"D minor"@en . "d-mineur of d klein (afkorting: Dm) is een toonsoort met als grondtoon D."@nl . . . . . . . "\uB77C\uB2E8\uC870(-\u77ED\u8ABF)\uB294 \uB77C(D) \uC74C\uC744 \uC73C\uB738\uC74C\uC73C\uB85C \uD558\uB294 \uB2E8\uC74C\uACC4\uC774\uB2E4. \uBE0C\uB77C\uC6B0\uC800\uC5D0\uC11C \uC18C\uB9AC \uC7AC\uC0DD\uC744 \uC9C0\uC6D0\uD558\uC9C0 \uC54A\uC2B5\uB2C8\uB2E4. \uD560 \uC218 \uC788\uC2B5\uB2C8\uB2E4."@ko . . . . . . . "Re menor (abreviatura en sistema latino: Rem y en sistema ingl\u00E9s: Dm) es la tonalidad que consiste en la escala menor de re, y contiene las notas re, mi, fa, sol, la, si bemol, do y re. Su armadura contiene 1 bemol. Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias.Su tonalidad relativa es fa mayor, y su tonalidad hom\u00F3nima es re mayor. \u200B"@es . . . . "La tonalit\u00E0 di re minore (D minor, d-Moll) \u00E8 incentrata sulla nota tonica Re. Pu\u00F2 essere abbreviata in re m oppure in Dm secondo il sistema anglosassone. La scala minore naturale del re \u00E8: Re, Mi, Fa, Sol, La, Si\u266D, Do, Re. L'armatura di chiave \u00E8 la seguente (1 bemolle): Alterazioni (una sola): si\u266D. La rappresentazione coincide con quella della tonalit\u00E0 relativa Fa maggiore."@it . . . . . . . . . . . . . "Re menor"@es . . . . "d-mineur of d klein (afkorting: Dm) is een toonsoort met als grondtoon D."@nl . . . . . . . . . . . . . . . . "\u0420\u0435 \u043C\u0456\u043D\u043E\u0440"@uk . . "R\u00E9 menor (abreviada no sistema europeu como R\u00E9 m, e como Dm no sistema norte-americano) \u00E9 a tonalidade em que consiste a escala menor de r\u00E9, e cont\u00E9m as notas r\u00E9, mi, f\u00E1, sol, l\u00E1, si bemol, d\u00F3 e r\u00E9. Sua armadura cont\u00E9m, pois, um bemol. Sua tonalidade relativa \u00E9 f\u00E1 maior e sua tonalidade hom\u00F4nima \u00E9 r\u00E9 maior."@pt . "R\u00E9 mineur"@fr . . . . . . "\u30CB\u77ED\u8ABF"@ja . . . . . "d-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton d aufbaut. Die Tonart d-Moll wird in der Notenschrift mit einem \u266D geschrieben. Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart (die Tonika d-f-a) werden mit dem Begriff d-Moll bezeichnet. d-Moll gilt vielen traditionell als ernste, dem Jenseits verhaftete Tonart, vergleiche hierzu allerdings den Artikel Tonartencharakter."@de . "D\u5C0F\u8ABF"@zh . "\u0420\u0435 \u043C\u0456\u043D\u043E\u0440 (D minor, d-Moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u0440\u0435. \u0413\u0430\u043C\u0430 \u0440\u0435 \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u0440\u0435 - \u043C\u0456 - \u0444\u0430 - \u0441\u043E\u043B\u044C - \u043B\u044F - \u0441\u0456\u266D - \u0434\u043ED - E - F - G - A - B\u266D - C. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0444\u0430 \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 \u0440\u0435 \u043C\u0430\u0436\u043E\u0440. \u0420\u0435 \u043C\u0456\u043D\u043E\u0440 \u043C\u0430\u0454 \u043E\u0434\u0438\u043D \u0431\u0435\u043C\u043E\u043B\u044C \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0441\u0456-)."@uk . . "La tonalit\u00E9 de r\u00E9 mineur se d\u00E9veloppe en partant de la note tonique r\u00E9. Elle est appel\u00E9e D minor en anglais et d-moll dans l\u2019Europe centrale. L'armure est la m\u00EAme que celle de la tonalit\u00E9 relative fa majeur."@fr . . . . . . "G"@en . "La tonalit\u00E0 di re minore (D minor, d-Moll) \u00E8 incentrata sulla nota tonica Re. Pu\u00F2 essere abbreviata in re m oppure in Dm secondo il sistema anglosassone. La scala minore naturale del re \u00E8: Re, Mi, Fa, Sol, La, Si\u266D, Do, Re. L'armatura di chiave \u00E8 la seguente (1 bemolle): Alterazioni (una sola): si\u266D. La rappresentazione coincide con quella della tonalit\u00E0 relativa Fa maggiore."@it . . . . . "F"@en . . . . . . "D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B\u266D, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Audio playback is not supported in your browser. You can . Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Audio playback is not supported in your browser. You can .Audio playback is not supported in your browser. You can ."@en . . . . . . . . . . "{ \\new Staff \\with{ \\magnifyStaff #3/2 } > }"@en . . . . . . . "\u0420\u0435 \u043C\u0438\u043D\u043E\u0440 (d-moll) \u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u0440\u0435. \u0418\u043C\u0435\u0435\u0442 \u043E\u0434\u0438\u043D \u0431\u0435\u043C\u043E\u043B\u044C \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435."@ru . "1978576"^^ . . "Re menor (tamb\u00E9 Rem en la notaci\u00F3 europea, i Dm en la notaci\u00F3 americana) \u00E9s la tonalitat que t\u00E9 l'escala menor natural a partir de la nota re; aix\u00ED est\u00E0 constitu\u00EFda per les notes re, mi, fa, sol, la, si\u266D i do. La seva armadura cont\u00E9 un bemoll, el si bemoll. El seu relatiu major \u00E9s fa major, i la tonalitat hom\u00F2nima \u00E9s re major. Com succeeix en totes les tonalitats menors, la sensaci\u00F3 general \u00E9s m\u00E9s \"fosca\" que la que produeix l'escolta d'una tonalitat major. Des de molt antic, aquesta tonalitat se la identifica com la tonalitat de la tristesa o la pena. Sembla que \u00E9s la tonalitat menor m\u00E9s usada en les obres per a guitarra; de les 555 sonates per a teclat de Domenico Scarlatti, que recullen molts dels manierismes de la m\u00FAsica per a guitarra, 151 estan en tonalitats menors, i la tonalitat m\u00E9s usada \u00E9s re menor, amb 32 sonates. Tot l'Art de la fuga de Johann Sebastian Bach est\u00E0 en re menor. D'acord amb Alfred Einstein, la hist\u00F2ria de l'afinaci\u00F3 ha comportat que s'hagi associat re menor amb el contrapunt i el cromatisme (per exemple, la quarta crom\u00E0tica), i cita la Fuga crom\u00E0tica en re menor de Mozart. Tamb\u00E9 el R\u00E8quiem de Mozart est\u00E0 a re menor. Dels dos concerts per a piano que Mozart va escriure en menor, un d'ells, el Concert per a piano n\u00FAm. 20 K. 466, \u00E9s en re menor. Pel que fa a Michael Haydn, nom\u00E9s va escriure una simfonia en menor, i va ser en re menor (Perger 20, MH 393). Re menor \u00E9s la tonalitat de la Simfonia n\u00FAm. 9 \"Coral\" de Beethoven, i Bruckner va escriure la seva pr\u00F2pia en la mateixa tonalitat. Diverses obres del classicisme, i tamb\u00E9 posteriors, comencen t\u00EDpicament en menor i acaben en major, o almenys en un acord major (tercera picarda). La Simfonia n\u00FAm. 9 de Bruckner, que va quedar inconclusa i \u00E9s interpretada sense el final, \u00E9s un altre exemple d'una simfonia que comen\u00E7a a re menor i acaba mi major. La Simfonia Dante de Liszt comen\u00E7a en re menor i acaba en si major."@ca . . . "D-Moll"@de . . . "D-mineur"@nl . . . . . . . . . . . . . . . . . . . . "La tonalit\u00E9 de r\u00E9 mineur se d\u00E9veloppe en partant de la note tonique r\u00E9. Elle est appel\u00E9e D minor en anglais et d-moll dans l\u2019Europe centrale. L'armure est la m\u00EAme que celle de la tonalit\u00E9 relative fa majeur."@fr . . . . "\uB77C\uB2E8\uC870(-\u77ED\u8ABF)\uB294 \uB77C(D) \uC74C\uC744 \uC73C\uB738\uC74C\uC73C\uB85C \uD558\uB294 \uB2E8\uC74C\uACC4\uC774\uB2E4. \uBE0C\uB77C\uC6B0\uC800\uC5D0\uC11C \uC18C\uB9AC \uC7AC\uC0DD\uC744 \uC9C0\uC6D0\uD558\uC9C0 \uC54A\uC2B5\uB2C8\uB2E4. \uD560 \uC218 \uC788\uC2B5\uB2C8\uB2E4."@ko . . . . . . . . . "Re menor (abreviatura en sistema latino: Rem y en sistema ingl\u00E9s: Dm) es la tonalidad que consiste en la escala menor de re, y contiene las notas re, mi, fa, sol, la, si bemol, do y re. Su armadura contiene 1 bemol. Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias.Su tonalidad relativa es fa mayor, y su tonalidad hom\u00F3nima es re mayor. \u200B"@es . "\u0631\u064A \u0635\u063A\u064A\u0631"@ar . . . . "12481"^^ . . . "d-moll \u2013 molowa gama muzyczna, kt\u00F3rej tonik\u0105 jest d. Jej d\u017Awi\u0119ki w odmianie naturalnej to: d, e, f, g, a, b, c. Audio playback is not supported in your browser. You can . Gama d-moll w odmianie harmonicznej (z VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton): Audio playback is not supported in your browser. You can . Gama d-moll w odmianie doryckiej (z VI i VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton w stosunku do gamy d-moll naturalnej): Audio playback is not supported in your browser. You can . R\u00F3wnoleg\u0142\u0105 gam\u0105 durow\u0105 jest F-dur, jednoimienn\u0105 durow\u0105 \u2013 D-dur. Znane dzie\u0142a w tonacji d-moll:"@pl . . . . "D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B\u266D, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Audio playback is not supported in your browser. You can . Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Audio playback is not supported in your browser. You can .Audio playback is not supported in your browser. You can ."@en . "Re minore"@it . "R\u00E9 menor"@pt . "C"@en . . . . . . . . . . . . . . . . "\u30CB\u77ED\u8ABF\uFF08\u30CB\u305F\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u30CB (D) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u77ED\u8ABF\u3067\u3042\u308B\u3002\u8ABF\u53F7\u306F\u30D5\u30E9\u30C3\u30C81\u7B87\u6240 (B) \u3067\u3042\u308B\u3002"@ja . "1123822989"^^ . . . . . . "Re menor (tamb\u00E9 Rem en la notaci\u00F3 europea, i Dm en la notaci\u00F3 americana) \u00E9s la tonalitat que t\u00E9 l'escala menor natural a partir de la nota re; aix\u00ED est\u00E0 constitu\u00EFda per les notes re, mi, fa, sol, la, si\u266D i do. La seva armadura cont\u00E9 un bemoll, el si bemoll. El seu relatiu major \u00E9s fa major, i la tonalitat hom\u00F2nima \u00E9s re major. Com succeeix en totes les tonalitats menors, la sensaci\u00F3 general \u00E9s m\u00E9s \"fosca\" que la que produeix l'escolta d'una tonalitat major. Des de molt antic, aquesta tonalitat se la identifica com la tonalitat de la tristesa o la pena."@ca . "\u30CB\u77ED\u8ABF\uFF08\u30CB\u305F\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u30CB (D) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u77ED\u8ABF\u3067\u3042\u308B\u3002\u8ABF\u53F7\u306F\u30D5\u30E9\u30C3\u30C81\u7B87\u6240 (B) \u3067\u3042\u308B\u3002"@ja . "\u0631\u064A \u0635\u063A\u064A\u0631 (D minor) \u0647\u0648 \u0633\u0644\u0645 \u0645\u0648\u0633\u064A\u0642\u064A \u0635\u063A\u064A\u0631 \u064A\u062A\u0623\u0644\u0641 \u0645\u0646 \u0627\u0644\u062F\u0631\u062C\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0631\u064A D\u060C \u0645\u064A E\u060C \u0641\u0627 F\u060C \u0635\u0648\u0644 G\u060C \u0644\u0627 A\u060C \u0633\u064A \u0627\u0644\u0645\u0646\u062E\u0641\u0636\u0629 \u266DB\u060C \u062F\u0648 C\u060C \u0648\u064A\u0646\u062A\u0647\u064A \u0628\u0645\u0641\u062A\u0627\u062D \u0631\u064A D\u060C \u0648\u0630\u0644\u0643 \u0639\u0644\u0649 \u0627\u0644\u062A\u0631\u062A\u064A\u0628 \u0627\u0644\u062A\u0627\u0644\u064A \u0645\u0646 \u0627\u0644\u064A\u0633\u0627\u0631 \u0625\u0644\u0649 \u0627\u0644\u064A\u0645\u064A\u0646: D, E, F, G, A, B\u266D, C, D \u064A\u062D\u0648\u064A \u0633\u0644\u0645 \u0641\u0627 \u0627\u0644\u0643\u0628\u064A\u0631 \u0639\u0644\u0649 \u0625\u0634\u0627\u0631\u0629 \u0627\u0644\u062E\u0641\u0636 \u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0633\u064A. \u0625\u0646 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0635\u063A\u064A\u0631 \u0627\u0644\u0645\u062A\u0646\u0627\u063A\u0645 \u0645\u0639\u0647 \u064A\u0643\u0648\u0646 \u0639\u0646 \u0637\u0631\u0628\u0642 \u0631\u0641\u0639 \u0627\u0644\u062F\u0648 C \u0625\u0644\u0649 \u266FC. \u0625\u0646 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0627\u0644\u0642\u0631\u064A\u0628 \u0644\u0647 \u0639\u0644\u0649 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0643\u0628\u064A\u0631 \u0647\u0648 \u0641\u0627 \u0643\u0628\u064A\u0631\u060C \u0623\u0645\u0627 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0645\u0648\u0627\u0632\u064A \u0641\u0647\u0648 \u0631\u064A \u0643\u0628\u064A\u0631."@ar . "Re menor"@ca . . . "D-Moll estas tonalo de la modalo minoro, bazi\u011Danta sur la toniko d. La tonalo d-minoro estas indikata en la notacio per unu bemolo \u266D. Anka\u016D la respektivan gamon kaj la bazan akordon de \u0109i tiu tonalo (la toniko d-f-a), oni nomas d-minoro. d-minoro al multaj la\u016Dtradicie validas kiel serioza tonalo teni\u011Da al la transmondo."@eo . . . . "D-moll"@pl . . "d\u5C0F\u8ABF\u662F\u5F9ED\u97F3\u958B\u59CB\u7684\u97F3\u6A02\u5C0F\u8ABF\uFF0C\u7D44\u6210\u7684\u97F3\u6709D\u3001E\u3001F\u3001G\u3001A\u3001\u964DB\u3001C\u3001D\u3002d\u5C0F\u8ABF\u662F\u6709\u4E00\u500B\u964D\u865F\u7684\u8ABF\u3002 \u5B83\u7684\u95DC\u4FC2\u8ABF\u662FF\u5927\u8ABF\uFF0C\u4E26\u884C\u5927\u8ABF\u662FD\u5927\u8ABF\u3002"@zh . . "\u0420\u0435 \u043C\u0438\u043D\u043E\u0440 (d-moll) \u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u0440\u0435. \u0418\u043C\u0435\u0435\u0442 \u043E\u0434\u0438\u043D \u0431\u0435\u043C\u043E\u043B\u044C \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435."@ru . . "B"@en . . . . . "E"@en . . . . . . . . . . . . "\u0420\u0435 \u043C\u0456\u043D\u043E\u0440 (D minor, d-Moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u0440\u0435. \u0413\u0430\u043C\u0430 \u0440\u0435 \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u0440\u0435 - \u043C\u0456 - \u0444\u0430 - \u0441\u043E\u043B\u044C - \u043B\u044F - \u0441\u0456\u266D - \u0434\u043ED - E - F - G - A - B\u266D - C. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0444\u0430 \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 \u0440\u0435 \u043C\u0430\u0436\u043E\u0440. \u0420\u0435 \u043C\u0456\u043D\u043E\u0440 \u043C\u0430\u0454 \u043E\u0434\u0438\u043D \u0431\u0435\u043C\u043E\u043B\u044C \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0441\u0456-)."@uk . . . . . "\u0420\u0435 \u043C\u0438\u043D\u043E\u0440"@ru . . . . . . . . . . . . . . . . . "d-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton d aufbaut. Die Tonart d-Moll wird in der Notenschrift mit einem \u266D geschrieben. Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart (die Tonika d-f-a) werden mit dem Begriff d-Moll bezeichnet. d-Moll gilt vielen traditionell als ernste, dem Jenseits verhaftete Tonart, vergleiche hierzu allerdings den Artikel Tonartencharakter."@de . . . . "A"@en . . "D minor"@en . "D-minoro"@eo . . . . "D"@en . . . "d\u5C0F\u8ABF\u662F\u5F9ED\u97F3\u958B\u59CB\u7684\u97F3\u6A02\u5C0F\u8ABF\uFF0C\u7D44\u6210\u7684\u97F3\u6709D\u3001E\u3001F\u3001G\u3001A\u3001\u964DB\u3001C\u3001D\u3002d\u5C0F\u8ABF\u662F\u6709\u4E00\u500B\u964D\u865F\u7684\u8ABF\u3002 \u5B83\u7684\u95DC\u4FC2\u8ABF\u662FF\u5927\u8ABF\uFF0C\u4E26\u884C\u5927\u8ABF\u662FD\u5927\u8ABF\u3002"@zh . "\u0631\u064A \u0635\u063A\u064A\u0631 (D minor) \u0647\u0648 \u0633\u0644\u0645 \u0645\u0648\u0633\u064A\u0642\u064A \u0635\u063A\u064A\u0631 \u064A\u062A\u0623\u0644\u0641 \u0645\u0646 \u0627\u0644\u062F\u0631\u062C\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0631\u064A D\u060C \u0645\u064A E\u060C \u0641\u0627 F\u060C \u0635\u0648\u0644 G\u060C \u0644\u0627 A\u060C \u0633\u064A \u0627\u0644\u0645\u0646\u062E\u0641\u0636\u0629 \u266DB\u060C \u062F\u0648 C\u060C \u0648\u064A\u0646\u062A\u0647\u064A \u0628\u0645\u0641\u062A\u0627\u062D \u0631\u064A D\u060C \u0648\u0630\u0644\u0643 \u0639\u0644\u0649 \u0627\u0644\u062A\u0631\u062A\u064A\u0628 \u0627\u0644\u062A\u0627\u0644\u064A \u0645\u0646 \u0627\u0644\u064A\u0633\u0627\u0631 \u0625\u0644\u0649 \u0627\u0644\u064A\u0645\u064A\u0646: D, E, F, G, A, B\u266D, C, D \u064A\u062D\u0648\u064A \u0633\u0644\u0645 \u0641\u0627 \u0627\u0644\u0643\u0628\u064A\u0631 \u0639\u0644\u0649 \u0625\u0634\u0627\u0631\u0629 \u0627\u0644\u062E\u0641\u0636 \u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0633\u064A. \u0625\u0646 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0635\u063A\u064A\u0631 \u0627\u0644\u0645\u062A\u0646\u0627\u063A\u0645 \u0645\u0639\u0647 \u064A\u0643\u0648\u0646 \u0639\u0646 \u0637\u0631\u0628\u0642 \u0631\u0641\u0639 \u0627\u0644\u062F\u0648 C \u0625\u0644\u0649 \u266FC. \u0625\u0646 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0627\u0644\u0642\u0631\u064A\u0628 \u0644\u0647 \u0639\u0644\u0649 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0643\u0628\u064A\u0631 \u0647\u0648 \u0641\u0627 \u0643\u0628\u064A\u0631\u060C \u0623\u0645\u0627 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0645\u0648\u0627\u0632\u064A \u0641\u0647\u0648 \u0631\u064A \u0643\u0628\u064A\u0631."@ar . . . "R\u00E9 menor (abreviada no sistema europeu como R\u00E9 m, e como Dm no sistema norte-americano) \u00E9 a tonalidade em que consiste a escala menor de r\u00E9, e cont\u00E9m as notas r\u00E9, mi, f\u00E1, sol, l\u00E1, si bemol, d\u00F3 e r\u00E9. Sua armadura cont\u00E9m, pois, um bemol. Sua tonalidade relativa \u00E9 f\u00E1 maior e sua tonalidade hom\u00F4nima \u00E9 r\u00E9 maior."@pt . "D-Moll estas tonalo de la modalo minoro, bazi\u011Danta sur la toniko d. La tonalo d-minoro estas indikata en la notacio per unu bemolo \u266D. Anka\u016D la respektivan gamon kaj la bazan akordon de \u0109i tiu tonalo (la toniko d-f-a), oni nomas d-minoro. d-minoro al multaj la\u016Dtradicie validas kiel serioza tonalo teni\u011Da al la transmondo."@eo . . . . . "\uB77C\uB2E8\uC870"@ko . . . "d-moll \u2013 molowa gama muzyczna, kt\u00F3rej tonik\u0105 jest d. Jej d\u017Awi\u0119ki w odmianie naturalnej to: d, e, f, g, a, b, c. Audio playback is not supported in your browser. You can . Gama d-moll w odmianie harmonicznej (z VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton): Audio playback is not supported in your browser. You can . Gama d-moll w odmianie doryckiej (z VI i VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton w stosunku do gamy d-moll naturalnej): Audio playback is not supported in your browser. You can . R\u00F3wnoleg\u0142\u0105 gam\u0105 durow\u0105 jest F-dur, jednoimienn\u0105 durow\u0105 \u2013 D-dur. D-moll to tak\u017Ce akord, zbudowany z pierwszego (d), trzeciego (f) i pi\u0105tego (a) stopnia gamy d-moll. Znane dzie\u0142a w tonacji d-moll: \n* Ludwig van Beethoven - IX Symfonia op. 125 \n* Wolfgang Amadeus Mozart - Requiem KV 626 \n* Wolfgang Amadeus Mozart - XX Koncert fortepianowy KV 466 \n* Robert Schumann - IV Symfonia op. 120 \n* Gustav Mahler - III Symfonia \n* Johann Sebastian Bach - Toccata i fuga BWV 565 \n* Felix Mendelssohn-Bartholdy - Trio fortepianowe op. 49 \n* Franz Schubert - Serenada \n* Henryk Wieniawski - II Koncert skrzypcowy d-moll op. 22 \n* Jerzy Derfel - Ma\u0142a Msza Radosna d-moll \n* Felix Mendelssohn-Bartholdy - VI Sonata op. 65"@pl .