. . . "Sir Edward Elgar fou un compositor angl\u00E8s. La seua principal obra orquestral, Variacions Enigma, va ser rebuda amb entusiasme. Tamb\u00E9 va compondre oratoris, m\u00FAsica de cambra, simfonies i obres concertants. Entre les seues composicions van aconseguir una gran popularitat les Marxes de Pompa i Circumst\u00E0ncia d'entre les quals, la n\u00FAm. 1 cont\u00E9 en el seu trio la melodia que es canta amb els versos Land of Hope and Glory (Terra d'Esperan\u00E7a i Gl\u00F2ria). \u00C9s tradici\u00F3 la seua interpretaci\u00F3 en la darrera nit de The Proms. Va rebre el t\u00EDtol de \"Mestre de m\u00FAsica de Sa majestat Brit\u00E0nica\" l'any 1924."@ca . . . . . . . . . "Sir Edward William Elgar, f\u00F6dd 2 juni 1857 i Lower Broadheath, Worcestershire, d\u00F6d 23 februari 1934 i Worcester, Worcestershire, var en brittisk komposit\u00F6r. Elgar var den f\u00F6rste innehavaren av professuren i musik vid University of Birmingham. Elgar f\u00F6ddes i byn Lower Broadheath utanf\u00F6r katedralstaden Worcester i v\u00E4stra England. Idag \u00E4r hans barndomshem Elgar-museum, med allehanda anteckningar, fotografier, noter etc att besk\u00E5da. Han studerade f\u00F6rst violin, och tillh\u00F6rde en tid en orkester i Birmingham. \u00C5r 1882 blev han konsertm\u00E4stare i en musikf\u00F6rening i Worcester och eftertr\u00E4dde senare sin far som organist vid den katolska S:t Georgskyrkan i Worcester. Elgars stora genombrott kom med sviten Enigmavariationerna (1899), ett verk d\u00E4r han l\u00E5ter de olika variationerna symbolisera, eller spegla, n\u00E5gra av hans v\u00E4nners personligheter. Enigma betyder g\u00E5ta eller mysterium. Elgar verkade till en b\u00F6rjan mest i Worcester med omnejd, men s\u00E5 sm\u00E5ningom tog hans framg\u00E5ngar honom \u00E4ven till London, det brittiska musiklivets centrum. Elgar adlades 1904 och blev hedersdoktor vid en l\u00E5ng rad universitet. 1924 erh\u00F6ll han titeln Master of the King's Music. Idag spelas alltid Pomp and Circumstance March No 1 p\u00E5 Last Night of the Proms, som varje \u00E5r i september f\u00E5r avsluta sommars\u00E4songens s\u00E5 kallade promenadkonserter (Proms) i Royal Albert Hall i London. Detta verk uppf\u00F6rdes f\u00F6rsta g\u00E5ngen den 19 oktober 1901. Den \u00E4r den f\u00F6rsta av sex marscher som skrevs till kung Edvard VII:s kr\u00F6ning 1902, och \u00E4r otvivelaktigt, bland den bredare allm\u00E4nheten, Elgars mest k\u00E4nda stycke. Textf\u00F6rfattaren A.C. Benson lade till refr\u00E4ngens textrader, som inleds med Land of Hope and Glory... Man kan h\u00F6ra den sjungas av entusiastiska fotbollsfans, den f\u00F6rekommer i otaliga filmer och andra sammanhang och har ofta f\u00E5tt spegla k\u00E4rleken till det brittiska liksom storslagen festst\u00E4mning i allm\u00E4nhet. \u00C5r 1889 gifte sig Elgar med den nio \u00E5r \u00E4ldre och de fick en dotter. Alice avled 1920. Elgar, som h\u00F6ll mycket av sin hustru, tog denna h\u00E4ndelse h\u00E5rt, och han tappade i stor utstr\u00E4ckning lusten att komponera efter detta."@sv . . . . . . . "Edward Elgar (Worcester, 1857ko ekainaren 2a - Worcester, 1934ko otsailaren 23a) ingeles musikagile eta izan zen. Ingalaterrako musika-pizkundeak eman duen musikagile nagusietako bat izan zen, bai bere musikagatik, bai izan zuen eraginagatik; Henry Purcellen (1659-1695) ondotik nazioarteko fama lortu duen aurreneko ingeles musikaria izan da. Musikarekin lotura handia izan zuen bere familiak, eta Elgarrek ere gaztetandik azaldu zuen musikarekiko zaletasuna; gazte zela hasi zen biolina jotzen. Haize musika-tresnetarako talde bat sortu zuen, eta talde horrentzako musika idazten hasi zen. Wagnerren, Straussen eta Brahmsen eragina nabarmena da Elgarren lanetan. Lan nagusiak: Lux Christi oratorioa (1896), Enigma variations orkestrarako lana (1896), Falstaff sinfonia (1913)."@eu . . . . . . . . . . . . . "Edward Elgar (2. \u010Dervna 1857, \u2013 23. \u00FAnora 1934, Worcester) byl anglick\u00FD hudebn\u00ED skladatel, p\u016Fsob\u00EDc\u00ED v 19. a 20. stolet\u00ED."@cs . . . . . "\u039F \u03A3\u03B5\u03C1 \u0388\u03BD\u03C4\u03BF\u03C5\u03B1\u03C1\u03BD\u03C4 \u0388\u03BB\u03B3\u03BA\u03B1\u03C1 (Sir Edward William Elgar, \u039B\u03CC\u03BF\u03C5\u03B5\u03C1 \u039C\u03C0\u03C1\u03CC\u03BF\u03C5\u03BD\u03C4\u03C7\u03B9\u03B8, 2 \u0399\u03BF\u03C5\u03BD\u03AF\u03BF\u03C5 1857 \u2013 \u0393\u03BF\u03CD\u03C3\u03C4\u03B5\u03C1, 23 \u03A6\u03B5\u03B2\u03C1\u03BF\u03C5\u03B1\u03C1\u03AF\u03BF\u03C5 1934) \u03AE\u03C4\u03B1\u03BD \u0386\u03B3\u03B3\u03BB\u03BF\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2, \u03C0\u03BF\u03BB\u03BB\u03AC \u03AD\u03C1\u03B3\u03B1 \u03C4\u03BF\u03C5 \u03BF\u03C0\u03BF\u03AF\u03BF\u03C5 \u03B1\u03BD\u03AE\u03BA\u03BF\u03C5\u03BD \u03C3\u03C4\u03BF \u03B2\u03C1\u03B5\u03C4\u03B1\u03BD\u03B9\u03BA\u03CC \u03BA\u03B1\u03B9 \u03B4\u03B9\u03B5\u03B8\u03BD\u03AD\u03C2 \u03BA\u03BB\u03B1\u03C3\u03B9\u03BA\u03CC \u03BF\u03C1\u03C7\u03B7\u03C3\u03C4\u03C1\u03B9\u03BA\u03CC \u03C1\u03B5\u03C0\u03B5\u03C1\u03C4\u03CC\u03C1\u03B9\u03BF. \u039C\u03B5\u03C4\u03B1\u03BE\u03CD \u03C4\u03C9\u03BD \u03C0\u03B9\u03BF \u03B3\u03BD\u03C9\u03C3\u03C4\u03CE\u03BD \u03C3\u03C5\u03BD\u03B8\u03AD\u03C3\u03B5\u03CE\u03BD \u03C4\u03BF\u03C5 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03BF\u03B9 \u03A0\u03B1\u03C1\u03B1\u03BB\u03BB\u03B1\u03B3\u03AD\u03C2 \u0391\u03AF\u03BD\u03B9\u03B3\u03BC\u03B1, \u03C4\u03BF \u039A\u03BF\u03BD\u03C4\u03C3\u03AD\u03C1\u03C4\u03BF \u03B3\u03B9\u03B1 \u03B2\u03B9\u03BF\u03BB\u03AF, \u03C4\u03BF \u039A\u03BF\u03BD\u03C4\u03C3\u03AD\u03C1\u03C4\u03BF \u03B3\u03B9\u03B1 \u03B2\u03B9\u03BF\u03BB\u03BF\u03BD\u03C4\u03C3\u03AD\u03BB\u03BF, \u03BA\u03B1\u03B9 \u03BF\u03B9 \u03B4\u03CD\u03BF \u03C3\u03C5\u03BC\u03C6\u03C9\u03BD\u03AF\u03B5\u03C2 \u03C4\u03BF\u03C5. \u03A3\u03C5\u03BD\u03AD\u03B8\u03B5\u03C3\u03B5 \u03B5\u03C0\u03AF\u03C3\u03B7\u03C2, \u03C7\u03BF\u03C1\u03C9\u03B4\u03B9\u03B1\u03BA\u03AC \u03AD\u03C1\u03B3\u03B1, \u03CC\u03C0\u03C9\u03C2 \u03C4\u03BF \u03B1\u03C1\u03B9\u03C3\u03C4\u03BF\u03C5\u03C1\u03B3\u03B7\u03BC\u03B1\u03C4\u03B9\u03BA\u03CC \u03A4\u03BF \u038C\u03BD\u03B5\u03B9\u03C1\u03BF \u03C4\u03BF\u03C5 \u0393\u03B5\u03C1\u03BF\u03BD\u03C4\u03AF\u03BF\u03C5, \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE \u03B4\u03C9\u03BC\u03B1\u03C4\u03AF\u03BF\u03C5 \u03BA\u03B1\u03B9 \u03C0\u03BF\u03BB\u03BB\u03AC \u03C4\u03C1\u03B1\u03B3\u03BF\u03CD\u03B4\u03B9\u03B1. \u0395\u03C0\u03AF\u03C3\u03B7\u03C2, \u03B5\u03AF\u03BD\u03B1\u03B9 \u03BF \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2 \u03C4\u03B7\u03C2 \u03C0\u03B1\u03C3\u03AF\u03B3\u03BD\u03C9\u03C3\u03C4\u03B7\u03C2 \u03BC\u03B5\u03BB\u03C9\u03B4\u03AF\u03B1\u03C2 \u0393\u03B7 \u03C4\u03B7\u03C2 \u0395\u03BB\u03C0\u03AF\u03B4\u03B1\u03C2 \u03BA\u03B1\u03B9 \u03C4\u03B7\u03C2 \u0394\u03CC\u03BE\u03B1\u03C2 (Land of Hope and Glory). \u0394\u03B9\u03BF\u03C1\u03AF\u03C3\u03C4\u03B7\u03BA\u03B5 \u0391\u03C1\u03C7\u03B9\u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03CC\u03C2 \u03C4\u03BF\u03C5 \u0392\u03B1\u03C3\u03B9\u03BB\u03B9\u03AC (Master of King\u2019s Musick) (sic) \u03C4\u03BF 1924. \u03A0\u03B1\u03C1\u03CC\u03BB\u03BF \u03C0\u03BF\u03C5 \u03B8\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03C3\u03C5\u03C7\u03BD\u03AC \u03C9\u03C2 \u03AD\u03BD\u03B1\u03C2 \u03C4\u03C5\u03C0\u03B9\u03BA\u03CC\u03C2 \u0386\u03B3\u03B3\u03BB\u03BF\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2, \u03BF\u03B9 \u03C0\u03B5\u03C1\u03B9\u03C3\u03C3\u03CC\u03C4\u03B5\u03C1\u03B5\u03C2 \u03B1\u03C0\u03CC \u03C4\u03B9\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AD\u03C2 \u03B5\u03C0\u03B9\u03C1\u03C1\u03BF\u03AD\u03C2 \u03C4\u03BF\u03C5 \u03B4\u03B5\u03BD \u03AE\u03C4\u03B1\u03BD \u03B1\u03C0\u03CC \u03C4\u03B7\u03BD \u0391\u03B3\u03B3\u03BB\u03AF\u03B1, \u03B1\u03BB\u03BB\u03AC \u03B1\u03C0\u03CC \u03C4\u03B7\u03BD \u03B7\u03C0\u03B5\u03B9\u03C1\u03C9\u03C4\u03B9\u03BA\u03AE \u0395\u03C5\u03C1\u03CE\u03C0\u03B7. \u0388\u03BD\u03BF\u03B9\u03C9\u03B8\u03B5 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\u03C4\u03C9\u03BD \u03C0\u03B5\u03C1\u03B9\u03C3\u03C3\u03BF\u03C4\u03AD\u03C1\u03C9\u03BD \u03BC\u03B5\u03B3\u03AC\u03BB\u03C9\u03BD \u03BF\u03C1\u03C7\u03B7\u03C3\u03C4\u03C1\u03B9\u03BA\u03CE\u03BD \u03AD\u03C1\u03B3\u03C9\u03BD \u03C4\u03BF\u03C5, \u03BA\u03B1\u03B8\u03CE\u03C2 \u03BA\u03B1\u03B9 \u03B1\u03C0\u03BF\u03C3\u03C0\u03B1\u03C3\u03BC\u03AC\u03C4\u03C9\u03BD \u03B1\u03C0\u03CC \u03C4\u03BF \u03AD\u03C1\u03B3\u03BF \u03A4\u03BF \u038C\u03BD\u03B5\u03B9\u03C1\u03BF \u03C4\u03BF\u03C5 \u0393\u03B5\u03C1\u03BF\u03BD\u03C4\u03AF\u03BF\u03C5."@el . . . . . . "Cello Concerto \u2013 IV. Allegro"@en . . . . . . . . . . . . . . . . . . "Conducted by Elgar in 1931 at the opening of EMI's studios"@en . . "Edward Elgar"@pt . . . "\u521D\u4EE3\u6E96\u7537\u7235\u30B5\u30FC\u30FB\u30A8\u30C9\u30EF\u30FC\u30C9\u30FB\u30A6\u30A3\u30EA\u30A2\u30E0\u30FB\u30A8\u30EB\u30AC\u30FC\uFF08Sir Edward William Elgar, 1st Baronet, OM, GCVO\u30011857\u5E746\u67082\u65E5 - 1934\u5E742\u670823\u65E5\uFF09\u306F\u3001\u30A4\u30AE\u30EA\u30B9\u306E\u4F5C\u66F2\u5BB6\u3001\u6307\u63EE\u8005\u3002\u3082\u3068\u306F\u97F3\u697D\u6559\u5E2B\u3067\u3042\u308A\u30F4\u30A1\u30A4\u30AA\u30EA\u30CB\u30B9\u30C8\u3067\u3082\u3042\u3063\u305F\u3002 \u30A8\u30EB\u30AC\u30FC\u304C\u907A\u3057\u305F\u697D\u66F2\u306E\u591A\u304F\u306F\u4E16\u754C\u4E2D\u306E\u6F14\u594F\u4F1A\u3067\u53D6\u308A\u4E0A\u3052\u3089\u308C\u3066\u304A\u308A\u3001\u4E2D\u3067\u3082\u6700\u3082\u3088\u304F\u77E5\u3089\u308C\u308B\u306E\u306F\u300E\u30A8\u30CB\u30B0\u30DE\u5909\u594F\u66F2\u300F\u3084\u884C\u9032\u66F2\u300E\u5A01\u98A8\u5802\u3005\u300F\u3001\u30F4\u30A1\u30A4\u30AA\u30EA\u30F3\u5354\u594F\u66F2\u3001\u30C1\u30A7\u30ED\u5354\u594F\u66F2\u30012\u66F2\u306E\u4EA4\u97FF\u66F2\u306A\u3069\u3067\u3042\u308B\u3002\u307E\u305F\u300E\u30B2\u30ED\u30F3\u30C6\u30A3\u30A2\u30B9\u306E\u5922\u300F\u3092\u306F\u3058\u3081\u3068\u3059\u308B\u5408\u5531\u4F5C\u54C1\u3001\u5BA4\u5185\u697D\u66F2\u3084\u6B4C\u66F2\u3082\u4F5C\u66F2\u3057\u305F\u3002 1904\u5E74\uFF0847\u6B73\uFF09\u306B\u30CA\u30A4\u30C8\u30011931\u5E74\uFF0874\u6B73\uFF09\u51C6\u7537\u7235\u306B\u53D9\u3055\u308C\u3066\u3044\u308B\u30021924\u5E74\u304B\u3089\u306F\u56FD\u738B\u306E\u97F3\u697D\u5E2B\u7BC4\u3092\u52D9\u3081\u305F\u3002"@ja . . . . . . . . . . . . . . . . . . . . . . . . "\u0415\u0434\u0432\u0430\u0440\u0434 \u0415\u043B\u0433\u0430\u0440"@uk . . . . . . . . . . . . . "Edward Elgar"@eo . . "Edward Elgar"@en . . "Sir Edward William Elgar, 1st Baronet, OM, GCVO (/\u02C8\u025Bl\u0261\u0251\u02D0r/; 2 June 1857 \u2013 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British Army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory. In his fifties, Elgar composed a symphony and a violin concerto that were immensely successful. His second symphony and his cello concerto did not gain immediate public popularity and took many years to achieve a regular place in the concert repertory of British orchestras. Elgar's music came, in his later years, to be seen as appealing chiefly to British audiences. His stock remained low for a generation after his death. It began to revive significantly in the 1960s, helped by new recordings of his works. Some of his works have, in recent years, been taken up again internationally, but the music continues to be played more in Britain than elsewhere. Elgar has been described as the first composer to take the gramophone seriously. Between 1914 and 1925, he conducted a series of acoustic recordings of his works. The introduction of the moving-coil microphone in 1923 made far more accurate sound reproduction possible, and Elgar made new recordings of most of his major orchestral works and excerpts from The Dream of Gerontius."@en . . . . . "\u0627\u0644\u0633\u064A\u0631 \u0625\u062F\u0648\u0627\u0631\u062F \u0648\u064A\u0644\u064A\u0627\u0645 \u0625\u0644\u062C\u0627\u0631\u060C \u0627\u0644\u0628\u0627\u0631\u0648\u0646\u064A\u062A \u0627\u0644\u0623\u0648\u0644 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Edward Elgar)\u200F\u060C \u062D\u0635\u0644 \u0639\u0644\u0649 \u0648\u0633\u0627\u0645 \u0627\u0644\u0627\u0633\u062A\u062D\u0642\u0627\u0642\u060C \u0648\u0627\u0644\u0648\u0633\u0627\u0645 \u0627\u0644\u0641\u064A\u0643\u062A\u0648\u0631\u064A \u0627\u0644\u0623\u0645\u0631\u064A\u0643\u064A ( \u0648\u064F\u0644\u0650\u062F\u064E \u0641\u064A 2 \u064A\u0648\u0646\u064A\u0648 \u0639\u0627\u0645 1857 \u0648\u062A\u0648\u0641\u0649 \u0641\u064A 23 \u0641\u0628\u0631\u0627\u064A\u0631 \u0639\u0627\u0645 1934\u0645) \u0643\u0627\u0646 \u0645\u0624\u0644\u0641\u064B\u0627 \u0645\u0648\u0633\u064A\u0642\u064A\u064B\u0627 \u0628\u0631\u064A\u0637\u0627\u0646\u064A\u064B\u0627\u060C \u062F\u062E\u0644\u062A \u0627\u0644\u0643\u062B\u064A\u0631 \u0645\u0646 \u0623\u0639\u0645\u0627\u0644\u0647\u0650 \u0636\u0645\u0646 \u062D\u0641\u0644\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0643\u0644\u0627\u0633\u064A\u0643\u064A\u0629 \u0627\u0644\u0628\u0631\u064A\u0637\u0627\u0646\u064A\u0629 \u0648\u0627\u0644\u0639\u0627\u0644\u0645\u064A\u0629. \u0648\u0643\u0627\u0646\u062A \u0623\u0639\u0645\u0627\u0644 \u0627\u0644\u0623\u0648\u0631\u0643\u0633\u062A\u0631\u0627 \u0645\u0646 \u0623\u0641\u0636\u0644 \u0645\u0624\u0644\u0641\u0627\u062A\u0647 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0627\u0644\u062A\u064A \u0623\u0628\u062F\u0639\u0647\u0627 \u0648\u0645\u0646\u0647\u0627 \u0625\u0646\u064A\u062C\u0645\u0627 \u0641\u0627\u0631\u064A\u0627\u0634\u0646\u0632 (Enigma Variations)\u060C \u0648\u0628\u0648\u0645\u0628 \u0627\u0646\u062F \u0633\u064A\u0631\u0643\u0648\u0645\u0633\u062A\u0627\u0646\u0633 \u0645\u0627\u0631\u0634\u0632 (Pomp and Circumstance Marches)\u060C \u0648\u0643\u0648\u0646\u0634\u064A\u0631\u062A\u0648 \u0627\u0644\u0643\u0645\u0627\u0646 \u0648\u0627\u0644\u062A\u0634\u064A\u0644\u0644\u0648\u060C \u0628\u0627\u0644\u0625\u0636\u0627\u0641\u0629 \u0625\u0644\u0649 \u0633\u064A\u0645\u0641\u0648\u0646\u064A\u062A\u064A\u0646. \u0643\u0645\u0627 \u0623\u0644\u0641 \u0623\u0639\u0645\u0627\u0644\u0627\u064B \u0643\u0648\u0631\u0627\u0644\u064A\u0629 \u0645\u062B\u0644 \u062D\u0644\u0645 \u062C\u064A\u0631\u0648\u0646\u062A\u064A\u0648\u0632 (The Dream of Gerontius)\u060C \u0648\u0623\u063A\u0627\u0646\u064A \u0648\u0645\u0642\u0637\u0648\u0639\u0627\u062A \u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u062A\u0639\u0632\u0641\u0647\u0627 \u0641\u0631\u0642 \u0635\u063A\u064A\u0631\u0629. \u0648\u062A\u0642\u0644\u062F \u0645\u0646\u0635\u0628 \u0633\u064A\u062F \u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0645\u0644\u0643 \u0648\u0643\u0627\u0646 \u0630\u0644\u0643 \u0639\u0627\u0645 1924."@ar . . . . . . . . . . . . . . . . . "Sir Edward William Elgar, (\u02C8\u025Bl\u0261\u0251r), I Baronetto, OM, GCVO (Broadheath, 2 giugno 1857 \u2013 Worcester, 23 febbraio 1934), \u00E8 stato un compositore e direttore d'orchestra britannico. Molte sue opere sono entrate nel repertorio di concerti di musica classica britannica e internazionale. Tra le sue composizioni pi\u00F9 note ci sono opere orchestrali tra cui le Enigma Variations, le Pomp and Circumstance Marches, i concerti per violino e violoncello e due sinfonie. Ha anche composto opere corali, tra cui Il sogno di Geronte, musica da camera e canzoni. Fu nominato Master of the King's Musick nel 1924."@it . . . "Edward Elgar - cello concerto in e minor, op. 85 - iv. allegro.ogg"@en . . . . . . . . . . . . . . . . . . . . "Performed by the Skidmore College Orchestra. Courtesy of Musopen"@en . . . . . . . . . . "Edward Elgar"@in . . . . "\u0388\u03BD\u03C4\u03BF\u03C5\u03B1\u03C1\u03BD\u03C4 \u0388\u03BB\u03B3\u03BA\u03B1\u03C1"@el . . . . . . . . . . . . . . . . . "Serenade for Strings"@en . . . . . . . . . . . . . . . "Edward Elgar"@nl . "music"@en . . . "Cumad\u00F3ir ceoil a rugadh i mBroadheath Shasana ab ea Sir Edward Elgar (2 Meitheamh 1857 \u2013 23 Feabhra 1934). C\u00E1il air as Enigma Variations (Breachnuithe D\u00FAthomhais, 1899) agus an orat\u00F3ir The Dream of Gerontius (Briongl\u00F3id Ghear\u00F3intias, 1900)."@ga . . . . . . . . . "\u30A8\u30C9\u30EF\u30FC\u30C9\u30FB\u30A8\u30EB\u30AC\u30FC"@ja . . . . . . . . . . . . . . . . . "\u521D\u4EE3\u6E96\u7537\u7235\u30B5\u30FC\u30FB\u30A8\u30C9\u30EF\u30FC\u30C9\u30FB\u30A6\u30A3\u30EA\u30A2\u30E0\u30FB\u30A8\u30EB\u30AC\u30FC\uFF08Sir Edward William Elgar, 1st Baronet, OM, GCVO\u30011857\u5E746\u67082\u65E5 - 1934\u5E742\u670823\u65E5\uFF09\u306F\u3001\u30A4\u30AE\u30EA\u30B9\u306E\u4F5C\u66F2\u5BB6\u3001\u6307\u63EE\u8005\u3002\u3082\u3068\u306F\u97F3\u697D\u6559\u5E2B\u3067\u3042\u308A\u30F4\u30A1\u30A4\u30AA\u30EA\u30CB\u30B9\u30C8\u3067\u3082\u3042\u3063\u305F\u3002 \u30A8\u30EB\u30AC\u30FC\u304C\u907A\u3057\u305F\u697D\u66F2\u306E\u591A\u304F\u306F\u4E16\u754C\u4E2D\u306E\u6F14\u594F\u4F1A\u3067\u53D6\u308A\u4E0A\u3052\u3089\u308C\u3066\u304A\u308A\u3001\u4E2D\u3067\u3082\u6700\u3082\u3088\u304F\u77E5\u3089\u308C\u308B\u306E\u306F\u300E\u30A8\u30CB\u30B0\u30DE\u5909\u594F\u66F2\u300F\u3084\u884C\u9032\u66F2\u300E\u5A01\u98A8\u5802\u3005\u300F\u3001\u30F4\u30A1\u30A4\u30AA\u30EA\u30F3\u5354\u594F\u66F2\u3001\u30C1\u30A7\u30ED\u5354\u594F\u66F2\u30012\u66F2\u306E\u4EA4\u97FF\u66F2\u306A\u3069\u3067\u3042\u308B\u3002\u307E\u305F\u300E\u30B2\u30ED\u30F3\u30C6\u30A3\u30A2\u30B9\u306E\u5922\u300F\u3092\u306F\u3058\u3081\u3068\u3059\u308B\u5408\u5531\u4F5C\u54C1\u3001\u5BA4\u5185\u697D\u66F2\u3084\u6B4C\u66F2\u3082\u4F5C\u66F2\u3057\u305F\u3002 1904\u5E74\uFF0847\u6B73\uFF09\u306B\u30CA\u30A4\u30C8\u30011931\u5E74\uFF0874\u6B73\uFF09\u51C6\u7537\u7235\u306B\u53D9\u3055\u308C\u3066\u3044\u308B\u30021924\u5E74\u304B\u3089\u306F\u56FD\u738B\u306E\u97F3\u697D\u5E2B\u7BC4\u3092\u52D9\u3081\u305F\u3002"@ja . . . . . . . . "Edward William Elgar (Broadheath, 2 juni 1857 \u2013 Worcestershire, 23 februari 1934) was een Brits componist wiens werk tot de late Romantiek gerekend wordt. Hij was de grote voorman in het reveil van de Engelse toonkunst rond 1900."@nl . . . . . . . . . . . "Sir Edward Elgar, n\u00E9 le 2 juin 1857 \u00E0 Lower Broadheath, pr\u00E8s de Worcester, et mort le 23 f\u00E9vrier 1934 \u00E0 Worcester, 1er baronnet Elgar de Broadheath, est un compositeur et chef d'orchestre britannique dont les \u0153uvres les plus connues sont entr\u00E9es dans le r\u00E9pertoire classique international : les Variations Enigma, les marches Pomp and Circumstance, son concerto pour violon, son concerto pour violoncelle et deux symphonies. Il a \u00E9galement compos\u00E9 des \u0153uvres chorales, dont l'oratorio The Dream of Gerontius, des chants et de la musique de chambre. Il est nomm\u00E9 Master of the King's Music en 1924. Bien qu'Elgar soit souvent consid\u00E9r\u00E9 comme un compositeur anglais typique, la plupart des musiques l'ayant influenc\u00E9 proviennent de l\u2019Europe continentale. Il se d\u00E9crit comme un \u00AB outsider \u00BB, non seulement musicalement, mais \u00E9galement socialement. Dans les milieux musicaux domin\u00E9s par les universitaires, il est reconnu comme un compositeur autodidacte. Il est aussi consid\u00E9r\u00E9 \u00E0 l'\u00E9poque avec m\u00E9fiance en raison de sa foi catholique. Dans la classe ais\u00E9e de l\u2019Angleterre victorienne et \u00E9douardienne, il est g\u00EAn\u00E9 par ses origines humbles, m\u00EAme lorsque son talent eut \u00E9t\u00E9 reconnu et qu'il \u00E9pousa la fille d'un officier sup\u00E9rieur de l'arm\u00E9e britannique. Non seulement sa femme est une source d'inspiration pour sa musique, mais elle l'introduit \u00E9galement dans les milieux ais\u00E9s, ce qui assure sa future notori\u00E9t\u00E9. Ainsi, il lutte pour conna\u00EEtre le succ\u00E8s jusqu'\u00E0 ses quarante ans ; \u00E0 partir de ce moment, et apr\u00E8s une s\u00E9rie de succ\u00E8s mod\u00E9r\u00E9s, il devient c\u00E9l\u00E8bre au Royaume-Uni et \u00E0 l'\u00E9tranger pour ses Variations Enigma (1899). Son \u0153uvre suivante The Dream of Gerontius (1900), un oratorio fond\u00E9 sur un texte catholique, cause quelques inqui\u00E9tudes dans les milieux anglicans, mais devient malgr\u00E9 tout une pi\u00E8ce ma\u00EEtresse du r\u00E9pertoire britannique. Ses autres \u0153uvres chorales religieuses n'atteignent pas le succ\u00E8s du Dream of Gerontius. Dans sa cinquantaine, Elgar compose une symphonie et un concerto pour violon qui rencontrent un grand succ\u00E8s. En revanche, sa seconde symphonie et son concerto pour violoncelle attendent plusieurs ann\u00E9es avant d'\u00EAtre reconnus. La musique d'Elgar, dans ses derni\u00E8res ann\u00E9es, devient attrayante pour le public britannique. Elle est peu jou\u00E9e dans la p\u00E9riode qui suit la mort du compositeur. Mais elle revit de mani\u00E8re significative dans les ann\u00E9es 1960, aid\u00E9e par de nouveaux enregistrements de ses \u0153uvres. Ces derni\u00E8res ann\u00E9es, certaines pi\u00E8ces ont \u00E9t\u00E9 jou\u00E9es dans le monde entier, mais son \u0153uvre demeure plus jou\u00E9e au Royaume-Uni que dans les autres pays. Elgar est le premier compositeur \u00E0 prendre le disque phonographique au s\u00E9rieux. Entre 1914 et 1925, il dirige une s\u00E9rie d'enregistrements de ses \u0153uvres. L'arriv\u00E9e du microphone en 1925 rend plus pr\u00E9cise la reproduction du son et Elgar r\u00E9enregistre la plus grande partie de son r\u00E9pertoire orchestral et des extraits du Dream of Gerontius. Ces enregistrements sont r\u00E9\u00E9dit\u00E9s sur LP dans les ann\u00E9es 1970 et sur CD dans les ann\u00E9es 1990."@fr . . . . "Edward Elgar"@it . "Sir Edward William Elgar, (\u02C8\u025Bl\u0261\u0251r), I Baronetto, OM, GCVO (Broadheath, 2 giugno 1857 \u2013 Worcester, 23 febbraio 1934), \u00E8 stato un compositore e direttore d'orchestra britannico. Molte sue opere sono entrate nel repertorio di concerti di musica classica britannica e internazionale. Tra le sue composizioni pi\u00F9 note ci sono opere orchestrali tra cui le Enigma Variations, le Pomp and Circumstance Marches, i concerti per violino e violoncello e due sinfonie. Ha anche composto opere corali, tra cui Il sogno di Geronte, musica da camera e canzoni. Fu nominato Master of the King's Musick nel 1924. Sebbene Elgar sia spesso considerato un compositore tipicamente inglese, la maggior parte delle sue influenze musicali non provenivano dall'Inghilterra ma dall'Europa continentale. Si sentiva un estraneo, non solo musicalmente, ma socialmente. Nei circoli musicali dominati dagli accademici, era un compositore autodidatta; nella Gran Bretagna protestante, il suo Cattolicesimo Romano fu considerato con sospetto in alcuni ambienti e nella societ\u00E0 con coscienza di classe della Gran Bretagna vittoriana ed edoardiana, egli era molto sensibile alle sue umili origini anche dopo aver ottenuto il riconoscimento. Ciononostante spos\u00F2 la figlia di un alto ufficiale dell'esercito britannico. Lei lo ispir\u00F2 sia musicalmente che socialmente, ma lott\u00F2 per raggiungere il successo fino a quarant'anni, quando dopo una serie di lavori di moderato successo le sue Enigma Variations (1899) diventarono immediatamente popolari in Gran Bretagna e all'estero. Fece seguire alle Variazioni un'opera corale, Il sogno di Geronte (1900), basato su un testo cattolico romano che caus\u00F2 inquietudine nell'establishment anglicano della Gran Bretagna, ma divenne, ed \u00E8 rimasto, un lavoro di repertorio standard in Gran Bretagna e altrove. Le sue successive opere corali religiose furono ben accolte ma non sono entrate nel repertorio regolare. A cinquant'anni Elgar compose una sinfonia e un concerto per violino che ebbe un enorme successo. La sua seconda sinfonia e il suo concerto per violoncello non ottennero un'immediata popolarit\u00E0 pubblica e impiegarono molti anni per raggiungere un posto regolare nel repertorio di concerti delle orchestre britanniche. La musica di Elgar venne, nei suoi ultimi anni, ad essere vista come attraente principalmente per il pubblico britannico. Le sue azioni rimasero basse per una generazione dopo la sua morte. Iniziarono a riprendersi in modo significativo negli anni '60, aiutate da nuove registrazioni delle sue opere. Alcune dei suoi lavori sono stati ripresi negli ultimi anni a livello internazionale, ma la sua musica continua ad essere eseguita pi\u00F9 in Gran Bretagna che altrove. Elgar \u00E8 stato descritto come il primo compositore a prendere sul serio il grammofono. Tra il 1914 e il 1925 diresse una serie di registrazioni acustiche delle sue opere. L'introduzione del microfono a bobina mobile nel 1923 rese possibile una riproduzione del suono molto pi\u00F9 accurata ed Elgar realizz\u00F2 nuove registrazioni della maggior parte delle sue principali opere orchestrali e di brani tratti da Il sogno di Geronte."@it . . . . "Edward William Elgar (Broadheath, 2 de junio de 1857-Worcester, 23 de febrero de 1934) fue un compositor ingl\u00E9s. Muchas de sus obras forman parte del repertorio cl\u00E1sico de concierto brit\u00E1nico e internacional. Aunque a menudo se lo considera un t\u00EDpico compositor ingl\u00E9s, la mayor\u00EDa de las influencias musicales de Elgar no proven\u00EDan de Inglaterra, sino de la Europa continental.\u200B\u200B Se sent\u00EDa un extra\u00F1o tanto musical como socialmente. Los c\u00EDrculos musicales estaban dominados por sectores acad\u00E9micos y \u00E9l era un compositor autodidacta. En la Gran Breta\u00F1a protestante, su catolicismo era visto con recelo en ciertos sectores; y en la clasista sociedad brit\u00E1nica victoriana y eduardiana, Elgar era muy sensible a sus or\u00EDgenes humildes, incluso despu\u00E9s de lograr reconocimiento. Se cas\u00F3 con Caroline Alice, hija de un alto oficial del ej\u00E9rcito brit\u00E1nico. Ella le inspir\u00F3 tanto a nivel musical como social. No alcanz\u00F3 el \u00E9xito hasta que cumpli\u00F3 los cuarenta a\u00F1os cuando, tras una serie de obras de un \u00E9xito moderado, sus Variaciones Enigma (1899) se hicieron inmediatamente populares en Gran Breta\u00F1a y el extranjero. Tras las variaciones compuso una obra coral, (1900), basado en un texto cat\u00F3lico que caus\u00F3 inquietud entre la clase dirigente anglicana de su pa\u00EDs, pero se ha mantenido como una obra del repertorio central tanto brit\u00E1nico como de otros lugares.\u200B\u200B Sus siguientes obras corales religiosas de larga duraci\u00F3n fueron bien recibidas, pero no entraron en el repertorio regular. La primera de las marchas de Pompa y circunstancia, compuesta en 1901, es bien conocida en el mundo anglosaj\u00F3n como la canci\u00F3n \u00ABLand of Hope and Glory\u00BB, con letras de A. C. Benson y com\u00FAn en las ceremonias de graduaci\u00F3n de Estados Unidos. En muchos pa\u00EDses, esta obra se utiliza como en las bodas. A sus cincuenta a\u00F1os compuso la y el Concierto para viol\u00EDn, con un amplio \u00E9xito. Lo contrario ocurri\u00F3 con su y el Concierto para violonchelo, ya que pasaron varios a\u00F1os hasta que fueron incorporados al repertorio. En sus \u00FAltimos a\u00F1os, su m\u00FAsica comenz\u00F3 a considerarse atractiva, sobre todo entre el p\u00FAblico brit\u00E1nico. Su valoraci\u00F3n permaneci\u00F3 muy baja durante la generaci\u00F3n posterior a su muerte. Comenz\u00F3 a resurgir de manera significativa en la d\u00E9cada de 1960, gracias a nuevas grabaciones de sus obras. En a\u00F1os recientes, algunas de ellas han retomado el nivel internacional, pero la mayor\u00EDa sigue siendo m\u00E1s interpretada en Gran Breta\u00F1a que en ning\u00FAn otro sitio. Se ha descrito a Elgar como el primer compositor que se tom\u00F3 en serio el uso del gram\u00F3fono. Entre 1914 y 1925, dirigi\u00F3 una serie de grabaciones de sus obras. La introducci\u00F3n del micr\u00F3fono en 1925 posibilit\u00F3 una reproducci\u00F3n m\u00E1s fiel del sonido y Elgar realiz\u00F3 nuevas grabaciones de la mayor\u00EDa de sus principales obras orquestales y de fragmentos de El sue\u00F1o de Geronte. Dichas grabaciones fueron reeditadas en LP en la d\u00E9cada de 1970 y en CD en la d\u00E9cada de 1990.\u200B"@es . . . . "Edward Elgar"@de . . . . . "Sir Edward William ELGAR (naski\u011Dis la 2-an de junio, 1857, mortis la 23-an de februaro, 1934) estis angla komponisto, la plej fama angla de post Henry Purcell kaj grava reperezentanto de la muzika malfruromantikismo. Elgar naski\u011Dis kiel filo de vendisto de muzika\u0135oj (instrumentoj, partituroj k.s.) en Broadheath \u0109e Worcester. Jam frue li ludis diversajn instrumentojn. Post mallonga laboro \u0109e notario li kunlaboris en la patra vendejo. Ne anta\u016D 1879 li prenis violonlecionojn en Londono, kaj kiel komponisto li estis a\u016Dtodidakto. En 1882 Elgar i\u011Dis koncertestro en Worcester kaj en 1885, kiel sekvanto de sia patro, orgenisto je la pre\u011Dejo St. George. En 188 li edzi\u011Dis al sia violonlernantino Caroline Alice Roberts, transloki\u011Dis al Malvern (Worcestershire) kaj vivis de tiu tempo kiel sendependa komponisto. Liaj unuaj kantatoj The Black Knight (\u201ELa nigra kavaliro\u201C, 1893) kaj King Olaf (\u201ERe\u011Do Olaf\u201C, 1896) same kiel la oratorio The Light of Life (\u201ELa lumo de la vivo\u201C, 1896) havigis al li agnoskon, sed definitive li sukcesis kiel komponisto en 1899 per siaj Enigma Variations (\u201EEnigma-variacioj\u201C) kaj en 1900 per la oratorio The Dream of Gerontius (\u201E La son\u011Do de Gerontius\u201C). En 1904 nomumita kavaliro, li iomete poste i\u011Dis profesoro en la universitato de Birmingham. Krom pliaj oratorioj esti\u011Dis en la sekvantaj jaroj la du simfonioj kaj la violonkon\u0109erto. Dum la jaroj de la unua mondmilito li verkis, krom patriotaj kompozicioj, tri bonegajn pecojn da \u0109ambromuziko kaj la violon\u0109elokon\u0109erton. En 1920 mortis Caroline Alice Elgar, kaj la morto de lia edzino malaperigis la kreadan potencon de Elgar. Krom tio lia stilo estis konsiderata eksmoda en la dudekaj jaroj. Malgra\u016D tio en 1924 li estis nomumita \u201EMaster of the King\u2019s Music\u201C kaj en 1931 nobeligita kiel \u201E1st Baronet of Broadheath\u201C. Ankora\u016D unufoje li sin dedi\u0109is al la komponado, sed kiam en 1934 en Worcester li mortis pro kancero, multaj el liaj verkoj restis nefinitaj."@eo . . . . . . . . . . . . . . . . . . . "Edward Elgar (2. \u010Dervna 1857, \u2013 23. \u00FAnora 1934, Worcester) byl anglick\u00FD hudebn\u00ED skladatel, p\u016Fsob\u00EDc\u00ED v 19. a 20. stolet\u00ED."@cs . . . . . . . . . . . . . . . . . . "\uC5D0\uB4DC\uC6CC\uB4DC \uC5D8\uAC00"@ko . . . . . . . . . . . . . "Edward Elgar"@ca . . . "Sir Edward William Elgar (ur. 2 czerwca 1857 w Broadheath, zm. 23 lutego 1934 w Worcester) \u2013 brytyjski kompozytor. Pozostawi\u0142 po sobie dwie symfonie (\u015Bmier\u0107 w 1934 r. przerwa\u0142a prac\u0119 nad trzeci\u0105). Utwory te uwa\u017Cane s\u0105 za jedne z najwa\u017Cniejszych brytyjskich utwor\u00F3w symfonicznych."@pl . . . . . . "\u0421\u044D\u0440 \u042D\u0301\u0434\u0443\u0430\u0440\u0434 \u0423\u0438\u0301\u043B\u044C\u044F\u043C \u042D\u0301\u043B\u0433\u0430\u0440, 1-\u0439 \u0431\u0430\u0440\u043E\u043D\u0435\u0442 (\u0430\u043D\u0433\u043B. Sir Edward William Elgar, 1st Baronet; 2 \u0438\u044E\u043D\u044F 1857[\u2026], \u041B\u043E\u0443\u044D\u0440-\u0411\u0440\u043E\u0434\u0445\u0438\u0442[d], \u0412\u0443\u0441\u0442\u0435\u0440\u0448\u0438\u0440 \u2014 23 \u0444\u0435\u0432\u0440\u0430\u043B\u044F 1934[\u2026], \u0412\u0443\u0441\u0442\u0435\u0440, \u0412\u0443\u0441\u0442\u0435\u0440\u0448\u0438\u0440) \u2014 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u0440\u043E\u043C\u0430\u043D\u0442\u0438\u0447\u0435\u0441\u043A\u043E\u0433\u043E \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u044F. \u041D\u0435\u043A\u043E\u0442\u043E\u0440\u044B\u0435 \u0438\u0437 \u0435\u0433\u043E \u043A\u0440\u0443\u043F\u043D\u044B\u0445 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u0432\u044B\u0445 \u0440\u0430\u0431\u043E\u0442, \u0432 \u0442\u043E\u043C \u0447\u0438\u0441\u043B\u0435 \u00AB\u042D\u043D\u0438\u0433\u043C\u0430-\u0432\u0430\u0440\u0438\u0430\u0446\u0438\u0438\u00BB (\u0430\u043D\u0433\u043B. \"Enigma\" Variations) \u0438 \u00AB\u0422\u043E\u0440\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u044B\u0435 \u0438 \u0446\u0435\u0440\u0435\u043C\u043E\u043D\u0438\u0430\u043B\u044C\u043D\u044B\u0435 \u043C\u0430\u0440\u0448\u0438\u00BB (\u0430\u043D\u0433\u043B. Pomp and Circumstance Marches), \u043F\u043E\u043B\u0443\u0447\u0438\u043B\u0438 \u0448\u0438\u0440\u043E\u043A\u043E\u0435 \u043F\u0440\u0438\u0437\u043D\u0430\u043D\u0438\u0435. \u041E\u043D \u0442\u0430\u043A\u0436\u0435 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0430\u0432\u0442\u043E\u0440\u043E\u043C \u043E\u0440\u0430\u0442\u043E\u0440\u0438\u0439, \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u0439, \u043A\u0430\u043C\u0435\u0440\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438, \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u044B\u0445 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u043E\u0432 \u0438 \u043F\u0435\u0441\u0435\u043D. \u0412 1924 \u0433\u043E\u0434\u0443 \u043E\u043D \u0431\u044B\u043B \u043D\u0430\u0437\u043D\u0430\u0447\u0435\u043D \u041C\u0430\u0441\u0442\u0435\u0440\u043E\u043C \u043A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u043A\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438."@ru . . . . . "Sir Edward William Elgar, 1. Baronet (* 2. Juni 1857 in bei Worcester; \u2020 23. Februar 1934 in Worcester) war ein britischer Komponist. Sein bekanntestes Werk ist der Pomp & Circumstance March No. 1. Der Mittelteil ist auch als Hymne Land of Hope and Glory weltbekannt und gilt als die wichtigste inoffizielle Hymne des Vereinigten K\u00F6nigreichs; das St\u00FCck ist ein H\u00F6hepunkt der allj\u00E4hrlichen Last Night of the Proms."@de . . . . . "\u7231\u5FB7\u534E\u00B7\u5A01\u5EC9\u00B7\u57C3\u5C14\u52A0\u7235\u58EB\uFF0C\u7B2C\u4E00\u4EE3\u5F9E\u7537\u7235\uFF0COM\uFF0CGCVO\uFF08\u82F1\u8A9E\uFF1ASir Edward William Elgar, 1st Baronet\uFF0C1857\u5E746\u67082\u65E5\uFF0D1934\u5E742\u670823\u65E5\uFF09\uFF0C\u82F1\u56FD\u4F5C\u66F2\u5BB6\u3002\u4ED6\u7684\u4EE3\u8868\u4F5C\u5305\u62EC\u300A\u300B\u548C\u300A\u5A01\u98A8\u51DC\u51DC\u9032\u884C\u66F2\u300B\u7B49\u7B49\u3002"@zh . . "Edward Elgar"@pl . . . . . . . . "Edward Elgar (Worcester, 1857ko ekainaren 2a - Worcester, 1934ko otsailaren 23a) ingeles musikagile eta izan zen. Ingalaterrako musika-pizkundeak eman duen musikagile nagusietako bat izan zen, bai bere musikagatik, bai izan zuen eraginagatik; Henry Purcellen (1659-1695) ondotik nazioarteko fama lortu duen aurreneko ingeles musikaria izan da. Musikarekin lotura handia izan zuen bere familiak, eta Elgarrek ere gaztetandik azaldu zuen musikarekiko zaletasuna; gazte zela hasi zen biolina jotzen. Haize musika-tresnetarako talde bat sortu zuen, eta talde horrentzako musika idazten hasi zen. Wagnerren, Straussen eta Brahmsen eragina nabarmena da Elgarren lanetan. Lan nagusiak: Lux Christi oratorioa (1896), Enigma variations orkestrarako lana (1896), Falstaff sinfonia (1913)."@eu . . . . . . . . "Edward William Elgar (Broadheath, 2 juni 1857 \u2013 Worcestershire, 23 februari 1934) was een Brits componist wiens werk tot de late Romantiek gerekend wordt. Hij was de grote voorman in het reveil van de Engelse toonkunst rond 1900."@nl . . . . . . . . . . . . . . . . . . . . . . . . . . "Sir Edward William Elgar, 1st Baronet OM, GCVO 2 Juni 1857 \u2013 23 Februari 1934 adalah komponis Inggris yang sebagian besar karya-karyanya telah memasuki repertoar konser musik klasik di Britania Raya dan dunia internasional. Di antara gubahannya yang paling dikenal adalah , Pomp and Circumstance Marches, untuk dan , serta dua simfoni. Ia juga menggubah karya paduan suara, di antaranya lagu-lagu musik kamar . Ia ditunjuk sebagai in 1924."@in . . . . . . . . . . . . "\u0415\u0434\u0432\u0430\u0440\u0434 \u0415\u043B\u0433\u0430\u0440 (\u0430\u043D\u0433\u043B. Edward Elgar; 2 \u0447\u0435\u0440\u0432\u043D\u044F 1857, \u041D\u0438\u0436\u043D\u0456\u0439 \u0411\u0440\u043E\u0434\u0433\u0456\u0442 \u2014 23 \u043B\u044E\u0442\u043E\u0433\u043E 1934, \u0412\u0443\u0441\u0442\u0435\u0440) \u2014 \u0430\u043D\u0433\u043B\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u0431\u0430\u0433\u0430\u0442\u043E \u0442\u0432\u043E\u0440\u0456\u0432 \u044F\u043A\u043E\u0433\u043E \u0443\u0432\u0456\u0439\u0448\u043B\u0438 \u0434\u043E \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u0442\u0430 \u0441\u0432\u0456\u0442\u043E\u0432\u043E\u0433\u043E \u043A\u043B\u0430\u0441\u0438\u0447\u043D\u043E\u0433\u043E \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u043D\u043E\u0433\u043E \u0440\u0435\u043F\u0435\u0440\u0442\u0443\u0430\u0440\u0443. \u0414\u043E \u0447\u0438\u0441\u043B\u0430 \u0439\u043E\u0433\u043E \u043D\u0430\u0439\u0432\u0456\u0434\u043E\u043C\u0456\u0448\u0438\u0445 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0446\u0456\u0439 \u043D\u0430\u043B\u0435\u0436\u0430\u0442\u044C \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u0447\u043D\u0456 \u00AB\u0412\u0430\u0440\u0456\u0430\u0446\u0456\u0457 \u043D\u0430 \u0437\u0430\u0433\u0430\u0434\u043A\u043E\u0432\u0443 \u0442\u0435\u043C\u0443\u00BB (\u00AB\u0415\u043D\u0456\u0433\u043C\u0430-\u0432\u0430\u0440\u0456\u0430\u0446\u0456\u0457\u00BB), \u00AB\u0423\u0440\u043E\u0447\u0438\u0441\u0442\u0456 \u0456 \u0446\u0435\u0440\u0435\u043C\u043E\u043D\u0456\u0430\u043B\u044C\u043D\u0456 \u043C\u0430\u0440\u0448\u0456\u00BB, \u043A\u043E\u043D\u0446\u0435\u0440\u0442 \u0434\u043B\u044F \u0441\u043A\u0440\u0438\u043F\u043A\u0438 \u0456 \u0432\u0456\u043E\u043B\u043E\u043D\u0447\u0435\u043B\u0456 \u0442\u0430 \u0434\u0432\u0456 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u0457. \u0412\u0456\u043D \u0442\u0430\u043A\u043E\u0436 \u043F\u0438\u0441\u0430\u0432 \u0434\u043B\u044F \u0442\u0432\u043E\u0440\u0438 \u0445\u043E\u0440\u0443, \u0441\u0435\u0440\u0435\u0434 \u044F\u043A\u0438\u0445 \u00AB\u0421\u043E\u043D \u0413\u0435\u0440\u043E\u043D\u0442\u0456\u044F\u00BB, \u043A\u0430\u043C\u0435\u0440\u043D\u0443 \u043C\u0443\u0437\u0438\u043A\u0443 \u0456 \u043F\u0456\u0441\u043D\u0456. \u0423 1924 \u0440\u043E\u0446\u0456 \u0431\u0443\u0432 \u043F\u0440\u0438\u0437\u043D\u0430\u0447\u0435\u043D\u0438\u0439 ."@uk . "Sir Edward William ELGAR (naski\u011Dis la 2-an de junio, 1857, mortis la 23-an de februaro, 1934) estis angla komponisto, la plej fama angla de post Henry Purcell kaj grava reperezentanto de la muzika malfruromantikismo."@eo . "1931"^^ . . . . . "1924"^^ . . . . . . . "Sir Edward Elgar, n\u00E9 le 2 juin 1857 \u00E0 Lower Broadheath, pr\u00E8s de Worcester, et mort le 23 f\u00E9vrier 1934 \u00E0 Worcester, 1er baronnet Elgar de Broadheath, est un compositeur et chef d'orchestre britannique dont les \u0153uvres les plus connues sont entr\u00E9es dans le r\u00E9pertoire classique international : les Variations Enigma, les marches Pomp and Circumstance, son concerto pour violon, son concerto pour violoncelle et deux symphonies. Il a \u00E9galement compos\u00E9 des \u0153uvres chorales, dont l'oratorio The Dream of Gerontius, des chants et de la musique de chambre. Il est nomm\u00E9 Master of the King's Music en 1924."@fr . . "Edward Elgar"@eu . . . "Baronet"@en . . "Edward Elgar"@ga . . . . . . . "\uC81C1\uB300 \uC5D8\uAC00 \uC900\uB0A8\uC791 \uC5D0\uB4DC\uC6CC\uB4DC \uC5D8\uAC00(Sir Edward Elgar, 1st Baronet, OM, GCVO, 1857\uB144 6\uC6D4 2\uC77C ~ 1934\uB144 2\uC6D4 23\uC77C)\uB294 \uC601\uAD6D\uC758 \uB0AD\uB9CC\uC8FC\uC758 \uC791\uACE1\uAC00\uC774\uB2E4."@ko . . "\u039F \u03A3\u03B5\u03C1 \u0388\u03BD\u03C4\u03BF\u03C5\u03B1\u03C1\u03BD\u03C4 \u0388\u03BB\u03B3\u03BA\u03B1\u03C1 (Sir Edward William Elgar, \u039B\u03CC\u03BF\u03C5\u03B5\u03C1 \u039C\u03C0\u03C1\u03CC\u03BF\u03C5\u03BD\u03C4\u03C7\u03B9\u03B8, 2 \u0399\u03BF\u03C5\u03BD\u03AF\u03BF\u03C5 1857 \u2013 \u0393\u03BF\u03CD\u03C3\u03C4\u03B5\u03C1, 23 \u03A6\u03B5\u03B2\u03C1\u03BF\u03C5\u03B1\u03C1\u03AF\u03BF\u03C5 1934) \u03AE\u03C4\u03B1\u03BD \u0386\u03B3\u03B3\u03BB\u03BF\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2, \u03C0\u03BF\u03BB\u03BB\u03AC \u03AD\u03C1\u03B3\u03B1 \u03C4\u03BF\u03C5 \u03BF\u03C0\u03BF\u03AF\u03BF\u03C5 \u03B1\u03BD\u03AE\u03BA\u03BF\u03C5\u03BD \u03C3\u03C4\u03BF \u03B2\u03C1\u03B5\u03C4\u03B1\u03BD\u03B9\u03BA\u03CC \u03BA\u03B1\u03B9 \u03B4\u03B9\u03B5\u03B8\u03BD\u03AD\u03C2 \u03BA\u03BB\u03B1\u03C3\u03B9\u03BA\u03CC \u03BF\u03C1\u03C7\u03B7\u03C3\u03C4\u03C1\u03B9\u03BA\u03CC \u03C1\u03B5\u03C0\u03B5\u03C1\u03C4\u03CC\u03C1\u03B9\u03BF. \u039C\u03B5\u03C4\u03B1\u03BE\u03CD \u03C4\u03C9\u03BD \u03C0\u03B9\u03BF \u03B3\u03BD\u03C9\u03C3\u03C4\u03CE\u03BD \u03C3\u03C5\u03BD\u03B8\u03AD\u03C3\u03B5\u03CE\u03BD \u03C4\u03BF\u03C5 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03BF\u03B9 \u03A0\u03B1\u03C1\u03B1\u03BB\u03BB\u03B1\u03B3\u03AD\u03C2 \u0391\u03AF\u03BD\u03B9\u03B3\u03BC\u03B1, \u03C4\u03BF \u039A\u03BF\u03BD\u03C4\u03C3\u03AD\u03C1\u03C4\u03BF \u03B3\u03B9\u03B1 \u03B2\u03B9\u03BF\u03BB\u03AF, \u03C4\u03BF \u039A\u03BF\u03BD\u03C4\u03C3\u03AD\u03C1\u03C4\u03BF \u03B3\u03B9\u03B1 \u03B2\u03B9\u03BF\u03BB\u03BF\u03BD\u03C4\u03C3\u03AD\u03BB\u03BF, \u03BA\u03B1\u03B9 \u03BF\u03B9 \u03B4\u03CD\u03BF \u03C3\u03C5\u03BC\u03C6\u03C9\u03BD\u03AF\u03B5\u03C2 \u03C4\u03BF\u03C5. \u03A3\u03C5\u03BD\u03AD\u03B8\u03B5\u03C3\u03B5 \u03B5\u03C0\u03AF\u03C3\u03B7\u03C2, \u03C7\u03BF\u03C1\u03C9\u03B4\u03B9\u03B1\u03BA\u03AC \u03AD\u03C1\u03B3\u03B1, \u03CC\u03C0\u03C9\u03C2 \u03C4\u03BF \u03B1\u03C1\u03B9\u03C3\u03C4\u03BF\u03C5\u03C1\u03B3\u03B7\u03BC\u03B1\u03C4\u03B9\u03BA\u03CC \u03A4\u03BF \u038C\u03BD\u03B5\u03B9\u03C1\u03BF \u03C4\u03BF\u03C5 \u0393\u03B5\u03C1\u03BF\u03BD\u03C4\u03AF\u03BF\u03C5, \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE \u03B4\u03C9\u03BC\u03B1\u03C4\u03AF\u03BF\u03C5 \u03BA\u03B1\u03B9 \u03C0\u03BF\u03BB\u03BB\u03AC \u03C4\u03C1\u03B1\u03B3\u03BF\u03CD\u03B4\u03B9\u03B1. \u0395\u03C0\u03AF\u03C3\u03B7\u03C2, \u03B5\u03AF\u03BD\u03B1\u03B9 \u03BF \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2 \u03C4\u03B7\u03C2 \u03C0\u03B1\u03C3\u03AF\u03B3\u03BD\u03C9\u03C3\u03C4\u03B7\u03C2 \u03BC\u03B5\u03BB\u03C9\u03B4\u03AF\u03B1\u03C2 \u0393\u03B7 \u03C4\u03B7\u03C2 \u0395\u03BB\u03C0\u03AF\u03B4\u03B1\u03C2 \u03BA\u03B1\u03B9 \u03C4\u03B7\u03C2 \u0394\u03CC\u03BE\u03B1\u03C2 (Land of Hope and Glory). \u0394\u03B9\u03BF\u03C1\u03AF\u03C3\u03C4\u03B7\u03BA\u03B5 \u0391\u03C1\u03C7\u03B9\u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03CC\u03C2 \u03C4\u03BF\u03C5 \u0392\u03B1\u03C3\u03B9\u03BB\u03B9\u03AC (Master of King\u2019s Musick) (sic) \u03C4\u03BF 1924."@el . "Sir Edward William Elgar, 1.\u00BA Baronete, OM, GCVO (Broadheath, 2 de junho de 1857 - Worcester, 23 de fevereiro de 1934) foi um compositor ingl\u00EAs de m\u00FAsica cl\u00E1ssica. Entre as suas composi\u00E7\u00F5es mais conhecidas est\u00E3o trabalhos orquestrais como Enigma Variations, as Pomp and Circumstance Marches, concertos para violino e violoncelo, e duas sinfonias. Tamb\u00E9m comp\u00F4s trabalhos corais, incluindo , m\u00FAsica de c\u00E2mara e can\u00E7\u00F5es. Foi nomeado em 1924. Apesar de Elgar ser visto como um t\u00EDpico compositor ingl\u00EAs, a maioria das suas influ\u00EAncias musicais tinham origem na Europa continental. Ele sentia-se um forasteiro, n\u00E3o apenas numa perspectiva musical, mas socialmente. Nos c\u00EDrculos musicais dominados por acad\u00E9micos, ele era um compositor auto-didacta; num Reino Unido protestante, o seu catolicismo era visto com alguma desconfian\u00E7a; e num per\u00EDodo vitoriano e eduardiano em que a sociedade estava dividida por classes, Elgar tinha plena consci\u00EAncia sobre as suas origens humildes, mesmo depois de ser reconhecido. Ainda assim, casou com a filha de um oficial do ex\u00E9rcito brit\u00E2nico. Ela inspirou-o tanto ao n\u00EDvel musical como social, mas trabalhou para atingir o sucesso at\u00E9 aos seus quarenta anos quando, depois de uma s\u00E9rie de trabalhos menos bem-sucedidos, o seu Enigma Variations (1899) tornou-se muito popular, tanto na Gr\u00E3-Bretanha, como al\u00E9m-mar. No seguimento deste trabalho, comp\u00F4s um trabalho coral, The Dream of Gerontius (1900), com base num texto cat\u00F3lico que tinha causado algum desconforto no sistema anglicano na Gr\u00E3-Bretanha; no entanto, esta obra veio a tornar-se, e assim continua, parte do repert\u00F3rio coral deste pa\u00EDs e n\u00E3o s\u00F3. Os seus outros trabalhos corais religiosos tamb\u00E9m foram bem recebidos, mas sem o mesmo sucesso. A primeira das suas Pomp and Circumstance Marches (1901) \u00E9 bem conhecida no mundo de l\u00EDngua inglesa. Nos seus cinquenta anos de idade, Elgar comp\u00F4s uma sinfonia e um concerto para violino que alcan\u00E7aram um enorme \u00EAxito. A sua segunda sinfonia e concerto para violoncelo n\u00E3o obtiveram um \u00EAxito imediato junto do p\u00FAblico, e demoraram alguns anos at\u00E9 serem inclu\u00EDdos, com regularidade, no repert\u00F3rio das orquestras brit\u00E2nicas. A m\u00FAsica de Elgar, nos seus \u00FAltimos anos de vida, foi tornando-se cada vez mais apelativa junto das audi\u00EAncias brit\u00E2nicas. Ap\u00F3s a sua morte, e durante alguns anos, a sua m\u00FAsica passou despercebida. Apenas da d\u00E9cada de 1960, ajudada por novas grava\u00E7\u00F5es dos seus trabalhos, \u00E9 que a sua m\u00FAsica voltou a ser tocada com regularidade. Alguns dos seus trabalhos, em anos mais recentes, passaram a ser tocados a um n\u00EDvel internacional, mas a sua m\u00FAsica continua a fazer mais parte do report\u00F3rio brit\u00E2nico do que em outros pa\u00EDses. Elgar tem sido descrito como o primeiro compositor a levar a s\u00E9rio as grava\u00E7\u00F5es com um gramofone em disco de vinil. Entre 1914 e 1925, realizou uma s\u00E9rie de grava\u00E7\u00F5es ac\u00FAsticas dos seus trabalhos. A introdu\u00E7\u00E3o do microfone em 1925, tornou as grava\u00E7\u00F5es sonoras mais exactas, e Elgar fez novos registos da maioria dos seus principais trabalhos para orquestra e excertos de The Dream of Gerontius."@pt . . "Edward Elgar"@es . . . . . . . . "Sir Edward William Elgar, 1.\u00BA Baronete, OM, GCVO (Broadheath, 2 de junho de 1857 - Worcester, 23 de fevereiro de 1934) foi um compositor ingl\u00EAs de m\u00FAsica cl\u00E1ssica. Entre as suas composi\u00E7\u00F5es mais conhecidas est\u00E3o trabalhos orquestrais como Enigma Variations, as Pomp and Circumstance Marches, concertos para violino e violoncelo, e duas sinfonias. Tamb\u00E9m comp\u00F4s trabalhos corais, incluindo , m\u00FAsica de c\u00E2mara e can\u00E7\u00F5es. Foi nomeado em 1924."@pt . . . . . . "1121282851"^^ . . . . . . . . . . . . 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\u062F\u062E\u0644\u062A \u0627\u0644\u0643\u062B\u064A\u0631 \u0645\u0646 \u0623\u0639\u0645\u0627\u0644\u0647\u0650 \u0636\u0645\u0646 \u062D\u0641\u0644\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0643\u0644\u0627\u0633\u064A\u0643\u064A\u0629 \u0627\u0644\u0628\u0631\u064A\u0637\u0627\u0646\u064A\u0629 \u0648\u0627\u0644\u0639\u0627\u0644\u0645\u064A\u0629. \u0648\u0643\u0627\u0646\u062A \u0623\u0639\u0645\u0627\u0644 \u0627\u0644\u0623\u0648\u0631\u0643\u0633\u062A\u0631\u0627 \u0645\u0646 \u0623\u0641\u0636\u0644 \u0645\u0624\u0644\u0641\u0627\u062A\u0647 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0627\u0644\u062A\u064A \u0623\u0628\u062F\u0639\u0647\u0627 \u0648\u0645\u0646\u0647\u0627 \u0625\u0646\u064A\u062C\u0645\u0627 \u0641\u0627\u0631\u064A\u0627\u0634\u0646\u0632 (Enigma Variations)\u060C \u0648\u0628\u0648\u0645\u0628 \u0627\u0646\u062F \u0633\u064A\u0631\u0643\u0648\u0645\u0633\u062A\u0627\u0646\u0633 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\u0633\u0628\u0639\u064A\u0646\u064A\u0627\u062A \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u0645\u0627\u0636\u064A \u0639\u0644\u0649 \u062A\u0633\u062C\u064A\u0644\u0627\u062A \u0625\u0644 \u0628\u064A (LP record) \u0643\u0645\u0627 \u0633\u064F\u062C\u0650\u0651\u0644\u062A \u0639\u0644\u0649 \u0623\u0633\u0637\u0648\u0627\u0646\u0627\u062A \u0641\u064A \u0627\u0644\u062A\u0633\u0639\u064A\u0646\u064A\u0627\u062A \u0645\u0646 \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u0639\u0634\u0631\u064A\u0646."@ar . . . . . . . . . . . . . "Edward Elgar"@sv . . . . . . . . . . . . . . . . . "Sir Edward Elgar fou un compositor angl\u00E8s. La seua principal obra orquestral, Variacions Enigma, va ser rebuda amb entusiasme. Tamb\u00E9 va compondre oratoris, m\u00FAsica de cambra, simfonies i obres concertants. Entre les seues composicions van aconseguir una gran popularitat les Marxes de Pompa i Circumst\u00E0ncia d'entre les quals, la n\u00FAm. 1 cont\u00E9 en el seu trio la melodia que es canta amb els versos Land of Hope and Glory (Terra d'Esperan\u00E7a i Gl\u00F2ria). \u00C9s tradici\u00F3 la seua interpretaci\u00F3 en la darrera nit de The Proms. Va rebre el t\u00EDtol de \"Mestre de m\u00FAsica de Sa majestat Brit\u00E0nica\" l'any 1924."@ca . . . . . . . . . . . . "Sir Edward William Elgar, 1st Baronet, OM, GCVO (/\u02C8\u025Bl\u0261\u0251\u02D0r/; 2 June 1857 \u2013 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924."@en . . "Sir Edward William Elgar (ur. 2 czerwca 1857 w Broadheath, zm. 23 lutego 1934 w Worcester) \u2013 brytyjski kompozytor. Pozostawi\u0142 po sobie dwie symfonie (\u015Bmier\u0107 w 1934 r. przerwa\u0142a prac\u0119 nad trzeci\u0105). Utwory te uwa\u017Cane s\u0105 za jedne z najwa\u017Cniejszych brytyjskich utwor\u00F3w symfonicznych."@pl . . . . . . . . . . . . . . . . . . . . . . . . . . . "Pomp and circumstances No. 1.ogg"@en . . . . . . . . . . . . . . . . . "\uC81C1\uB300 \uC5D8\uAC00 \uC900\uB0A8\uC791 \uC5D0\uB4DC\uC6CC\uB4DC \uC5D8\uAC00(Sir Edward Elgar, 1st Baronet, OM, GCVO, 1857\uB144 6\uC6D4 2\uC77C ~ 1934\uB144 2\uC6D4 23\uC77C)\uB294 \uC601\uAD6D\uC758 \uB0AD\uB9CC\uC8FC\uC758 \uC791\uACE1\uAC00\uC774\uB2E4."@ko . . . "\u0625\u062F\u0648\u0627\u0631\u062F \u0625\u0644\u062C\u0627\u0631"@ar . . . . . . . . . . . . . . . . "\u0415\u0434\u0432\u0430\u0440\u0434 \u0415\u043B\u0433\u0430\u0440 (\u0430\u043D\u0433\u043B. Edward Elgar; 2 \u0447\u0435\u0440\u0432\u043D\u044F 1857, \u041D\u0438\u0436\u043D\u0456\u0439 \u0411\u0440\u043E\u0434\u0433\u0456\u0442 \u2014 23 \u043B\u044E\u0442\u043E\u0433\u043E 1934, \u0412\u0443\u0441\u0442\u0435\u0440) \u2014 \u0430\u043D\u0433\u043B\u0456\u0439\u0441\u044C\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u0431\u0430\u0433\u0430\u0442\u043E \u0442\u0432\u043E\u0440\u0456\u0432 \u044F\u043A\u043E\u0433\u043E \u0443\u0432\u0456\u0439\u0448\u043B\u0438 \u0434\u043E \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u044C\u043A\u043E\u0433\u043E \u0442\u0430 \u0441\u0432\u0456\u0442\u043E\u0432\u043E\u0433\u043E \u043A\u043B\u0430\u0441\u0438\u0447\u043D\u043E\u0433\u043E \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u043D\u043E\u0433\u043E \u0440\u0435\u043F\u0435\u0440\u0442\u0443\u0430\u0440\u0443. \u0414\u043E \u0447\u0438\u0441\u043B\u0430 \u0439\u043E\u0433\u043E \u043D\u0430\u0439\u0432\u0456\u0434\u043E\u043C\u0456\u0448\u0438\u0445 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0446\u0456\u0439 \u043D\u0430\u043B\u0435\u0436\u0430\u0442\u044C \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u0447\u043D\u0456 \u00AB\u0412\u0430\u0440\u0456\u0430\u0446\u0456\u0457 \u043D\u0430 \u0437\u0430\u0433\u0430\u0434\u043A\u043E\u0432\u0443 \u0442\u0435\u043C\u0443\u00BB (\u00AB\u0415\u043D\u0456\u0433\u043C\u0430-\u0432\u0430\u0440\u0456\u0430\u0446\u0456\u0457\u00BB), \u00AB\u0423\u0440\u043E\u0447\u0438\u0441\u0442\u0456 \u0456 \u0446\u0435\u0440\u0435\u043C\u043E\u043D\u0456\u0430\u043B\u044C\u043D\u0456 \u043C\u0430\u0440\u0448\u0456\u00BB, \u043A\u043E\u043D\u0446\u0435\u0440\u0442 \u0434\u043B\u044F \u0441\u043A\u0440\u0438\u043F\u043A\u0438 \u0456 \u0432\u0456\u043E\u043B\u043E\u043D\u0447\u0435\u043B\u0456 \u0442\u0430 \u0434\u0432\u0456 \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u0457. \u0412\u0456\u043D \u0442\u0430\u043A\u043E\u0436 \u043F\u0438\u0441\u0430\u0432 \u0434\u043B\u044F \u0442\u0432\u043E\u0440\u0438 \u0445\u043E\u0440\u0443, \u0441\u0435\u0440\u0435\u0434 \u044F\u043A\u0438\u0445 \u00AB\u0421\u043E\u043D \u0413\u0435\u0440\u043E\u043D\u0442\u0456\u044F\u00BB, \u043A\u0430\u043C\u0435\u0440\u043D\u0443 \u043C\u0443\u0437\u0438\u043A\u0443 \u0456 \u043F\u0456\u0441\u043D\u0456. \u0423 1924 \u0440\u043E\u0446\u0456 \u0431\u0443\u0432 \u043F\u0440\u0438\u0437\u043D\u0430\u0447\u0435\u043D\u0438\u0439 ."@uk . . . "113445"^^ . . . . . . . . . . . . . . . . . . . . . . . . "Serenade for Strings -mvt-1- Elgar.ogg"@en . . . "\u042D\u043B\u0433\u0430\u0440, \u042D\u0434\u0443\u0430\u0440\u0434, 1-\u0439 \u0431\u0430\u0440\u043E\u043D\u0435\u0442"@ru . . . . . . . . . . . . . . . . . . . "Edward Elgar"@cs . . . . . . . . . . . . . . . . . . . . . . "Sir Edward William Elgar, 1. Baronet (* 2. Juni 1857 in bei Worcester; \u2020 23. Februar 1934 in Worcester) war ein britischer Komponist. Sein bekanntestes Werk ist der Pomp & Circumstance March No. 1. Der Mittelteil ist auch als Hymne Land of Hope and Glory weltbekannt und gilt als die wichtigste inoffizielle Hymne des Vereinigten K\u00F6nigreichs; das St\u00FCck ist ein H\u00F6hepunkt der allj\u00E4hrlichen Last Night of the Proms."@de . . . . . . "Cumad\u00F3ir ceoil a rugadh i mBroadheath Shasana ab ea Sir Edward Elgar (2 Meitheamh 1857 \u2013 23 Feabhra 1934). C\u00E1il air as Enigma Variations (Breachnuithe D\u00FAthomhais, 1899) agus an orat\u00F3ir The Dream of Gerontius (Briongl\u00F3id Ghear\u00F3intias, 1900)."@ga . . . . . . ""@en . "Edward William Elgar (Broadheath, 2 de junio de 1857-Worcester, 23 de febrero de 1934) fue un compositor ingl\u00E9s. Muchas de sus obras forman parte del repertorio cl\u00E1sico de concierto brit\u00E1nico e internacional. A sus cincuenta a\u00F1os compuso la y el Concierto para viol\u00EDn, con un amplio \u00E9xito. Lo contrario ocurri\u00F3 con su y el Concierto para violonchelo, ya que pasaron varios a\u00F1os hasta que fueron incorporados al repertorio. En sus \u00FAltimos a\u00F1os, su m\u00FAsica comenz\u00F3 a considerarse atractiva, sobre todo entre el p\u00FAblico brit\u00E1nico."@es . . . . . . . . . . "Sir Edward William Elgar, f\u00F6dd 2 juni 1857 i Lower Broadheath, Worcestershire, d\u00F6d 23 februari 1934 i Worcester, Worcestershire, var en brittisk komposit\u00F6r. Elgar var den f\u00F6rste innehavaren av professuren i musik vid University of Birmingham. Elgar f\u00F6ddes i byn Lower Broadheath utanf\u00F6r katedralstaden Worcester i v\u00E4stra England. Idag \u00E4r hans barndomshem Elgar-museum, med allehanda anteckningar, fotografier, noter etc att besk\u00E5da. Elgar adlades 1904 och blev hedersdoktor vid en l\u00E5ng rad universitet. 1924 erh\u00F6ll han titeln Master of the King's Music."@sv . . . . . . . . . "Trio of Pomp and Circumstance Marches No. 1"@en . . . . . . . . . . "Sir Edward William Elgar, 1st Baronet OM, GCVO 2 Juni 1857 \u2013 23 Februari 1934 adalah komponis Inggris yang sebagian besar karya-karyanya telah memasuki repertoar konser musik klasik di Britania Raya dan dunia internasional. Di antara gubahannya yang paling dikenal adalah , Pomp and Circumstance Marches, untuk dan , serta dua simfoni. Ia juga menggubah karya paduan suara, di antaranya lagu-lagu musik kamar . Ia ditunjuk sebagai in 1924. Meskipun Elgar sering dianggap sebagai komponis yang khas Inggris, musiknya sebagian besar dipengaruhi oleh musik benua Eropa dan bukan dari Inggris. Ia merasakan dirinya sebagai orang terasing, tidak hanya secara musikal, melainkan juga secara sosial. Dia adalah seorang komponis autodidak di kalangan pemusik yang didominasi akademisi. Sebagai seorang Katolik Roma di Britania Raya yang dominan Protestan, ia diperhatikan dengan kecurigaan oleh beberapa kalangan. Di tengah masyarakat Britania yang sadar kelas pada era Edward dan era Victoria, ia sangat sensitif mengenai asal usulnya yang hina. Meskipun demikian, ia menikah dengan anak perempuan dari perwira senior angkatan darat Britania. Istrinya merupakan inspirasi bagi dirinya secara musikal dan sosial. Namun ia harus berjuang untuk mencapai kesuksesan yang diraihnya pada usia empat puluhan setelah serangkaian karya-karyanya, Enigma Variations (1899) menjadi populer di Inggris dan juga di luar negeri. Enigma Variations disusul dengan karya paduan suara, The Dream of Gerontius (1900) yang diangkatnya dari teks Katolik Roma sehingga lembaga Anglikan menjadi resah. \"The Dream of Gerontius\" berhasil menjadi dan kemudian bertahan sebagai karya repertoar utama di Britania dan negara lainnya. Karya paduan suara religius berdurasi penuh yang diciptakannya kemudian mendapat sambutan baik, tetapi tidak masuk ke dalam repertoar reguler. Bagian pertama Pomp and Circumstance Marches (1901) dikenal secara luas di negara-negara berbahasa Inggris. Pada usia lima puluhan, Elgar menggubah sebuah simfoni dan sebuah konserto biola yang sangat sukses. Simfoni kedua dan konserto cellonya tidak tidak langsung populer di kalangan publik dan perlu waktu bertahun-tahun sebelum mendapat tempat di repertoar konser orkestra Britania. Karya yang diciptakan Elgar pada usia lanjut terutama hanya menarik perhatian penggemar di Britania. Namanya nyaris tidak dikenal selama satu generasi setelah kematiannya. Elgar kembali mendapat perhatian dari publik pada tahun 1960-an berkat rekaman baru karya-karyanya. Sebagian dari karyanya kembali mendapat perhatian dari dunia internasional, namun masih lebih banyak dimainkan di Britania daripada di negara-negara lainnya. Elgar dikenang sebagai komponis pertama yang secara serius menaruh minat pada gramofon. Antara tahun 1914 dan 1925, ia melakukan serangkaian untuk karya-karyanya. Setelah diciptakannya mikropon pada tahun 1925 yang memungkinkan reproduksi suara lebih akurat, Elgar membuat rekaman-rekaman baru untuk sebagian besar karya-karya orkestra utama yang digubahnya serta cuplikan dari The Dream of Gerontius. Rekaman-rekaman tersebut dirilis kembali dalam bentuk piringan hitam pada tahun 1970-an dan CD pada tahun 1990-an."@in . . . . "Edward Elgar"@fr . . . . . . . . . . . . . . . . . . . "\u7231\u5FB7\u534E\u00B7\u5A01\u5EC9\u00B7\u57C3\u5C14\u52A0\u7235\u58EB\uFF0C\u7B2C\u4E00\u4EE3\u5F9E\u7537\u7235\uFF0COM\uFF0CGCVO\uFF08\u82F1\u8A9E\uFF1ASir Edward William Elgar, 1st Baronet\uFF0C1857\u5E746\u67082\u65E5\uFF0D1934\u5E742\u670823\u65E5\uFF09\uFF0C\u82F1\u56FD\u4F5C\u66F2\u5BB6\u3002\u4ED6\u7684\u4EE3\u8868\u4F5C\u5305\u62EC\u300A\u300B\u548C\u300A\u5A01\u98A8\u51DC\u51DC\u9032\u884C\u66F2\u300B\u7B49\u7B49\u3002"@zh . . . . . . . . . . "\u0421\u044D\u0440 \u042D\u0301\u0434\u0443\u0430\u0440\u0434 \u0423\u0438\u0301\u043B\u044C\u044F\u043C \u042D\u0301\u043B\u0433\u0430\u0440, 1-\u0439 \u0431\u0430\u0440\u043E\u043D\u0435\u0442 (\u0430\u043D\u0433\u043B. Sir Edward William Elgar, 1st Baronet; 2 \u0438\u044E\u043D\u044F 1857[\u2026], \u041B\u043E\u0443\u044D\u0440-\u0411\u0440\u043E\u0434\u0445\u0438\u0442[d], \u0412\u0443\u0441\u0442\u0435\u0440\u0448\u0438\u0440 \u2014 23 \u0444\u0435\u0432\u0440\u0430\u043B\u044F 1934[\u2026], \u0412\u0443\u0441\u0442\u0435\u0440, \u0412\u0443\u0441\u0442\u0435\u0440\u0448\u0438\u0440) \u2014 \u0431\u0440\u0438\u0442\u0430\u043D\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u0440\u043E\u043C\u0430\u043D\u0442\u0438\u0447\u0435\u0441\u043A\u043E\u0433\u043E \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u044F. \u041D\u0435\u043A\u043E\u0442\u043E\u0440\u044B\u0435 \u0438\u0437 \u0435\u0433\u043E \u043A\u0440\u0443\u043F\u043D\u044B\u0445 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u0432\u044B\u0445 \u0440\u0430\u0431\u043E\u0442, \u0432 \u0442\u043E\u043C \u0447\u0438\u0441\u043B\u0435 \u00AB\u042D\u043D\u0438\u0433\u043C\u0430-\u0432\u0430\u0440\u0438\u0430\u0446\u0438\u0438\u00BB (\u0430\u043D\u0433\u043B. \"Enigma\" Variations) \u0438 \u00AB\u0422\u043E\u0440\u0436\u0435\u0441\u0442\u0432\u0435\u043D\u043D\u044B\u0435 \u0438 \u0446\u0435\u0440\u0435\u043C\u043E\u043D\u0438\u0430\u043B\u044C\u043D\u044B\u0435 \u043C\u0430\u0440\u0448\u0438\u00BB (\u0430\u043D\u0433\u043B. Pomp and Circumstance Marches), \u043F\u043E\u043B\u0443\u0447\u0438\u043B\u0438 \u0448\u0438\u0440\u043E\u043A\u043E\u0435 \u043F\u0440\u0438\u0437\u043D\u0430\u043D\u0438\u0435. \u041E\u043D \u0442\u0430\u043A\u0436\u0435 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0430\u0432\u0442\u043E\u0440\u043E\u043C \u043E\u0440\u0430\u0442\u043E\u0440\u0438\u0439, \u0441\u0438\u043C\u0444\u043E\u043D\u0438\u0439, \u043A\u0430\u043C\u0435\u0440\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438, \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u0430\u043B\u044C\u043D\u044B\u0445 \u043A\u043E\u043D\u0446\u0435\u0440\u0442\u043E\u0432 \u0438 \u043F\u0435\u0441\u0435\u043D. \u0412 1924 \u0433\u043E\u0434\u0443 \u043E\u043D \u0431\u044B\u043B \u043D\u0430\u0437\u043D\u0430\u0447\u0435\u043D \u041C\u0430\u0441\u0442\u0435\u0440\u043E\u043C \u043A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u043A\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438."@ru . . . . . . . . . . "10085"^^ . . "Elgar's Serenade for Strings, movement 1, performed by the United States Army Band Strings ensemble"@en . . "\u7231\u5FB7\u534E\u00B7\u57C3\u5C14\u52A0"@zh . .