska kyrkom\u00F6tets inflytande \u00F6ver tons\u00E4ttare var mer begr\u00E4nsat \u00E4n man f\u00F6rst f\u00F6rest\u00E4llt sig. Venedigskolan till exempel ignorerade f\u00F6rbudet helt och andra tons\u00E4ttare i Palestrinas genre, som Orlando di Lasso, som verkade i M\u00FCnchen, var helt fria att skriva som de ville. Trots sina brister var Bainis bok viktig och betydelsefull d\u00E5 det g\u00E4llde att g\u00F6ra 1800-talets musiker och allm\u00E4nhet medvetna om ren\u00E4ssansens musik. Baini invaldes den 12 maj 1827 som utl\u00E4ndsk ledamot nr. 57 av Kungliga Musikaliska Akademien."@sv . . "Giuseppe Baini"@pt . . . "Giuseppe Baini"@eu . . . . . . "Giuseppe Baini (21a de oktobro 1775 \u2013 21a de majo 1844) estis itala pastro, muzikkritikisto, kaj komponisto de eklezia muziko. Li lernis komponarton \u0109e sia onklo, Lorenzo Baini, kaj poste \u0109e G. Jannaconi. En 1814, li estis nomumita muzika direktoro de la \u0125oro de la papa kapelo, al kiu li tiom frue kiom en 1802 li estis akceptita pro sia fajna basvo\u0109o. Liaj komponoj, el kiuj tre malmultaj estis publikigitaj, i\u011Dis tre favoritaj specimenoj de la severa eklezia stilo; unu en partikularo, dekparta , komponita por Sankta Semajno en 1821 la\u016D mendo de la papo Pio la 7-a, uzi\u011Dis konstante en la servo de la Siksta Kapelo dum la Pasia Semajno. Baini elstaris kiel muzika kritikisto kaj historiisto pli ol kiel komponisto, kaj lia Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina, 1828) estis priskribita de la 1911 Encyclop\u00E6dia Britannica kiel \"unu el la plej bonaj verkoj de sia klaso\". La frazo Il Principe della Musica, kiu i\u011Dis firme asocia kun la nomo de Palestrina, origini\u011Dis kun tiu biografio. Giuseppe Baini morti\u011Dis en Majo 1844 en Romo."@eo . . . . . . . "1123294034"^^ . "Abbate Giuseppe Baini (ur. 21 pa\u017Adziernika 1775 w Rzymie, zm. 21 maja 1844 tam\u017Ce) \u2013 w\u0142oski kompozytor muzyki liturgicznej, ksi\u0105dz i krytyk muzyczny. Najbardziej znanym utworem kompozytora jest Miserere \u015Bpiewane w Kaplicy Syksty\u0144skiej podczas Wielkiego Tygodnia. Baini przyczyni\u0142 si\u0119 do spopularyzowania muzyki Giovanniego Pierluigiego da Palestriny."@pl . . "Giuseppe Baini (Roma, 21 ottobre 1775 \u2013 Roma, 21 maggio 1844) \u00E8 stato un compositore e musicologo italiano."@it . . . . . . . . "Giuseppe Baini (21a de oktobro 1775 \u2013 21a de majo 1844) estis itala pastro, muzikkritikisto, kaj komponisto de eklezia muziko. Li lernis komponarton \u0109e sia onklo, Lorenzo Baini, kaj poste \u0109e G. Jannaconi. En 1814, li estis nomumita muzika direktoro de la \u0125oro de la papa kapelo, al kiu li tiom frue kiom en 1802 li estis akceptita pro sia fajna basvo\u0109o. Liaj komponoj, el kiuj tre malmultaj estis publikigitaj, i\u011Dis tre favoritaj specimenoj de la severa eklezia stilo; unu en partikularo, dekparta , komponita por Sankta Semajno en 1821 la\u016D mendo de la papo Pio la 7-a, uzi\u011Dis konstante en la servo de la Siksta Kapelo dum la Pasia Semajno. Baini elstaris kiel muzika kritikisto kaj historiisto pli ol kiel komponisto, kaj lia Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi d"@eo . . . "Giuseppe Giacobbe Baldassi Baini (* 21. Oktober 1775 in Rom; \u2020 21. Mai 1844 ebenda) war ein italienischer Musikhistoriker und Kirchenkomponist."@de . . . "Giuseppe Giacobbe Baldassi Baini (* 21. Oktober 1775 in Rom; \u2020 21. Mai 1844 ebenda) war ein italienischer Musikhistoriker und Kirchenkomponist."@de . . . . . . . . . . . . . . . . . . . . "Abbate Giuseppe Baini (21 October 1775 \u2013 21 May 1844) was an Italian priest, music critic, conductor, and composer of church music. He was born in Rome. He was instructed in composition by his uncle, , and afterwards by G. Jannaconi. In 1814, he was appointed musical director to the choir of the pontifical chapel, to which he had as early as 1802 gained admission because of his fine bass voice, which was said to be powerful, extending from low E\u266D to high G. His compositions, of which very few were published, were considered favourable specimens of the severe ecclesiastical style; a ten-part Miserere of his, composed for Holy Week in 1821 by order of Pope Pius VII, has taken a permanent place in the services of the Sistine chapel during Passion Week. Baini held a higher place, however, as a musical critic and historian than as a composer, and his Life of Palestrina (Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina, 1828) was described by the 1911 Encyclop\u00E6dia Britannica as being \"one of the best works of its class\". The phrase Il Principe della Musica, which has become firmly associated with the name of Palestrina, is found in the aforementioned biography. Baini's book on Palestrina established the 19th century attitude of hero worship towards the Renaissance master of counterpoint, and also named him as the \"savior of church music\" versus the alleged \"ban on counterpoint\" by the Council of Trent. Contemporary scholarship, while not claiming that this view was entirely false, tends to hold that it was highly exaggerated; Palestrina was one of many skilled composers working at the time, and the influence of the Council of Trent on musical composition was more limited than at first presumed (the composers of the Venetian School, for example, ignored it almost entirely, and Palestrina-style composers such as Lassus, working in Munich, were also quite free to write as they pleased). Regardless of its failings, however, Baini's book was influential and did much to bring Renaissance music back into the attention of 19th century musicians as well as the general public. Giuseppe Baini died in May 1844 in Rome."@en . . . "Giuseppe Baini (Roma, 21 de outubro de 1775 \u2014 Roma, 21 de maio de 1844) foi um sacerdote italiano, cr\u00EDtico de m\u00FAsica e compositor de m\u00FAsica para igreja."@pt . . . "Giuseppe Baini"@it . . . "Giuseppe Baini (Roma, 21 de outubro de 1775 \u2014 Roma, 21 de maio de 1844) foi um sacerdote italiano, cr\u00EDtico de m\u00FAsica e compositor de m\u00FAsica para igreja."@pt . . . . . "Giuseppe Baini (n\u00E9 le 21 octobre 1775 \u00E0 Rome et mort le 21 mai 1844 dans la m\u00EAme ville) est un compositeur et un chef de ch\u0153ur italien."@fr . . "\u0411\u0430\u0438\u043D\u0438, \u0414\u0436\u0443\u0437\u0435\u043F\u043F\u0435"@ru . . . . "Giuseppe Baini (Erroma, 1755eko urriaren 21a-Ibidem, 1844ko maiatzaren 21a) musikagile eta abesbatza-zuzendari italiar ospetsua izan zen."@eu . . . . . "4359"^^ . . . . "Giuseppe Baini"@sv . . . . . "\u0414\u0436\u0443\u0437\u0435\u043F\u043F\u0435 \u0411\u0430\u0438\u043D\u0438 (\u0438\u0442\u0430\u043B. Giuseppe Baini; 21 \u043E\u043A\u0442\u044F\u0431\u0440\u044F 1775, \u0420\u0438\u043C \u2014 21 \u043C\u0430\u044F 1844, \u0420\u0438\u043C) \u2014 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u0438\u0439 \u0441\u0432\u044F\u0449\u0435\u043D\u043D\u0438\u043A, \u043C\u0443\u0437\u044B\u043A\u0430\u043D\u0442, \u0443\u0447\u0451\u043D\u044B\u0439-\u043C\u0443\u0437\u044B\u043A\u043E\u0432\u0435\u0434, \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u043A\u0440\u0438\u0442\u0438\u043A, \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u043F\u0435\u0434\u0430\u0433\u043E\u0433. \u0412\u044B\u0434\u0430\u044E\u0449\u0438\u0439\u0441\u044F \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u0434\u0435\u044F\u0442\u0435\u043B\u044C, \u043F\u043E\u0441\u0432\u044F\u0442\u0438\u0432\u0448\u0438\u0439 \u0432\u0441\u044E \u0441\u0432\u043E\u044E \u0436\u0438\u0437\u043D\u044C \u043F\u0440\u043E\u043F\u0430\u0433\u0430\u043D\u0434\u0435 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u044F \u041F\u0430\u043B\u0435\u0441\u0442\u0440\u0438\u043D\u044B."@ru . . . . . . "Giuseppe Baini"@en . . . . "Abbate Giuseppe Baini (21 October 1775 \u2013 21 May 1844) was an Italian priest, music critic, conductor, and composer of church music. He was born in Rome. He was instructed in composition by his uncle, , and afterwards by G. Jannaconi. In 1814, he was appointed musical director to the choir of the pontifical chapel, to which he had as early as 1802 gained admission because of his fine bass voice, which was said to be powerful, extending from low E\u266D to high G. His compositions, of which very few were published, were considered favourable specimens of the severe ecclesiastical style; a ten-part Miserere of his, composed for Holy Week in 1821 by order of Pope Pius VII, has taken a permanent place in the services of the Sistine chapel during Passion Week. Baini held a higher place, however, as a"@en . . . . . . "143227"^^ . . . . "Giuseppe Baini"@fr . . . . . . . . . . . . . . . . . . . . . "Giuseppe Baini (Roma, 21 ottobre 1775 \u2013 Roma, 21 maggio 1844) \u00E8 stato un compositore e musicologo italiano."@it . . "Giuseppe Baini"@eo .