. . . . . "\u0641\u0631\u064A\u062F\u0631\u064A\u0643 \u062F\u0627\u0646\u0627 \u0645\u0627\u0631\u0634 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Frederick Dana Marsh)\u200F \u0647\u0648 \u0641\u0646\u0627\u0646 \u0623\u0645\u0631\u064A\u0643\u064A\u060C \u0648\u0644\u062F \u0641\u064A 6 \u0623\u0628\u0631\u064A\u0644 1872 \u0641\u064A \u0634\u064A\u0643\u0627\u063A\u0648 \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629\u060C \u0648\u062A\u0648\u0641\u064A \u0641\u064A 20 \u062F\u064A\u0633\u0645\u0628\u0631 1961."@ar . . . . . . . . . . . "1123997461"^^ . . . . . . "\u0641\u0631\u064A\u062F\u0631\u064A\u0643 \u062F\u0627\u0646\u0627 \u0645\u0627\u0631\u0634"@ar . . . . "Frederick Dana Marsh"@es . . "Frederick Dana Marsh (1872 \u2013 20 de diciembre de 1961) fue un ilustrador estadounidense . Nacido en 1872, hijo de un pr\u00F3spero comerciante de Chicago, Marsh asisti\u00F3 a la Escuela de Arte del Instituto de Chicago, donde trabaj\u00F3 con artistas preparando murales para la Feria Mundial de Chicago en 1893, aprendiendo las t\u00E9cnicas de brocha grande de la pintura mural. \u200B Marsh muri\u00F3 el 20 de diciembre de 1961. \u200B"@es . "16764669"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Frederick Dana Marsh (1872 \u2013 December 20, 1961) was an American illustrator. Born in 1872 to a prosperous Chicago stockyard merchant, Marsh attended the School of the Art Institute of Chicago, where he worked with artists preparing murals for the Chicago World's Fair in 1893, learning the big brush techniques of mural painting. Marsh died on December 20, 1961."@en . . "Frederick Dana Marsh (1872 \u2013 December 20, 1961) was an American illustrator. Born in 1872 to a prosperous Chicago stockyard merchant, Marsh attended the School of the Art Institute of Chicago, where he worked with artists preparing murals for the Chicago World's Fair in 1893, learning the big brush techniques of mural painting. He went to Paris where in 1895 he married Alice Randall, a fellow Chicago art student. While living in a studio in Montparnasse they had two sons, James and Reginald, both of whom achieved renown as artists. His \"Lady in Scarlet\", a full-length portrait of his wife, won the International Bronze Medal and was exhibited extensively. It now resides in the Newark Museum in New Jersey. Marsh and his family returned to New York at the turn of the century, moving to Nutley, New Jersey, where they acquired a home located on The Enclosure, a street that had been established as an artists' colony some decades earlier by the American painter Frank Fowler. In 1914 they moved to the well-known New Rochelle artist colony in New Rochelle, New York. Marsh attended Yale University from 1916 through 1920 during which time he worked as Editor of the 'Yale Record'. He created paintings for wealthy clients, as well as a series of murals entitled \"Allegories of Industry\" for the New York Engineering Society Library. Marsh also produced a number of terra cotta murals entitled \"Maritime History of the Hudson\" for the Hotel McAlpin in New York, which were later relocated to the New York City subway in 2000. During World War I, he produced patriotic posters for the publicity department of the Navy. Marsh largely retired from commercial art in 1928. During the following year his parents, wife and youngest son all died. In 1930 he married the artist, Mabel Van Alstyne, and in 1931 moved to Ormond Beach, Florida where he built a large Streamline Moderne beachside home known as the \"Battleship House\" (since demolished) which was extensively decorated with murals and relief sculptures. With assistance from his wife, Marsh continued to create artworks while in Florida, including the statue of \"Chief Tomokie\" at Tomoka State Park and four sculptures of muses for the exterior of the Peabody Auditorium in Daytona Beach. For the rest of his life, Marsh would also continue to split his time between Ormond Beach and Woodstock, New York. Marsh died on December 20, 1961."@en . . . . . "4737"^^ . "Frederick Dana Marsh"@en . . . . . . "\u0641\u0631\u064A\u062F\u0631\u064A\u0643 \u062F\u0627\u0646\u0627 \u0645\u0627\u0631\u0634 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Frederick Dana Marsh)\u200F \u0647\u0648 \u0641\u0646\u0627\u0646 \u0623\u0645\u0631\u064A\u0643\u064A\u060C \u0648\u0644\u062F \u0641\u064A 6 \u0623\u0628\u0631\u064A\u0644 1872 \u0641\u064A \u0634\u064A\u0643\u0627\u063A\u0648 \u0641\u064A \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629\u060C \u0648\u062A\u0648\u0641\u064A \u0641\u064A 20 \u062F\u064A\u0633\u0645\u0628\u0631 1961."@ar . . "Frederick Dana Marsh (1872 \u2013 20 de diciembre de 1961) fue un ilustrador estadounidense . Nacido en 1872, hijo de un pr\u00F3spero comerciante de Chicago, Marsh asisti\u00F3 a la Escuela de Arte del Instituto de Chicago, donde trabaj\u00F3 con artistas preparando murales para la Feria Mundial de Chicago en 1893, aprendiendo las t\u00E9cnicas de brocha grande de la pintura mural. \u200B Fue a Par\u00EDs donde en 1895 se cas\u00F3 con Alice Randall, una compa\u00F1era de estudios de arte de Chicago. Mientras viv\u00EDan en un estudio en Montparnasse, tuvieron dos hijos, James y Reginald, quienes alcanzaron renombre como artistas. Su \"Dama de Escarlata\", un retrato de cuerpo entero de su esposa, gan\u00F3 la Medalla de Bronce Internacional y se exhibi\u00F3 ampliamente. \u200B Ahora reside en el Museo Newark en Nueva Jersey. \u200B Marsh y su familia regresaron a Nueva York a principios de siglo, mud\u00E1ndose a Nutley, Nueva Jersey, donde adquirieron una casa ubicada en The Enclosure, una calle que hab\u00EDa sido establecida como colonia de artistas algunas d\u00E9cadas antes por el pintor estadounidense. Frank Fowler . En 1914 se mudaron a la conocida colonia de artistas de New Rochelle en New Rochelle, Nueva York . Marsh asisti\u00F3 a la Universidad de Yale desde 1916 hasta 1920, tiempo durante el cual trabaj\u00F3 como editor de 'Yale Record'.\u200B \u200B Cre\u00F3 pinturas para clientes adinerados, as\u00ED como una serie de murales titulados \"Alegor\u00EDas de la industria\" para la Biblioteca de la Sociedad de Ingenier\u00EDa de Nueva York. Marsh tambi\u00E9n hizo una serie de murales de terracota titulados \"Historia mar\u00EDtima del Hudson\" para el Hotel McAlpin en Nueva York, que luego trasladaron al metro de la ciudad de Nueva York en 2000.\u200B Durante la Primera Guerra Mundial, elabor\u00F3 carteles patri\u00F3ticos para el departamento de publicidad de la Marina.\u200B Marsh se retir\u00F3 en gran medida del arte comercial en 1928. Durante el a\u00F1o siguiente fallecieron sus padres, esposa e hijo menor. En 1930 se cas\u00F3 con la artista Mabel Van Alstyne, y en 1931 se mud\u00F3 a Ormond Beach, Florida, donde construy\u00F3 una gran casa junto a la playa Streamline Moderne conocida como \"Battleship House\" (hasta que fue demolida) que estaba ampliamente decorada con murales y esculturas en relieve.\u200B Con la ayuda de su esposa, Marsh continu\u00F3 creando obras de arte mientras estaba en Florida, incluida la estatua del \"Jefe Tomokie\" en el Parque Estatal Tomoka y cuatro esculturas de musas para el exterior del Auditorio Peabody en Daytona Beach . Por el resto de su vida, Marsh tambi\u00E9n continuar\u00EDa dividiendo su tiempo entre Ormond Beach y Woodstock, Nueva York.\u200B Marsh muri\u00F3 el 20 de diciembre de 1961. \u200B"@es . . . . . . . .