. . "Les Fantasiest\u00FCcke (ou Phantasiest\u00FCcke) opus 12, sont un cycle de huit pi\u00E8ces pour piano de Robert Schumann, compos\u00E9es en 1837. Trois autres \u0153uvres du compositeur porte le titre Fantasiest\u00FCcke : les opus 73, 88 et 111, \u00E9crites respectivement en 1849, 1842 et 1851."@fr . . . "1115155230"^^ . . . . . "Fantazipecoj op. 12"@eo . . . "La ok Fantasiest\u00FCcke (fantazipecoj) op. 12 formas ciklon de pianoverkoj de Robert Schumann. Schumann komponis la pecojn printempe 1837. La titolo estas inspirita de la kolekto de E. T. A. Hoffmann, Fantasiest\u00FCcke in Callots Manier, kaj per tio anka\u016D de la fantazionocio de Novalis. Schumann dedi\u0109is la ciklon al Anna Robena Laidlaw (1819\u20131901), skota pianistino kaj lerninto de Henri Herz kaj Ludwig Berger. Kun \u015Di li mallonge tenis interligon, pri kio informas lia leterkomunikado kun \u015Di kaj Clara Wieck same kiel taglibronotoj de Schumann."@eo . . "\uB85C\uBCA0\uB974\uD2B8 \uC288\uB9CC(Robert Schumann)\uC758 \u300A\uD658\uC0C1\uC18C\uACE1\uC9D1 \uC791\uD488\uBC88\uD638 12\u300B\uB294 8\uAC1C\uC758 \uC18C\uD488\uC73C\uB85C \uB418\uC5B4\uC788\uB294 \uD53C\uC544\uB178\uACE1\uC73C\uB85C, 1837\uB144\uC5D0 \uC4F0\uC5EC\uC84C\uB2E4. \uC288\uB9CC\uC740 \uADF8\uAC00 \uC88B\uC544\uD558\uB358 \uC791\uAC00 E. T. A. \uD638\uD504\uB9CC\uC758 \uB2E8\uD3B8 \uBAA8\uC74C\uC9D1 \u300A\uCE7C\uB85C\uC758 \uC218\uBC95\uC5D0 \uB530\uB978 \uD658\uC0C1 \uC18C\uD488\uC9D1(Fantasiestucke in Callots Manier)\u300B\uC5D0\uC11C \uC601\uAC10\uC744 \uC5BB\uC5B4 \uC774 \uC791\uD488\uC758 \uC81C\uBAA9\uC744 \uBD99\uC600\uACE0, \uC2A4\uCF54\uD2C0\uB79C\uB4DC \uCD9C\uC2E0\uC758 \uD53C\uC544\uB2C8\uC2A4\uD2B8 \uC548\uB098 \uB85C\uBCA0\uB098 \uB808\uC774\uB4E4\uB77C\uBE0C(1819-1901)\uC5D0\uAC8C \uC774\uAC83\uC744 \uD5CC\uC815\uD588\uB2E4. \uC288\uB9CC\uC774 \uC791\uACE1\uD55C \uC774 \uC18C\uD488\uB4E4\uC5D0\uB294 \uADF8\uC758 \uC774\uC911\uC131\uC744 \uB098\uD0C0\uB0B4\uB294 \uB450 \uC778\uBB3C \uC624\uC774\uC81C\uBE44\uC6B0\uC2A4\uC640 \uD50C\uB85C\uB808\uC2A4\uD0C4\uC774 \uCC98\uC74C\uBD80\uD130 \uB05D\uAE4C\uC9C0 \uB4F1\uC7A5\uD55C\uB2E4. \uC624\uC774\uC81C\uBE44\uC6B0\uC2A4\uB294 \uC288\uB9CC\uC758 \uBABD\uC0C1\uAC00\uC801\uC778 \uBA74\uC744 \uBB18\uC0AC\uD558\uB294 \uBC18\uBA74 \uD50C\uB85C\uB808\uC2A4\uD0C4\uC740 \uADF8\uC758 \uC5F4\uC815\uC801\uC778 \uBA74\uC744 \uB098\uD0C0\uB0B4\uACE0 \uC788\uB2E4."@ko . . . . . "\uD658\uC0C1 \uC18C\uACE1\uC9D1"@ko . . "Les Fantasiest\u00FCcke (ou Phantasiest\u00FCcke) opus 12, sont un cycle de huit pi\u00E8ces pour piano de Robert Schumann, compos\u00E9es en 1837. Trois autres \u0153uvres du compositeur porte le titre Fantasiest\u00FCcke : les opus 73, 88 et 111, \u00E9crites respectivement en 1849, 1842 et 1851."@fr . . . . . . "\u0424\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0435 \u043F\u044C\u0435\u0441\u044B"@ru . "\u5E7B\u60F3\u5C0F\u66F2\u96C6\uFF08\u3052\u3093\u305D\u3046\u3057\u3087\u3046\u304D\u3087\u304F\u3057\u3085\u3046\u3001Fantasiest\u00FCcke\uFF09\u4F5C\u54C112\u306F\u3001\u30ED\u30D9\u30EB\u30C8\u30FB\u30B7\u30E5\u30FC\u30DE\u30F3\u304C1837\u5E74\u306B\u4F5C\u66F2\u3057\u305F\u30018\u66F2\u304B\u3089\u306A\u308B\u30D4\u30A2\u30CE\u66F2\u96C6\u3002\u30BF\u30A4\u30C8\u30EB\u306E\u901A\u308A\u3001\u4E00\u3064\u4E00\u3064\u306E\u66F2\u306F\u5E7B\u60F3\u7684\u306A\u60C5\u7DD2\u306B\u6E80\u3061\u3066\u304A\u308A\u3001\u305D\u308C\u305E\u308C\u306B\u6587\u5B66\u7684\u306A\u6A19\u984C\u304C\u4ED8\u3051\u3089\u308C\u3066\u3044\u308B\u3002 \u306A\u304A\u3001\u30B7\u30E5\u30FC\u30DE\u30F3\u306E\u4F5C\u54C1\u3067\u300C\u5E7B\u60F3\u5C0F\u66F2\u96C6\u300D\u3068\u9298\u6253\u305F\u308C\u3066\u3044\u308B\u3082\u306E\u306F\u4ED6\u306B\u3082\u4F5C\u54C173\uFF08\u30AF\u30E9\u30EA\u30CD\u30C3\u30C8\u3068\u30D4\u30A2\u30CE\uFF09\u3001\u4F5C\u54C188\uFF08\u30D4\u30A2\u30CE\u4E09\u91CD\u594F\uFF09\u3001\u4F5C\u54C1111\uFF08\u30D4\u30A2\u30CE\u72EC\u594F\uFF09\u304C\u3042\u308B\u3002"@ja . . "1720481"^^ . "\u0424\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0435 \u043F\u044C\u0435\u0441\u044B (\u043D\u0435\u043C. Fantasiest\u00FCcke), \u043E\u043F\u0443\u0441 12 \u2015 \u043D\u0430\u0431\u043E\u0440 \u0438\u0437 \u0432\u043E\u0441\u044C\u043C\u0438 \u043F\u044C\u0435\u0441 \u0434\u043B\u044F \u0444\u043E\u0440\u0442\u0435\u043F\u0438\u0430\u043D\u043E \u0441\u043E\u043B\u043E, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u044B\u0439 \u0420\u043E\u0431\u0435\u0440\u0442\u043E\u043C \u0428\u0443\u043C\u0430\u043D\u043E\u043C \u0432 1837 \u0433\u043E\u0434\u0443 \u0438 \u043F\u043E\u0441\u0432\u044F\u0449\u0451\u043D\u043D\u044B\u0439 \u0448\u043E\u0442\u043B\u0430\u043D\u0434\u0441\u043A\u043E\u0439 \u043F\u0438\u0430\u043D\u0438\u0441\u0442\u043A\u0435 \u0410\u043D\u043D\u0435 \u0420\u043E\u0431\u0435\u043D\u0435 \u041B\u044D\u0434\u043B\u043E\u0443."@ru . . . "Fantasiest\u00FCcke, Op. 12"@en . . . . . "8894"^^ . . . . . . . . . . . . . . "Fantasiest\u00FCcke, Op. 12"@en . . . . . . "Fantasiest\u00FCcke opus 12 de Schumann"@fr . . "Fantasiest\u00FCcke op.12"@ca . . . . "Fantasiest\u00FCcke, Op.12"@en . "Les Fantasiest\u00FCcke op.12 (\"Peces de fantasia\") de Robert Schumann van ser escrites entre el 4 i el 9 de juliol de l'any 1837 a Leipzig. S\u00F3n vuit peces per a piano dividides en dos llibres de quatre peces cadascun, i presenten imatges familiars per al compositor, no nom\u00E9s relacionades amb Eusebius i Florestan, sin\u00F3 tamb\u00E9 amb el distanciament i la prohibici\u00F3 del casament amb Clara Wieck."@ca . "Robert Schumann's Fantasiest\u00FCcke, Op. 12, is a set of eight pieces for piano, written in 1837. The title was inspired by the 1814\u201315 collection of novellas, essays, treatises, letters, and writings about music, Fantasiest\u00FCcke in Callots Manier (which also included the complete Kreisleriana, another source of inspiration for Schumann) by one of his favourite authors, E. T. A. Hoffmann. Schumann dedicated the pieces to Fr\u00E4ulein Anna Robena Laidlaw, an accomplished 18-year-old Scottish pianist with whom Schumann had become good friends."@en . . "Die acht Fantasiest\u00FCcke op. 12 bilden einen Klavierzyklus von Robert Schumann. Schumann komponierte die St\u00FCcke im Fr\u00FChjahr 1837. Der Titel ist von E. T. A. Hoffmanns Sammlung Fantasiest\u00FCcke in Callots Manier und damit auch von Novalis' Phantasiebegriff inspiriert. Der Zyklus ist Robena Anne Laidlaw (1819\u20131901), einer schottischen Pianistin gewidmet, die Sch\u00FClerin von Henri Herz und Ludwig Berger war. Mit ihr stand Schumann kurzzeitig in Verbindung, wor\u00FCber der Briefwechsel Schumanns mit ihr und Clara Wieck sowie Tagebucheintragungen Schumanns Auskunft geben."@de . . . "La ok Fantasiest\u00FCcke (fantazipecoj) op. 12 formas ciklon de pianoverkoj de Robert Schumann. Schumann komponis la pecojn printempe 1837. La titolo estas inspirita de la kolekto de E. T. A. Hoffmann, Fantasiest\u00FCcke in Callots Manier, kaj per tio anka\u016D de la fantazionocio de Novalis. Schumann dedi\u0109is la ciklon al Anna Robena Laidlaw (1819\u20131901), skota pianistino kaj lerninto de Henri Herz kaj Ludwig Berger. Kun \u015Di li mallonge tenis interligon, pri kio informas lia leterkomunikado kun \u015Di kaj Clara Wieck same kiel taglibronotoj de Schumann."@eo . "\u5E7B\u60F3\u5C0F\u66F2\u96C6\u4F5C\u54C112 (\u30B7\u30E5\u30FC\u30DE\u30F3)"@ja . . . "\u0424\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0435 \u043F\u044C\u0435\u0441\u044B (\u043D\u0435\u043C. Fantasiest\u00FCcke), \u043E\u043F\u0443\u0441 12 \u2015 \u043D\u0430\u0431\u043E\u0440 \u0438\u0437 \u0432\u043E\u0441\u044C\u043C\u0438 \u043F\u044C\u0435\u0441 \u0434\u043B\u044F \u0444\u043E\u0440\u0442\u0435\u043F\u0438\u0430\u043D\u043E \u0441\u043E\u043B\u043E, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043D\u044B\u0439 \u0420\u043E\u0431\u0435\u0440\u0442\u043E\u043C \u0428\u0443\u043C\u0430\u043D\u043E\u043C \u0432 1837 \u0433\u043E\u0434\u0443 \u0438 \u043F\u043E\u0441\u0432\u044F\u0449\u0451\u043D\u043D\u044B\u0439 \u0448\u043E\u0442\u043B\u0430\u043D\u0434\u0441\u043A\u043E\u0439 \u043F\u0438\u0430\u043D\u0438\u0441\u0442\u043A\u0435 \u0410\u043D\u043D\u0435 \u0420\u043E\u0431\u0435\u043D\u0435 \u041B\u044D\u0434\u043B\u043E\u0443."@ru . "Robert Schumann's Fantasiest\u00FCcke, Op. 12, is a set of eight pieces for piano, written in 1837. The title was inspired by the 1814\u201315 collection of novellas, essays, treatises, letters, and writings about music, Fantasiest\u00FCcke in Callots Manier (which also included the complete Kreisleriana, another source of inspiration for Schumann) by one of his favourite authors, E. T. A. Hoffmann. Schumann dedicated the pieces to Fr\u00E4ulein Anna Robena Laidlaw, an accomplished 18-year-old Scottish pianist with whom Schumann had become good friends. Schumann composed the pieces with the characters Florestan and Eusebius in mind, representing the duality of his personality. Eusebius depicts the dreamer in Schumann while Florestan represents his passionate side. These two characters parlay with one another throughout the collection, ending self-reflectively with Eusebius in \"Ende vom Lied\"."@en . . . . . . "Fantasiest\u00FCcke op. 12 (Schumann)"@de . "Les Fantasiest\u00FCcke op.12 (\"Peces de fantasia\") de Robert Schumann van ser escrites entre el 4 i el 9 de juliol de l'any 1837 a Leipzig. S\u00F3n vuit peces per a piano dividides en dos llibres de quatre peces cadascun, i presenten imatges familiars per al compositor, no nom\u00E9s relacionades amb Eusebius i Florestan, sin\u00F3 tamb\u00E9 amb el distanciament i la prohibici\u00F3 del casament amb Clara Wieck. 1. \n* Des Abends (\"Al vespre\") 2. \n* Aufschwung (\"Soaring\", literally \"Upswing\") 3. \n* Warum? (\"Per qu\u00E8?\") 4. \n* Grillen (\"Quimeres\") 5. \n* In der Nacht (\"En la nit\") 6. \n* Fabel (\"F\u00E0bula\") 7. \n* Traumes Wirren (\"Confusi\u00F3 dels somnis\") 8. \n* Ende vom Lied (\"Final del cant\")"@ca . . . . . "Die acht Fantasiest\u00FCcke op. 12 bilden einen Klavierzyklus von Robert Schumann. Schumann komponierte die St\u00FCcke im Fr\u00FChjahr 1837. Der Titel ist von E. T. A. Hoffmanns Sammlung Fantasiest\u00FCcke in Callots Manier und damit auch von Novalis' Phantasiebegriff inspiriert. Der Zyklus ist Robena Anne Laidlaw (1819\u20131901), einer schottischen Pianistin gewidmet, die Sch\u00FClerin von Henri Herz und Ludwig Berger war. Mit ihr stand Schumann kurzzeitig in Verbindung, wor\u00FCber der Briefwechsel Schumanns mit ihr und Clara Wieck sowie Tagebucheintragungen Schumanns Auskunft geben."@de . . . . . . . . . . . "\uB85C\uBCA0\uB974\uD2B8 \uC288\uB9CC(Robert Schumann)\uC758 \u300A\uD658\uC0C1\uC18C\uACE1\uC9D1 \uC791\uD488\uBC88\uD638 12\u300B\uB294 8\uAC1C\uC758 \uC18C\uD488\uC73C\uB85C \uB418\uC5B4\uC788\uB294 \uD53C\uC544\uB178\uACE1\uC73C\uB85C, 1837\uB144\uC5D0 \uC4F0\uC5EC\uC84C\uB2E4. \uC288\uB9CC\uC740 \uADF8\uAC00 \uC88B\uC544\uD558\uB358 \uC791\uAC00 E. T. A. \uD638\uD504\uB9CC\uC758 \uB2E8\uD3B8 \uBAA8\uC74C\uC9D1 \u300A\uCE7C\uB85C\uC758 \uC218\uBC95\uC5D0 \uB530\uB978 \uD658\uC0C1 \uC18C\uD488\uC9D1(Fantasiestucke in Callots Manier)\u300B\uC5D0\uC11C \uC601\uAC10\uC744 \uC5BB\uC5B4 \uC774 \uC791\uD488\uC758 \uC81C\uBAA9\uC744 \uBD99\uC600\uACE0, \uC2A4\uCF54\uD2C0\uB79C\uB4DC \uCD9C\uC2E0\uC758 \uD53C\uC544\uB2C8\uC2A4\uD2B8 \uC548\uB098 \uB85C\uBCA0\uB098 \uB808\uC774\uB4E4\uB77C\uBE0C(1819-1901)\uC5D0\uAC8C \uC774\uAC83\uC744 \uD5CC\uC815\uD588\uB2E4. \uC288\uB9CC\uC774 \uC791\uACE1\uD55C \uC774 \uC18C\uD488\uB4E4\uC5D0\uB294 \uADF8\uC758 \uC774\uC911\uC131\uC744 \uB098\uD0C0\uB0B4\uB294 \uB450 \uC778\uBB3C \uC624\uC774\uC81C\uBE44\uC6B0\uC2A4\uC640 \uD50C\uB85C\uB808\uC2A4\uD0C4\uC774 \uCC98\uC74C\uBD80\uD130 \uB05D\uAE4C\uC9C0 \uB4F1\uC7A5\uD55C\uB2E4. \uC624\uC774\uC81C\uBE44\uC6B0\uC2A4\uB294 \uC288\uB9CC\uC758 \uBABD\uC0C1\uAC00\uC801\uC778 \uBA74\uC744 \uBB18\uC0AC\uD558\uB294 \uBC18\uBA74 \uD50C\uB85C\uB808\uC2A4\uD0C4\uC740 \uADF8\uC758 \uC5F4\uC815\uC801\uC778 \uBA74\uC744 \uB098\uD0C0\uB0B4\uACE0 \uC788\uB2E4."@ko . "\u5E7B\u60F3\u5C0F\u66F2\u96C6\uFF08\u3052\u3093\u305D\u3046\u3057\u3087\u3046\u304D\u3087\u304F\u3057\u3085\u3046\u3001Fantasiest\u00FCcke\uFF09\u4F5C\u54C112\u306F\u3001\u30ED\u30D9\u30EB\u30C8\u30FB\u30B7\u30E5\u30FC\u30DE\u30F3\u304C1837\u5E74\u306B\u4F5C\u66F2\u3057\u305F\u30018\u66F2\u304B\u3089\u306A\u308B\u30D4\u30A2\u30CE\u66F2\u96C6\u3002\u30BF\u30A4\u30C8\u30EB\u306E\u901A\u308A\u3001\u4E00\u3064\u4E00\u3064\u306E\u66F2\u306F\u5E7B\u60F3\u7684\u306A\u60C5\u7DD2\u306B\u6E80\u3061\u3066\u304A\u308A\u3001\u305D\u308C\u305E\u308C\u306B\u6587\u5B66\u7684\u306A\u6A19\u984C\u304C\u4ED8\u3051\u3089\u308C\u3066\u3044\u308B\u3002 \u306A\u304A\u3001\u30B7\u30E5\u30FC\u30DE\u30F3\u306E\u4F5C\u54C1\u3067\u300C\u5E7B\u60F3\u5C0F\u66F2\u96C6\u300D\u3068\u9298\u6253\u305F\u308C\u3066\u3044\u308B\u3082\u306E\u306F\u4ED6\u306B\u3082\u4F5C\u54C173\uFF08\u30AF\u30E9\u30EA\u30CD\u30C3\u30C8\u3068\u30D4\u30A2\u30CE\uFF09\u3001\u4F5C\u54C188\uFF08\u30D4\u30A2\u30CE\u4E09\u91CD\u594F\uFF09\u3001\u4F5C\u54C1111\uFF08\u30D4\u30A2\u30CE\u72EC\u594F\uFF09\u304C\u3042\u308B\u3002"@ja . . . . . . . . . . . . . . . .