. . . . . . "Mi menor (tamb\u00E9 Mim en la notaci\u00F3 europea i Em en la notaci\u00F3 americana) \u00E9s la tonalitat que t\u00E9 l'escala menor a partir de la nota mi. Aix\u00ED, la seva escala est\u00E0 constitu\u00EFda per les notes mi, fa#, sol, la, si, do i re. La seva armadura t\u00E9 un sostingut (fa). El seu relatiu major \u00E9s la tonalitat de sol major, i la tonalitat hom\u00F2nima \u00E9s mi major."@ca . "e-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton e aufbaut. Die Tonart e-Moll wird in der Notenschrift mit einem Kreuz geschrieben (fis). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart (die Tonika e-g-h) werden mit dem Begriff e-Moll bezeichnet. H\u00E4ufig wird dieser Tonart ein klagend-trauriger, mystischer Charakter nachgesagt, vergleiche hierzu aber den Artikel Tonartencharakter. In der klassischen Musik stehen unter anderem Haydns \u201ETrauersinfonie\u201C, das \u201ECrucifixus\u201C aus Bachs Messe BWV 232 und Beethovens Sonate op. 90 in e-Moll. In der gitarrenlastigen Rockmusik (etwa Blues, Punk-Musik oder Heavy Metal) ist e-Moll aus rein praktischen Gr\u00FCnden die am h\u00E4ufigsten vertretene Tonart: Die Grundstimmung der Gitarre liegt auf E, und es bedarf nur minimaler Fingertechnik, um einen rund klingenden Grundakkord e-Moll zu spielen."@de . . . . . "G"@en . "E\u5C0F\u8ABF"@zh . . "e-minoro estas tonalo de la modalo ma\u0135oro, bazi\u011Danta sur la toniko e. La tonalon e-minoro oni indikas en la notacio per unu dieso (f\u266F). Anka\u016D la respektivan gamon kaj la bazan akordon de \u0109i tiu tonalo (la toniko e-g-b), oni nomas e-minoro. Ofte oni priskribas \u0109i tiun tonalon kiel lamenta-mal\u011Doja, mistika."@eo . "5353"^^ . . . . . . . "A"@en . . 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"\uB9C8\uB2E8\uC870(-\u77ED\u8ABF)\uB294 \uB9C8(E) \uC74C\uC744 \uC73C\uB738\uC74C\uC73C\uB85C \uD558\uB294 \uB2E8\uC74C\uACC4\uC774\uB2E4. \uBE0C\uB77C\uC6B0\uC800\uC5D0\uC11C \uC18C\uB9AC \uC7AC\uC0DD\uC744 \uC9C0\uC6D0\uD558\uC9C0 \uC54A\uC2B5\uB2C8\uB2E4. \uD560 \uC218 \uC788\uC2B5\uB2C8\uB2E4. \uB9C8\uB2E8\uC870\uC758 \uC774\uBA85\uB3D9\uC74C\uC870\uC774\uC790 \uC758 \uAC19\uC740\uC73C\uB738\uC74C\uC870\uC778 \uB0B4\uB9BC\uBC14\uB2E8\uC870(f\u266D minor) \uBC0F \uACB9\uC62C\uB9BC\uB77C\uB2E8\uC870(d\U0001D12A minor) \uC774\uB860\uC0C1 \uC874\uC7AC\uD560\uC218 \uC788\uC9C0\uB9CC, \uC74C\uACC4\uC5D0 \uACB9\uB0B4\uB9BC\uD45C\uAE4C\uC9C0 \uB4E4\uC5B4\uAC00\uAC8C \uB418\uC5B4 \uBCF5\uC7A1\uD574\uC9C0\uBBC0\uB85C, \uC870\uD45C\uAC00 \uC801\uC740 \uC774\uBA85\uB3D9\uC74C\uC870\uC778 \uB9C8\uB2E8\uC870(e minor)\uB85C \uB300\uBD80\uBD84 \uB300\uCCB4\uD55C\uB2E4. \uB9C8\uB2E8\uC870 \uC74C\uACC4(e minor scale) : e f# g a b c d e \uB0B4\uB9BC\uBC14\uB2E8\uC870 \uC74C\uACC4(f flat minor scale) : f\u266D g\u266D a\U0001D12B b\U0001D12B c\u266D d\U0001D12B e\U0001D12B f\u266D"@ko . . . "E minor"@en . . "Mi mineur"@fr . . "\u041C\u0438 \u043C\u0438\u043D\u043E\u0440"@ru . . "\u0645\u064A \u0635\u063A\u064A\u0631 (E minor) \u0647\u0648 \u0633\u0644\u0645 \u0645\u0648\u0633\u064A\u0642\u064A \u0635\u063A\u064A\u0631 \u064A\u062A\u0623\u0644\u0641 \u0645\u0646 \u0627\u0644\u062F\u0631\u062C\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0645\u064A E\u060C \u0641\u0627 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FF\u060C \u0635\u0648\u0644 G\u060C \u0644\u0627 A\u060C \u0633\u064A\u060C \u062F\u0648 C\u060C \u0631\u064A D\u060C \u0648\u064A\u0646\u062A\u0647\u064A \u0628\u0645\u0641\u062A\u0627\u062D \u0645\u064A E\u060C \u0648\u0630\u0644\u0643 \u0639\u0644\u0649 \u0627\u0644\u062A\u0631\u062A\u064A\u0628 \u0627\u0644\u062A\u0627\u0644\u064A \u0645\u0646 \u0627\u0644\u064A\u0633\u0627\u0631 \u0625\u0644\u0649 \u0627\u0644\u064A\u0645\u064A\u0646: E, F\u266F, G, A, B, C, D, E \u064A\u062D\u0648\u064A \u0633\u0644\u0645 \u0645\u064A \u0627\u0644\u0635\u063A\u064A\u0631 \u0639\u0644\u0649 \u0625\u0634\u0627\u0631\u0629 \u0631\u0641\u0639 \u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0641\u0627. \u0625\u0646 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0627\u0644\u0642\u0631\u064A\u0628 \u0644\u0647 \u0639\u0644\u0649 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0643\u0628\u064A\u0631 \u0647\u0648 \u0635\u0648\u0644 \u0643\u0628\u064A\u0631\u060C \u0623\u0645\u0627 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0645\u0648\u0627\u0632\u064A \u0641\u0647\u0648 \u0645\u064A \u0643\u0628\u064A\u0631."@ar . . . "{ \\new Staff \\with{ \\magnifyStaff #3/2 } > }"@en . . . . . "\u0397 \u039C\u03B9 \u03B5\u03BB\u03AC\u03C3\u03C3\u03BF\u03BD\u03B1 (\u03AE \u039C\u03B9 \u03BC\u03B9\u03BD\u03CC\u03C1\u03B5, \u03C3\u03C4\u03B1 \u03B1\u03B3\u03B3\u03BB\u03B9\u03BA\u03AC: E minor) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B5\u03BB\u03AC\u03C3\u03C3\u03BF\u03BD\u03B1 \u03BA\u03BB\u03AF\u03BC\u03B1\u03BA\u03B1 \u03BC\u03B5 \u03C4\u03BF\u03BD\u03B9\u03BA\u03AE \u03C4\u03B7 \u03BD\u03CC\u03C4\u03B1 \u03BC\u03B9, \u03C0\u03BF\u03C5 \u03B1\u03C0\u03BF\u03C4\u03B5\u03BB\u03B5\u03AF\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03B5\u03BE\u03AE\u03C2 \u03C6\u03B8\u03CC\u03B3\u03B3\u03BF\u03C5\u03C2: \u039C\u03B9, \u03A6\u03B1#, \u03A3\u03BF\u03BB, \u039B\u03B1, \u03A3\u03B9, \u039D\u03C4\u03BF \u03BA\u03B1\u03B9 \u03A1\u03B5. \u0395\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03C0\u03C1\u03CE\u03C4\u03B7 \u03B5\u03BB\u03AC\u03C3\u03C3\u03BF\u03BD\u03B1 \u03C3\u03C4\u03B7 \u03C3\u03B5\u03B9\u03C1\u03AC \u03C4\u03C9\u03BD \u03B4\u03B9\u03AD\u03C3\u03B5\u03C9\u03BD (\u03AD\u03C7\u03BF\u03BD\u03C4\u03B1\u03C2 \u03C4\u03B7 \u03C6\u03B1) \u03BA\u03B1\u03B9 \u03B7 \u03C3\u03C7\u03B5\u03C4\u03B9\u03BA\u03AE \u03C4\u03B7\u03C2 \u03BC\u03B5\u03AF\u03B6\u03BF\u03BD\u03B1 \u03BA\u03BB\u03AF\u03BC\u03B1\u03BA\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03A3\u03BF\u03BB \u03BC\u03B5\u03AF\u03B6\u03BF\u03BD\u03B1, \u03B5\u03BD\u03CE \u03B7 \u03BF\u03BC\u03CE\u03BD\u03C5\u03BC\u03AE \u03C4\u03B7\u03C2 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u039C\u03B9 \u03BC\u03B5\u03AF\u03B6\u03BF\u03BD\u03B1. \u0397 \u03C3\u03C5\u03B3\u03BA\u03B5\u03BA\u03C1\u03B9\u03BC\u03AD\u03BD\u03B7 \u03BA\u03BB\u03AF\u03BC\u03B1\u03BA\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B9\u03B4\u03B9\u03B1\u03AF\u03C4\u03B5\u03C1\u03B1 \u03B4\u03B9\u03B1\u03B4\u03B5\u03B4\u03BF\u03BC\u03AD\u03BD\u03B7 \u03C3\u03C4\u03B7\u03BD \u03BA\u03BB\u03B1\u03C3\u03C3\u03B9\u03BA\u03AE \u03BA\u03B9\u03B8\u03AC\u03C1\u03B1 (\u03BB\u03CC\u03B3\u03C9 \u03C4\u03C9\u03BD 4 \u03B1\u03BD\u03BF\u03B9\u03C7\u03C4\u03CE\u03BD \u03C7\u03BF\u03C1\u03B4\u03CE\u03BD \u03C0\u03BF\u03C5 \u03C7\u03C1\u03B5\u03B9\u03AC\u03B6\u03B5\u03C4\u03B1\u03B9 \u03B7 \u03C3\u03C5\u03B3\u03C7\u03BF\u03C1\u03B4\u03AF\u03B1 \u03B3\u03B9\u03B1 \u03BD\u03B1 \u03C0\u03B1\u03B9\u03C7\u03C4\u03B5\u03AF), \u03B1\u03BB\u03BB\u03AC \u03BA\u03B1\u03B9 \u03C3\u03C4\u03B7 heavy metal \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE. \u0397 \u03C6\u03C5\u03C3\u03B9\u03BA\u03AE \u039C\u03AF \u03B5\u03BB\u03AC\u03C3\u03C3\u03BF\u03BD\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03B5\u03BE\u03AE\u03C2: Audio playback is not supported in your browser. You can . \u0397 \u03B1\u03C1\u03BC\u03BF\u03BD\u03B9\u03BA\u03AE \u039C\u03B9 \u03B5\u03BB\u03AC\u03C3\u03C3\u03BF\u03BD\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03B5\u03BE\u03AE\u03C2: (\u03B7 \u03A1\u03B5 \u03B3\u03AF\u03BD\u03B5\u03C4\u03B1\u03B9 \u03A1\u03B5#) Audio playback is not supported in your browser. You can . \u0397 \u03BC\u03B5\u03BB\u03C9\u03B4\u03B9\u03BA\u03AE \u039C\u03B9 \u03B5\u03BB\u03AC\u03C3\u03C3\u03BF\u03BD\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03B5\u03BE\u03AE\u03C2: Audio playback is not supported in your browser. You can ."@el . . . . . . . . . . "\u30DB\u77ED\u8ABF"@ja . "\u0645\u064A \u0635\u063A\u064A\u0631"@ar . "e-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton e aufbaut. Die Tonart e-Moll wird in der Notenschrift mit einem Kreuz geschrieben (fis). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart (die Tonika e-g-h) werden mit dem Begriff e-Moll bezeichnet. H\u00E4ufig wird dieser Tonart ein klagend-trauriger, mystischer Charakter nachgesagt, vergleiche hierzu aber den Artikel Tonartencharakter. In der klassischen Musik stehen unter anderem Haydns \u201ETrauersinfonie\u201C, das \u201ECrucifixus\u201C aus Bachs Messe BWV 232 und Beethovens Sonate op. 90 in e-Moll."@de . . . . "La tonalidad de mi menor (que en el sistema europeo se abrevia Mim y en el sistema americano, Em) consiste en la escala menor de mi, y contiene las notas mi, fa sostenido, sol, la, si, do, re y mi. Su armadura de clave contiene un solo sostenido.Su tonalidad relativa es sol mayor, y su tonalidad hom\u00F3nima es mi mayor.Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias."@es . . "\u0645\u064A \u0635\u063A\u064A\u0631 (E minor) \u0647\u0648 \u0633\u0644\u0645 \u0645\u0648\u0633\u064A\u0642\u064A \u0635\u063A\u064A\u0631 \u064A\u062A\u0623\u0644\u0641 \u0645\u0646 \u0627\u0644\u062F\u0631\u062C\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0645\u064A E\u060C \u0641\u0627 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FF\u060C \u0635\u0648\u0644 G\u060C \u0644\u0627 A\u060C \u0633\u064A\u060C \u062F\u0648 C\u060C \u0631\u064A D\u060C \u0648\u064A\u0646\u062A\u0647\u064A \u0628\u0645\u0641\u062A\u0627\u062D \u0645\u064A E\u060C \u0648\u0630\u0644\u0643 \u0639\u0644\u0649 \u0627\u0644\u062A\u0631\u062A\u064A\u0628 \u0627\u0644\u062A\u0627\u0644\u064A \u0645\u0646 \u0627\u0644\u064A\u0633\u0627\u0631 \u0625\u0644\u0649 \u0627\u0644\u064A\u0645\u064A\u0646: E, F\u266F, G, A, B, C, D, E \u064A\u062D\u0648\u064A \u0633\u0644\u0645 \u0645\u064A \u0627\u0644\u0635\u063A\u064A\u0631 \u0639\u0644\u0649 \u0625\u0634\u0627\u0631\u0629 \u0631\u0641\u0639 \u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0641\u0627. \u0625\u0646 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0627\u0644\u0642\u0631\u064A\u0628 \u0644\u0647 \u0639\u0644\u0649 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0643\u0628\u064A\u0631 \u0647\u0648 \u0635\u0648\u0644 \u0643\u0628\u064A\u0631\u060C \u0623\u0645\u0627 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0645\u0648\u0627\u0632\u064A \u0641\u0647\u0648 \u0645\u064A \u0643\u0628\u064A\u0631."@ar . . . . . . . "\u041C\u0456 \u043C\u0456\u043D\u043E\u0440 (E minor, e-Moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u043C\u0456. \u0413\u0430\u043C\u0430 \u043C\u0456 \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u043C\u0456 - \u0444\u0430\u266F - \u0441\u043E\u043B\u044C - \u043B\u044F - \u0441\u0456 - \u0434\u043E - \u0440\u0435 E - F\u266F - G - A - B - C - D \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0441\u043E\u043B\u044C \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 \u043C\u0456 \u043C\u0430\u0436\u043E\u0440. \u041C\u0456 \u043C\u0456\u043D\u043E\u0440 \u043C\u0430\u0454 \u043E\u0434\u0438\u043D \u0434\u0456\u0454\u0437 \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0444\u0430-)."@uk . . . . . . "E-mineur"@nl . . "La tonalit\u00E0 di Mi minore (E minor, e-Moll) \u00E8 incentrata sulla nota tonica Mi. Pu\u00F2 essere abbreviata in Mim oppure in Em secondo il sistema anglosassone. Per la scala minore naturale del mi, si hanno: Mi, Fa\u266F, Sol, La, Si, Do, Re, Mi. L'armatura di chiave \u00E8 la seguente (un diesis): Alterazioni (una sola):fa\u266F. Questa rappresentazione sul pentagramma coincide con quella della tonalit\u00E0 relativa Sol maggiore."@it . "Mi menor (abreviatura no sistema europeu Mi m e no sistema americano Em) \u00E9, na m\u00FAsica, a tonalidade que consiste na escala menor baseada na nota mi, com as alturas mi, f\u00E1 sustenido, sol, l\u00E1, si, d\u00F3, r\u00E9 e mi. A sua escala menor harm\u00F4nica cont\u00E9m um r\u00E9 sustenido, e sua armadura tem um sustenido, f\u00E1 (ver abaixo: ). Sua maior relativa \u00E9 sol maior, e sua maior paralela \u00E9 mi maior. As mudan\u00E7as necess\u00E1rias para as vers\u00F5es mel\u00F3dicas e harm\u00F4nicas da escala s\u00E3o escritas com altera\u00E7\u00F5es sempre que necess\u00E1rio. Boa parte do repert\u00F3rio para o viol\u00E3o cl\u00E1ssico \u00E9 em mi menor, na medida em que este \u00E9 um tom muito caracter\u00EDstico para o instrumento; na sua afina\u00E7\u00E3o padr\u00E3o, quatro das seis cordas do instrumento fazem parte do acorde t\u00F4nico. O tom tamb\u00E9m \u00E9 extremamente popular no heavy metal, j\u00E1 que permite o uso extensivo na nota mais grave de uma guitarra na afina\u00E7\u00E3o padr\u00E3o, o mi."@pt . . . . . . . . "B"@en . . . "\uB9C8\uB2E8\uC870"@ko . . . . . . . . "2011892"^^ . . . . . . . . . "E minor is a minor scale based on E, consisting of the pitches E, F\u266F, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major. The E natural minor scale is: Audio playback is not supported in your browser. You can . Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic minor and melodic minor scales are: Audio playback is not supported in your browser. You can .Audio playback is not supported in your browser. You can . Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (unfretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar."@en . "e-moll \u2013 molowa gama muzyczna, kt\u00F3rej tonik\u0105 jest e. Jej d\u017Awi\u0119ki w odmianie naturalnej to: e, fis, g, a, h, c, d. Audio playback is not supported in your browser. You can . Gama e-moll w odmianie harmonicznej (z VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton): Audio playback is not supported in your browser. You can . Gama e-moll w odmianie doryckiej (z VI i VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton w stosunku do gamy e-moll naturalnej): Audio playback is not supported in your browser. You can . R\u00F3wnoleg\u0142\u0105 gam\u0105 durow\u0105 jest G-dur, jednoimienn\u0105 durow\u0105 \u2013 E-dur. E-moll to tak\u017Ce akord, zbudowany z pierwszego (e), trzeciego (g) i pi\u0105tego (h) stopnia gamy e-moll. Znane dzie\u0142a w tonacji e-moll: \n* Johannes Brahms \u2013 IV Symfonia op. 98 \n* Anton\u00EDn Dvo\u0159\u00E1k \u2013 IX Symfonia op. 95 Z Nowego \u015Awiata \n* Piotr Czajkowski \u2013 V Symfonia op. 64 \n* Fryderyk Chopin \u2013 Koncert fortepianowy nr 1 op. 11 \n* Gustav Mahler \u2013 VII Symfonia \n* Felix Mendelssohn-Bartholdy \u2013 Koncert skrzypcowy op. 64 \n* Niko\u0142aj Rimski-Korsakow \u2013 Szeherezada"@pl . "E"@en . . "e-mineur of e klein (afkorting: Em) is een toonsoort met als grondtoon E."@nl . . . . . . . . "Mi menor"@pt . . "La tonalit\u00E0 di Mi minore (E minor, e-Moll) \u00E8 incentrata sulla nota tonica Mi. Pu\u00F2 essere abbreviata in Mim oppure in Em secondo il sistema anglosassone. Per la scala minore naturale del mi, si hanno: Mi, Fa\u266F, Sol, La, Si, Do, Re, Mi. L'armatura di chiave \u00E8 la seguente (un diesis): Alterazioni (una sola):fa\u266F. Questa rappresentazione sul pentagramma coincide con quella della tonalit\u00E0 relativa Sol maggiore."@it . . "D"@en . . . "Mi minore"@it . "e-mineur of e klein (afkorting: Em) is een toonsoort met als grondtoon E."@nl . . "Mi menor"@ca . . "La tonalit\u00E9 de mi mineur se d\u00E9veloppe en partant de la note tonique mi. Elle est appel\u00E9e E minor en anglais et e-Moll dans l\u2019Europe centrale. L'armure co\u00EFncide avec celle de la tonalit\u00E9 relative sol majeur."@fr . . "E-Moll"@de . . "\u0397 \u039C\u03B9 \u03B5\u03BB\u03AC\u03C3\u03C3\u03BF\u03BD\u03B1 (\u03AE \u039C\u03B9 \u03BC\u03B9\u03BD\u03CC\u03C1\u03B5, \u03C3\u03C4\u03B1 \u03B1\u03B3\u03B3\u03BB\u03B9\u03BA\u03AC: E minor) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B5\u03BB\u03AC\u03C3\u03C3\u03BF\u03BD\u03B1 \u03BA\u03BB\u03AF\u03BC\u03B1\u03BA\u03B1 \u03BC\u03B5 \u03C4\u03BF\u03BD\u03B9\u03BA\u03AE \u03C4\u03B7 \u03BD\u03CC\u03C4\u03B1 \u03BC\u03B9, \u03C0\u03BF\u03C5 \u03B1\u03C0\u03BF\u03C4\u03B5\u03BB\u03B5\u03AF\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03B5\u03BE\u03AE\u03C2 \u03C6\u03B8\u03CC\u03B3\u03B3\u03BF\u03C5\u03C2: \u039C\u03B9, \u03A6\u03B1#, \u03A3\u03BF\u03BB, \u039B\u03B1, \u03A3\u03B9, \u039D\u03C4\u03BF \u03BA\u03B1\u03B9 \u03A1\u03B5. \u0395\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03C0\u03C1\u03CE\u03C4\u03B7 \u03B5\u03BB\u03AC\u03C3\u03C3\u03BF\u03BD\u03B1 \u03C3\u03C4\u03B7 \u03C3\u03B5\u03B9\u03C1\u03AC \u03C4\u03C9\u03BD \u03B4\u03B9\u03AD\u03C3\u03B5\u03C9\u03BD (\u03AD\u03C7\u03BF\u03BD\u03C4\u03B1\u03C2 \u03C4\u03B7 \u03C6\u03B1) \u03BA\u03B1\u03B9 \u03B7 \u03C3\u03C7\u03B5\u03C4\u03B9\u03BA\u03AE \u03C4\u03B7\u03C2 \u03BC\u03B5\u03AF\u03B6\u03BF\u03BD\u03B1 \u03BA\u03BB\u03AF\u03BC\u03B1\u03BA\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03A3\u03BF\u03BB \u03BC\u03B5\u03AF\u03B6\u03BF\u03BD\u03B1, \u03B5\u03BD\u03CE \u03B7 \u03BF\u03BC\u03CE\u03BD\u03C5\u03BC\u03AE \u03C4\u03B7\u03C2 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u039C\u03B9 \u03BC\u03B5\u03AF\u03B6\u03BF\u03BD\u03B1. \u0397 \u03C3\u03C5\u03B3\u03BA\u03B5\u03BA\u03C1\u03B9\u03BC\u03AD\u03BD\u03B7 \u03BA\u03BB\u03AF\u03BC\u03B1\u03BA\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B9\u03B4\u03B9\u03B1\u03AF\u03C4\u03B5\u03C1\u03B1 \u03B4\u03B9\u03B1\u03B4\u03B5\u03B4\u03BF\u03BC\u03AD\u03BD\u03B7 \u03C3\u03C4\u03B7\u03BD \u03BA\u03BB\u03B1\u03C3\u03C3\u03B9\u03BA\u03AE \u03BA\u03B9\u03B8\u03AC\u03C1\u03B1 (\u03BB\u03CC\u03B3\u03C9 \u03C4\u03C9\u03BD 4 \u03B1\u03BD\u03BF\u03B9\u03C7\u03C4\u03CE\u03BD \u03C7\u03BF\u03C1\u03B4\u03CE\u03BD \u03C0\u03BF\u03C5 \u03C7\u03C1\u03B5\u03B9\u03AC\u03B6\u03B5\u03C4\u03B1\u03B9 \u03B7 \u03C3\u03C5\u03B3\u03C7\u03BF\u03C1\u03B4\u03AF\u03B1 \u03B3\u03B9\u03B1 \u03BD\u03B1 \u03C0\u03B1\u03B9\u03C7\u03C4\u03B5\u03AF), \u03B1\u03BB\u03BB\u03AC \u03BA\u03B1\u03B9 \u03C3\u03C4\u03B7 heavy metal \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE. \u0397 \u03C6\u03C5\u03C3\u03B9\u03BA\u03AE \u039C\u03AF \u03B5\u03BB\u03AC\u03C3\u03C3\u03BF\u03BD\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03B5\u03BE\u03AE\u03C2: Audio playback is not supported in your browser. You can ."@el . . "e\u5C0F\u8ABF\u662F\u5F9EE\u97F3\u958B\u59CB\u7684\u97F3\u6A02\u7684\u5C0F\u8ABF\uFF0C\u8ABF\u865F\u4EE51\u500B\u5347\u865F\u8868\u793A\uFF0C\u81EA\u7136\u5C0F\u8ABF\u4E2D\u7684\u7D44\u6210\u7684\u97F3\u6709E\u3001F\u266F\u3001G\u3001A\u3001B\u3001C\u3001D\u53CAE\u3002 \u7576e\u5C0F\u8ABF\u4EE5\u548C\u8072\u5C0F\u8ABF\u986F\u73FE\u6642\uFF0C\u5C0E\u97F3D\u6703\u8B8A\u6210D\u266F\uFF0C\u800C\u5728\u65CB\u5F8B\u5C0F\u8ABF\u4E0A\uFF0C\u4E0A\u884C\u4E0B\u4E2D\u97F3\u548C\u5C0E\u97F3\u5747\u6703\u5347\u9AD8\u70BAC\u266F\u53CAD\u266F\uFF0E\u4E0B\u884C\u6642\u5247\u9084\u539F\u3002 \u5B83\u7684\u95DC\u4FC2\u8ABF\u662FG\u5927\u8ABF\uFF0C\u4E26\u884C\u5927\u8ABF\u662FE\u5927\u8ABF\u3002"@zh . "\u30DB\u77ED\u8ABF\uFF08\u30DB\u305F\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u30DB\uFF08E\uFF09\u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u77ED\u8ABF\u3002\u8ABF\u53F7\u306F\u30B7\u30E3\u30FC\u30D71\u7B87\u6240 (F) \u3067\u3042\u308B\u3002"@ja . "1098192626"^^ . "e-minoro estas tonalo de la modalo ma\u0135oro, bazi\u011Danta sur la toniko e. La tonalon e-minoro oni indikas en la notacio per unu dieso (f\u266F). Anka\u016D la respektivan gamon kaj la bazan akordon de \u0109i tiu tonalo (la toniko e-g-b), oni nomas e-minoro. Ofte oni priskribas \u0109i tiun tonalon kiel lamenta-mal\u011Doja, mistika."@eo . "Mi menor (abreviatura no sistema europeu Mi m e no sistema americano Em) \u00E9, na m\u00FAsica, a tonalidade que consiste na escala menor baseada na nota mi, com as alturas mi, f\u00E1 sustenido, sol, l\u00E1, si, d\u00F3, r\u00E9 e mi. A sua escala menor harm\u00F4nica cont\u00E9m um r\u00E9 sustenido, e sua armadura tem um sustenido, f\u00E1 (ver abaixo: ). Sua maior relativa \u00E9 sol maior, e sua maior paralela \u00E9 mi maior. As mudan\u00E7as necess\u00E1rias para as vers\u00F5es mel\u00F3dicas e harm\u00F4nicas da escala s\u00E3o escritas com altera\u00E7\u00F5es sempre que necess\u00E1rio."@pt . . "E minor"@en . . "C"@en . "\u041C\u0456 \u043C\u0456\u043D\u043E\u0440 (E minor, e-Moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u043C\u0456. \u0413\u0430\u043C\u0430 \u043C\u0456 \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u043C\u0456 - \u0444\u0430\u266F - \u0441\u043E\u043B\u044C - \u043B\u044F - \u0441\u0456 - \u0434\u043E - \u0440\u0435 E - F\u266F - G - A - B - C - D \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0441\u043E\u043B\u044C \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 \u043C\u0456 \u043C\u0430\u0436\u043E\u0440. \u041C\u0456 \u043C\u0456\u043D\u043E\u0440 \u043C\u0430\u0454 \u043E\u0434\u0438\u043D \u0434\u0456\u0454\u0437 \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0444\u0430-)."@uk . . "\u041C\u0438 \u043C\u0438\u043D\u043E\u0301\u0440 (\u043D\u0435\u043C. e-moll, \u0430\u043D\u0433\u043B. E minor) \u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u043D\u043E\u0442\u044B \u043C\u0438. \u0418\u043C\u0435\u0435\u0442 \u043E\u0434\u0438\u043D \u2014 \u0444\u0430-\u0434\u0438\u0435\u0437."@ru . . . . . . . "\u041C\u0456 \u043C\u0456\u043D\u043E\u0440"@uk . . . "\u039C\u03B9 \u03B5\u03BB\u03AC\u03C3\u03C3\u03BF\u03BD\u03B1"@el . . . . . . . . "\u041C\u0438 \u043C\u0438\u043D\u043E\u0301\u0440 (\u043D\u0435\u043C. e-moll, \u0430\u043D\u0433\u043B. E minor) \u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u043D\u043E\u0442\u044B \u043C\u0438. \u0418\u043C\u0435\u0435\u0442 \u043E\u0434\u0438\u043D \u2014 \u0444\u0430-\u0434\u0438\u0435\u0437."@ru . . . . "Mi menor"@es . . . . . "\uB9C8\uB2E8\uC870(-\u77ED\u8ABF)\uB294 \uB9C8(E) \uC74C\uC744 \uC73C\uB738\uC74C\uC73C\uB85C \uD558\uB294 \uB2E8\uC74C\uACC4\uC774\uB2E4. \uBE0C\uB77C\uC6B0\uC800\uC5D0\uC11C \uC18C\uB9AC \uC7AC\uC0DD\uC744 \uC9C0\uC6D0\uD558\uC9C0 \uC54A\uC2B5\uB2C8\uB2E4. \uD560 \uC218 \uC788\uC2B5\uB2C8\uB2E4. \uB9C8\uB2E8\uC870\uC758 \uC774\uBA85\uB3D9\uC74C\uC870\uC774\uC790 \uC758 \uAC19\uC740\uC73C\uB738\uC74C\uC870\uC778 \uB0B4\uB9BC\uBC14\uB2E8\uC870(f\u266D minor) \uBC0F \uACB9\uC62C\uB9BC\uB77C\uB2E8\uC870(d\U0001D12A minor) \uC774\uB860\uC0C1 \uC874\uC7AC\uD560\uC218 \uC788\uC9C0\uB9CC, \uC74C\uACC4\uC5D0 \uACB9\uB0B4\uB9BC\uD45C\uAE4C\uC9C0 \uB4E4\uC5B4\uAC00\uAC8C \uB418\uC5B4 \uBCF5\uC7A1\uD574\uC9C0\uBBC0\uB85C, \uC870\uD45C\uAC00 \uC801\uC740 \uC774\uBA85\uB3D9\uC74C\uC870\uC778 \uB9C8\uB2E8\uC870(e minor)\uB85C \uB300\uBD80\uBD84 \uB300\uCCB4\uD55C\uB2E4. \uB9C8\uB2E8\uC870 \uC74C\uACC4(e minor scale) : e f# g a b c d e \uB0B4\uB9BC\uBC14\uB2E8\uC870 \uC74C\uACC4(f flat minor scale) : f\u266D g\u266D a\U0001D12B b\U0001D12B c\u266D d\U0001D12B e\U0001D12B f\u266D"@ko . "E minor is a minor scale based on E, consisting of the pitches E, F\u266F, G, A, B, C, and D. Its key signature has one sharp. Its relative major is G major and its parallel major is E major. The E natural minor scale is: Audio playback is not supported in your browser. You can . Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic minor and melodic minor scales are: Audio playback is not supported in your browser. You can .Audio playback is not supported in your browser. You can ."@en . . "La tonalit\u00E9 de mi mineur se d\u00E9veloppe en partant de la note tonique mi. Elle est appel\u00E9e E minor en anglais et e-Moll dans l\u2019Europe centrale. L'armure co\u00EFncide avec celle de la tonalit\u00E9 relative sol majeur."@fr . . . . "La tonalidad de mi menor (que en el sistema europeo se abrevia Mim y en el sistema americano, Em) consiste en la escala menor de mi, y contiene las notas mi, fa sostenido, sol, la, si, do, re y mi. Su armadura de clave contiene un solo sostenido.Su tonalidad relativa es sol mayor, y su tonalidad hom\u00F3nima es mi mayor.Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias."@es . . . "E-minoro"@eo . . . "F"@en . . . . . . . "e-moll \u2013 molowa gama muzyczna, kt\u00F3rej tonik\u0105 jest e. Jej d\u017Awi\u0119ki w odmianie naturalnej to: e, fis, g, a, h, c, d. Audio playback is not supported in your browser. You can . Gama e-moll w odmianie harmonicznej (z VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton): Audio playback is not supported in your browser. You can . Gama e-moll w odmianie doryckiej (z VI i VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton w stosunku do gamy e-moll naturalnej): Audio playback is not supported in your browser. You can . R\u00F3wnoleg\u0142\u0105 gam\u0105 durow\u0105 jest G-dur, jednoimienn\u0105 durow\u0105 \u2013 E-dur. Znane dzie\u0142a w tonacji e-moll:"@pl . . . "Mi menor (tamb\u00E9 Mim en la notaci\u00F3 europea i Em en la notaci\u00F3 americana) \u00E9s la tonalitat que t\u00E9 l'escala menor a partir de la nota mi. Aix\u00ED, la seva escala est\u00E0 constitu\u00EFda per les notes mi, fa#, sol, la, si, do i re. La seva armadura t\u00E9 un sostingut (fa). El seu relatiu major \u00E9s la tonalitat de sol major, i la tonalitat hom\u00F2nima \u00E9s mi major."@ca . . . "E-moll"@pl . . .