"El dolly zoom, tamb\u00E9 conegut popularment com a efecte Vertigen, efecte Taur\u00F3 o zolly shot, \u00E9s una t\u00E8cnica cinematogr\u00E0fica consistent en moure la c\u00E0mera de manera que aquesta s'apropi o allunyi del subjecte mentre es modifica la dist\u00E0ncia focal de la lent, produint aix\u00ED la sensaci\u00F3 que el subjecte es mant\u00E9 est\u00E0tic dins el pla mentre el fons s'acosta o s'allunya. Es tracta d'una t\u00E8cnica que provoca una cont\u00EDnua durant el zoom."@ca . . . "Der Dolly-Zoom, auch Travelling-Zoom oder Vertigo-Effekt genannt, ist ein Filmeffekt, der sich eine optische T\u00E4uschung zunutze macht. Technisch besteht er aus einer bestimmten Kombination von Kamerafahrt und Brennweiten\u00E4nderung. Bekannt wurde der Effekt durch Alfred Hitchcocks Film Vertigo \u2013 Aus dem Reich der Toten (1958), um H\u00F6henangst auszudr\u00FCcken."@de . . . "A dolly zoom (also known as a Hitchcock shot, Vertigo shot, Jaws effect,or Zolly shot) is an in-camera effect that appears to undermine normal visual perception. The effect is achieved by zooming a zoom lens to adjust the angle of view (often referred to as field of view, or FOV) while the camera dollies (moves) toward or away from the subject in such a way as to keep the subject the same size in the frame throughout. In its classic form, the camera angle is pulled away from a subject while the lens zooms in, or vice versa. Thus, during the zoom, there is a continuous perspective distortion, the most directly noticeable feature being that the background appears to change size relative to the subject."@en . "L'effetto Vertigo o dolly zoom \u00E8 la combinazione di uno zoom in avanti e di una carrellata indietro, o di uno zoom all'indietro e una carrellata in avanti. Deve il suo nome dal fatto che Alfred Hitchcock sfrutt\u00F2 quest'effetto nel suo film La donna che visse due volte il cui titolo originale era, appunto, Vertigo per creare il senso di vertigine del protagonista affetto da acrofobia."@it . . . . . . . . "Le travelling compens\u00E9, travelling contrari\u00E9, trans-trav, Dolly Zoom (en rapport avec le mod\u00E8le du chariot qui est une Dolly) ou contra-zoom, est un effet cin\u00E9matographique consistant \u00E0 contrarier les effets simultan\u00E9s d'un zoom arri\u00E8re et d'un travelling m\u00E9canique avant ou l'inverse, zoom avant et travelling m\u00E9canique arri\u00E8re, de telle sorte que le sujet principal reste cadr\u00E9 de la m\u00EAme mani\u00E8re, tandis que l'arri\u00E8re-plan subit des d\u00E9formations de perspective, respectivement un allongement, ou un tassement. Par exemple si la cam\u00E9ra s'\u00E9loigne, on r\u00E9tr\u00E9cit simultan\u00E9ment le champ \u00E0 l'aide du zoom (ou on l'\u00E9largit quand la cam\u00E9ra s'avance) de fa\u00E7on que le sujet ne change pas de taille apparente, mais que l'arri\u00E8re-plan se tasse derri\u00E8re lui (ou au contraire se dilate dans l'espace). Cet \u00E9cart,"@fr . . "\u6ED1\u52A8\u53D8\u7126\uFF08Dolly zoom\uFF09\u662F\u4E00\u79CD\u7834\u574F\u6B63\u5E38\u89C6\u77E5\u89C9\u6765\u7ED9\u4EBA\u4EE5\u4E0D\u5B89\u611F\u7684\u673A\u5185\u7279\u6548\u3002 \u6ED1\u52A8\u53D8\u7126\u7684\u505A\u6CD5\u662F\uFF0C\u5728\u8F6C\u52A8\u53D8\u7126\u955C\u5934\u6539\u53D8\u89C6\u89D2\uFF08\u89C6\u91CE\uFF0CFOV\uFF09\u7684\u540C\u65F6\uFF0C\u628A\u6444\u50CF\u673A\u79FB\u5411\u6216\u8005\u79FB\u79BB\u7269\u4F53\uFF0C\u4F7F\u7269\u4F53\u5728\u753B\u9762\u4E2D\u4E00\u76F4\u4FDD\u6301\u76F8\u540C\u5927\u5C0F\u3002\u56E0\u6B64\uFF0C\u673A\u4F4D\u5728\u8FDC\u79BB\u7269\u4F53\u7684\u540C\u65F6\uFF0C\u955C\u5934\u5411\u524D\u63A8\u8FDB\uFF0C\u6216\u8005\u4E0E\u6B64\u76F8\u53CD\u3002\u8FD9\u6837\u753B\u9762\u5C31\u4F1A\u5728\u53D8\u7126\u4E2D\u5C31\u4F1A\u4EA7\u751F\u4E00\u79CD\u8FDE\u7EED\u7684\u900F\u89C6\u53D8\u5F62\uFF0C\u6700\u76F4\u89C2\u7684\u7279\u70B9\u662F\u80CC\u666F\u6539\u53D8\u5927\u5C0F\u800C\u4E3B\u4F53\u4E0D\u53D8\u3002 \u5728\u89C6\u89C9\u8868\u73B0\u4E0A\uFF0C\u6216\u662F\u80CC\u666F\u7A81\u7136\u53D8\u5927\u53D8\u4E30\u5BCC\u6709\u6DF9\u6CA1\u524D\u666F\u4E4B\u52BF\uFF0C\u6216\u662F\u524D\u666F\u53D8\u5F97\u5DE8\u5927\u65E0\u6BD4\u638C\u63A7\u6574\u4E2A\u753B\u9762\u5E03\u5C40\uFF0C\u5177\u4F53\u53D6\u51B3\u4E8E\u7528\u54EA\u4E00\u79CD\u63A8\u62C9\u79FB\u52A8\u65B9\u5F0F\u3002\u4EBA\u7C7B\u7684\u89C6\u89C9\u611F\u77E5\u7CFB\u7EDF\u540C\u65F6\u7528\u76F4\u89C2\u5927\u5C0F\u548C\u900F\u89C6\u5173\u7CFB\u6765\u5224\u65AD\u7269\u4F53\u7684\u76F8\u5BF9\u5927\u5C0F\u3002\u56E0\u6B64\uFF0C\u770B\u5230\u900F\u89C6\u5173\u7CFB\u6539\u53D8\uFF0C\u800C\u76F4\u89C2\u5927\u5C0F\u4E0D\u53D8\uFF0C\u4F1A\u7ED9\u4EBA\u5E26\u6765\u4E0D\u5B89\u611F\uFF0C\u4EA7\u751F\u5F3A\u70C8\u7684\u60C5\u611F\u6548\u679C\u3002 \u6ED1\u52A8\u53D8\u7126\u6700\u521D\u662F\u7531\u7F57\u9A6C\u5C3C\u4E9A\u6444\u50CF\u5E08Sergiu Huzum\u63D0\u51FA\u7684\uFF0C\u4F46\u7B2C\u4E00\u6B21\u4F7F\u7528\u8FD9\u79CD\u7279\u6548\u7684\u662FIrmin Roberts\u3002\u4ED6\u5F53\u65F6\u5728\u7531Alfred Hitchcock\u6267\u5BFC\u7684\u7535\u5F71\u300A\u8FF7\u9B42\u8BB0\u300B\uFF08\uFF0C\u6D3E\u62C9\u8499\u7535\u5F71\u516C\u53F8\u51FA\u54C1\uFF09\u4E2D\u62C5\u4EFB\u7B2C\u4E8C\u6444\u5236\u7EC4\u7684\u6444\u50CF\u5E08\u3002 \u53E6\u5916\uFF0C\u6ED1\u52A8\u53D8\u7126\u4E5F\u7528\u5728\u300A\u5927\u767D\u9CA8\u300B\uFF08\uFF09\u3001\u300A\u300B\uFF08\uFF09\u3001\u300A\u300B\uFF08\uFF09\u3001\u300A\u597D\u5BB6\u4F19\u300B\uFF08Goodfellas\uFF09\u3001\u300A\u9B54\u6212\u300B\uFF08Lord of the Rings\uFF09\u3001\u300A\u72EE\u5B50\u738B\u300B\uFF08The Lion King\uFF09\u7B49\u7535\u5F71\u4F5C\u54C1\u4E2D\u3002"@zh . . . . . . . . "Effetto Vertigo"@it . . "\u0422\u0440\u0430\u043D\u0441\u0442\u0440\u0430\u0432"@ru . . "Een vertigoshot of dollyzoom is een techniek in de cinematografie, waarbij men met een filmcamera een manoeuvre maakt voor een 'duizelingwekkend' schot. Het visuele effect werkt in op het evenwichtsorgaan. De techniek is vernoemd naar de film waardoor die in 1958 voor het eerst bekend werd, Vertigo van Alfred Hitchcock."@nl . . "Dolly zoom"@en . "177117"^^ . "Le travelling compens\u00E9, travelling contrari\u00E9, trans-trav, Dolly Zoom (en rapport avec le mod\u00E8le du chariot qui est une Dolly) ou contra-zoom, est un effet cin\u00E9matographique consistant \u00E0 contrarier les effets simultan\u00E9s d'un zoom arri\u00E8re et d'un travelling m\u00E9canique avant ou l'inverse, zoom avant et travelling m\u00E9canique arri\u00E8re, de telle sorte que le sujet principal reste cadr\u00E9 de la m\u00EAme mani\u00E8re, tandis que l'arri\u00E8re-plan subit des d\u00E9formations de perspective, respectivement un allongement, ou un tassement. Par exemple si la cam\u00E9ra s'\u00E9loigne, on r\u00E9tr\u00E9cit simultan\u00E9ment le champ \u00E0 l'aide du zoom (ou on l'\u00E9largit quand la cam\u00E9ra s'avance) de fa\u00E7on que le sujet ne change pas de taille apparente, mais que l'arri\u00E8re-plan se tasse derri\u00E8re lui (ou au contraire se dilate dans l'espace). Cet \u00E9cart, entre la taille inchang\u00E9e du personnage et la mouvance inattendue des perspectives du d\u00E9cor o\u00F9 il \u00E9volue, est interpr\u00E9t\u00E9 par le public comme le signe d'un malaise du personnage. Cet effet a \u00E9t\u00E9 utilis\u00E9 pour la premi\u00E8re fois en 1958 par Alfred Hitchcock dans le film Sueurs froides (Vertigo en anglais), quand Scottie (James Stewart), sujet au vertige et accroch\u00E9 \u00E0 la goutti\u00E8re d'un toit, regarde la rue en contrebas (4 minutes apr\u00E8s le d\u00E9but du film) puis quand il regarde le bas d'une cage d'escalier (deux plans vers la 73e minute et deux autres plans vers la 118e minute). Hitchcock l'utilise aussi dans Psychose (1960) et dans Pas de printemps pour Marnie (1964). Apr\u00E8s Hitchcock, le proc\u00E9d\u00E9 est utilis\u00E9 par Spielberg dans Les Dents de la mer, quand le chef de la police (Roy Scheider) aper\u00E7oit une attaque de requin depuis la plage, \u00E0 la 16e minute), au d\u00E9but d\u2019E.T.. Fran\u00E7ois Truffaut l'utilise aussi dans Jules et Jim quand les deux amis d\u00E9couvrent la statue de la femme de leurs r\u00EAves ainsi que dans Fahrenheit 451. Chabrol utilise le proc\u00E9d\u00E9 dans un sens symbolique tout \u00E0 fait particulier: dans la sc\u00E8ne finale de La Femme infid\u00E8le, lorsque le policier emm\u00E8ne Michel Bouquet, le travelling arri\u00E8re mat\u00E9rialise l'\u00E9loignement d'avec sa femme, St\u00E9phane Audran, tandis que le zoom avant contrari\u00E9 nous fait sentir que le couple n'a jamais \u00E9t\u00E9 aussi proche. On le retrouve depuis, notamment dans Les Affranchis, La Communaut\u00E9 de l'anneau, La Haine, Les Rivi\u00E8res Pourpres ou encore Le Roi lion. En 1964, le directeur de la photographie Jean-Serge Husum, fran\u00E7ais d'origine roumaine, met au point un syst\u00E8me m\u00E9canique permettant de synchroniser le mouvement de zoom avec le d\u00E9placement du chariot de travelling, pour lequel il d\u00E9pose un brevet sous l'appellation de Trans-Trav. L'effet de travelling contrari\u00E9 peut \u00EAtre combin\u00E9 avec des animations sur ordinateur, un exemple en est la sc\u00E8ne o\u00F9 Neo vole dans Matrix Reloaded. Il peut aussi \u00EAtre effectu\u00E9 num\u00E9riquement ou au banc-titre en effectuant zoom-avant et zoom-arri\u00E8re dans un travelling arri\u00E8re ou avant, un exemple est visible dans le film Irr\u00E9versible de Gaspar No\u00E9. Cet effet num\u00E9rique devient tr\u00E8s courant dans les vid\u00E9o-clips."@fr . . "Der Dolly-Zoom, auch Travelling-Zoom oder Vertigo-Effekt genannt, ist ein Filmeffekt, der sich eine optische T\u00E4uschung zunutze macht. Technisch besteht er aus einer bestimmten Kombination von Kamerafahrt und Brennweiten\u00E4nderung. Bekannt wurde der Effekt durch Alfred Hitchcocks Film Vertigo \u2013 Aus dem Reich der Toten (1958), um H\u00F6henangst auszudr\u00FCcken."@de . . . . "\u6ED1\u52A8\u53D8\u7126"@zh . . . . . . . "El dolly zoom, tamb\u00E9 conegut popularment com a efecte Vertigen, efecte Taur\u00F3 o zolly shot, \u00E9s una t\u00E8cnica cinematogr\u00E0fica consistent en moure la c\u00E0mera de manera que aquesta s'apropi o allunyi del subjecte mentre es modifica la dist\u00E0ncia focal de la lent, produint aix\u00ED la sensaci\u00F3 que el subjecte es mant\u00E9 est\u00E0tic dins el pla mentre el fons s'acosta o s'allunya. Es tracta d'una t\u00E8cnica que provoca una cont\u00EDnua durant el zoom."@ca . . . "\u0422\u0440\u0430\u043D\u0441\u0442\u0440\u0430\u0432 \u2014 \u043A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444\u0438\u0447\u0435\u0441\u043A\u0438\u0439 \u0441\u043F\u0435\u0446\u044D\u0444\u0444\u0435\u043A\u0442, \u043F\u043E\u043B\u0443\u0447\u0430\u0435\u043C\u044B\u0439 \u0441\u043E\u0447\u0435\u0442\u0430\u043D\u0438\u0435\u043C \u043F\u043E\u0441\u0442\u0443\u043F\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0433\u043E \u0434\u0432\u0438\u0436\u0435\u043D\u0438\u044F \u043A\u0430\u043C\u0435\u0440\u044B \u0432\u0434\u043E\u043B\u044C \u043E\u043F\u0442\u0438\u0447\u0435\u0441\u043A\u043E\u0439 \u043E\u0441\u0438 \u043E\u0431\u044A\u0435\u043A\u0442\u0438\u0432\u0430 \u0438 \u043F\u043B\u0430\u0432\u043D\u043E\u0433\u043E \u0438\u0437\u043C\u0435\u043D\u0435\u043D\u0438\u044F \u0435\u0433\u043E \u0444\u043E\u043A\u0443\u0441\u043D\u043E\u0433\u043E \u0440\u0430\u0441\u0441\u0442\u043E\u044F\u043D\u0438\u044F \u0432 \u043E\u0431\u0440\u0430\u0442\u043D\u043E\u043C \u043D\u0430\u043F\u0440\u0430\u0432\u043B\u0435\u043D\u0438\u0438. \u041D\u0430\u0437\u0432\u0430\u043D\u0438\u0435, \u043E\u0431\u0449\u0435\u043F\u0440\u0438\u043D\u044F\u0442\u043E\u0435 \u0432 \u0440\u043E\u0441\u0441\u0438\u0439\u0441\u043A\u043E\u043C \u043A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444\u0435, \u043F\u043E\u043B\u0443\u0447\u0435\u043D\u043E \u043A\u043E\u043C\u0431\u0438\u043D\u0430\u0446\u0438\u0435\u0439 \u0441\u043B\u043E\u0432 \u00AB\u0442\u0440\u0430\u043D\u0441\u0444\u043E\u043A\u0430\u0442\u043E\u0440\u00BB \u0438 \u00AB\u0442\u0440\u0435\u0432\u0435\u043B\u043B\u0438\u043D\u0433\u00BB. \u041E\u0434\u043D\u0430\u043A\u043E \u043F\u0440\u0438\u0451\u043C \u0438\u043C\u0435\u0435\u0442 \u043C\u043D\u043E\u0436\u0435\u0441\u0442\u0432\u043E \u0434\u0440\u0443\u0433\u0438\u0445 \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u0439: \u044D\u0444\u0444\u0435\u043A\u0442 \u00AB\u0440\u0430\u0437\u0434\u0432\u0438\u0433\u0430\u044E\u0449\u0435\u0433\u043E\u0441\u044F \u043F\u0440\u043E\u0441\u0442\u0440\u0430\u043D\u0441\u0442\u0432\u0430\u00BB, \u00AB\u043E\u0431\u0440\u0430\u0442\u043D\u044B\u0439 \u0442\u0440\u0435\u043A\u0438\u043D\u0433\u00BB, \u00AB\u043A\u043E\u043D\u0442\u0440-\u0437\u0443\u043C\u00BB, \u00AB\u0442\u0435\u043B\u0435\u0441\u043A\u043E\u043F\u0438\u0440\u043E\u0432\u0430\u043D\u0438\u0435\u00BB, \u00AB\u044D\u0444\u0444\u0435\u043A\u0442 \u0440\u0430\u0437\u0434\u0432\u0438\u0436\u043D\u044B\u0445 \u0444\u043E\u043D\u043E\u0432\u00BB \u0438 \u043F\u0440\u043E\u0447\u0438\u0435."@ru . . . "Dolly zoom"@pl . . . . "1120449549"^^ . . . . "Dolly-Zoom"@de . . "A dolly zoom (also known as a Hitchcock shot, Vertigo shot, Jaws effect,or Zolly shot) is an in-camera effect that appears to undermine normal visual perception. The effect is achieved by zooming a zoom lens to adjust the angle of view (often referred to as field of view, or FOV) while the camera dollies (moves) toward or away from the subject in such a way as to keep the subject the same size in the frame throughout. In its classic form, the camera angle is pulled away from a subject while the lens zooms in, or vice versa. Thus, during the zoom, there is a continuous perspective distortion, the most directly noticeable feature being that the background appears to change size relative to the subject. The visual appearance for the viewer is that either the background suddenly grows in size and detail and overwhelms the foreground, or the foreground becomes immense and dominates its previous setting, depending on which way the dolly zoom is executed. As the human visual system uses both size and perspective cues to judge the relative sizes of objects, seeing a perspective change without a size change is a highly unsettling effect, often with strong emotional impact."@en . . . "\u6ED1\u52A8\u53D8\u7126\uFF08Dolly zoom\uFF09\u662F\u4E00\u79CD\u7834\u574F\u6B63\u5E38\u89C6\u77E5\u89C9\u6765\u7ED9\u4EBA\u4EE5\u4E0D\u5B89\u611F\u7684\u673A\u5185\u7279\u6548\u3002 \u6ED1\u52A8\u53D8\u7126\u7684\u505A\u6CD5\u662F\uFF0C\u5728\u8F6C\u52A8\u53D8\u7126\u955C\u5934\u6539\u53D8\u89C6\u89D2\uFF08\u89C6\u91CE\uFF0CFOV\uFF09\u7684\u540C\u65F6\uFF0C\u628A\u6444\u50CF\u673A\u79FB\u5411\u6216\u8005\u79FB\u79BB\u7269\u4F53\uFF0C\u4F7F\u7269\u4F53\u5728\u753B\u9762\u4E2D\u4E00\u76F4\u4FDD\u6301\u76F8\u540C\u5927\u5C0F\u3002\u56E0\u6B64\uFF0C\u673A\u4F4D\u5728\u8FDC\u79BB\u7269\u4F53\u7684\u540C\u65F6\uFF0C\u955C\u5934\u5411\u524D\u63A8\u8FDB\uFF0C\u6216\u8005\u4E0E\u6B64\u76F8\u53CD\u3002\u8FD9\u6837\u753B\u9762\u5C31\u4F1A\u5728\u53D8\u7126\u4E2D\u5C31\u4F1A\u4EA7\u751F\u4E00\u79CD\u8FDE\u7EED\u7684\u900F\u89C6\u53D8\u5F62\uFF0C\u6700\u76F4\u89C2\u7684\u7279\u70B9\u662F\u80CC\u666F\u6539\u53D8\u5927\u5C0F\u800C\u4E3B\u4F53\u4E0D\u53D8\u3002 \u5728\u89C6\u89C9\u8868\u73B0\u4E0A\uFF0C\u6216\u662F\u80CC\u666F\u7A81\u7136\u53D8\u5927\u53D8\u4E30\u5BCC\u6709\u6DF9\u6CA1\u524D\u666F\u4E4B\u52BF\uFF0C\u6216\u662F\u524D\u666F\u53D8\u5F97\u5DE8\u5927\u65E0\u6BD4\u638C\u63A7\u6574\u4E2A\u753B\u9762\u5E03\u5C40\uFF0C\u5177\u4F53\u53D6\u51B3\u4E8E\u7528\u54EA\u4E00\u79CD\u63A8\u62C9\u79FB\u52A8\u65B9\u5F0F\u3002\u4EBA\u7C7B\u7684\u89C6\u89C9\u611F\u77E5\u7CFB\u7EDF\u540C\u65F6\u7528\u76F4\u89C2\u5927\u5C0F\u548C\u900F\u89C6\u5173\u7CFB\u6765\u5224\u65AD\u7269\u4F53\u7684\u76F8\u5BF9\u5927\u5C0F\u3002\u56E0\u6B64\uFF0C\u770B\u5230\u900F\u89C6\u5173\u7CFB\u6539\u53D8\uFF0C\u800C\u76F4\u89C2\u5927\u5C0F\u4E0D\u53D8\uFF0C\u4F1A\u7ED9\u4EBA\u5E26\u6765\u4E0D\u5B89\u611F\uFF0C\u4EA7\u751F\u5F3A\u70C8\u7684\u60C5\u611F\u6548\u679C\u3002 \u6ED1\u52A8\u53D8\u7126\u6700\u521D\u662F\u7531\u7F57\u9A6C\u5C3C\u4E9A\u6444\u50CF\u5E08Sergiu Huzum\u63D0\u51FA\u7684\uFF0C\u4F46\u7B2C\u4E00\u6B21\u4F7F\u7528\u8FD9\u79CD\u7279\u6548\u7684\u662FIrmin Roberts\u3002\u4ED6\u5F53\u65F6\u5728\u7531Alfred Hitchcock\u6267\u5BFC\u7684\u7535\u5F71\u300A\u8FF7\u9B42\u8BB0\u300B\uFF08\uFF0C\u6D3E\u62C9\u8499\u7535\u5F71\u516C\u53F8\u51FA\u54C1\uFF09\u4E2D\u62C5\u4EFB\u7B2C\u4E8C\u6444\u5236\u7EC4\u7684\u6444\u50CF\u5E08\u3002 \u53E6\u5916\uFF0C\u6ED1\u52A8\u53D8\u7126\u4E5F\u7528\u5728\u300A\u5927\u767D\u9CA8\u300B\uFF08\uFF09\u3001\u300A\u300B\uFF08\uFF09\u3001\u300A\u300B\uFF08\uFF09\u3001\u300A\u597D\u5BB6\u4F19\u300B\uFF08Goodfellas\uFF09\u3001\u300A\u9B54\u6212\u300B\uFF08Lord of the Rings\uFF09\u3001\u300A\u72EE\u5B50\u738B\u300B\uFF08The Lion King\uFF09\u7B49\u7535\u5F71\u4F5C\u54C1\u4E2D\u3002"@zh . "Dolly zoom \u00E4r ett kameratrick som g\u00E5r ut p\u00E5 att kameran zoomar ut samtidigt som dollyn k\u00F6rs n\u00E4rmre objektet som filmas, eller vice versa. Resultatet blir att objektet i f\u00F6rgrunden f\u00F6rblir lika stort i bild samtidigt som bakgrunden \u00E4ndrar storlek och tycks p\u00E5 s\u00E5 s\u00E4tt komma n\u00E4rmare eller l\u00E4ngre fr\u00E5n f\u00F6rgrunden. Tricket anv\u00E4ndes f\u00F6rst i Alfred Hitchcocks film Studie i brott (Vertigo) fr\u00E5n 1958 och betecknas ofta Hitchcock-zoomen eller Vertigo-effekten."@sv . "El travelling compensado, Dolly Zoom, Zolly, efecto v\u00E9rtigo o retrozoom, es un efecto cinematogr\u00E1fico que consiste en combinar un zoom atr\u00E1s con un travelling (desplazamiento) adelante, o a la inversa, un zoom adelante con un travelling atr\u00E1s. Al compensarse los dos efectos, el objeto principal mantiene el mismo tama\u00F1o en el encuadre, y solamente cambia la perspectiva con la que se ve el fondo. Por ejemplo, si la c\u00E1mara se aleja, y simult\u00E1neamente se retrae el campo de manera que el sujeto u objeto central no cambia de talla aparente. Obviamente, al proceder de esta manera, el plano de fondo se estrechar\u00E1 atr\u00E1s, lo que podr\u00EDa crear una sensaci\u00F3n de malestar o de v\u00E9rtigo. En efecto, nuestro sistema de visi\u00F3n utiliza a la vez la perspectiva y el tama\u00F1o para construir sus puntos de referencia, y esta distorsi\u00F3n entre un tama\u00F1o inalterado y una perspectiva que evoluciona ciertamente es desestabilizante. Es decir, se trata de combinar un cambio en la distancia focal del objetivo a la vez que se desplaza la c\u00E1mara en el eje \u00F3ptico de la misma. Estas dos acciones se ajustan o sincronizan para que el motivo del primer plano mantenga un tama\u00F1o aproximadamente constante en el encuadre durante el efecto. El efecto tiene como consecuencia un cambio aparente de la distancia entre el primer plano y el fondo. Este efecto tambi\u00E9n es llamado zoom compensado, contra-zoom, trans-trav, o zoom de Hitchcock."@es . "Travelling compensado"@es . . "Travelling contrari\u00E9"@fr . . . "Vertigoshot"@nl . . "Dolly zoom"@ca . "Een vertigoshot of dollyzoom is een techniek in de cinematografie, waarbij men met een filmcamera een manoeuvre maakt voor een 'duizelingwekkend' schot. Het visuele effect werkt in op het evenwichtsorgaan. De techniek is vernoemd naar de film waardoor die in 1958 voor het eerst bekend werd, Vertigo van Alfred Hitchcock."@nl . . . . . . "Dolly zoom \u00E4r ett kameratrick som g\u00E5r ut p\u00E5 att kameran zoomar ut samtidigt som dollyn k\u00F6rs n\u00E4rmre objektet som filmas, eller vice versa. Resultatet blir att objektet i f\u00F6rgrunden f\u00F6rblir lika stort i bild samtidigt som bakgrunden \u00E4ndrar storlek och tycks p\u00E5 s\u00E5 s\u00E4tt komma n\u00E4rmare eller l\u00E4ngre fr\u00E5n f\u00F6rgrunden. Tricket anv\u00E4ndes f\u00F6rst i Alfred Hitchcocks film Studie i brott (Vertigo) fr\u00E5n 1958 och betecknas ofta Hitchcock-zoomen eller Vertigo-effekten."@sv . . . . . . . . "Dolly zoom \u2013 spos\u00F3b filmowania kamer\u0105 polegaj\u0105cy na gwa\u0142townej zmianie ogniskowej kamery i odleg\u0142o\u015Bci od filmowanego przedmiotu/postaci powoduj\u0105cy zmian\u0119 perspektywy t\u0142a bez zmiany perspektywy pierwszego planu."@pl . . . . . . . "7357"^^ . "Dolly zoom \u2013 spos\u00F3b filmowania kamer\u0105 polegaj\u0105cy na gwa\u0142townej zmianie ogniskowej kamery i odleg\u0142o\u015Bci od filmowanego przedmiotu/postaci powoduj\u0105cy zmian\u0119 perspektywy t\u0142a bez zmiany perspektywy pierwszego planu."@pl . . . . . . . "L'effetto Vertigo o dolly zoom \u00E8 la combinazione di uno zoom in avanti e di una carrellata indietro, o di uno zoom all'indietro e una carrellata in avanti. Deve il suo nome dal fatto che Alfred Hitchcock sfrutt\u00F2 quest'effetto nel suo film La donna che visse due volte il cui titolo originale era, appunto, Vertigo per creare il senso di vertigine del protagonista affetto da acrofobia."@it . . . "El travelling compensado, Dolly Zoom, Zolly, efecto v\u00E9rtigo o retrozoom, es un efecto cinematogr\u00E1fico que consiste en combinar un zoom atr\u00E1s con un travelling (desplazamiento) adelante, o a la inversa, un zoom adelante con un travelling atr\u00E1s. Al compensarse los dos efectos, el objeto principal mantiene el mismo tama\u00F1o en el encuadre, y solamente cambia la perspectiva con la que se ve el fondo."@es . . . . . "Dolly zoom"@sv . . . 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