. "\u300A\u8056\u8863\u6703\u4FEE\u5973\u5C0D\u8A71\u9304\u300B\uFF08\u6CD5\u8A9E\uFF1ADialogues des Carm\u00E9lites\uFF09\u662F\u4E00\u90E8\u6CD5\u570B\u6B4C\u5287\uFF0C\u5206\u70BA\u5341\u4E8C\u500B\u5834\u666F\uFF0C\u7531\u5F26\u6A02\u9593\u9694\uFF0C\u5F17\u6717\u897F\u65AF\u00B7\u666E\u6717\u514B\u65BC1956\u5E74\u5B8C\u6210\u3002\u300A\u8056\u8863\u6703\u4FEE\u5973\u5C0D\u8A71\u9304\u300B\u5167\u5BB9\u8B1B\u8FF0\u8056\u8863\u6703\u4FEE\u5973\u57281794\u5E74\u6CD5\u570B\u5927\u9769\u547D\u671F\u9593\u6050\u6016\u7D71\u6CBB\uFF0C\u56E0\u62D2\u7D55\u653E\u68C4\u4FE1\u4EF0\u5728\u5DF4\u9ECE\u88AB\u8655\u6B7B\u3002 1957\u5E741\u670826\u65E5\uFF0C\u300A\u8056\u8863\u6703\u4FEE\u5973\u5C0D\u8A71\u9304\u300B\u5728\u7C73\u862D\u65AF\u5361\u62C9\u5927\u5287\u9662\u4E16\u754C\u9996\u6F14\uFF08\u7FA9\u5927\u5229\u8A9E\uFF09\u3002\u6CD5\u8A9E\u7248\u672C\u9996\u6620\u65BC1957\u5E746\u670821\u65E5\u5728\u5DF4\u9ECE\u8209\u884C\u3002\u7F8E\u570B\u9996\u6F14\u65BC1957\u5E749\u6708\u5728\u820A\u91D1\u5C71\u8209\u884C\u3002"@zh . . . "\uCE74\uB974\uBA5C\uD68C \uC218\uB140\uB4E4\uC758 \uB300\uD654(\uD504\uB791\uC2A4\uC5B4: Dialogues des Carm\u00E9lites)\uB294 \uD504\uB791\uC2DC\uC2A4 \uD480\uB791\uD06C\uC5D0 \uC758\uD574 1956\uB144 \uC791\uACE1\uB41C \uC624\uD398\uB77C\uB85C, 3\uB9C9\uACFC 12\uAC1C\uC758 \uC7A5\uBA74\uC73C\uB85C \uAD6C\uC131\uB418\uC5B4\uC788\uB2E4. \uD480\uB791\uD06C\uC758 \uB450 \uBC88\uC9F8 \uC624\uD398\uB77C\uB85C \uC870\uB974\uC8FC \uBCA0\uB974\uB098\uB178\uC2A4\uC758 \uC6D0\uC791\uC5D0 \uAE30\uBC18\uD558\uC5EC \uC791\uACE1\uAC00 \uBCF8\uC778\uC774 \uB9AC\uBE0C\uB808\uD1A0\uB97C \uC791\uC131\uD558\uC600\uB2E4. 1794\uB144 \uD504\uB791\uC2A4\uD601\uBA85 \uACF5\uD3EC\uC815\uCE58\uC2DC\uAE30\uC5D0 \uC131\uC9C1\uC744 \uD3EC\uAE30\uD558\uC9C0 \uC54A\uC558\uB2E4\uB294 \uC774\uC720\uB85C \uB2E8\uB450\uB300\uC5D0 \uC62C\uB77C\uAC04 , \uAC00\uB974\uBA5C\uD68C \uC218\uB140\uB4E4\uC758 \uC2E4\uD654\uC5D0 \uAE30\uBC18\uD55C \uCC3D\uC791\uBB3C\uC774\uB2E4. \uC138\uACC4 \uCD08\uC5F0\uC740 \uBC00\uB77C\uB178\uC758 \uC2A4\uCE7C\uB77C \uADF9\uC7A5\uC5D0\uC11C 1957\uB144\uC5D0 \uC774\uD0C8\uB9AC\uC544\uC5B4\uB85C \uC774\uB8E8\uC5B4\uC84C\uB2E4. \uD504\uB791\uC2A4\uC5B4 \uCD08\uC5F0\uC740 \uD30C\uB9AC\uC5D0\uC11C 1957\uB144 6\uC6D4 21\uC77C\uC5D0 \uC774\uB8E8\uC5B4\uC84C\uACE0, \uBBF8\uAD6D\uC5D0\uC11C\uB294 \uC0CC\uD504\uB780\uC2DC\uC2A4\uCF54\uC5D0\uC11C 1957\uB144 9\uC6D4\uC5D0 \uCD08\uC5F0\uB418\uC5C8\uB2E4."@ko . "Di\u00E1logos de carmelitas (t\u00EDtulo original en franc\u00E9s, Dialogues des Carm\u00E9lites) es una \u00F3pera en tres actos con m\u00FAsica de Francis Poulenc y libreto en franc\u00E9s del propio compositor y , basado en el texto teatral hom\u00F3nimo de Georges Bernanos, quien a su vez se inspir\u00F3 en la novela La \u00FAltima del pat\u00EDbulo o La \u00FAltima en el cadalso, de Gertrud von le Fort. La \u00F3pera se estren\u00F3 en La Scala de Mil\u00E1n el 26 de enero de 1957."@es . . "Dialogi karmelitanek (fr. Dialogues des carm\u00E9lites) \u2013 opera Francisa Poulenca w trzech aktach. Libretto napisa\u0142 sam kompozytor wed\u0142ug dramatu Georges'a Bernanosa. Prapremiera opery mia\u0142a miejsce w Mediolanie 26 stycznia 1957 r., a jej premiera polska odby\u0142a si\u0119 w \u0141odzi w 2000 roku."@pl . . . . . . . . . . . . . . . . . . . . . . . . . . "\u0414\u0438\u0430\u043B\u043E\u0301\u0433\u0438 \u043A\u0430\u0440\u043C\u0435\u043B\u0438\u0301\u0442\u043E\u043A (\u0444\u0440. Dialogues des Carm\u00E9lites) \u2014 \u043E\u043F\u0435\u0440\u0430 \u0432 3 \u0430\u043A\u0442\u0430\u0445 (12 \u043A\u0430\u0440\u0442\u0438\u043D\u0430\u0445) \u0424\u0440\u0430\u043D\u0441\u0438\u0441\u0430 \u041F\u0443\u043B\u0435\u043D\u043A\u0430, \u043E\u0434\u043D\u043E \u0438\u0437 \u043D\u0430\u0438\u0431\u043E\u043B\u0435\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0445 \u0435\u0433\u043E \u0441\u043E\u0447\u0438\u043D\u0435\u043D\u0438\u0439. \u041D\u0430\u043F\u0438\u0441\u0430\u043D\u0430 \u043F\u043E \u0437\u0430\u043A\u0430\u0437\u0443 \u043C\u0438\u043B\u0430\u043D\u0441\u043A\u043E\u0433\u043E \u0442\u0435\u0430\u0442\u0440\u0430 \u041B\u0430 \u0421\u043A\u0430\u043B\u0430, \u0433\u0434\u0435 \u0438 \u0431\u044B\u043B\u0430 \u043F\u043E\u0441\u0442\u0430\u0432\u043B\u0435\u043D\u0430 \u0432\u043F\u0435\u0440\u0432\u044B\u0435 26 \u044F\u043D\u0432\u0430\u0440\u044F 1957 \u0433\u043E\u0434\u0430 (\u043D\u0430 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u043E\u043C \u044F\u0437\u044B\u043A\u0435, \u0434\u0438\u0440\u0438\u0436\u0451\u0440 \u041D\u0438\u043D\u043E \u0421\u0430\u043D\u0434\u0437\u043E\u043D\u044C\u043E). \u041F\u0440\u043E\u0442\u044F\u0436\u0451\u043D\u043D\u043E\u0441\u0442\u044C \u0441\u043F\u0435\u043A\u0442\u0430\u043A\u043B\u044F 2,5 \u2014 3 \u0447\u0430\u0441\u0430."@ru . "Dialogues des Carm\u00E9lites (Di\u00E0legs de Carmelites) \u00E9s una \u00F2pera en tres actes, composta per Francis Poulenc basada en un text de Georges Bernanos, en franc\u00E8s. L'origen del llibret es troba en el relat L'\u00FAltima del pat\u00EDbul de Gertrud von Le Fort, inspirat en una hist\u00F2ria ver\u00EDdica d'un grup de carmelites guillotinades a la , i anomenades les Carmelites de Compi\u00E8gne. L'\u00F2pera es va interpretar per primera vegada en itali\u00E0 en La Scala de Mil\u00E0 el 26 de gener de 1957; l'estrena de la versi\u00F3 original francesa va tenir lloc el 21 de juny del mateix any a l'Op\u00E9ra de Paris."@ca . . . "Di\u00E1logos de carmelitas (\u00F3pera)"@es . . . . . . . . . . . . . "\u00AB\u0414\u0456\u0430\u043B\u043E\u0433\u0438 \u043A\u0430\u0440\u043C\u0435\u043B\u0456\u0442\u043E\u043A\u00BB (\u0444\u0440. Dialogues des Carm\u00E9lites) \u2014 \u043E\u043F\u0435\u0440\u0430 \u043D\u0430 \u0442\u0440\u0438 \u0434\u0456\u0457, \u0440\u043E\u0437\u0434\u0456\u043B\u0435\u043D\u0430 \u043D\u0430 \u0434\u0432\u0430\u043D\u0430\u0434\u0446\u044F\u0442\u044C \u0441\u0446\u0435\u043D \u0437\u0456 \u0441\u043F\u043E\u043B\u0443\u0447\u043D\u0438\u043C\u0438 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u0432\u0438\u043C\u0438 \u0456\u043D\u0442\u0435\u0440\u043C\u0435\u0434\u0456\u044F\u043C\u0438. \u041C\u0443\u0437\u0438\u043A\u0430 \u0442\u0430 \u043B\u0456\u0431\u0440\u0435\u0442\u043E \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0430 \u0424\u0440\u0435\u043D\u0441\u0456\u0441\u043E\u043C \u041F\u0443\u043B\u0435\u043D\u043A\u043E\u043C \u0432 1956 \u0440\u043E\u0446\u0456. \u041A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u043D\u0430\u043F\u0438\u0441\u0430\u0432 \u043B\u0456\u0431\u0440\u0435\u0442\u043E \u0434\u043E \u0441\u0432\u043E\u0454\u0457 \u0434\u0440\u0443\u0433\u043E\u0457 \u043E\u043F\u0435\u0440\u0438 \u0437\u0430 \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u043C \u0442\u0432\u043E\u0440\u043E\u043C \u0416\u043E\u0440\u0436\u0430 \u0411\u0435\u0440\u043D\u0430\u043D\u043E\u0441\u0430. \u0412 \u043E\u043F\u0435\u0440\u0456 \u0440\u043E\u0437\u043F\u043E\u0432\u0456\u0434\u0430\u0454\u0442\u044C\u0441\u044F \u0432\u0438\u0433\u0430\u0434\u0430\u043D\u0430 \u0432\u0435\u0440\u0441\u0456\u044F \u0456\u0441\u0442\u043E\u0440\u0456\u0457 \u043F\u0440\u043E \u041C\u0443\u0447\u0435\u043D\u0438\u0446\u044C \u041A\u043E\u043C\u043F'\u0454\u043D\u0430, \u043C\u043E\u043D\u0430\u0445\u0438\u043D\u044C-\u043A\u0430\u0440\u043C\u0435\u043B\u0456\u0442\u043E\u043A, \u044F\u043A\u0438\u0445 \u0443 1794 \u0440\u043E\u0446\u0456 \u043F\u0456\u0434 \u0447\u0430\u0441 \u0437\u0430\u0432\u0435\u0440\u0448\u0430\u043B\u044C\u043D\u0438\u0445 \u0434\u043D\u0456\u0432 \u043F\u0440\u0430\u0432\u043B\u0456\u043D\u043D\u044F \u0442\u0435\u0440\u043E\u0440\u0443 \u0432 \u0447\u0430\u0441\u0438 \u0424\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u0457 \u0440\u0435\u0432\u043E\u043B\u044E\u0446\u0456\u0457 \u0433\u0456\u043B\u044C\u0439\u043E\u0442\u0438\u0437\u0443\u0432\u0430\u043B\u0438 \u0432 \u041F\u0430\u0440\u0438\u0436\u0456 \u0437\u0430 \u043D\u0435\u0437\u0433\u043E\u0434\u0443 \u0432\u0456\u0434\u043C\u043E\u0432\u0438\u0442\u0438\u0441\u044C \u0432\u0456\u0434 \u0441\u0432\u043E\u0433\u043E \u043F\u043E\u043A\u043B\u0438\u043A\u0430\u043D\u043D\u044F."@uk . . . "French"@en . . "I dialoghi delle Carmelitane (Dialogues des Carm\u00E9lites) \u00E8 un'opera di Francis Poulenc composto su un libretto tratto dall'omonimo testo postumo di Georges Bernanos. La storia si ispira a un fatto realmente accaduto, e cio\u00E8 all'esecuzione, nel luglio 1794, durante il regime del Terrore, di sedici religiose francesi, note come le \"martiri di Compi\u00E8gne\", che si erano rifiutate di rinunciare ai loro voti."@it . . . "\u30AB\u30EB\u30E1\u30EB\u6D3E\u4FEE\u9053\u5973\u306E\u5BFE\u8A71"@ja . . . . "Dialogi karmelitanek (opera)"@pl . . . . . "1253275"^^ . . . . . . . . . . "\uCE74\uB974\uBA5C\uD68C \uC218\uB140\uB4E4\uC758 \uB300\uD654"@ko . . "Dialogues des Carm\u00E9lites (it. Dialoghi delle Carmelitane, dt. Gespr\u00E4che der Karmelitinnen) ist eine tragische Oper in drei Akten mit zw\u00F6lf Bildern aus dem Jahr 1956 von Francis Poulenc, die er als Auftragswerk f\u00FCr die Mail\u00E4nder Scala komponierte. Das Libretto beruht auf dem gleichnamigen B\u00FChnenst\u00FCck nach einem Drehbuch von Georges Bernanos (deutsch: Die begnadete Angst), das wiederum die Novelle Die Letzte am Schafott von Gertrud von Le Fort zum Vorbild hatte. Die Urauff\u00FChrung fand in italienischer \u00DCbersetzung am 26. Januar 1957 in Mailand statt und war ein gro\u00DFer Erfolg. Die erste Auff\u00FChrung in der franz\u00F6sischen Originalsprache erfolgte am 21. Juni 1957 in der Pariser Oper. Das Werk behandelt die Ereignisse im Karmelitinnenkloster von Compi\u00E8gne bis zur Hinrichtung der 16 Karmelitinnen dur"@de . "Di\u00E1logos de carmelitas (t\u00EDtulo original en franc\u00E9s, Dialogues des Carm\u00E9lites) es una \u00F3pera en tres actos con m\u00FAsica de Francis Poulenc y libreto en franc\u00E9s del propio compositor y , basado en el texto teatral hom\u00F3nimo de Georges Bernanos, quien a su vez se inspir\u00F3 en la novela La \u00FAltima del pat\u00EDbulo o La \u00FAltima en el cadalso, de Gertrud von le Fort. La \u00F3pera se estren\u00F3 en La Scala de Mil\u00E1n el 26 de enero de 1957. Di\u00E1logos contribuy\u00F3 a la reputaci\u00F3n de Poulenc como un compositor especialmente de bella m\u00FAsica vocal. Los di\u00E1logos est\u00E1n en gran medida en recitativo, con una l\u00EDnea mel\u00F3dica que sigue estrechamente el texto. Las armon\u00EDas son suntuosas, con los ocasionales giros arrebatados que son caracter\u00EDsticos del estilo de Poulenc. Las profundos sentimientos religiosos de Poulenc son particularmente evidentes en el magn\u00EDfico arreglo a cappella del Ave Maria en el Acto II, escena II, y del Ave Verum Corpus en el Acto II, escena IV. Durante la escena final de la \u00F3pera, que tiene lugar en la , el sonido distintivo de la hoja de la guillotina descendiendo se oye repetidamente sobre la orquesta y el canto de las monjas."@es . . . . . "\u300E\u30AB\u30EB\u30E1\u30EB\u4F1A\u4FEE\u9053\u5973\u306E\u5BFE\u8A71\u300F\uFF08\u30AB\u30EB\u30E1\u30EB\u304B\u3044\u3057\u3085\u3046\u3069\u3046\u3058\u3087\u306E\u305F\u3044\u308F\u3001Dialogues des carm\u00E9lites\uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B7\u30B9\u30FB\u30D7\u30FC\u30E9\u30F3\u30AF\u4F5C\u66F2\u306E\u30AA\u30DA\u30E9\u3002\u30D5\u30E9\u30F3\u30B9\u9769\u547D\u524D\u5F8C\u306E\u30B3\u30F3\u30D4\u30A8\u30FC\u30CB\u30E5\u306B\u304A\u3051\u308B\u30AB\u30EB\u30E1\u30EB\u4F1A\u4FEE\u9053\u5973\u306E\u51E6\u5211\u3092\u984C\u6750\u3068\u3059\u308B\u3002\u51683\u5E55\u3002"@ja . . . . . . . "Dialogues des carm\u00E9lites est un op\u00E9ra fran\u00E7ais en trois actes de Francis Poulenc. Le livret adapt\u00E9 par le compositeur reprend librement un sc\u00E9nario posthume \u00E9crit par Georges Bernanos inspir\u00E9 de la nouvelle de Gertrud von Le Fort La Derni\u00E8re \u00E0 l'\u00E9chafaud (Die letzte am Schafott), et adapt\u00E9 \u00E0 la sc\u00E8ne par Jacques H\u00E9bertot en 1952. L'op\u00E9ra fut cr\u00E9\u00E9 le 26 janvier 1957 \u00E0 la Scala de Milan dans une version italienne de Flavio Testi. La premi\u00E8re de la version fran\u00E7aise eut lieu \u00E0 l'Op\u00E9ra de Paris le 21 juin de la m\u00EAme ann\u00E9e."@fr . . "I dialoghi delle Carmelitane (opera)"@it . "La Scala, Milan"@en . "Dialogues des Carm\u00E9lites (it. Dialoghi delle Carmelitane, dt. Gespr\u00E4che der Karmelitinnen) ist eine tragische Oper in drei Akten mit zw\u00F6lf Bildern aus dem Jahr 1956 von Francis Poulenc, die er als Auftragswerk f\u00FCr die Mail\u00E4nder Scala komponierte. Das Libretto beruht auf dem gleichnamigen B\u00FChnenst\u00FCck nach einem Drehbuch von Georges Bernanos (deutsch: Die begnadete Angst), das wiederum die Novelle Die Letzte am Schafott von Gertrud von Le Fort zum Vorbild hatte. Die Urauff\u00FChrung fand in italienischer \u00DCbersetzung am 26. Januar 1957 in Mailand statt und war ein gro\u00DFer Erfolg. Die erste Auff\u00FChrung in der franz\u00F6sischen Originalsprache erfolgte am 21. Juni 1957 in der Pariser Oper. Das Werk behandelt die Ereignisse im Karmelitinnenkloster von Compi\u00E8gne bis zur Hinrichtung der 16 Karmelitinnen durch die Guillotine am 17. Juli 1794 in Paris."@de . . "Dialogues des Carm\u00E9lites (Dialogues of the Carmelites), FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compi\u00E8gne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation. The world premi\u00E8re of the opera occurred (in Italian translation) on 26 January 1957 at La Scala in Milan. The premi\u00E8re of the French-language version took place in Paris on 21 June 1957. The United States premi\u00E8re, in English, followed in San Francisco in September 1957."@en . . . "Karmelitsystrarna"@sv . . "Dialogues des Carm\u00E9lites (Poulenc)"@ca . "\u300A\u8056\u8863\u6703\u4FEE\u5973\u5C0D\u8A71\u9304\u300B\uFF08\u6CD5\u8A9E\uFF1ADialogues des Carm\u00E9lites\uFF09\u662F\u4E00\u90E8\u6CD5\u570B\u6B4C\u5287\uFF0C\u5206\u70BA\u5341\u4E8C\u500B\u5834\u666F\uFF0C\u7531\u5F26\u6A02\u9593\u9694\uFF0C\u5F17\u6717\u897F\u65AF\u00B7\u666E\u6717\u514B\u65BC1956\u5E74\u5B8C\u6210\u3002\u300A\u8056\u8863\u6703\u4FEE\u5973\u5C0D\u8A71\u9304\u300B\u5167\u5BB9\u8B1B\u8FF0\u8056\u8863\u6703\u4FEE\u5973\u57281794\u5E74\u6CD5\u570B\u5927\u9769\u547D\u671F\u9593\u6050\u6016\u7D71\u6CBB\uFF0C\u56E0\u62D2\u7D55\u653E\u68C4\u4FE1\u4EF0\u5728\u5DF4\u9ECE\u88AB\u8655\u6B7B\u3002 1957\u5E741\u670826\u65E5\uFF0C\u300A\u8056\u8863\u6703\u4FEE\u5973\u5C0D\u8A71\u9304\u300B\u5728\u7C73\u862D\u65AF\u5361\u62C9\u5927\u5287\u9662\u4E16\u754C\u9996\u6F14\uFF08\u7FA9\u5927\u5229\u8A9E\uFF09\u3002\u6CD5\u8A9E\u7248\u672C\u9996\u6620\u65BC1957\u5E746\u670821\u65E5\u5728\u5DF4\u9ECE\u8209\u884C\u3002\u7F8E\u570B\u9996\u6F14\u65BC1957\u5E749\u6708\u5728\u820A\u91D1\u5C71\u8209\u884C\u3002"@zh . . . . . . . . . . . "1957-01-26"^^ . "I dialoghi delle Carmelitane (Dialogues des Carm\u00E9lites) \u00E8 un'opera di Francis Poulenc composto su un libretto tratto dall'omonimo testo postumo di Georges Bernanos. La storia si ispira a un fatto realmente accaduto, e cio\u00E8 all'esecuzione, nel luglio 1794, durante il regime del Terrore, di sedici religiose francesi, note come le \"martiri di Compi\u00E8gne\", che si erano rifiutate di rinunciare ai loro voti."@it . . . . . . . . . "Dialogues des carm\u00E9lites est un op\u00E9ra fran\u00E7ais en trois actes de Francis Poulenc. Le livret adapt\u00E9 par le compositeur reprend librement un sc\u00E9nario posthume \u00E9crit par Georges Bernanos inspir\u00E9 de la nouvelle de Gertrud von Le Fort La Derni\u00E8re \u00E0 l'\u00E9chafaud (Die letzte am Schafott), et adapt\u00E9 \u00E0 la sc\u00E8ne par Jacques H\u00E9bertot en 1952. L'op\u00E9ra fut cr\u00E9\u00E9 le 26 janvier 1957 \u00E0 la Scala de Milan dans une version italienne de Flavio Testi. La premi\u00E8re de la version fran\u00E7aise eut lieu \u00E0 l'Op\u00E9ra de Paris le 21 juin de la m\u00EAme ann\u00E9e."@fr . . "Poulenc"@en . . . . "Dialogues des carm\u00E9lites"@fr . "\uCE74\uB974\uBA5C\uD68C \uC218\uB140\uB4E4\uC758 \uB300\uD654(\uD504\uB791\uC2A4\uC5B4: Dialogues des Carm\u00E9lites)\uB294 \uD504\uB791\uC2DC\uC2A4 \uD480\uB791\uD06C\uC5D0 \uC758\uD574 1956\uB144 \uC791\uACE1\uB41C \uC624\uD398\uB77C\uB85C, 3\uB9C9\uACFC 12\uAC1C\uC758 \uC7A5\uBA74\uC73C\uB85C \uAD6C\uC131\uB418\uC5B4\uC788\uB2E4. \uD480\uB791\uD06C\uC758 \uB450 \uBC88\uC9F8 \uC624\uD398\uB77C\uB85C \uC870\uB974\uC8FC \uBCA0\uB974\uB098\uB178\uC2A4\uC758 \uC6D0\uC791\uC5D0 \uAE30\uBC18\uD558\uC5EC \uC791\uACE1\uAC00 \uBCF8\uC778\uC774 \uB9AC\uBE0C\uB808\uD1A0\uB97C \uC791\uC131\uD558\uC600\uB2E4. 1794\uB144 \uD504\uB791\uC2A4\uD601\uBA85 \uACF5\uD3EC\uC815\uCE58\uC2DC\uAE30\uC5D0 \uC131\uC9C1\uC744 \uD3EC\uAE30\uD558\uC9C0 \uC54A\uC558\uB2E4\uB294 \uC774\uC720\uB85C \uB2E8\uB450\uB300\uC5D0 \uC62C\uB77C\uAC04 , \uAC00\uB974\uBA5C\uD68C \uC218\uB140\uB4E4\uC758 \uC2E4\uD654\uC5D0 \uAE30\uBC18\uD55C \uCC3D\uC791\uBB3C\uC774\uB2E4. \uC138\uACC4 \uCD08\uC5F0\uC740 \uBC00\uB77C\uB178\uC758 \uC2A4\uCE7C\uB77C \uADF9\uC7A5\uC5D0\uC11C 1957\uB144\uC5D0 \uC774\uD0C8\uB9AC\uC544\uC5B4\uB85C \uC774\uB8E8\uC5B4\uC84C\uB2E4. \uD504\uB791\uC2A4\uC5B4 \uCD08\uC5F0\uC740 \uD30C\uB9AC\uC5D0\uC11C 1957\uB144 6\uC6D4 21\uC77C\uC5D0 \uC774\uB8E8\uC5B4\uC84C\uACE0, \uBBF8\uAD6D\uC5D0\uC11C\uB294 \uC0CC\uD504\uB780\uC2DC\uC2A4\uCF54\uC5D0\uC11C 1957\uB144 9\uC6D4\uC5D0 \uCD08\uC5F0\uB418\uC5C8\uB2E4."@ko . . . . . . "Dialogues des Carm\u00E9lites (Dialogues of the Carmelites), FP 159, is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compi\u00E8gne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation."@en . "Karmelitsystrarna (franska: Dialogues des carm\u00E9lites) \u00E4r en fransk opera i tre akter med musik av Francis Poulenc. Libretto av efter ett drama av Georges Bernanos som i sin tur \u00E4r baserat p\u00E5 en roman av den tyska f\u00F6rfattarinnan Gertrud von Le Fort: Die letzte am Schafott (1931)."@sv . . . . . . . . . . . . . . . "Dialogues of the Carmelites"@en . . . . . . . . . . . . . . . "\u300E\u30AB\u30EB\u30E1\u30EB\u4F1A\u4FEE\u9053\u5973\u306E\u5BFE\u8A71\u300F\uFF08\u30AB\u30EB\u30E1\u30EB\u304B\u3044\u3057\u3085\u3046\u3069\u3046\u3058\u3087\u306E\u305F\u3044\u308F\u3001Dialogues des carm\u00E9lites\uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B7\u30B9\u30FB\u30D7\u30FC\u30E9\u30F3\u30AF\u4F5C\u66F2\u306E\u30AA\u30DA\u30E9\u3002\u30D5\u30E9\u30F3\u30B9\u9769\u547D\u524D\u5F8C\u306E\u30B3\u30F3\u30D4\u30A8\u30FC\u30CB\u30E5\u306B\u304A\u3051\u308B\u30AB\u30EB\u30E1\u30EB\u4F1A\u4FEE\u9053\u5973\u306E\u51E6\u5211\u3092\u984C\u6750\u3068\u3059\u308B\u3002\u51683\u5E55\u3002"@ja . . . . . . . . . . . . . . . "Dialogues des Carm\u00E9lites"@de . . "Dialogy karmelitek (ve francouz\u0161tin\u011B Dialogues des Carm\u00E9lites) je opera o t\u0159ech d\u011Bjstv\u00EDch Francise Poulenca. V roce 1953 vyhledal Poulenca Guiido Valcarenghi z nakladatelstv\u00ED Casa Ricordi a pov\u011B\u0159il ho naps\u00E1n\u00EDm baletu pro opern\u00ED d\u016Fm La Scala v Mil\u00E1n\u011B. Kdy\u017E Poulenc n\u00E1m\u011Bt odm\u00EDtl s t\u00EDm, \u017Ee je nudn\u00FD a neispirativn\u00ED, nab\u00EDdl Valcarenghi m\u00EDsto baletu sc\u00E9n\u00E1\u0159 od Georgese Bernanose, podle novely Die Letzte am Schafott (Posledn\u00ED na popravi\u0161ti) od Gertrudy von le Fort. Historick\u00FD p\u0159\u00EDb\u011Bh se odehr\u00E1v\u00E1 v karmelit\u00E1nsk\u00E9m kl\u00E1\u0161te\u0159e v Compi\u00E8gne za Francouzsk\u00E9 revoluce. Poprv\u00E9 byla opera publiku p\u0159edstavena v italsk\u00E9 verzi v la Scale 26. ledna 1957; p\u016Fvodn\u00ED francouzsk\u00E1 verze m\u011Bla premi\u00E9ru 21. \u010Dervna 1957 v pa\u0159\u00ED\u017Esk\u00E9m Th\u00E9\u00E2tre National de l'Op\u00E9ra (sou\u010Dasn\u00E1 Op\u00E9ra national de Paris)."@cs . . . . . "Dialogy karmelitek (ve francouz\u0161tin\u011B Dialogues des Carm\u00E9lites) je opera o t\u0159ech d\u011Bjstv\u00EDch Francise Poulenca. V roce 1953 vyhledal Poulenca Guiido Valcarenghi z nakladatelstv\u00ED Casa Ricordi a pov\u011B\u0159il ho naps\u00E1n\u00EDm baletu pro opern\u00ED d\u016Fm La Scala v Mil\u00E1n\u011B. Kdy\u017E Poulenc n\u00E1m\u011Bt odm\u00EDtl s t\u00EDm, \u017Ee je nudn\u00FD a neispirativn\u00ED, nab\u00EDdl Valcarenghi m\u00EDsto baletu sc\u00E9n\u00E1\u0159 od Georgese Bernanose, podle novely Die Letzte am Schafott (Posledn\u00ED na popravi\u0161ti) od Gertrudy von le Fort. Historick\u00FD p\u0159\u00EDb\u011Bh se odehr\u00E1v\u00E1 v karmelit\u00E1nsk\u00E9m kl\u00E1\u0161te\u0159e v Compi\u00E8gne za Francouzsk\u00E9 revoluce. Poprv\u00E9 byla opera publiku p\u0159edstavena v italsk\u00E9 verzi v la Scale 26. ledna 1957; p\u016Fvodn\u00ED francouzsk\u00E1 verze m\u011Bla premi\u00E9ru 21. \u010Dervna 1957 v pa\u0159\u00ED\u017Esk\u00E9m Th\u00E9\u00E2tre National de l'Op\u00E9ra (sou\u010Dasn\u00E1 Op\u00E9ra national de Paris). Opera Dialogy karmelitek je jedn\u00EDm z mistrn\u00FDch Poulencov\u00FDch vok\u00E1ln\u00EDch d\u011Bl. Samotn\u00E9 dialogy jsou pojaty jako recitativy s melodickou linkou, kter\u00E1 n\u00E1sleduje text, harmonick\u00E1 stavba je sv\u011B\u017E\u00ED a bohat\u00E1. Poulencovy hlubok\u00E9 n\u00E1bo\u017Eensk\u00E9 pocity jsou patrn\u00E9 v n\u00E1dhern\u00FDch a cappella pas\u00E1\u017E\u00EDch Ave Maria ve 2. d\u011Bjstv\u00ED; sc\u00E9n\u011B 2 a Ave verum corpus ve 2. d\u011Bjstv\u00ED; sc\u00E9n\u011B 4 \u010Di v samotn\u00E9m z\u00E1v\u011Bru opery pak Salve regina. Libreto je neobvykle hlubok\u00E9 d\u00EDky psychologick\u00E9 studii kontrastn\u00EDch povah Matky Marie de l'Incarnation a Blanche de la Force."@cs . "\u0414\u0438\u0430\u043B\u043E\u0301\u0433\u0438 \u043A\u0430\u0440\u043C\u0435\u043B\u0438\u0301\u0442\u043E\u043A (\u0444\u0440. Dialogues des Carm\u00E9lites) \u2014 \u043E\u043F\u0435\u0440\u0430 \u0432 3 \u0430\u043A\u0442\u0430\u0445 (12 \u043A\u0430\u0440\u0442\u0438\u043D\u0430\u0445) \u0424\u0440\u0430\u043D\u0441\u0438\u0441\u0430 \u041F\u0443\u043B\u0435\u043D\u043A\u0430, \u043E\u0434\u043D\u043E \u0438\u0437 \u043D\u0430\u0438\u0431\u043E\u043B\u0435\u0435 \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u044B\u0445 \u0435\u0433\u043E \u0441\u043E\u0447\u0438\u043D\u0435\u043D\u0438\u0439. \u041D\u0430\u043F\u0438\u0441\u0430\u043D\u0430 \u043F\u043E \u0437\u0430\u043A\u0430\u0437\u0443 \u043C\u0438\u043B\u0430\u043D\u0441\u043A\u043E\u0433\u043E \u0442\u0435\u0430\u0442\u0440\u0430 \u041B\u0430 \u0421\u043A\u0430\u043B\u0430, \u0433\u0434\u0435 \u0438 \u0431\u044B\u043B\u0430 \u043F\u043E\u0441\u0442\u0430\u0432\u043B\u0435\u043D\u0430 \u0432\u043F\u0435\u0440\u0432\u044B\u0435 26 \u044F\u043D\u0432\u0430\u0440\u044F 1957 \u0433\u043E\u0434\u0430 (\u043D\u0430 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u043E\u043C \u044F\u0437\u044B\u043A\u0435, \u0434\u0438\u0440\u0438\u0436\u0451\u0440 \u041D\u0438\u043D\u043E \u0421\u0430\u043D\u0434\u0437\u043E\u043D\u044C\u043E). \u041F\u0440\u043E\u0442\u044F\u0436\u0451\u043D\u043D\u043E\u0441\u0442\u044C \u0441\u043F\u0435\u043A\u0442\u0430\u043A\u043B\u044F 2,5 \u2014 3 \u0447\u0430\u0441\u0430."@ru . . ""@en . . . . . . . . . . . . . "Dialogi karmelitanek (fr. Dialogues des carm\u00E9lites) \u2013 opera Francisa Poulenca w trzech aktach. Libretto napisa\u0142 sam kompozytor wed\u0142ug dramatu Georges'a Bernanosa. Prapremiera opery mia\u0142a miejsce w Mediolanie 26 stycznia 1957 r., a jej premiera polska odby\u0142a si\u0119 w \u0141odzi w 2000 roku."@pl . . . . . . . . . . . . . "\u00AB\u0414\u0456\u0430\u043B\u043E\u0433\u0438 \u043A\u0430\u0440\u043C\u0435\u043B\u0456\u0442\u043E\u043A\u00BB (\u0444\u0440. Dialogues des Carm\u00E9lites) \u2014 \u043E\u043F\u0435\u0440\u0430 \u043D\u0430 \u0442\u0440\u0438 \u0434\u0456\u0457, \u0440\u043E\u0437\u0434\u0456\u043B\u0435\u043D\u0430 \u043D\u0430 \u0434\u0432\u0430\u043D\u0430\u0434\u0446\u044F\u0442\u044C \u0441\u0446\u0435\u043D \u0437\u0456 \u0441\u043F\u043E\u043B\u0443\u0447\u043D\u0438\u043C\u0438 \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u043E\u0432\u0438\u043C\u0438 \u0456\u043D\u0442\u0435\u0440\u043C\u0435\u0434\u0456\u044F\u043C\u0438. \u041C\u0443\u0437\u0438\u043A\u0430 \u0442\u0430 \u043B\u0456\u0431\u0440\u0435\u0442\u043E \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0430 \u0424\u0440\u0435\u043D\u0441\u0456\u0441\u043E\u043C \u041F\u0443\u043B\u0435\u043D\u043A\u043E\u043C \u0432 1956 \u0440\u043E\u0446\u0456. \u041A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u043D\u0430\u043F\u0438\u0441\u0430\u0432 \u043B\u0456\u0431\u0440\u0435\u0442\u043E \u0434\u043E \u0441\u0432\u043E\u0454\u0457 \u0434\u0440\u0443\u0433\u043E\u0457 \u043E\u043F\u0435\u0440\u0438 \u0437\u0430 \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u043C \u0442\u0432\u043E\u0440\u043E\u043C \u0416\u043E\u0440\u0436\u0430 \u0411\u0435\u0440\u043D\u0430\u043D\u043E\u0441\u0430. \u0412 \u043E\u043F\u0435\u0440\u0456 \u0440\u043E\u0437\u043F\u043E\u0432\u0456\u0434\u0430\u0454\u0442\u044C\u0441\u044F \u0432\u0438\u0433\u0430\u0434\u0430\u043D\u0430 \u0432\u0435\u0440\u0441\u0456\u044F \u0456\u0441\u0442\u043E\u0440\u0456\u0457 \u043F\u0440\u043E \u041C\u0443\u0447\u0435\u043D\u0438\u0446\u044C \u041A\u043E\u043C\u043F'\u0454\u043D\u0430, \u043C\u043E\u043D\u0430\u0445\u0438\u043D\u044C-\u043A\u0430\u0440\u043C\u0435\u043B\u0456\u0442\u043E\u043A, \u044F\u043A\u0438\u0445 \u0443 1794 \u0440\u043E\u0446\u0456 \u043F\u0456\u0434 \u0447\u0430\u0441 \u0437\u0430\u0432\u0435\u0440\u0448\u0430\u043B\u044C\u043D\u0438\u0445 \u0434\u043D\u0456\u0432 \u043F\u0440\u0430\u0432\u043B\u0456\u043D\u043D\u044F \u0442\u0435\u0440\u043E\u0440\u0443 \u0432 \u0447\u0430\u0441\u0438 \u0424\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u0457 \u0440\u0435\u0432\u043E\u043B\u044E\u0446\u0456\u0457 \u0433\u0456\u043B\u044C\u0439\u043E\u0442\u0438\u0437\u0443\u0432\u0430\u043B\u0438 \u0432 \u041F\u0430\u0440\u0438\u0436\u0456 \u0437\u0430 \u043D\u0435\u0437\u0433\u043E\u0434\u0443 \u0432\u0456\u0434\u043C\u043E\u0432\u0438\u0442\u0438\u0441\u044C \u0432\u0456\u0434 \u0441\u0432\u043E\u0433\u043E \u043F\u043E\u043A\u043B\u0438\u043A\u0430\u043D\u043D\u044F. \u0421\u0432\u0456\u0442\u043E\u0432\u0430 \u043F\u0440\u0435\u043C'\u0454\u0440\u0430 \u043E\u043F\u0435\u0440\u0438 \u0432\u0456\u0434\u0431\u0443\u043B\u0430\u0441\u044F (\u0432 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u043E\u043C\u0443 \u043F\u0435\u0440\u0435\u043A\u043B\u0430\u0434\u0456) 26 \u0441\u0456\u0447\u043D\u044F 1957 \u0440\u043E\u043A\u0443 \u0432 \u043C\u0456\u043B\u0430\u043D\u0441\u044C\u043A\u043E\u043C\u0443 \u041B\u0430 \u0421\u043A\u0430\u043B\u0430. \u041F\u0440\u0435\u043C'\u0454\u0440\u0430 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u043C\u043E\u0432\u043D\u043E\u0457 \u0432\u0435\u0440\u0441\u0456\u0457 \u0432\u0456\u0434\u0431\u0443\u043B\u0430\u0441\u044F \u0432 \u041F\u0430\u0440\u0438\u0436\u0456 21 \u0447\u0435\u0440\u0432\u043D\u044F 1957 \u0440\u043E\u043A\u0443. \u041F\u0440\u0435\u043C'\u0454\u0440\u0430 \u0432 \u0421\u0428\u0410, \u0430\u043D\u0433\u043B\u0456\u0439\u0441\u044C\u043A\u043E\u044E \u043C\u043E\u0432\u043E\u044E, \u043F\u043E\u0441\u043B\u0456\u0434\u0443\u0432\u0430\u043B\u0430 \u0443 \u0421\u0430\u043D-\u0424\u0440\u0430\u043D\u0446\u0438\u0441\u043A\u043E \u0443 \u0432\u0435\u0440\u0435\u0441\u043D\u0456 1957 \u0440\u043E\u043A\u0443."@uk . . . "Elin Rombo as Sister Blanche in a 2011 production at the Royal Swedish Opera"@en . . "\u0414\u0438\u0430\u043B\u043E\u0433\u0438 \u043A\u0430\u0440\u043C\u0435\u043B\u0438\u0442\u043E\u043A"@ru . . "\u8056\u8863\u6703\u4FEE\u5973\u5C0D\u8A71\u9304"@zh . . . . . . "Karmelitsystrarna (franska: Dialogues des carm\u00E9lites) \u00E4r en fransk opera i tre akter med musik av Francis Poulenc. Libretto av efter ett drama av Georges Bernanos som i sin tur \u00E4r baserat p\u00E5 en roman av den tyska f\u00F6rfattarinnan Gertrud von Le Fort: Die letzte am Schafott (1931)."@sv . . . . . "Dialogues des Carm\u00E9lites (Di\u00E0legs de Carmelites) \u00E9s una \u00F2pera en tres actes, composta per Francis Poulenc basada en un text de Georges Bernanos, en franc\u00E8s. L'origen del llibret es troba en el relat L'\u00FAltima del pat\u00EDbul de Gertrud von Le Fort, inspirat en una hist\u00F2ria ver\u00EDdica d'un grup de carmelites guillotinades a la , i anomenades les Carmelites de Compi\u00E8gne. L'\u00F2pera es va interpretar per primera vegada en itali\u00E0 en La Scala de Mil\u00E0 el 26 de gener de 1957; l'estrena de la versi\u00F3 original francesa va tenir lloc el 21 de juny del mateix any a l'Op\u00E9ra de Paris."@ca . . . . "Dialogues of the Carmelites"@en . "1120872164"^^ . . "25672"^^ . . "Dialogy karmelitek"@cs . "\u0414\u0456\u0430\u043B\u043E\u0433\u0438 \u043A\u0430\u0440\u043C\u0435\u043B\u0456\u0442\u043E\u043A"@uk . . .