. . . . . . . . . . . . . . . . . . . . . . . . . . "Dubstep"@pt . . . "Dubstep bezeichnet eine gr\u00F6\u00DFtenteils in South London entstandene Musikrichtung, die aus Reggae, Dub, Garage und Two Step hervorging. Die Entstehung begann etwa um das Jahr 2001, wobei es keine Einigkeit dar\u00FCber gibt, welche die erste Dubstep-Platte war. Der UK-Garage-DJ El-B wird in mehreren Quellen als erster Dubstep-Produzent aufgef\u00FChrt. Der Begriff Dubstep stammt aus dem Club , der einen passenden Begriff f\u00FCr das neu entstandene Musikgenre gesucht hatte. Das Genre erlangte gro\u00DFe Popularit\u00E4t in den 2000ern und fr\u00FChen 2010ern Jahren. Schnell nahm die Musik vielf\u00E4ltige Einfl\u00FCsse \u2013 etwa aus Elektro, Jungle und anderen elektronischen Stilrichtungen \u2013 auf, und viele K\u00FCnstler wie Skream oder Benga entwickelten den Stil immer weiter weg von den Garage-Wurzeln. Eine Art \u201ESchwestergenre\u201C ist Grime, eine britische Form des Hip-Hop, die \u00E4hnlichen Wurzeln entspringt, aber anders als der gr\u00F6\u00DFtenteils instrumentale Dubstep auch Raps beinhaltet. Es gibt und gab zu jeder Zeit in der Geschichte der Musikstile prominente Beispiele der gegenseitigen Vermischung und Beeinflussung. Viele Produzenten von Grime-Instrumentals machten sich auch als Dubstep-K\u00FCnstler einen Namen. Deutsche Dubstep-Musiker sind unter anderem Zedd, Ghosthack, INFRA, Quio, Sven Weisemann, Tua und D-Bo."@de . . "\u8FF4\u97FF\u8C9D\u65AF"@zh . . "Dubstep"@nl . . . . . "Dubstep rhythm example"@en . . . . "Dubstep"@en . . . . . "\u062F\u0628\u0633\u062A\u064A\u0628 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Dubstep)\u200F \u0647\u0648 \u0646\u0648\u0639 \u0645\u0646 \u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0631\u0642\u0635 \u0627\u0644\u0625\u0644\u0643\u062A\u0631\u0648\u0646\u064A\u0629 \u0627\u0644\u0630\u064A \u0646\u0634\u0626 \u0641\u064A \u062C\u0646\u0648\u0628 \u0644\u0646\u062F\u0646 \u0641\u064A \u0625\u0646\u062C\u0644\u062A\u0631\u0627 \u0641\u064A \u0627\u0648\u0627\u062E\u0631 \u062A\u0633\u0639\u064A\u0646\u064A\u0627\u062A \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u0645\u0627\u0636\u064A. \u062A\u0645 \u0625\u0635\u062F\u0627\u0631 \u0623\u0648\u0644 \u0627\u0644\u0628\u0648\u0645 \u0631\u0633\u0645\u064A \u0644\u0644\u062F\u0628\u0633\u062A\u064A\u0628 \u0639\u0627\u0645 1998 \u0648\u0643\u0627\u0646 \u0627\u0644\u0646\u0645\u0637 \u0639\u0628\u0627\u0631\u0629 \u0639\u0646 \u0631\u064A\u0645\u0643\u0633\u0627\u062A \u0623\u0643\u062B\u0631 \u063A\u0645\u0648\u0636\u0627 \u0648\u062A\u062C\u0631\u064A\u0628\u0627 \u0645\u0646 \u0646\u0648\u0639 ."@ar . . . . . . "La dubstep \u00E8 un genere di musica elettronica nata ufficialmente a Londra nei primi anni 2000 nella scena garage del Regno Unito. Deriva dalla 2step e dal reggae, con ritmi di batteria principalmente hip-hop a quelli classici (da non confondere con ritmiche sincopate) . Dalla nascita del genere sono nati altri sottogeneri: , , briddim, , , , , , tearout."@it . . . "\u0397 \u039D\u03C4\u03AC\u03BC\u03C0\u03C3\u03C4\u03B5\u03C0 (Dubstep) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B5\u03AF\u03B4\u03BF\u03C2 \u03B7\u03BB\u03B5\u03BA\u03C4\u03C1\u03BF\u03BD\u03B9\u03BA\u03AE\u03C2 \u03C7\u03BF\u03C1\u03B5\u03C5\u03C4\u03B9\u03BA\u03AE\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2, \u03C0\u03BF\u03C5 \u03B3\u03B9\u03B1 \u03C0\u03C1\u03CE\u03C4\u03B7 \u03C6\u03BF\u03C1\u03AC \u03B5\u03BC\u03C6\u03B1\u03BD\u03AF\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03C4\u03B9\u03C2 \u03B1\u03C1\u03C7\u03AD\u03C2 \u03C4\u03BF\u03C5 21\u03BF\u03C5 \u03B1\u03B9\u03CE\u03BD\u03B1 \u03C3\u03C4\u03BF \u039D\u03CC\u03C4\u03B9\u03BF \u039B\u03BF\u03BD\u03B4\u03AF\u03BD\u03BF \u03C4\u03B7\u03C2 \u039C\u03B5\u03B3\u03AC\u03BB\u03B7\u03C2 \u0392\u03C1\u03B5\u03C4\u03B1\u03BD\u03AF\u03B1\u03C2. \u0391\u03C0\u03BF\u03C4\u03B5\u03BB\u03B5\u03AF \u03B5\u03C0\u03AD\u03BA\u03C4\u03B1\u03C3\u03B7 \u03C4\u03B7\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2 \u03B3\u03BA\u03B1\u03C1\u03AC\u03B6. \u03A3\u03C5\u03BD\u03BF\u03BB\u03B9\u03BA\u03AC \u03BF \u03AE\u03C7\u03BF\u03C2 \u03C4\u03BF\u03C5 \u03C0\u03B5\u03C1\u03B9\u03B3\u03C1\u03AC\u03C6\u03B5\u03C4\u03B1\u03B9 \u03C9\u03C2 \u03C3\u03C6\u03B9\u03BA\u03C4\u03AC \u03B5\u03BD\u03C9\u03BC\u03AD\u03BD\u03B5\u03C2 \u03C0\u03B1\u03C1\u03B1\u03B3\u03C9\u03B3\u03AD\u03C2 \u03BC\u03B5 \u03C5\u03C0\u03B5\u03C1\u03B2\u03BF\u03BB\u03B9\u03BA\u03AC \u03BC\u03C0\u03AC\u03C3\u03B1 \u03BA\u03B1\u03B9 \u03BC\u03BF\u03C4\u03AF\u03B2\u03B1 \u03B1\u03BD\u03C4\u03AE\u03C7\u03B7\u03C3\u03B7\u03C2 \u03C4\u03C5\u03BC\u03C0\u03AC\u03BD\u03C9\u03BD, \u03BA\u03BF\u03BC\u03BC\u03AD\u03BD\u03B1 \u03B4\u03B5\u03AF\u03B3\u03BC\u03B1\u03C4\u03B1, \u03BA\u03B1\u03B9 \u03C0\u03B5\u03C1\u03B9\u03C3\u03C4\u03B1\u03C3\u03B9\u03B1\u03BA\u03AC \u03C6\u03C9\u03BD\u03B7\u03C4\u03B9\u03BA\u03AC. \u039F\u03B9 \u03C0\u03C1\u03CE\u03C4\u03B5\u03C2 \u03BA\u03C5\u03BA\u03BB\u03BF\u03C6\u03BF\u03C1\u03AF\u03B5\u03C2 \u03AD\u03B3\u03B9\u03BD\u03B1\u03BD \u03C4\u03BF 1998 \u03BA\u03B1\u03B9 \u03AC\u03C1\u03C7\u03B9\u03C3\u03B5 \u03BD\u03B1 \u03B5\u03BE\u03B1\u03C0\u03BB\u03CE\u03BD\u03B5\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03BC\u03B9\u03BA\u03C1\u03AD\u03C2 \u03C4\u03BF\u03C0\u03B9\u03BA\u03AD\u03C2 \u03C3\u03BA\u03B7\u03BD\u03AD\u03C2 \u03C4\u03BF\u03C5 \u039B\u03BF\u03BD\u03B4\u03AF\u03BD\u03BF\u03C5 \u03C3\u03C4\u03B1 \u03C4\u03AD\u03BB\u03B7 \u03C4\u03BF\u03C5 2005 \u03BA\u03B1\u03B9 \u03B1\u03C1\u03C7\u03AD\u03C2 \u03C4\u03BF\u03C5 2006. \u039C\u03B5\u03C1\u03B9\u03BA\u03AC \u03BF\u03BD\u03CC\u03BC\u03B1\u03C4\u03B1 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03B5\u03C7\u03BD\u03CE\u03BD Dubstep \u03B5\u03AF\u03BD\u03B1\u03B9 Skrillex, , , , , , , , ,."@el . . . ""@en . . . . . . "Dubstep \u00E9 um g\u00EAnero de m\u00FAsica eletr\u00F4nica que se originou no Sul de Londres, Inglaterra em meados finais da d\u00E9cada de 1990. O site de m\u00FAsica Allmusic descreveu seu som como \"linhas de baixo muito fortes e padr\u00F5es de bateria reverberantes, samples cortadas e vocais ocasionais.\" Suas origens remontam ao ano de 1999, sendo caracterizado por lan\u00E7amentos em B-sides de discos . Essas faixas foram remixes mais experimentais, com menos \u00EAnfase nos vocais, e tentava incorporar elementos de breakbeat e drum and bass no 2-step. Em 2002, estas e outras m\u00FAsicas de dark garage come\u00E7avam a ser exibidas e promovidas nas noites do London's night club Plastic People, na noite de \"Forward\", passando a ser consideravelmente influente para o desenvolvimento do dubstep. O termo \"dubstep\", em refer\u00EAncia a um g\u00EAnero de m\u00FAsica come\u00E7ou a ser usado por volta de 2002 por grupos como Big Apple, Ammunition e Tempa, logo a cria\u00E7\u00E3o desses remixes come\u00E7aram a se tornar mais vis\u00EDveis e distintos de 2-step e grime. Um apoiador antigo do dubstep era o DJ da BBC Radio 1, que come\u00E7ou a tocar o g\u00EAnero a partir de 2003. Em 2004, \u00FAltimo ano de seu programa, seus ouvintes votaram em Distance, Digital Mystikz, e Plastician (anteriormente Plasticman) no \"Top 50 do Ano\" de seu programa. O dubstep come\u00E7ou a se espalhar para al\u00E9m de pequenas cenas locais no final de 2005 e in\u00EDcio de 2006; muitos sites dedicados ao g\u00EAnero surgiram na internet, ajudando no crescimento da cena, como dubstepforum, o site de download Barefiles, e blogs como gutterbreakz. Ao mesmo tempo, o g\u00EAnero estava recebendo ampla cobertura em revistas de m\u00FAsica como The Wire e publica\u00E7\u00F5es online, tais como Pitchfork Media, com uma categoria The Month In: Grime/Dubstep. O interesse em dubstep cresceu significativamente quando a DJ Mary Anne Hobbs da BBC Radio 1 come\u00E7ou a defender o g\u00EAnero, com um programa dedicado ao dubstep (intitulado \"Dubstep Warz\") em janeiro de 2006. No final da d\u00E9cada, o g\u00EAnero come\u00E7ou a se tornar mais bem-sucedido comercialmente no Reino Unido, com mais singles e remixes que entravam nas paradas musicais. Jornalistas e cr\u00EDticos de m\u00FAsica tamb\u00E9m notavam uma influ\u00EAncia do dubstep no trabalho de v\u00E1rios artistas pop. Nesta altura, os produtores tamb\u00E9m come\u00E7aram a fundir elementos do som dubstep original com outras influ\u00EAncias, criando g\u00EAneros novos. Em 2006, o estilo se consolidou com o lan\u00E7amento de 4 \u00E1lbuns: \"Memories of the Future\", do Kode 9; \"Burial\", auto-intitulado \u00E1lbum de estreia do produtor an\u00F4nimo londrino Burial; \"Copyright Laws\", de MRK1 (Markone); e \"Skream!\", de Skream (Oliver Jones). Em 2010, com o lan\u00E7amento da EP Scary monsters and nice sprites, o produtor musical americano Skrillex foi respons\u00E1vel por uma nova explos\u00E3o de popularidade do g\u00EAnero, bem como dr\u00E1sticas mudan\u00E7as em sua estrutura, criando assim o subg\u00EAnero Brostep, forma atualmente mais popular de dubstep. Ap\u00F3s Scary monsters and nice sprites consolidar esta nova era para o g\u00E9nero, v\u00E1rios outros produtores de brostep come\u00E7aram a surgir, tais como Zomboy, Knife party e Virtual Riot. Perdendo muito de sua origem, nos anos iniciais, apesar de manter o alto use de basses e foco na sub-bass, assim como o BPM de 140, brostep buscou a maioria de suas caracter\u00EDsticas de g\u00EAneros como Electro House e Glitch, tornando-se muito semelhante a complextro. Muitos creditam a real inven\u00E7\u00E3o do subg\u00EAnero Brostep ao produtor musical Rusko, e n\u00E3o a Skrillex, usando como exemplo m\u00FAsicas de dubstep com um estilo muito semelhante a Brostep feitas por rusko em meados de 2007."@pt . ""@en . . "\u0414\u0430\u0431\u0441\u0442\u0435\u043F"@uk . . . . ""@en . . ""@en . "Dubstep"@in . "Excerpt demonstrating the rhythmic tension generated between the drum rhythm and bassline. This song features a very sparse rhythm almost entirely composed of kick drum, snare drum, and a sparse hi-hat, with a distinctly half time implied 71bpm tempo. The track is instead propelled by a sub-bass following a four-to-the-floor 142bpm pattern."@en . . . . "2"^^ . . . "\u30C0\u30D6\u30B9\u30C6\u30C3\u30D7\uFF08\u82F1\u8A9E: dubstep\uFF09\u306F\u30011990\u5E74\u4EE3\u5F8C\u534A\u306B\u3067\u751F\u307E\u308C\u305F\u30A8\u30EC\u30AF\u30C8\u30ED\u30CB\u30C3\u30AF\u30FB\u30C0\u30F3\u30B9\u30FB\u30DF\u30E5\u30FC\u30B8\u30C3\u30AF\u306E\u30B8\u30E3\u30F3\u30EB\u306E1\u3064\u3002\u4E00\u822C\u7684\u306B\u3001\u5BC6\u5EA6\u304C\u4F4E\u304F\u3001\u4E09\u9023\u7B26\u3084\u30B7\u30F3\u30B3\u30DA\u30FC\u30B7\u30E7\u30F3\u3092\u7528\u3044\u305F\u30EA\u30BA\u30E0\u30D1\u30BF\u30FC\u30F3\u3068\u3001\u306E\u5468\u6CE2\u6570\u5E2F\u304C\u5F35\u308A\u51FA\u3057\u3066\u3044\u308B\u3053\u3068\u306B\u7279\u5FB4\u3065\u3051\u3089\u308C\u308B\u3002\u672C\u30B9\u30BF\u30A4\u30EB\u306F2\u30B9\u30C6\u30C3\u30D7\u3001\u30C0\u30D6\u3001\u304A\u3088\u3073\u30B8\u30E3\u30F3\u30B0\u30EB\u3001\u30D6\u30ED\u30FC\u30AF\u30F3\u30D3\u30FC\u30C4\u3001\u30B0\u30E9\u30A4\u30E0\u3068\u3044\u3063\u305F\u95A2\u9023\u30B9\u30BF\u30A4\u30EB\u306E\u7CFB\u7D71\u3092\u5229\u7528\u3057\u3001UK\u30AC\u30E9\u30FC\u30B8\u306E\u6D3E\u751F\u7269\u3068\u3057\u3066\u51FA\u73FE\u3057\u305F\u3002\u30A4\u30AE\u30EA\u30B9\u306B\u304A\u3044\u3066\u3001\u672C\u30B8\u30E3\u30F3\u30EB\u306E\u8D77\u6E90\u306F1980\u5E74\u4EE3\u521D\u982D\u306E\u30B5\u30A6\u30F3\u30C9\u30FB\u30B7\u30B9\u30C6\u30E0\u30FB\u30D1\u30FC\u30C6\u30A3\u30FC\u30FB\u30B7\u30FC\u30F3\u306E\u767A\u5C55\u306B\u307E\u3067\u3055\u304B\u306E\u307C\u308B\u3053\u3068\u304C\u3067\u304D\u308B\u3002\u30C8\u30E9\u30C3\u30D7\u3001\u30D9\u30FC\u30B9\u30CF\u30A6\u30B9\u306A\u3069\u3068\u3068\u3082\u306B\u30D9\u30FC\u30B9\u30DF\u30E5\u30FC\u30B8\u30C3\u30AF\u306E\u4EE3\u8868\u7684\u306A\u30B8\u30E3\u30F3\u30EB\u3067\u3042\u308B\u3002"@ja . . . . . . . . . . . "Dubstep"@en . . . . "88826"^^ . . . . "Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass. In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s."@en . . . . . . . "Blackleg - Smoke Test .ogg"@en . . . "2000.0"^^ . . . . . "\uB365\uC2A4\uD15D(\uC601\uC5B4: Dubstep) \uB610\uB294 \uB354\uBE0C\uC2A4\uD15D\uC740 UK \uAC70\uB77C\uC9C0, \uD22C\uC2A4\uD15D \uB4F1 \uD558\uC6B0\uC2A4 \uC74C\uC545\uC758 \uB9AC\uB4EC\uC5D0 \uC790\uBA54\uC774\uCE74\uC5D0\uC11C \uBC1C\uC6D0\uD55C \uB365 \uC74C\uC545\uC758 \uC694\uC18C\uB97C \uC5B9\uC740 \uC74C\uC545\uC774\uC790, \uD604\uC7AC\uB294 \uC77C\uB809\uD2B8\uB85C\uB2C8\uCE74 \uC74C\uC545\uC758 \uD55C \uBD84\uD30C\uB85C \uBCC0\uD588\uB2E4. \uAE30\uC874 \uD074\uB7FD \uB304\uC2A4\uBBA4\uC9C1\uACFC \uADA4\uB97C \uB2EC\uB9AC\uD558\uB294 BPM\uACFC \uB9AC\uB4EC\uAD6C\uC870\uC758 \uC870\uD569\uC73C\uB85C \uC778\uD574 \uD2B9\uC720\uC758 \uAC15\uB82C\uD55C \uCF8C\uAC10\uACFC \uD50C\uB85C\uC6B0\uAC10\uC744 \uC790\uC544\uB0C8\uB358 \uD0D3\uC5D0 \uBE44\uC8FC\uB958 \uC7A5\uB974\uC5D0 \uC18D\uD588\uC9C0\uB9CC, \uC6B0\uBE14\uBCA0\uC774\uC2A4 \uC74C\uC0C9\uC5D0 \uAC15\uB825\uD55C \uBCA0\uC774\uC2A4 \uB9AC\uB4EC\uC744 \uAC00\uBBF8\uD55C \uC2E0\uC885 \uB365\uC2A4\uD15D\uC774 \uB4F1\uC7A5\uD55C \uC774\uD6C4 \uC804\uC138\uACC4 \uB304\uC2A4 \uC74C\uC545 \uC5C5\uACC4\uC5D0\uC11C \uC8FC\uB958 \uC7A5\uB974\uB85C \uC790\uB9AC\uC7A1\uC558\uB2E4. \uB365\uC2A4\uD15D \uC5F4\uD48D\uC758 \uCD5C\uC804\uC131\uAE30\uB294 2012\uB144\uC774\uC5C8\uACE0, \uADF8 \uC774\uD6C4\uB85C\uB294 \uBD90\uC740 \uC0AC\uADF8\uB77C\uB4E0 \uC0C1\uD0DC. \uB300\uD45C\uC801\uC778 \uBBA4\uC9C0\uC158\uC740 Skrillex, Knife party\uB4F1\uC774 \uC788\uC73C\uBA70 \uC694\uC998 \uD074\uB7FD\uC74C\uC545\uC774 \uC810\uC810 \uBC1C\uC804\uD574\uAC08\uC218\uB85D \uB365\uC2A4\uD15D\uC740 \uD604\uC7AC \uD074\uB7FD\uC74C\uC545\uC758 \uD55C \uC7A5\uB974\uB85C \uC790\uB9AC\uB9E4\uAE40 \uD558\uACE0\uC788\uB2E4."@ko . . . . "Dubstep"@cs . . "Dubstep"@fr . . . . . . . . . . . "\u0414\u0430\u0431\u0441\u0442\u0435\u043F"@ru . . "\u062F\u0628\u0633\u062A\u064A\u0628"@ar . "\u30C0\u30D6\u30B9\u30C6\u30C3\u30D7\uFF08\u82F1\u8A9E: dubstep\uFF09\u306F\u30011990\u5E74\u4EE3\u5F8C\u534A\u306B\u3067\u751F\u307E\u308C\u305F\u30A8\u30EC\u30AF\u30C8\u30ED\u30CB\u30C3\u30AF\u30FB\u30C0\u30F3\u30B9\u30FB\u30DF\u30E5\u30FC\u30B8\u30C3\u30AF\u306E\u30B8\u30E3\u30F3\u30EB\u306E1\u3064\u3002\u4E00\u822C\u7684\u306B\u3001\u5BC6\u5EA6\u304C\u4F4E\u304F\u3001\u4E09\u9023\u7B26\u3084\u30B7\u30F3\u30B3\u30DA\u30FC\u30B7\u30E7\u30F3\u3092\u7528\u3044\u305F\u30EA\u30BA\u30E0\u30D1\u30BF\u30FC\u30F3\u3068\u3001\u306E\u5468\u6CE2\u6570\u5E2F\u304C\u5F35\u308A\u51FA\u3057\u3066\u3044\u308B\u3053\u3068\u306B\u7279\u5FB4\u3065\u3051\u3089\u308C\u308B\u3002\u672C\u30B9\u30BF\u30A4\u30EB\u306F2\u30B9\u30C6\u30C3\u30D7\u3001\u30C0\u30D6\u3001\u304A\u3088\u3073\u30B8\u30E3\u30F3\u30B0\u30EB\u3001\u30D6\u30ED\u30FC\u30AF\u30F3\u30D3\u30FC\u30C4\u3001\u30B0\u30E9\u30A4\u30E0\u3068\u3044\u3063\u305F\u95A2\u9023\u30B9\u30BF\u30A4\u30EB\u306E\u7CFB\u7D71\u3092\u5229\u7528\u3057\u3001UK\u30AC\u30E9\u30FC\u30B8\u306E\u6D3E\u751F\u7269\u3068\u3057\u3066\u51FA\u73FE\u3057\u305F\u3002\u30A4\u30AE\u30EA\u30B9\u306B\u304A\u3044\u3066\u3001\u672C\u30B8\u30E3\u30F3\u30EB\u306E\u8D77\u6E90\u306F1980\u5E74\u4EE3\u521D\u982D\u306E\u30B5\u30A6\u30F3\u30C9\u30FB\u30B7\u30B9\u30C6\u30E0\u30FB\u30D1\u30FC\u30C6\u30A3\u30FC\u30FB\u30B7\u30FC\u30F3\u306E\u767A\u5C55\u306B\u307E\u3067\u3055\u304B\u306E\u307C\u308B\u3053\u3068\u304C\u3067\u304D\u308B\u3002\u30C8\u30E9\u30C3\u30D7\u3001\u30D9\u30FC\u30B9\u30CF\u30A6\u30B9\u306A\u3069\u3068\u3068\u3082\u306B\u30D9\u30FC\u30B9\u30DF\u30E5\u30FC\u30B8\u30C3\u30AF\u306E\u4EE3\u8868\u7684\u306A\u30B8\u30E3\u30F3\u30EB\u3067\u3042\u308B\u3002"@ja . . . . . . . . . . . "Dubstep"@de . . . . . . . . . . . "Dubstep \u2013 gatunek elektronicznej muzyki tanecznej (klubowej) powsta\u0142y pod koniec lat 90. XX wieku w Wielkiej Brytanii."@pl . . . . . . . . . . "Dubstep"@sv . . . . . . . . . . . . . . . "\uB365\uC2A4\uD15D(\uC601\uC5B4: Dubstep) \uB610\uB294 \uB354\uBE0C\uC2A4\uD15D\uC740 UK \uAC70\uB77C\uC9C0, \uD22C\uC2A4\uD15D \uB4F1 \uD558\uC6B0\uC2A4 \uC74C\uC545\uC758 \uB9AC\uB4EC\uC5D0 \uC790\uBA54\uC774\uCE74\uC5D0\uC11C \uBC1C\uC6D0\uD55C \uB365 \uC74C\uC545\uC758 \uC694\uC18C\uB97C \uC5B9\uC740 \uC74C\uC545\uC774\uC790, \uD604\uC7AC\uB294 \uC77C\uB809\uD2B8\uB85C\uB2C8\uCE74 \uC74C\uC545\uC758 \uD55C \uBD84\uD30C\uB85C \uBCC0\uD588\uB2E4. \uAE30\uC874 \uD074\uB7FD \uB304\uC2A4\uBBA4\uC9C1\uACFC \uADA4\uB97C \uB2EC\uB9AC\uD558\uB294 BPM\uACFC \uB9AC\uB4EC\uAD6C\uC870\uC758 \uC870\uD569\uC73C\uB85C \uC778\uD574 \uD2B9\uC720\uC758 \uAC15\uB82C\uD55C \uCF8C\uAC10\uACFC \uD50C\uB85C\uC6B0\uAC10\uC744 \uC790\uC544\uB0C8\uB358 \uD0D3\uC5D0 \uBE44\uC8FC\uB958 \uC7A5\uB974\uC5D0 \uC18D\uD588\uC9C0\uB9CC, \uC6B0\uBE14\uBCA0\uC774\uC2A4 \uC74C\uC0C9\uC5D0 \uAC15\uB825\uD55C \uBCA0\uC774\uC2A4 \uB9AC\uB4EC\uC744 \uAC00\uBBF8\uD55C \uC2E0\uC885 \uB365\uC2A4\uD15D\uC774 \uB4F1\uC7A5\uD55C \uC774\uD6C4 \uC804\uC138\uACC4 \uB304\uC2A4 \uC74C\uC545 \uC5C5\uACC4\uC5D0\uC11C \uC8FC\uB958 \uC7A5\uB974\uB85C \uC790\uB9AC\uC7A1\uC558\uB2E4. \uB365\uC2A4\uD15D \uC5F4\uD48D\uC758 \uCD5C\uC804\uC131\uAE30\uB294 2012\uB144\uC774\uC5C8\uACE0, \uADF8 \uC774\uD6C4\uB85C\uB294 \uBD90\uC740 \uC0AC\uADF8\uB77C\uB4E0 \uC0C1\uD0DC. \uB300\uD45C\uC801\uC778 \uBBA4\uC9C0\uC158\uC740 Skrillex, Knife party\uB4F1\uC774 \uC788\uC73C\uBA70 \uC694\uC998 \uD074\uB7FD\uC74C\uC545\uC774 \uC810\uC810 \uBC1C\uC804\uD574\uAC08\uC218\uB85D \uB365\uC2A4\uD15D\uC740 \uD604\uC7AC \uD074\uB7FD\uC74C\uC545\uC758 \uD55C \uC7A5\uB974\uB85C \uC790\uB9AC\uB9E4\uAE40 \uD558\uACE0\uC788\uB2E4."@ko . . . . "Dubstep \u00E4r en elektronisk musikgenre med influenser av bland annat , UK garage, grime, drum and bass och dub. Dubstep karakteriseras av mycket bas, sparsamma rytmer och en ofta m\u00F6rk karakt\u00E4r. Wobble-bass anv\u00E4nds ofta inom dubstep, ett karakteristiskt \"wub-sub\" ljud i vilket man anv\u00E4nder sig av t.ex. en synths LFO (Low Frequency Oscillator) f\u00F6r att skapa ett fasf\u00F6rvr\u00E4ngt s\u00E5 kallat wobbligt ljud. Dock kan detta inslag mycket v\u00E4l vara en trend som \u00E4r popul\u00E4r under ett f\u00E5tal \u00E5r f\u00F6r att sedan ers\u00E4ttas av n\u00E5got annat. Subgenrer till dubstep:"@sv . . . . . . . . . . "Dubstep is een subgenre van elektronische dansmuziek dat eind jaren negentig is ontstaan in Engeland. Dubstep is verwant aan Jamaicaanse muziekstijlen als dub en reggae alsmede dancestijlen als techno en drum and bass."@nl . . . . . . . . . . . "\u0414\u0430\u0431\u0441\u0442\u0435\u043F (\u0430\u043D\u0433\u043B. dubstep) \u2014 \u0436\u0430\u043D\u0440 \u043C\u0443\u0437\u0438\u043A\u0438, \u044F\u043A\u0438\u0439 \u0432\u0438\u043D\u0438\u043A \u043D\u0430 \u043F\u043E\u0447\u0430\u0442\u043A\u0443 2000-\u0445 \u0440\u043E\u043A\u0456\u0432 \u0432 \u043F\u0456\u0432\u0434\u0435\u043D\u043D\u043E\u043C\u0443 \u041B\u043E\u043D\u0434\u043E\u043D\u0456 \u044F\u043A \u043E\u0434\u043D\u0435 \u0456\u0437 \u0432\u0456\u0434\u0433\u0430\u043B\u0443\u0436\u0435\u043D\u044C \u0433\u0435\u0440\u0456\u0434\u0436\u0430. \u0417\u0430 \u0437\u0432\u0443\u0447\u0430\u043D\u043D\u044F\u043C \u0434\u0430\u0431\u0441\u0442\u0435\u043F \u0454 \u0441\u043F\u0435\u0446\u0438\u0444\u0456\u0447\u043D\u0438\u043C \u0456 \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u0438\u0437\u0443\u0454\u0442\u044C\u0441\u044F \u0446\u044F \u043C\u0443\u0437\u0438\u043A\u0430 \u0442\u0435\u043C\u043F\u043E\u043C \u043F\u0440\u0438\u0431\u043B\u0438\u0437\u043D\u043E 138 \u0443\u0434\u0430\u0440\u0456\u0432 \u043D\u0430 \u0445\u0432\u0438\u043B\u0438\u043D\u0443, \u0434\u043E\u043C\u0456\u043D\u0443\u044E\u0447\u0438\u043C \u043D\u0438\u0437\u044C\u043A\u043E\u0447\u0430\u0441\u0442\u043E\u0442\u043D\u0438\u043C \u0431\u0430\u0441\u043E\u043C \u0456 \u0440\u043E\u0437\u0440\u0456\u0434\u0436\u0435\u043D\u0438\u043C \u0431\u0440\u0435\u0439\u043A\u0431\u0456\u0442\u043E\u043C \u043D\u0430 \u0437\u0430\u0434\u043D\u044C\u043E\u043C\u0443 \u043F\u043B\u0430\u043D\u0456."@uk . . "2012-04-19"^^ . "Dubstep je sub\u017E\u00E1nr EDM, kter\u00FD vznikl koncem 90. let 20. stolet\u00ED v ji\u017En\u00EDm Lond\u00FDn\u011B. Dubstep je vzd\u00E1len\u011B podobn\u00FD p\u016Fvodn\u00EDm styl\u016Fm speed garage a grime. Od nich se odli\u0161uje zejm\u00E9na d\u016Frazem na sub-bass a siln\u00FDmi experiment\u00E1ln\u00EDmi sklony, kter\u00E9 vyb\u00EDz\u00ED sp\u00ED\u0161e k instrument\u00E1ln\u00ED produkci."@cs . . . . . . . . "\u8FF4\u97FF\u8C9D\u65AF\uFF08\u82F1\u8A9E\uFF1ADubstep\uFF09\uFF0C\u57281990\u5E74\u4EE3\u8A95\u751F\uFF0C\u6E90\u8D77\u82F1\u570B\u502B\u6566\u5357\u90E8\u7684\u96FB\u5B50\u97F3\u6A02\uFF0C\u878D\u5408\u4E86\u7259\u8CB7\u52A0\u548C\u7B49\u65C1\u7CFB\u98A8\u683C\u3002\u97F3\u6A02\u91CD\u9EDE\u5927\u591A\u88AB\u5F62\u5BB9\u6210\u201C\u7DCA\u5BC6\u7684\u88FD\u4F5C\u8207\u9F13\u7684\u7BC0\u594F\u5169\u62CD\u6210\u4E00\u7D44\uFF0C\u6700\u65E9\u8FF4\u96FB\u53F0\u64AD\u653E\u9019\u985E\u578B\u7684\u97F3\u6A02\u3002\u5728\u4ED6\u7684\u7BC0\u76EE\u7684\u6700\u5F8C\u4E00\u5E74\uFF0C2004\u5E74\uFF0C\u4ED6\u7684\u807D\u773E\u6295\u7968\u7522\u751F\u4E86\uFF0C \u548C(\u820A\u7A31 Plasticman)\u4E09\u4F4D\u7576\u4EE350\u5927DJ\u3002\u8FF4\u97FF\u8C9D\u65AF\u5F9E\u6B64\u5728\u7576\u5730\u5C0F\u773E\u9593\u958B\u59CB\u6D41\u884C\u3002\u7DB2\u7AD9\u9593\u4E5F\u958B\u59CB\u767C\u5E03\u6709\u95DC\u8FF4\u97FF\u8C9D\u65AF\u97F3\u6A02\u7684\u9023\u7D50\u8207\u4ECB\u7D39\uFF0C\u4F8B\u5982dubstep forum\uFF0C\u548C\u4E00\u4E9B\u90E8\u843D\u683C\u4F8B\u5982gutterbreakz\u3002\u5728\u6B64\u540C\u6642\u8FF4\u97FF\u8C9D\u65AF\u53D7\u5230\u5176\u4ED6\u5A92\u9AD4\u7684\u6CE8\u610F\uFF0C\u4F8B\u5982\u82F1\u570B\u97F3\u6A02\u96DC\u8A8CThe Wire\u3001Pitchfork Media\u7B49\u5A92\u9AD4\u5747\u4EE5\u5C08\u6B04\u4ECB\u7D39\u9019\u500B\u97F3\u6A02\u985E\u578B\u3002 2006\u5E741\u6708\uFF0C\u82F1\u570BBBC\u4E00\u865F\u96FB\u53F0\u7684DJ \u66FE\u8209\u8FA6\u4E00\u500B\u540D\u70BA\u201C\u8FF4\u97FF\u8C9D\u65AF\u6230\u722D\u201D\uFF08Dubstep Warz\uFF09\u7684\u7BC0\u76EE\uFF0C\u5C08\u9580\u4ECB\u7D39\u7576\u6642\u53D7\u6B61\u8FCE\u7684\u6B4C\u66F2\u53CADJ\uFF0C\u9AD8\u5EA6\u63D0\u5347\u4E86\u8FF4\u97FF\u8C9D\u65AF\u7684\u77E5\u540D\u5EA6\uFF0C\u6210\u70BA\u82F1\u570B\u6700\u53D7\u6B61\u8FCE\u7684\u96FB\u5B50\u97F3\u6A02\u4E4B\u4E00\u3002 2007\u5E74\uFF0C\u8FF4\u97FF\u8C9D\u65AF\u6162\u6162\u5F71\u97FF\u5230\u6D41\u884C\u97F3\u6A02\u7684\u6B4C\u66F2\u66F2\u98A8\uFF0C\u4F8B\u5982\u7F8E\u570B\u6B4C\u624B\u5E03\u862D\u59AE2007\u5E74\u7684\u5C08\u8F2F\u6688\u70AB\u98A8\u66B4\u53CA2011\u5E74\u51A0\u8ECD\u55AE\u66F2Hold It Against Me\u7576\u4E2D\u52A0\u5165\u5927\u91CF\u8FF4\u97FF\u8C9D\u65AF\u5143\u7D20\uFF0C\u5C0D\u7576\u6642\u7684\u6D41\u884C\u66F2\u98A8\u5E36\u4F86\u76F8\u7576\u7684\u5F71\u97FF\u3002 \u8457\u540D\u7684\u8FF4\u97FF\u8C9D\u65AF\u97F3\u6A02\u5BB6\u5305\u62EC: Skrillex\u3001\u3001\u3001\u3001Au5\u3001\u3001Zomboy\u3001Cookie Monsta\u3001Virtual Riot\u3001Wooli\u3001Kompany\u3001Barely Alive\u3001Papa Khan\u7B49\u7B49."@zh . . . . . . . . . . . "Dubstep"@ca . . . . . . . . . . . . . . . . . . . . . . "Dubstep"@es . . . . . . . . . . "Dubstep adalah sebuah genre musik dansa elektronik yang bermula di London Selatan, Inggris. Genre tersebut timbul pada akhir 1990an sebagai lepasan dari , yang menghimpun kaitan dengan gaya-gaya terkait seperti , , , , dan ."@in . . . . . . . . . . "Dubstep bezeichnet eine gr\u00F6\u00DFtenteils in South London entstandene Musikrichtung, die aus Reggae, Dub, Garage und Two Step hervorging. Die Entstehung begann etwa um das Jahr 2001, wobei es keine Einigkeit dar\u00FCber gibt, welche die erste Dubstep-Platte war. Der UK-Garage-DJ El-B wird in mehreren Quellen als erster Dubstep-Produzent aufgef\u00FChrt. Der Begriff Dubstep stammt aus dem Club , der einen passenden Begriff f\u00FCr das neu entstandene Musikgenre gesucht hatte. Das Genre erlangte gro\u00DFe Popularit\u00E4t in den 2000ern und fr\u00FChen 2010ern Jahren."@de . . "Dubstep"@it . . . . "\u0397 \u039D\u03C4\u03AC\u03BC\u03C0\u03C3\u03C4\u03B5\u03C0 (Dubstep) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B5\u03AF\u03B4\u03BF\u03C2 \u03B7\u03BB\u03B5\u03BA\u03C4\u03C1\u03BF\u03BD\u03B9\u03BA\u03AE\u03C2 \u03C7\u03BF\u03C1\u03B5\u03C5\u03C4\u03B9\u03BA\u03AE\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2, \u03C0\u03BF\u03C5 \u03B3\u03B9\u03B1 \u03C0\u03C1\u03CE\u03C4\u03B7 \u03C6\u03BF\u03C1\u03AC \u03B5\u03BC\u03C6\u03B1\u03BD\u03AF\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03C4\u03B9\u03C2 \u03B1\u03C1\u03C7\u03AD\u03C2 \u03C4\u03BF\u03C5 21\u03BF\u03C5 \u03B1\u03B9\u03CE\u03BD\u03B1 \u03C3\u03C4\u03BF \u039D\u03CC\u03C4\u03B9\u03BF \u039B\u03BF\u03BD\u03B4\u03AF\u03BD\u03BF \u03C4\u03B7\u03C2 \u039C\u03B5\u03B3\u03AC\u03BB\u03B7\u03C2 \u0392\u03C1\u03B5\u03C4\u03B1\u03BD\u03AF\u03B1\u03C2. \u0391\u03C0\u03BF\u03C4\u03B5\u03BB\u03B5\u03AF \u03B5\u03C0\u03AD\u03BA\u03C4\u03B1\u03C3\u03B7 \u03C4\u03B7\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2 \u03B3\u03BA\u03B1\u03C1\u03AC\u03B6. \u03A3\u03C5\u03BD\u03BF\u03BB\u03B9\u03BA\u03AC \u03BF \u03AE\u03C7\u03BF\u03C2 \u03C4\u03BF\u03C5 \u03C0\u03B5\u03C1\u03B9\u03B3\u03C1\u03AC\u03C6\u03B5\u03C4\u03B1\u03B9 \u03C9\u03C2 \u03C3\u03C6\u03B9\u03BA\u03C4\u03AC \u03B5\u03BD\u03C9\u03BC\u03AD\u03BD\u03B5\u03C2 \u03C0\u03B1\u03C1\u03B1\u03B3\u03C9\u03B3\u03AD\u03C2 \u03BC\u03B5 \u03C5\u03C0\u03B5\u03C1\u03B2\u03BF\u03BB\u03B9\u03BA\u03AC \u03BC\u03C0\u03AC\u03C3\u03B1 \u03BA\u03B1\u03B9 \u03BC\u03BF\u03C4\u03AF\u03B2\u03B1 \u03B1\u03BD\u03C4\u03AE\u03C7\u03B7\u03C3\u03B7\u03C2 \u03C4\u03C5\u03BC\u03C0\u03AC\u03BD\u03C9\u03BD, \u03BA\u03BF\u03BC\u03BC\u03AD\u03BD\u03B1 \u03B4\u03B5\u03AF\u03B3\u03BC\u03B1\u03C4\u03B1, \u03BA\u03B1\u03B9 \u03C0\u03B5\u03C1\u03B9\u03C3\u03C4\u03B1\u03C3\u03B9\u03B1\u03BA\u03AC \u03C6\u03C9\u03BD\u03B7\u03C4\u03B9\u03BA\u03AC. \u039F\u03B9 \u03C0\u03C1\u03CE\u03C4\u03B5\u03C2 \u03BA\u03C5\u03BA\u03BB\u03BF\u03C6\u03BF\u03C1\u03AF\u03B5\u03C2 \u03AD\u03B3\u03B9\u03BD\u03B1\u03BD \u03C4\u03BF 1998 \u03BA\u03B1\u03B9 \u03AC\u03C1\u03C7\u03B9\u03C3\u03B5 \u03BD\u03B1 \u03B5\u03BE\u03B1\u03C0\u03BB\u03CE\u03BD\u03B5\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \u03BC\u03B9\u03BA\u03C1\u03AD\u03C2 \u03C4\u03BF\u03C0\u03B9\u03BA\u03AD\u03C2 \u03C3\u03BA\u03B7\u03BD\u03AD\u03C2 \u03C4\u03BF\u03C5 \u039B\u03BF\u03BD\u03B4\u03AF\u03BD\u03BF\u03C5 \u03C3\u03C4\u03B1 \u03C4\u03AD\u03BB\u03B7 \u03C4\u03BF\u03C5 2005 \u03BA\u03B1\u03B9 \u03B1\u03C1\u03C7\u03AD\u03C2 \u03C4\u03BF\u03C5 2006. \u039C\u03B5\u03C1\u03B9\u03BA\u03AC \u03BF\u03BD\u03CC\u03BC\u03B1\u03C4\u03B1 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03B5\u03C7\u03BD\u03CE\u03BD Dubstep \u03B5\u03AF\u03BD\u03B1\u03B9 Skrillex, , , , , , , , ,."@el . . . . . . . . . . . . "\u062F\u0628\u0633\u062A\u064A\u0628 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Dubstep)\u200F \u0647\u0648 \u0646\u0648\u0639 \u0645\u0646 \u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0631\u0642\u0635 \u0627\u0644\u0625\u0644\u0643\u062A\u0631\u0648\u0646\u064A\u0629 \u0627\u0644\u0630\u064A \u0646\u0634\u0626 \u0641\u064A \u062C\u0646\u0648\u0628 \u0644\u0646\u062F\u0646 \u0641\u064A \u0625\u0646\u062C\u0644\u062A\u0631\u0627 \u0641\u064A \u0627\u0648\u0627\u062E\u0631 \u062A\u0633\u0639\u064A\u0646\u064A\u0627\u062A \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u0645\u0627\u0636\u064A. \u062A\u0645 \u0625\u0635\u062F\u0627\u0631 \u0623\u0648\u0644 \u0627\u0644\u0628\u0648\u0645 \u0631\u0633\u0645\u064A \u0644\u0644\u062F\u0628\u0633\u062A\u064A\u0628 \u0639\u0627\u0645 1998 \u0648\u0643\u0627\u0646 \u0627\u0644\u0646\u0645\u0637 \u0639\u0628\u0627\u0631\u0629 \u0639\u0646 \u0631\u064A\u0645\u0643\u0633\u0627\u062A \u0623\u0643\u062B\u0631 \u063A\u0645\u0648\u0636\u0627 \u0648\u062A\u062C\u0631\u064A\u0628\u0627 \u0645\u0646 \u0646\u0648\u0639 ."@ar . "\u8FF4\u97FF\u8C9D\u65AF\uFF08\u82F1\u8A9E\uFF1ADubstep\uFF09\uFF0C\u57281990\u5E74\u4EE3\u8A95\u751F\uFF0C\u6E90\u8D77\u82F1\u570B\u502B\u6566\u5357\u90E8\u7684\u96FB\u5B50\u97F3\u6A02\uFF0C\u878D\u5408\u4E86\u7259\u8CB7\u52A0\u548C\u7B49\u65C1\u7CFB\u98A8\u683C\u3002\u97F3\u6A02\u91CD\u9EDE\u5927\u591A\u88AB\u5F62\u5BB9\u6210\u201C\u7DCA\u5BC6\u7684\u88FD\u4F5C\u8207\u9F13\u7684\u7BC0\u594F\u5169\u62CD\u6210\u4E00\u7D44\uFF0C\u6700\u65E9\u8FF4\u96FB\u53F0\u64AD\u653E\u9019\u985E\u578B\u7684\u97F3\u6A02\u3002\u5728\u4ED6\u7684\u7BC0\u76EE\u7684\u6700\u5F8C\u4E00\u5E74\uFF0C2004\u5E74\uFF0C\u4ED6\u7684\u807D\u773E\u6295\u7968\u7522\u751F\u4E86\uFF0C \u548C(\u820A\u7A31 Plasticman)\u4E09\u4F4D\u7576\u4EE350\u5927DJ\u3002\u8FF4\u97FF\u8C9D\u65AF\u5F9E\u6B64\u5728\u7576\u5730\u5C0F\u773E\u9593\u958B\u59CB\u6D41\u884C\u3002\u7DB2\u7AD9\u9593\u4E5F\u958B\u59CB\u767C\u5E03\u6709\u95DC\u8FF4\u97FF\u8C9D\u65AF\u97F3\u6A02\u7684\u9023\u7D50\u8207\u4ECB\u7D39\uFF0C\u4F8B\u5982dubstep forum\uFF0C\u548C\u4E00\u4E9B\u90E8\u843D\u683C\u4F8B\u5982gutterbreakz\u3002\u5728\u6B64\u540C\u6642\u8FF4\u97FF\u8C9D\u65AF\u53D7\u5230\u5176\u4ED6\u5A92\u9AD4\u7684\u6CE8\u610F\uFF0C\u4F8B\u5982\u82F1\u570B\u97F3\u6A02\u96DC\u8A8CThe Wire\u3001Pitchfork Media\u7B49\u5A92\u9AD4\u5747\u4EE5\u5C08\u6B04\u4ECB\u7D39\u9019\u500B\u97F3\u6A02\u985E\u578B\u3002 2006\u5E741\u6708\uFF0C\u82F1\u570BBBC\u4E00\u865F\u96FB\u53F0\u7684DJ \u66FE\u8209\u8FA6\u4E00\u500B\u540D\u70BA\u201C\u8FF4\u97FF\u8C9D\u65AF\u6230\u722D\u201D\uFF08Dubstep Warz\uFF09\u7684\u7BC0\u76EE\uFF0C\u5C08\u9580\u4ECB\u7D39\u7576\u6642\u53D7\u6B61\u8FCE\u7684\u6B4C\u66F2\u53CADJ\uFF0C\u9AD8\u5EA6\u63D0\u5347\u4E86\u8FF4\u97FF\u8C9D\u65AF\u7684\u77E5\u540D\u5EA6\uFF0C\u6210\u70BA\u82F1\u570B\u6700\u53D7\u6B61\u8FCE\u7684\u96FB\u5B50\u97F3\u6A02\u4E4B\u4E00\u3002 2007\u5E74\uFF0C\u8FF4\u97FF\u8C9D\u65AF\u6162\u6162\u5F71\u97FF\u5230\u6D41\u884C\u97F3\u6A02\u7684\u6B4C\u66F2\u66F2\u98A8\uFF0C\u4F8B\u5982\u7F8E\u570B\u6B4C\u624B\u5E03\u862D\u59AE2007\u5E74\u7684\u5C08\u8F2F\u6688\u70AB\u98A8\u66B4\u53CA2011\u5E74\u51A0\u8ECD\u55AE\u66F2Hold It Against Me\u7576\u4E2D\u52A0\u5165\u5927\u91CF\u8FF4\u97FF\u8C9D\u65AF\u5143\u7D20\uFF0C\u5C0D\u7576\u6642\u7684\u6D41\u884C\u66F2\u98A8\u5E36\u4F86\u76F8\u7576\u7684\u5F71\u97FF\u3002 \u8457\u540D\u7684\u8FF4\u97FF\u8C9D\u65AF\u97F3\u6A02\u5BB6\u5305\u62EC: Skrillex\u3001\u3001\u3001\u3001Au5\u3001\u3001Zomboy\u3001Cookie Monsta\u3001Virtual Riot\u3001Wooli\u3001Kompany\u3001Barely Alive\u3001Papa Khan\u7B49\u7B49."@zh . . . . . . . . . . "La dubstep \u00E8 un genere di musica elettronica nata ufficialmente a Londra nei primi anni 2000 nella scena garage del Regno Unito. Deriva dalla 2step e dal reggae, con ritmi di batteria principalmente hip-hop a quelli classici (da non confondere con ritmiche sincopate) . Dalla nascita del genere sono nati altri sottogeneri: , , briddim, , , , , , tearout."@it . . . . . . . . . . . . . . "Dubstep \u00E9 um g\u00EAnero de m\u00FAsica eletr\u00F4nica que se originou no Sul de Londres, Inglaterra em meados finais da d\u00E9cada de 1990. O site de m\u00FAsica Allmusic descreveu seu som como \"linhas de baixo muito fortes e padr\u00F5es de bateria reverberantes, samples cortadas e vocais ocasionais.\" Em 2006, o estilo se consolidou com o lan\u00E7amento de 4 \u00E1lbuns: \"Memories of the Future\", do Kode 9; \"Burial\", auto-intitulado \u00E1lbum de estreia do produtor an\u00F4nimo londrino Burial; \"Copyright Laws\", de MRK1 (Markone); e \"Skream!\", de Skream (Oliver Jones)."@pt . . "Le dubstep est un genre de musique \u00E9lectronique, originaire pour sa plus grande partie du Sud de Londres, \u00E0 Croydon. Il \u00E9merge \u00E0 la fin des ann\u00E9es 1990 et se d\u00E9veloppe gr\u00E2ce \u00E0 de nombreux styles musicaux connexes tels que le 2-step garage, broken beat, drum and bass, jungle, dub et reggae. Au Royaume-Uni, les origines du genre peuvent \u00EAtre retrac\u00E9es lors de l'\u00E9mergence du sound system jama\u00EFquain au d\u00E9but des ann\u00E9es 1980. La musique se caract\u00E9rise par un rythme syncop\u00E9 et une ligne de percussions accompagn\u00E9e de basses, dites en anglais Bassline. Les premi\u00E8res compositions dubstep datent de 1996, souvent pr\u00E9sent\u00E9es sur la face B des albums 2-step garage. Ces musiques empruntent un th\u00E8me sombre, une construction musicale plus exp\u00E9rimentale et minimaliste, moins focalis\u00E9e sur les voix, accompagn\u00E9s d'\u00E9l\u00E9ments sonores en provenance du breakbeat et du drum and bass en 2-step."@fr . . . . . . . "Dubstep \u00E4r en elektronisk musikgenre med influenser av bland annat , UK garage, grime, drum and bass och dub. Dubstep karakteriseras av mycket bas, sparsamma rytmer och en ofta m\u00F6rk karakt\u00E4r. Wobble-bass anv\u00E4nds ofta inom dubstep, ett karakteristiskt \"wub-sub\" ljud i vilket man anv\u00E4nder sig av t.ex. en synths LFO (Low Frequency Oscillator) f\u00F6r att skapa ett fasf\u00F6rvr\u00E4ngt s\u00E5 kallat wobbligt ljud. Dock kan detta inslag mycket v\u00E4l vara en trend som \u00E4r popul\u00E4r under ett f\u00E5tal \u00E5r f\u00F6r att sedan ers\u00E4ttas av n\u00E5got annat. Genren uppstod i Croydon, London runt \u00E5r 1998 men slog igenom till en bredare publik runt \u00E5r 2006, genom singel .Dubstep h\u00E4rstammar fr\u00E5n en experimentell blandning av UK garage och dub och de allra tidigaste l\u00E5tarna gavs ut p\u00E5 B-sidor av UKG-singlar och ofta p\u00E5 s\u00E5 kallade -skivor. Sedan b\u00F6rjan av 2010-talet har genren brutit ut till en betydligt bredare publik, d\u00E4r Skrillex har varit en av m\u00E5nga nya artister som st\u00E5r f\u00F6r en mer maximalistisk tolkning av genren som skiljer sig fr\u00E5n genrens minimalistiska ursprung. P\u00E5 senare \u00E5r har detta lett till en debatt och konstn\u00E4rlig klyfta bland genrens artister, d\u00E4r m\u00E5nga artister ur den \u00E4ldre skolan f\u00F6respr\u00E5kar en mer konservativ h\u00E5llning gentemot den bredare kommersialiseringen av dubstep-soundet. Subgenrer till dubstep: \n* Drumstep \n* Techstep \n* Drillstep \n* Moombahstep \n* Clownstep \n* Brostep \n* Rawstep \n* Gorestep"@sv . "Dubstep je sub\u017E\u00E1nr EDM, kter\u00FD vznikl koncem 90. let 20. stolet\u00ED v ji\u017En\u00EDm Lond\u00FDn\u011B. Dubstep je vzd\u00E1len\u011B podobn\u00FD p\u016Fvodn\u00EDm styl\u016Fm speed garage a grime. Od nich se odli\u0161uje zejm\u00E9na d\u016Frazem na sub-bass a siln\u00FDmi experiment\u00E1ln\u00EDmi sklony, kter\u00E9 vyb\u00EDz\u00ED sp\u00ED\u0161e k instrument\u00E1ln\u00ED produkci. Prvn\u00ED dubstepov\u00E9 desky byly vyd\u00E1ny v roce 1998, jako temn\u011Bj\u0161\u00ED a experiment\u00E1ln\u011Bj\u0161\u00ED instrument\u00E1ln\u00ED verze a remixy track\u016F ze stylu s funkov\u00FDmi a drum and bassov\u00FDmi z\u00E1klady. V roce 2001 za\u010Dal lond\u00FDnsk\u00FD klub Forward (t\u00E9\u017E FWD>>) propagovat dubstep a podobn\u00E9 styly. Term\u00EDn dubstep se za\u010Dal pou\u017E\u00EDvat okolo roku 2002, kdy byla ji\u017E produk\u010Dn\u00ED stylistika pot\u0159ebn\u00E1 k vytvo\u0159en\u00ED takov\u00FDch remix\u016F celkem ust\u00E1lena a odli\u0161ena od styl\u016F jako a grime. Dubstep (a zejm\u00E9na sub\u017E\u00E1nr ) na internetu asi nejv\u00EDce zpropagovala skupina UKF \u2013 popul\u00E1rn\u00ED kan\u00E1l slou\u017E\u00EDc\u00ED pro voln\u00E9 \u0161\u00ED\u0159en\u00ED bassov\u00FDch track\u016F. V \u010CR je dubstepov\u00E1 sc\u00E9na teprve v za\u010D\u00E1tc\u00EDch. I tak na \u010Desk\u00E9 sc\u00E9n\u011B nalezneme jm\u00E9na: Merak, Corborat, Dubsquad a tak\u00E9 Kletis. Mezi nejv\u011Bt\u0161\u00ED eventy pat\u0159\u00ED Outbreak, kter\u00FD po\u0159ad\u00E1 Corborat a Dubsquad pod crew Undead Nation."@cs . "\u30C0\u30D6\u30B9\u30C6\u30C3\u30D7"@ja . . "Dubstep \u00E9s un g\u00E8nere de m\u00FAsica dance electr\u00F2nica, originari de Londres (Regne Unit). El terme dubstep com a refer\u00E8ncia a un g\u00E8nere musical comen\u00E7\u00E0 a ser utilitzat al voltant de 2002, quan les tend\u00E8ncies d'estil emprades per crear aquestes mescles comen\u00E7aren a estar ben diferenciades del i del grime. El dubstep \u00E9s generalment instrumental. Igual que el grime (altre h\u00EDbrid del garage per\u00F2 m\u00E9s vocal), la sensaci\u00F3 del g\u00E8nere \u00E9s obscura: els temes utilitzen freq\u00FCentment l'escala menor i poden presentar harm\u00F2nics dissonants, tals com l'interval tr\u00EDton a un riff. Altres caracter\u00EDstiques diferenciadores s\u00F3n l'\u00FAs de samples i un gaire omnipresent. Les primeres arrels del dubstep (al voltant de 1998) les podem trobar a les obres m\u00E9s experimentals de productors de UK garage, que tractaven d'incorporar al so de South London elements de breakbeat o elements obscurs de drum and bass. Aquests experiments sovint acabaven a la cara-B d'un white label o un disc comercial de garage."@ca . . . . . . . . . . . . . . "Dubstep \u2013 gatunek elektronicznej muzyki tanecznej (klubowej) powsta\u0142y pod koniec lat 90. XX wieku w Wielkiej Brytanii."@pl . . . . . . . "Dubstep"@pl . "2619852"^^ . . "\u0414\u0430\u0431\u0441\u0442\u0435\u043F (\u0430\u043D\u0433\u043B. dubstep) \u2014 \u0436\u0430\u043D\u0440 \u043C\u0443\u0437\u0438\u043A\u0438, \u044F\u043A\u0438\u0439 \u0432\u0438\u043D\u0438\u043A \u043D\u0430 \u043F\u043E\u0447\u0430\u0442\u043A\u0443 2000-\u0445 \u0440\u043E\u043A\u0456\u0432 \u0432 \u043F\u0456\u0432\u0434\u0435\u043D\u043D\u043E\u043C\u0443 \u041B\u043E\u043D\u0434\u043E\u043D\u0456 \u044F\u043A \u043E\u0434\u043D\u0435 \u0456\u0437 \u0432\u0456\u0434\u0433\u0430\u043B\u0443\u0436\u0435\u043D\u044C \u0433\u0435\u0440\u0456\u0434\u0436\u0430. \u0417\u0430 \u0437\u0432\u0443\u0447\u0430\u043D\u043D\u044F\u043C \u0434\u0430\u0431\u0441\u0442\u0435\u043F \u0454 \u0441\u043F\u0435\u0446\u0438\u0444\u0456\u0447\u043D\u0438\u043C \u0456 \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u0438\u0437\u0443\u0454\u0442\u044C\u0441\u044F \u0446\u044F \u043C\u0443\u0437\u0438\u043A\u0430 \u0442\u0435\u043C\u043F\u043E\u043C \u043F\u0440\u0438\u0431\u043B\u0438\u0437\u043D\u043E 138 \u0443\u0434\u0430\u0440\u0456\u0432 \u043D\u0430 \u0445\u0432\u0438\u043B\u0438\u043D\u0443, \u0434\u043E\u043C\u0456\u043D\u0443\u044E\u0447\u0438\u043C \u043D\u0438\u0437\u044C\u043A\u043E\u0447\u0430\u0441\u0442\u043E\u0442\u043D\u0438\u043C \u0431\u0430\u0441\u043E\u043C \u0456 \u0440\u043E\u0437\u0440\u0456\u0434\u0436\u0435\u043D\u0438\u043C \u0431\u0440\u0435\u0439\u043A\u0431\u0456\u0442\u043E\u043C \u043D\u0430 \u0437\u0430\u0434\u043D\u044C\u043E\u043C\u0443 \u043F\u043B\u0430\u043D\u0456."@uk . . . . . . . . . . . . . . . . . . "\u0414\u0430\u0431\u0441\u0442\u0435\u043F (\u0430\u043D\u0433\u043B. dubstep, \u041C\u0424\u0410: [\u02C8d\u028Cbst\u025Bp]) \u2014 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u0436\u0430\u043D\u0440, \u0432\u043E\u0437\u043D\u0438\u043A\u0448\u0438\u0439 \u0432 \u043D\u0430\u0447\u0430\u043B\u0435 2000-\u0445 \u0433\u043E\u0434\u043E\u0432 \u0432 \u044E\u0436\u043D\u043E\u043C \u041B\u043E\u043D\u0434\u043E\u043D\u0435 \u043A\u0430\u043A \u043E\u0434\u043D\u043E \u0438\u0437 \u043E\u0442\u0432\u0435\u0442\u0432\u043B\u0435\u043D\u0438\u0439 \u0433\u044D\u0440\u0438\u0434\u0436\u0430. \u041F\u043E \u0437\u0432\u0443\u0447\u0430\u043D\u0438\u044E \u0434\u0430\u0431\u0441\u0442\u0435\u043F \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u0438\u0437\u0443\u0435\u0442\u0441\u044F \u0442\u0435\u043C\u043F\u043E\u043C \u043F\u043E\u0440\u044F\u0434\u043A\u0430 130-150 \u0443\u0434\u0430\u0440\u043E\u0432 \u0432 \u043C\u0438\u043D\u0443\u0442\u0443, \u0434\u043E\u043C\u0438\u043D\u0438\u0440\u0443\u044E\u0449\u0438\u043C \u043D\u0438\u0437\u043A\u043E\u0447\u0430\u0441\u0442\u043E\u0442\u043D\u044B\u043C \u00AB\u043A\u043E\u043C\u043A\u0430\u043D\u043D\u044B\u043C\u00BB (wobble) \u0431\u0430\u0441\u043E\u043C \u0441 \u043F\u0440\u0438\u0441\u0443\u0442\u0441\u0442\u0432\u0438\u0435\u043C \u0437\u0432\u0443\u043A\u043E\u0432\u043E\u0433\u043E \u0438\u0441\u043A\u0430\u0436\u0435\u043D\u0438\u044F, \u0430 \u0442\u0430\u043A\u0436\u0435 \u0440\u0430\u0437\u0440\u0435\u0436\u0435\u043D\u043D\u044B\u043C \u0431\u0440\u0435\u0439\u043A\u0431\u0438\u0442\u043E\u043C \u043D\u0430 \u0437\u0430\u0434\u043D\u0435\u043C \u043F\u043B\u0430\u043D\u0435. \u041E\u0442 \u0431\u043E\u043B\u0435\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u043E\u0433\u043E \u0434\u0440\u0430\u043C-\u043D-\u0431\u0435\u0439\u0441 \u0441\u0442\u0438\u043B\u044C \u043E\u0442\u043B\u0438\u0447\u0430\u044E\u0442 \u0440\u0435\u0437\u043A\u0430\u044F \u0431\u043E\u0447\u043A\u0430 \u0438 \u043C\u0430\u043B\u044B\u0439 \u0431\u0430\u0440\u0430\u0431\u0430\u043D, \u043F\u043E\u0445\u043E\u0436\u0438\u0435 \u043D\u0430 \u0445\u0430\u0440\u0434\u0441\u0442\u0430\u0439\u043B."@ru . "London, England, United Kingdom"@en . . . . . . . . . . . . . . . . . "Dubstep"@el . . . . . . . . . . "\u0414\u0430\u0431\u0441\u0442\u0435\u043F (\u0430\u043D\u0433\u043B. dubstep, \u041C\u0424\u0410: [\u02C8d\u028Cbst\u025Bp]) \u2014 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u0436\u0430\u043D\u0440, \u0432\u043E\u0437\u043D\u0438\u043A\u0448\u0438\u0439 \u0432 \u043D\u0430\u0447\u0430\u043B\u0435 2000-\u0445 \u0433\u043E\u0434\u043E\u0432 \u0432 \u044E\u0436\u043D\u043E\u043C \u041B\u043E\u043D\u0434\u043E\u043D\u0435 \u043A\u0430\u043A \u043E\u0434\u043D\u043E \u0438\u0437 \u043E\u0442\u0432\u0435\u0442\u0432\u043B\u0435\u043D\u0438\u0439 \u0433\u044D\u0440\u0438\u0434\u0436\u0430. \u041F\u043E \u0437\u0432\u0443\u0447\u0430\u043D\u0438\u044E \u0434\u0430\u0431\u0441\u0442\u0435\u043F \u0445\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u0438\u0437\u0443\u0435\u0442\u0441\u044F \u0442\u0435\u043C\u043F\u043E\u043C \u043F\u043E\u0440\u044F\u0434\u043A\u0430 130-150 \u0443\u0434\u0430\u0440\u043E\u0432 \u0432 \u043C\u0438\u043D\u0443\u0442\u0443, \u0434\u043E\u043C\u0438\u043D\u0438\u0440\u0443\u044E\u0449\u0438\u043C \u043D\u0438\u0437\u043A\u043E\u0447\u0430\u0441\u0442\u043E\u0442\u043D\u044B\u043C \u00AB\u043A\u043E\u043C\u043A\u0430\u043D\u043D\u044B\u043C\u00BB (wobble) \u0431\u0430\u0441\u043E\u043C \u0441 \u043F\u0440\u0438\u0441\u0443\u0442\u0441\u0442\u0432\u0438\u0435\u043C \u0437\u0432\u0443\u043A\u043E\u0432\u043E\u0433\u043E \u0438\u0441\u043A\u0430\u0436\u0435\u043D\u0438\u044F, \u0430 \u0442\u0430\u043A\u0436\u0435 \u0440\u0430\u0437\u0440\u0435\u0436\u0435\u043D\u043D\u044B\u043C \u0431\u0440\u0435\u0439\u043A\u0431\u0438\u0442\u043E\u043C \u043D\u0430 \u0437\u0430\u0434\u043D\u0435\u043C \u043F\u043B\u0430\u043D\u0435. \u041E\u0442 \u0431\u043E\u043B\u0435\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u043E\u0433\u043E \u0434\u0440\u0430\u043C-\u043D-\u0431\u0435\u0439\u0441 \u0441\u0442\u0438\u043B\u044C \u043E\u0442\u043B\u0438\u0447\u0430\u044E\u0442 \u0440\u0435\u0437\u043A\u0430\u044F \u0431\u043E\u0447\u043A\u0430 \u0438 \u043C\u0430\u043B\u044B\u0439 \u0431\u0430\u0440\u0430\u0431\u0430\u043D, \u043F\u043E\u0445\u043E\u0436\u0438\u0435 \u043D\u0430 \u0445\u0430\u0440\u0434\u0441\u0442\u0430\u0439\u043B."@ru . . . . . . "Dubstep adalah sebuah genre musik dansa elektronik yang bermula di London Selatan, Inggris. Genre tersebut timbul pada akhir 1990an sebagai lepasan dari , yang menghimpun kaitan dengan gaya-gaya terkait seperti , , , , dan ."@in . . . . "El dubstep (/d\u028Cbst\u025Bp/) es un g\u00E9nero musical derivado del bass que surgi\u00F3 a finales de los a\u00F1os 1990 y comienzos de los a\u00F1os 2000 en Londres, Inglaterra. Es la culminaci\u00F3n de un linaje de g\u00E9neros como el 2-step garage, broken beat, drum and bass, jungle, dub y reggae. El dubstep consiste en un bajo amarillo tambaleante (wobble bass), growls y su ritmo se halla desde los 130 hasta los 155 PPM, tomando rangos generales de 140 y 150 BPM.\u200B"@es . . . . . "Dubstep"@en . . . "Dubstep \u00E9s un g\u00E8nere de m\u00FAsica dance electr\u00F2nica, originari de Londres (Regne Unit). El terme dubstep com a refer\u00E8ncia a un g\u00E8nere musical comen\u00E7\u00E0 a ser utilitzat al voltant de 2002, quan les tend\u00E8ncies d'estil emprades per crear aquestes mescles comen\u00E7aren a estar ben diferenciades del i del grime."@ca . "Le dubstep est un genre de musique \u00E9lectronique, originaire pour sa plus grande partie du Sud de Londres, \u00E0 Croydon. Il \u00E9merge \u00E0 la fin des ann\u00E9es 1990 et se d\u00E9veloppe gr\u00E2ce \u00E0 de nombreux styles musicaux connexes tels que le 2-step garage, broken beat, drum and bass, jungle, dub et reggae. Au Royaume-Uni, les origines du genre peuvent \u00EAtre retrac\u00E9es lors de l'\u00E9mergence du sound system jama\u00EFquain au d\u00E9but des ann\u00E9es 1980."@fr . . . . . . . . . . . "Dubstep is een subgenre van elektronische dansmuziek dat eind jaren negentig is ontstaan in Engeland. Dubstep is verwant aan Jamaicaanse muziekstijlen als dub en reggae alsmede dancestijlen als techno en drum and bass."@nl . . . . . . "1119300744"^^ . . . . . . . . . . . . . "Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass. In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. Dubstep is generally characterised by the use of syncopated rhythmic patterns, prominent basslines, and a dark tone. In 2001, this underground sound and other strains of garage music began to be showcased and promoted at London's night club Plastic People, at the \"Forward\" night (sometimes stylised as FWD>>), and on the pirate radio station Rinse FM, which went on to be considerably influential to the development of dubstep. The term \"dubstep\" in reference to a genre of music began to be used by around 2002 by labels such as Big Apple, Ammunition, and Tempa, by which time stylistic trends used in these remixes became more noticeable and distinct from 2-step and grime. A very early supporter of the sound was BBC Radio 1 DJ John Peel, who started playing it from 2003 onwards. In 2004, the last year of his show, his listeners voted Distance, Digital Mystikz, and Plastician in their top 50 for the year. Dubstep started to enter mainstream British popular culture when it spread beyond small local scenes in late 2005 and early 2006; many websites devoted to the genre appeared on the Internet and aided the growth of the scene, such as dubstepforum, the download site Barefiles and blogs such as gutterbreakz. Simultaneously, the genre was receiving extensive coverage in music magazines such as The Wire and online publications such as Pitchfork, with a regular feature entitled The Month In: Grime/Dubstep. Interest in dubstep grew significantly after BBC Radio 1 DJ Mary Anne Hobbs started championing the genre, beginning with a show devoted to it (entitled \"Dubstep Warz\") in January 2006. Towards the end of the 2000s and into the early 2010s, the genre started to become more commercially successful in the UK, with more singles and remixes entering the music charts. Music journalists and critics also noticed a dubstep influence in several pop artists' work. Around this time, producers also began to fuse elements of the original dubstep sound with other influences, creating fusion genres including future garage and the slower and more experimental post-dubstep. The harsher electro-house and heavy metal-influenced variant brostep, led by American producers such as Skrillex, greatly contributed to dubstep's popularity in the United States."@en . . . . "\uB365\uC2A4\uD15D"@ko . . . . . . . "El dubstep (/d\u028Cbst\u025Bp/) es un g\u00E9nero musical derivado del bass que surgi\u00F3 a finales de los a\u00F1os 1990 y comienzos de los a\u00F1os 2000 en Londres, Inglaterra. Es la culminaci\u00F3n de un linaje de g\u00E9neros como el 2-step garage, broken beat, drum and bass, jungle, dub y reggae. El dubstep consiste en un bajo amarillo tambaleante (wobble bass), growls y su ritmo se halla desde los 130 hasta los 155 PPM, tomando rangos generales de 140 y 150 BPM.\u200B Las primeras muestras de dubstep fueron publicadas el 4 de julio de 2001. Se trataba de remezclas instrumentales, oscuras y experimentales de producciones de 2-step garage, realizadas con la intenci\u00F3n de incorporar los elementos funky del breakbeat o los rasgos m\u00E1s oscuros del drum and bass en el propio 2-step. Estas remezclas aparec\u00EDan como cara B de los sencillos de 2-step de la \u00E9poca. En 2001, esta y otras variedades de m\u00FAsica garage oscura comenzaron a ser mostradas en el club nocturno londinense Plastic People, en las noches llamadas \"Forward\" (tambi\u00E9n estilizado como FWD>>), que ser\u00EDan considerablemente influyentes para el desarrollo del dubstep. El t\u00E9rmino \"dubstep\" como denominaci\u00F3n de un g\u00E9nero musical comenz\u00F3 a utilizarse en torno a 2002 por sellos discogr\u00E1ficos como Big Apple, Ammunition y Tempa, momento en el cual las tendencias estil\u00EDsticas presentes en las remezclas comenzaron a hacerse m\u00E1s remarcables y distintivas en relaci\u00F3n con el g\u00E9nero original, el 2-step, as\u00ED como al grime, sonido con el que en sus or\u00EDgenes el dubstep tambi\u00E9n guard\u00F3 una estrecha relaci\u00F3n.\u200B Actualmente, el dubstep tiende mucho a confundirse con el heavy metal, y hay quienes se\u00F1alan que el brostep es \"El heavy metal del momento\"; muy probablemente debido a que en cualquier recital del g\u00E9nero, se forman a menudo los llamados, Pogo, Skanking, moshing, headbanging, , , , , , y/o el Stage diving. Un temprano seguidor del sonido fue el DJ de la emisora BBC Radio 1, John Peel, quien comenz\u00F3 a programarlo a partir de 2003. En 2004, el \u00FAltimo a\u00F1o de su programa, sus oyentes votaron a Distance, Digital Mystikz y Plastician (anteriormente conocido como Plasticman) en su top 50 del a\u00F1o.\u200B El dubstep comenz\u00F3 a extenderse m\u00E1s all\u00E1 de una peque\u00F1a escena local hacia finales de 2005 y comienzos de 2006. Numerosos sitios web dedicados al g\u00E9nero comenzaron a aparecer, ayudando al crecimiento de la escena.\u200B Simult\u00E1neamente, el g\u00E9nero empez\u00F3 a recibir una importante cobertura en revistas musicales como The Wire y en publicaciones online como Pitchfork Media, que comenz\u00F3 un apartado regular denominado The Month In: Grime/Dubstep. El inter\u00E9s en el dubstep creci\u00F3 considerablemente desde que la DJ de BBC Radio 1 Mary Anne Hobbs comenzara a promocionarlo, comenzando un programa dedicado en exclusiva a este sonido (titulado \"Dubstep Warz\") en enero de 2006.\u200B\u200B\u200B Hacia el final de la d\u00E9cada de 2000, el g\u00E9nero pas\u00F3 a tener un importante \u00E9xito comercial en Reino Unido, aumentando progresivamente el n\u00FAmero de sencillos que entraban en las listas de \u00E9xitos de m\u00FAsica popular. Los periodistas y los cr\u00EDticos musicales tambi\u00E9n llamaron la atenci\u00F3n sobre la influencia del dubstep sobre el trabajo de numerosos artistas de m\u00FAsica pop. En esta \u00E9poca, los productores comenzaron a fusionar elementos del dubstep original con otras influencias, creando g\u00E9neros de fusi\u00F3n como el m\u00E1s lento y experimental post-dubstep."@es . . . . . .