. . . . . . . . . . . "F\u00E9lix Gonz\u00E1lez-Torres"@en . . . . . "\u30D5\u30A7\u30EA\u30C3\u30AF\u30B9\u30FB\u30B4\u30F3\u30B6\u30EC\u30B9\uFF1D\u30C8\u30EC\u30B9"@ja . . . . . . . "\uD3A0\uB9AD\uC2A4 \uACE4\uC0B4\uB808\uC2A4\uD1A0\uB808\uC2A4(F\u00E9lix Gonz\u00E1lez-Torres, 1957\uB144 11\uC6D4 26\uC77C ~ 1996\uB144 1\uC6D4 9\uC77C)\uB294 \uCFE0\uBC14 \uD0DC\uC0DD\uC758 \uBBF8\uAD6D \uC2DC\uAC01 \uC608\uC220\uAC00\uC774\uB2E4. \uACE4\uC0B4\uB808\uC2A4\uD1A0\uB808\uC2A4\uC758 \uACF5\uAC1C\uC801\uC778 \uB3D9\uC131\uC560 \uC131\uC801 \uC9C0\uD5A5\uC740 \uC608\uC220\uAC00\uB85C\uC11C\uC758 \uADF8\uC758 \uC791\uD488\uC5D0 \uC601\uD5A5\uC744 \uBBF8\uCCE4\uB2E4. \uACE4\uC0B4\uB808\uC2A4\uD1A0\uB808\uC2A4\uB294 \uBC31\uC5F4\uC804\uAD6C \uB048, \uC2DC\uACC4, \uC885\uC774 \uB354\uBBF8, \uD3EC\uC7A5\uB41C \uB531\uB531\uD55C \uC0AC\uD0D5\uACFC \uAC19\uC740 \uC7AC\uB8CC\uB97C \uC0AC\uC6A9\uD55C \uBBF8\uB2C8\uBA40\uD55C \uC124\uCE58\uC640 \uC870\uAC01\uC73C\uB85C \uC720\uBA85\uD558\uB2E4. 1987\uB144, \uADF8\uB294 \uBB38\uD654 \uD65C\uB3D9\uC8FC\uC758\uC640 \uC9C0\uC5ED \uC0AC\uD68C \uAD50\uC721\uC744 \uC6D0\uCE59\uC73C\uB85C \uACE0\uC218\uD558\uB294 \uD611\uC5C5 \uBAA9\uC801\uC758 \uB274\uC695 \uAE30\uBC18 \uC608\uC220\uAC00 \uB2E8\uCCB4 \uC5D0 \uD569\uB958\uD558\uC600\uB2E4. \uACE4\uC0B4\uB808\uC2A4\uD1A0\uB808\uC2A4\uC758 1992\uB144 \uC791\uD488 '\uBB34\uC81C'(\uB9C8\uB974\uC140 \uBE0C\uB9AC\uC559\uC758 \uCD08\uC0C1)[\"Untitled\" (Portrait of Marcel Brient)]\uB294 2010\uB144 \uD544\uB9BD\uC2A4 \uB4DC \uD4E8\uB9AC \uC564 \uCEF4\uD37C\uB2C8\uC5D0\uC11C 460\uB9CC \uB2EC\uB7EC\uC5D0 \uB099\uCC30\uB418\uC5C8\uC73C\uBA70, \uC774\uAC83\uC740 \uC774 \uC608\uC220\uAC00\uC758 \uACBD\uB9E4 \uCD5C\uACE0\uAC00 \uAE30\uB85D\uC774\uB2E4."@ko . . . . "\u0413\u043E\u043D\u0437\u0430\u043B\u0435\u0441-\u0422\u043E\u0440\u0440\u0435\u0441, \u0424\u0435\u043B\u0438\u043A\u0441"@ru . . . . . . . . . . . "F\u00E9lix Gonz\u00E1lez-Torres (Gu\u00E1imaro, 26 novembre 1957 \u2013 Miami, 9 gennaio 1996) \u00E8 stato un artista cubano. Fu influenzato dall' e dalle posizioni politiche del suo periodo d'attivit\u00E0. Cresciuto a Cuba si trasfer\u00EC a New York dove espose dal 1990 presso la , fino alla sua morte avvenuta per complicazioni dovute all'AIDS. Le sue opere, molte delle quali invitano il visitatore a portarne via una parte e che vedono fra i materiali l'uso di lampadine, orologi, carta, caramelle, son considerate una rappresentazione del suo rapporto con l'AIDS. Una serie di opere permettono al visitatore di portare via delle caramelle poste in un dispenser in un angolo della sala, altre distribuiscono sottili fogli di plastica trasparente o stampe in serie. I dispenser sono riempiti non appena il loro contenuto diminui"@it . . . . "F\u00E9lix Gonz\u00E1lez-Torres (November 26, 1957 \u2013 January 9, 1996) was a Cuban-born American visual artist. Gonz\u00E1lez-Torres's openly gay sexual orientation was influential in his work as an artist. Gonz\u00E1lez-Torres was known for his minimal installations and sculptures in which he used materials such as strings of lightbulbs, clocks, stacks of paper, or packaged hard candies. In 1987, he joined Group Material, a New York-based group of artists whose intention was to work collaboratively, adhering to principles of cultural activism and community education. Gonz\u00E1lez-Torres' work \"Untitled\" (L.A.) (1991), a 50 lb. installation of green hard candies, sold for $7.7 million at Christie's in 2015."@en . . . . . . . . . . . . . "1996-01-09"^^ . . . . . . . "\"Untitled\" (Perfect Lovers)"@en . . . . . . . . . . . . . . . . . . . . . . . . . . "\u0424\u0435\u043B\u0438\u043A\u0441 \u0413\u043E\u043D\u0437\u0430\u043B\u0435\u0441-\u0422\u043E\u0440\u0440\u0435\u0441 (\u0430\u043D\u0433\u043B. F\u00E9lix Gonz\u00E1lez-Torres; 26 \u043D\u043E\u044F\u0431\u0440\u044F 1957, \u2014 9 \u044F\u043D\u0432\u0430\u0440\u044F 1996, \u041C\u0430\u0439\u0430\u043C\u0438) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u043A\u0443\u0431\u0438\u043D\u0441\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F."@ru . . . . . . . . . . . . . . . . "Felix Gonz\u00E1lez-Torres, n\u00E9 le 26 novembre 1957 \u00E0 Gu\u00E1imaro, \u00E0 Cuba et mort le 9 janvier 1996 \u00E0 Miami, est un artiste am\u00E9ricain d'origine cubaine, influenc\u00E9 par le minimalisme et l'art conceptuel. Il a grandi \u00E0 Porto Rico avant de s'installer \u00E0 New York en 1979 o\u00F9 il s\u2019impose sur la sc\u00E8ne artistique am\u00E9ricaine \u00E0 partir de 1990. Il fut par ailleurs pr\u00E9sent\u00E9 par la Andrea Rosen Gallery \u00E0 New York, Jennifer Flay \u00E0 Paris, jusqu'\u00E0 sa mort des suites du SIDA en 1996."@fr . . "F\u00E9lix Gonz\u00E1lez-Torres (* 26. November 1957 in Gu\u00E1imaro, Kuba; \u2020 9. Januar 1996 in Miami, Florida) war ein kubanisch-US-amerikanischer Installationsk\u00FCnstler, Fotograf und Bildhauer."@de . "F\u00E9lix Gonz\u00E1lez-Torres (Gu\u00E1imaro, Cuba, 26 de noviembre de 1957 - Miami, 9 de enero de 1996) fue un artista visual estadounidense-cubano. Conocido por sus instalaciones y esculturas minimalistas en las que utilizaba materiales como bombillas, relojes, pilas de papel o dulces empaquetados, en 1987 se incorpor\u00F3 al Grupo Material, un grupo de artistas con sede en Nueva York que ten\u00EDan la intenci\u00F3n de trabajar de manera colaborativa, adhiri\u00E9ndose a los principios del activismo cultural y la educaci\u00F3n comunitaria."@es . . . . . . . . . . . . "\uD3A0\uB9AD\uC2A4 \uACE4\uC0B4\uB808\uC2A4\uD1A0\uB808\uC2A4(F\u00E9lix Gonz\u00E1lez-Torres, 1957\uB144 11\uC6D4 26\uC77C ~ 1996\uB144 1\uC6D4 9\uC77C)\uB294 \uCFE0\uBC14 \uD0DC\uC0DD\uC758 \uBBF8\uAD6D \uC2DC\uAC01 \uC608\uC220\uAC00\uC774\uB2E4. \uACE4\uC0B4\uB808\uC2A4\uD1A0\uB808\uC2A4\uC758 \uACF5\uAC1C\uC801\uC778 \uB3D9\uC131\uC560 \uC131\uC801 \uC9C0\uD5A5\uC740 \uC608\uC220\uAC00\uB85C\uC11C\uC758 \uADF8\uC758 \uC791\uD488\uC5D0 \uC601\uD5A5\uC744 \uBBF8\uCCE4\uB2E4. \uACE4\uC0B4\uB808\uC2A4\uD1A0\uB808\uC2A4\uB294 \uBC31\uC5F4\uC804\uAD6C \uB048, \uC2DC\uACC4, \uC885\uC774 \uB354\uBBF8, \uD3EC\uC7A5\uB41C \uB531\uB531\uD55C \uC0AC\uD0D5\uACFC \uAC19\uC740 \uC7AC\uB8CC\uB97C \uC0AC\uC6A9\uD55C \uBBF8\uB2C8\uBA40\uD55C \uC124\uCE58\uC640 \uC870\uAC01\uC73C\uB85C \uC720\uBA85\uD558\uB2E4. 1987\uB144, \uADF8\uB294 \uBB38\uD654 \uD65C\uB3D9\uC8FC\uC758\uC640 \uC9C0\uC5ED \uC0AC\uD68C \uAD50\uC721\uC744 \uC6D0\uCE59\uC73C\uB85C \uACE0\uC218\uD558\uB294 \uD611\uC5C5 \uBAA9\uC801\uC758 \uB274\uC695 \uAE30\uBC18 \uC608\uC220\uAC00 \uB2E8\uCCB4 \uC5D0 \uD569\uB958\uD558\uC600\uB2E4. \uACE4\uC0B4\uB808\uC2A4\uD1A0\uB808\uC2A4\uC758 1992\uB144 \uC791\uD488 '\uBB34\uC81C'(\uB9C8\uB974\uC140 \uBE0C\uB9AC\uC559\uC758 \uCD08\uC0C1)[\"Untitled\" (Portrait of Marcel Brient)]\uB294 2010\uB144 \uD544\uB9BD\uC2A4 \uB4DC \uD4E8\uB9AC \uC564 \uCEF4\uD37C\uB2C8\uC5D0\uC11C 460\uB9CC \uB2EC\uB7EC\uC5D0 \uB099\uCC30\uB418\uC5C8\uC73C\uBA70, \uC774\uAC83\uC740 \uC774 \uC608\uC220\uAC00\uC758 \uACBD\uB9E4 \uCD5C\uACE0\uAC00 \uAE30\uB85D\uC774\uB2E4."@ko . . . . . . . . . . . . . "F\u00E9lix Gonz\u00E1lez-Torres va ser un artista visual estatunidenc-cub\u00E0. Gonz\u00E1lez-Torres va ser conegut per les seves instal\u00B7lacions i escultures m\u00EDnimes en les quals utilitzava materials com bombetes, rellotges, piles de paper o dol\u00E7os empaquetats. El 1987 es va incorporar al Grup Material, un grup d'artistes amb seu a Nova York que tenien la intenci\u00F3 de treballar de manera col\u00B7laborativa, adherint-se als principis d' i ."@ca . "1957-11-26"^^ . . . . . . . . . . . . "F\u00E9lix Gonz\u00E1lez-Torres"@en . "F\u00E9lix Gonz\u00E1lez-Torres"@es . . . . . . . "\"Untitled\""@en . . "\u30D5\u30A7\u30EA\u30C3\u30AF\u30B9\u30FB\u30B4\u30F3\u30B6\u30EC\u30B9\uFF1D\u30C8\u30EC\u30B9\uFF08Felix Gonzalez-Torres, 1957\u5E7411\u670826\u65E5 - 1996\u5E741\u67089\u65E5\uFF09\u306F\u3001\u30AD\u30E5\u30FC\u30D0\u751F\u307E\u308C\u306E\u82B8\u8853\u5BB6\u3067\u3042\u308B\u30021996\u5E74\u306B\u30A8\u30A4\u30BA\u306B\u3088\u3063\u3066\u4ED6\u754C\u3002"@ja . . "1957-11-26"^^ . "F\u00E9lix Gonz\u00E1lez-Torres (Gu\u00E1imaro, 26 novembre 1957 \u2013 Miami, 9 gennaio 1996) \u00E8 stato un artista cubano. Fu influenzato dall' e dalle posizioni politiche del suo periodo d'attivit\u00E0. Cresciuto a Cuba si trasfer\u00EC a New York dove espose dal 1990 presso la , fino alla sua morte avvenuta per complicazioni dovute all'AIDS. Le sue opere, molte delle quali invitano il visitatore a portarne via una parte e che vedono fra i materiali l'uso di lampadine, orologi, carta, caramelle, son considerate una rappresentazione del suo rapporto con l'AIDS. Una serie di opere permettono al visitatore di portare via delle caramelle poste in un dispenser in un angolo della sala, altre distribuiscono sottili fogli di plastica trasparente o stampe in serie. I dispenser sono riempiti non appena il loro contenuto diminuisce. La lettura pi\u00F9 diffusa dei lavori di Gonz\u00E1lez-Torres vuole che i cambiamenti delle sue opere, le lampadine fulminate, l'esaurimento delle caramelle, siano una metafora del processo di morte. Nel 1991 ha esposto un uovo riempito con 315 kg di caramelle alla liquirizia a forma di proiettile rimettendo in discussione ed al centro dell'attenzione dell'opinione pubblica statunitense la sua posizione riguardo alla Guerra del Golfo, ma una delle sue opere pi\u00F9 famose, Senza Titolo del 1991, \u00E8 un cartellone pubblicitario apparso a New York con la fotografia in bianco e nero di un letto vuoto, scattata dopo la morte per AIDS del suo compagno Ross. In un'intervista ha dichiarato: -Quando la gente mi chiede chi sia il mio pubblico, rispondo onestamente, senza girarci intorno, \"Ross. Il mio pubblico era Ross. Il resto della gente viene solo per i lavori\". Nel 2007 \u00E8 stato ufficialmente scelto per rappresentare gli Stati Uniti alla Biennale di Venezia. L'unico altro rappresentante statunitense postumo fu Robert Smithson nel 1982."@it . . . . . . . . . . "F\u00E9lix Gonz\u00E1lez-Torres"@it . . . . . . . . . . . . "1996-01-09"^^ . "F\u00E9lix Gonz\u00E1lez-Torres"@fr . "\u0424\u0435\u043B\u0438\u043A\u0441 \u0413\u043E\u043D\u0437\u0430\u043B\u0435\u0441-\u0422\u043E\u0440\u0440\u0435\u0441 (\u0430\u043D\u0433\u043B. F\u00E9lix Gonz\u00E1lez-Torres; 26 \u043D\u043E\u044F\u0431\u0440\u044F 1957, \u2014 9 \u044F\u043D\u0432\u0430\u0440\u044F 1996, \u041C\u0430\u0439\u0430\u043C\u0438) \u2014 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u0445\u0443\u0434\u043E\u0436\u043D\u0438\u043A \u043A\u0443\u0431\u0438\u043D\u0441\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F."@ru . . . . . . . . "F\u00E9lix Gonz\u00E1lez-Torres"@ca . . "F\u00E9lix Gonz\u00E1lez-Torres (* 26. November 1957 in Gu\u00E1imaro, Kuba; \u2020 9. Januar 1996 in Miami, Florida) war ein kubanisch-US-amerikanischer Installationsk\u00FCnstler, Fotograf und Bildhauer."@de . . . . . . "F\u00E9lix Gonz\u00E1lez-Torres"@en . . . . . . . . . . . . . . . . . . "F\u00E9lix Gonz\u00E1lez-Torres"@de . . . . . . "\u30D5\u30A7\u30EA\u30C3\u30AF\u30B9\u30FB\u30B4\u30F3\u30B6\u30EC\u30B9\uFF1D\u30C8\u30EC\u30B9\uFF08Felix Gonzalez-Torres, 1957\u5E7411\u670826\u65E5 - 1996\u5E741\u67089\u65E5\uFF09\u306F\u3001\u30AD\u30E5\u30FC\u30D0\u751F\u307E\u308C\u306E\u82B8\u8853\u5BB6\u3067\u3042\u308B\u30021996\u5E74\u306B\u30A8\u30A4\u30BA\u306B\u3088\u3063\u3066\u4ED6\u754C\u3002"@ja . . . . . . . . . . . . "\uD3A0\uB9AD\uC2A4 \uACE4\uC0B4\uB808\uC2A4\uD1A0\uB808\uC2A4"@ko . . . . . . . . . . . . "F\u00E9lix Gonz\u00E1lez-Torres (November 26, 1957 \u2013 January 9, 1996) was a Cuban-born American visual artist. Gonz\u00E1lez-Torres's openly gay sexual orientation was influential in his work as an artist. Gonz\u00E1lez-Torres was known for his minimal installations and sculptures in which he used materials such as strings of lightbulbs, clocks, stacks of paper, or packaged hard candies. In 1987, he joined Group Material, a New York-based group of artists whose intention was to work collaboratively, adhering to principles of cultural activism and community education. Gonz\u00E1lez-Torres' work \"Untitled\" (L.A.) (1991), a 50 lb. installation of green hard candies, sold for $7.7 million at Christie's in 2015."@en . "2006-05-22"^^ . "\"Untitled\" (Portrait of Ross in L.A.)"@en . . . . . . . . "American"@en . . . . . . . . . . . . . . . . . . . . . . . "F\u00E9lix Gonz\u00E1lez-Torres va ser un artista visual estatunidenc-cub\u00E0. Gonz\u00E1lez-Torres va ser conegut per les seves instal\u00B7lacions i escultures m\u00EDnimes en les quals utilitzava materials com bombetes, rellotges, piles de paper o dol\u00E7os empaquetats. El 1987 es va incorporar al Grup Material, un grup d'artistes amb seu a Nova York que tenien la intenci\u00F3 de treballar de manera col\u00B7laborativa, adherint-se als principis d' i . El 1957 ell i la seva germana Gloria van ser enviats a Madrid, on es van quedar en un orfenat fins a establir-se a Puerto Rico amb familiars seus el mateix any. Gonz\u00E1lez-Torres es va graduar al Colegio San Jorge el 1976 i va comen\u00E7ar els seus estudis d'art a la Universitat de Puerto Rico mentre participava activament en l'escena art\u00EDstica local. Es va traslladar a la ciutat de Nova York el 1979 amb una beca d'estudis. L'any seg\u00FCent va participar en el Whitney Independent Study Program on va ser influ\u00EFt per la seva introducci\u00F3 a la teoria cr\u00EDtica. Va assistir al programa per segona vegada el 1983, any en qu\u00E8 va rebre un en fotografia a c\u00E0rrec de l'Institut Pratt. El 1986 Gonz\u00E1lez-Torres va viatjar a Europa i va estudiar a Ven\u00E8cia. El 1987 va rebre el t\u00EDtol de Master of Fine Arts per part del Centre Internacional de Fotografia i de la Universitat de Nova York. Posteriorment, va ser professor de la mateixa Universitat de Nova York i breument a l'Institut de les Arts de Calif\u00F2rnia a Valencia (Calif\u00F2rnia). El 1992 Gonz\u00E1lez-Torres va rebre una beca del per treballar a Berl\u00EDn i l'any seg\u00FCent, una beca de la . Gonz\u00E1lez-Torres va morir a Miami el 1996 a causa de la sida. La pe\u00E7a Untitled (1992) de Gonz\u00E1lez-Torres, retratat de Marcel Brient, es va vendre a Phillips de Pury & Company per un valor de 4,6 milions de d\u00F2lars el 2010, un r\u00E8cord per a l'artista en una subhasta."@ca . . "F\u00E9lix Gonz\u00E1lez-Torres (Gu\u00E1imaro, Cuba, 26 de noviembre de 1957 - Miami, 9 de enero de 1996) fue un artista visual estadounidense-cubano. Conocido por sus instalaciones y esculturas minimalistas en las que utilizaba materiales como bombillas, relojes, pilas de papel o dulces empaquetados, en 1987 se incorpor\u00F3 al Grupo Material, un grupo de artistas con sede en Nueva York que ten\u00EDan la intenci\u00F3n de trabajar de manera colaborativa, adhiri\u00E9ndose a los principios del activismo cultural y la educaci\u00F3n comunitaria."@es . . . "Felix Gonz\u00E1lez-Torres, n\u00E9 le 26 novembre 1957 \u00E0 Gu\u00E1imaro, \u00E0 Cuba et mort le 9 janvier 1996 \u00E0 Miami, est un artiste am\u00E9ricain d'origine cubaine, influenc\u00E9 par le minimalisme et l'art conceptuel. Il a grandi \u00E0 Porto Rico avant de s'installer \u00E0 New York en 1979 o\u00F9 il s\u2019impose sur la sc\u00E8ne artistique am\u00E9ricaine \u00E0 partir de 1990. Il fut par ailleurs pr\u00E9sent\u00E9 par la Andrea Rosen Gallery \u00E0 New York, Jennifer Flay \u00E0 Paris, jusqu'\u00E0 sa mort des suites du SIDA en 1996."@fr . . . . . . . . . . . . . "1123963801"^^ . . . . . . . . . . . . . . . . "1053773"^^ . . . . . . . "68815"^^ . . . . . .