. . . . . . . . "Leithghabh\u00E1il chult\u00FArtha"@ga . . . . . . "Culturele toe-eigening"@nl . "Kulturell appropriering"@sv . "L'appropriation culturelle d\u00E9signe \u00E0 l'origine l'utilisation d'\u00E9l\u00E9ments mat\u00E9riels ou immat\u00E9riels d'une culture par les membres d'une autre culture, dont l'acquisition d'artefacts d'autres cultures par des mus\u00E9es occidentaux. Par la suite, le concept est utilis\u00E9 par analogie par la critique litt\u00E9raire et artistique, le plus souvent avec une connotation d'exploitation et de domination. L'expression m\u00EAme d'\u00AB appropriation culturelle \u00BB est par ailleurs toujours employ\u00E9e pour d\u00E9noter de multiples formes de transmission et de red\u00E9finition culturelle (par exemple en sociologie et en histoire rurale). Depuis la fin des ann\u00E9es 2000, avec le temps et le d\u00E9veloppement de disciplines critiques aux \u00C9tats-Unis, le deuxi\u00E8me sens se popularise et tend \u00E0 s'importer dans les pays francophones. L'appropriation culturelle se r\u00E9f\u00E8re donc souvent aujourd'hui \u00E0 l'id\u00E9e que l'utilisation d'\u00E9l\u00E9ments d'une culture par les membres d'une culture \u00AB dominante \u00BB ou jug\u00E9e n\u00E9ocoloniale serait intrins\u00E8quement irrespectueuse. L'extension de ce concept suscite des controverses et des d\u00E9bats de plus en plus fr\u00E9quents entre ses partisans et ses critiques. Les partisans du concept affirment qu\u2019il constituerait une forme d'oppression et de spoliation. La culture \u00AB minoritaire \u00BB se trouverait ainsi d\u00E9pouill\u00E9e de son identit\u00E9, ou r\u00E9duite \u00E0 une simple caricature raciste. Ses critiques voient dans l'utilisation pol\u00E9mique de ce concept une attitude politiquement correcte visant \u00E0 entraver la libert\u00E9 d'expression et de cr\u00E9ation. D'autres enfin consid\u00E8rent qu'il est n\u00E9cessaire de distinguer ce qui rel\u00E8ve de l'utilisation nuisible (commerciale, malintentionn\u00E9e ou st\u00E9r\u00E9otyp\u00E9e) d'\u00E9l\u00E9ments culturels provenant de cultures historiquement domin\u00E9es, et ce qui rel\u00E8ve d'un ph\u00E9nom\u00E8ne historique et fructueux d'\u00E9changes interculturels."@fr . . . . . . . . . . . . "Kulturelle Aneignung (englisch cultural appropriation) wird die \u00DCbernahme von Ausdrucksformen oder Artefakten, Geschichte und Wissensformen von Tr\u00E4gern einer anderen Kultur oder Identit\u00E4t bezeichnet. In einem engeren Sinn wird als \u201Ekulturelle Aneignung\u201C angesehen, wenn Tr\u00E4ger einer \u201Edominanteren Kultur\u201C Kulturelemente einer \u201EMinderheitskultur\u201C \u00FCbernehmen und sie \u201Eohne Genehmigung, Anerkennung oder Entsch\u00E4digung\u201C in einen anderen Kontext stellen. Die ethische Dimension kultureller Aneignung wird in der Regel nur dann thematisiert, wenn die \u00FCbernommenen Kulturelemente einer Minderheit angeh\u00F6ren, die als sozial, politisch, wirtschaftlich oder milit\u00E4risch benachteiligt gilt.Kulturelle Aneignung m\u00FCsse gem\u00E4\u00DF dieser Definition von \u201Ekulturellem Austausch\u201C abgegrenzt werden: Bei kultureller Aneignung w\u00FCrden die \u00FCbernommenen Bestandteile kultureller Identit\u00E4t zur Ware gemacht und damit trivialisiert. Zudem w\u00FCrden die angeeigneten Kulturelemente oftmals falsch oder verzerrt reproduziert, was zur F\u00F6rderung von Stereotypen f\u00FChren k\u00F6nne. Kultureller Austausch dagegen basiere auf Wertsch\u00E4tzung und Respekt und finde meist im Rahmen eines gegenseitigen Kennenlernens der Tr\u00E4ger der unterschiedlichen Kulturen statt. Kritiker geben zu bedenken, dass sich Kulturen gegenseitig beeinflussen und diese Dynamiken bei einer kompromisslosen Verwendung des Konzepts \u00FCberm\u00E4\u00DFig stigmatisiert w\u00FCrden. Einige Kritik am Konzept sieht darin identit\u00E4tspolitische Tendenzen."@de . . . . . . . . . . . . . . . . . . "Kulturell appropriering inneb\u00E4r att en person som tillh\u00F6r en majoritetskultur anammar s\u00E4rdrag fr\u00E5n en minoritetskultur eller kultur med l\u00E5g status, utan att visa tillr\u00E4cklig respekt f\u00F6r den senare kulturen."@sv . . "\u6587\u5316\u306E\u76D7\u7528(\u3076\u3093\u304B\u306E\u3068\u3046\u3088\u3046 \u82F1: Cultural appropriation)\u3068\u306F\u3001\u3042\u308B\u6587\u5316\u570F\u306E\u8981\u7D20\u3092\u4ED6\u306E\u6587\u5316\u570F\u306E\u8005\u304C\u6D41\u7528\u3059\u308B\u884C\u70BA\u3067\u3042\u308B\u3002\u5C11\u6570\u6C11\u65CF\u306A\u3069\u793E\u4F1A\u7684\u5C11\u6570\u8005\u306E\u6587\u5316\u306B\u5BFE\u3057\u3066\u884C\u3063\u305F\u5834\u5408\u3001\u8AD6\u4E89\u306E\u7684\u306B\u306A\u308A\u3084\u3059\u3044\u3002\u6D41\u7528\u306E\u5BFE\u8C61\u3068\u306A\u308B\u6587\u5316\u7684\u8981\u7D20\u3068\u3057\u3066\u306F\u5B97\u6559\u304A\u3088\u3073\u6587\u5316\u306E\u4F1D\u7D71\u3001\u30D5\u30A1\u30C3\u30B7\u30E7\u30F3\u3001\u30B7\u30F3\u30DC\u30EB\u3001\u8A00\u8A9E\u3001\u97F3\u697D\u304C\u542B\u307E\u308C\u308B\u3002 \u793E\u4F1A\u7684\u5C11\u6570\u6D3E\u306E\u6587\u5316\u304B\u3089\u6D41\u7528\u3055\u308C\u305F\u8981\u7D20\u306F\u591A\u6570\u6D3E\u306B\u6240\u5C5E\u3059\u308B\u8005\u305F\u3061\u306B\u3088\u3063\u3066\u5143\u306E\u6587\u8108\u304B\u3089\u5916\u308C\u3066\u4F7F\u7528\u3055\u308C\u3001\u6642\u306B\u306F\u5C11\u6570\u6D3E\u304C\u660E\u793A\u7684\u306B\u793A\u3057\u305F\u5E0C\u671B\u306B\u53CD\u3059\u308B\u5F62\u3067\u4F7F\u308F\u308C\u308B\u3053\u3068\u3082\u3042\u308B\u3053\u3068\u304B\u3089\u3001\u6587\u5316\u306E\u76D7\u7528\u306F\u30A2\u30AB\u30EB\u30C1\u30E5\u30EC\u30FC\u30B7\u30E7\u30F3\u3084\u5BFE\u7B49\u306A\u6587\u5316\u4EA4\u6D41\u3068\u306F\u7570\u306A\u308A\u690D\u6C11\u5730\u4E3B\u7FA9\u306E\u4E00\u5F62\u614B\u3067\u3042\u308B\u3068\u3055\u308C\u308B\u3002\u307E\u305F\u3001\u6587\u5316\u7684\u306A\u8981\u7D20\u304C\u5143\u306E\u6587\u8108\u304B\u3089\u5207\u308A\u96E2\u3055\u308C\u672C\u6765\u306E\u610F\u5473\u304C\u5931\u308F\u308C\u305F\u308A\u6B6A\u3081\u3089\u308C\u305F\u308A\u3059\u308B\u3053\u3068\u306F\u3001\u6D41\u7528\u5143\u306E\u6587\u5316\u306B\u5BFE\u3059\u308B\u5192\u6D9C\u3067\u3042\u308B\u3068\u3044\u3046\u6307\u6458\u3082\u3042\u308B\u3002\u30A2\u30D5\u30EA\u30AB\u7CFB\u30A2\u30E1\u30EA\u30AB\u4EBA\u306E\u5B66\u8005\u3067\u3042\u308B\u30B0\u30EC\u30C3\u30B0\u30FB\u30C6\u30A4\u30C8\u306F\u6587\u5316\u306E\u76D7\u7528\u3068\u300C\u6587\u5316\u306E\u30D5\u30A7\u30C6\u30A3\u30C3\u30B7\u30E5\u5316\u300D\u306F\u6587\u5316\u7684\u8981\u7D20\u3092\u6D41\u7528\u3055\u308C\u305F\u4EBA\u3005\u3092\u758E\u5916\u3057\u3066\u3044\u308B\u3068\u6307\u6458\u3057\u3066\u3044\u308B\u3002 \u4E00\u65B9\u3067\u3001\u6587\u5316\u306E\u76D7\u7528\u3068\u3044\u3046\u6982\u5FF5\u306B\u5BFE\u3057\u3066\u306F\u6279\u5224\u7684\u306A\u610F\u898B\u3082\u3042\u308B\u3002 \u8A00\u8A9E\u5B66\u8005\u306E\u30B8\u30E7\u30F3\u30FB\u30DE\u30AF\u30A6\u30A9\u30FC\u30BF\u30FC\u306F\u3001\u6587\u5316\u306E\u76D7\u7528\u306F\u4E00\u822C\u7684\u306B\u8AA4\u89E3\u3055\u308C\u3084\u3059\u304F\u3001\u3042\u308B\u6587\u5316\u306E\u98DF\u3079\u7269\u3092\u98DF\u3079\u305F\u308A\u7570\u6587\u5316\u3092\u5B66\u3093\u3067\u3044\u308B\u3068\u3044\u3063\u305F\u72B6\u6CC1\u306B\u5BFE\u3057\u3066\u3082\u8AA4\u7528\u3055\u308C\u308B\u5834\u5408\u304C\u3042\u308B\u3068\u3044\u3046\u6307\u6458\u3084\u3001\u6982\u5FF5\u306B\u4E00\u8CAB\u6027\u304C\u306A\u3044\u3068\u3044\u3046\u6307\u6458\u304C\u3042\u308B\u3068\u4E3B\u5F35\u3057\u3066\u3044\u308B\u3002\u307E\u305F\u3001\u4F5C\u66F2\u5BB6\u306E\u6E05\u6C34\u30C1\u30E3\u30FC\u30C8\u30EA\u30FC\u306F\u3001\u793E\u4F1A\u554F\u984C\u306B\u654F\u611F\u306A\u82B8\u8853\u5BB6\u306E\u81EA\u7531\u306A\u8868\u73FE\u3092\u840E\u7E2E\u3055\u305B\u304B\u306D\u306A\u3044\u73FE\u72B6\u306B\u5BFE\u3057\u3066\u61F8\u5FF5\u3092\u793A\u3057\u3066\u3044\u308B\u3002"@ja . . . . . . "\u6587\u5316\u306E\u76D7\u7528(\u3076\u3093\u304B\u306E\u3068\u3046\u3088\u3046 \u82F1: Cultural appropriation)\u3068\u306F\u3001\u3042\u308B\u6587\u5316\u570F\u306E\u8981\u7D20\u3092\u4ED6\u306E\u6587\u5316\u570F\u306E\u8005\u304C\u6D41\u7528\u3059\u308B\u884C\u70BA\u3067\u3042\u308B\u3002\u5C11\u6570\u6C11\u65CF\u306A\u3069\u793E\u4F1A\u7684\u5C11\u6570\u8005\u306E\u6587\u5316\u306B\u5BFE\u3057\u3066\u884C\u3063\u305F\u5834\u5408\u3001\u8AD6\u4E89\u306E\u7684\u306B\u306A\u308A\u3084\u3059\u3044\u3002\u6D41\u7528\u306E\u5BFE\u8C61\u3068\u306A\u308B\u6587\u5316\u7684\u8981\u7D20\u3068\u3057\u3066\u306F\u5B97\u6559\u304A\u3088\u3073\u6587\u5316\u306E\u4F1D\u7D71\u3001\u30D5\u30A1\u30C3\u30B7\u30E7\u30F3\u3001\u30B7\u30F3\u30DC\u30EB\u3001\u8A00\u8A9E\u3001\u97F3\u697D\u304C\u542B\u307E\u308C\u308B\u3002 \u793E\u4F1A\u7684\u5C11\u6570\u6D3E\u306E\u6587\u5316\u304B\u3089\u6D41\u7528\u3055\u308C\u305F\u8981\u7D20\u306F\u591A\u6570\u6D3E\u306B\u6240\u5C5E\u3059\u308B\u8005\u305F\u3061\u306B\u3088\u3063\u3066\u5143\u306E\u6587\u8108\u304B\u3089\u5916\u308C\u3066\u4F7F\u7528\u3055\u308C\u3001\u6642\u306B\u306F\u5C11\u6570\u6D3E\u304C\u660E\u793A\u7684\u306B\u793A\u3057\u305F\u5E0C\u671B\u306B\u53CD\u3059\u308B\u5F62\u3067\u4F7F\u308F\u308C\u308B\u3053\u3068\u3082\u3042\u308B\u3053\u3068\u304B\u3089\u3001\u6587\u5316\u306E\u76D7\u7528\u306F\u30A2\u30AB\u30EB\u30C1\u30E5\u30EC\u30FC\u30B7\u30E7\u30F3\u3084\u5BFE\u7B49\u306A\u6587\u5316\u4EA4\u6D41\u3068\u306F\u7570\u306A\u308A\u690D\u6C11\u5730\u4E3B\u7FA9\u306E\u4E00\u5F62\u614B\u3067\u3042\u308B\u3068\u3055\u308C\u308B\u3002\u307E\u305F\u3001\u6587\u5316\u7684\u306A\u8981\u7D20\u304C\u5143\u306E\u6587\u8108\u304B\u3089\u5207\u308A\u96E2\u3055\u308C\u672C\u6765\u306E\u610F\u5473\u304C\u5931\u308F\u308C\u305F\u308A\u6B6A\u3081\u3089\u308C\u305F\u308A\u3059\u308B\u3053\u3068\u306F\u3001\u6D41\u7528\u5143\u306E\u6587\u5316\u306B\u5BFE\u3059\u308B\u5192\u6D9C\u3067\u3042\u308B\u3068\u3044\u3046\u6307\u6458\u3082\u3042\u308B\u3002\u30A2\u30D5\u30EA\u30AB\u7CFB\u30A2\u30E1\u30EA\u30AB\u4EBA\u306E\u5B66\u8005\u3067\u3042\u308B\u30B0\u30EC\u30C3\u30B0\u30FB\u30C6\u30A4\u30C8\u306F\u6587\u5316\u306E\u76D7\u7528\u3068\u300C\u6587\u5316\u306E\u30D5\u30A7\u30C6\u30A3\u30C3\u30B7\u30E5\u5316\u300D\u306F\u6587\u5316\u7684\u8981\u7D20\u3092\u6D41\u7528\u3055\u308C\u305F\u4EBA\u3005\u3092\u758E\u5916\u3057\u3066\u3044\u308B\u3068\u6307\u6458\u3057\u3066\u3044\u308B\u3002"@ja . . . . . . . . . . . . . . . "A apropria\u00E7\u00E3o cultural ocorre quando uma cultura adota elementos espec\u00EDficos de outra. Estes podem ser ideias, s\u00EDmbolos, artefatos, imagens, sons, objetos, formas ou aspectos comportamentais que, uma vez removidos dos seus contextos culturais originais, podem assumir significados muito divergentes."@pt . . "\u041A\u0443\u043B\u044C\u0442\u0443\u0440\u043D\u0435 \u043F\u0440\u0438\u0432\u043B\u0430\u0441\u043D\u0435\u043D\u043D\u044F (\u0430\u043D\u0433\u043B. Cultural appropriation), \u0430\u043F\u0440\u043E\u043F\u0440\u0456\u0430\u0446\u0456\u044F \u2014 \u0441\u043E\u0446\u0456\u043E\u043B\u043E\u0433\u0456\u0447\u043D\u0430 \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0456\u044F, \u0437\u0433\u0456\u0434\u043D\u043E \u0437 \u044F\u043A\u043E\u044E \u0437\u0430\u043F\u043E\u0437\u0438\u0447\u0435\u043D\u043D\u044F \u0430\u0431\u043E \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u0430\u043D\u043D\u044F \u0435\u043B\u0435\u043C\u0435\u043D\u0442\u0456\u0432 \u043E\u0434\u043D\u0456\u0454\u0457 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0438 \u0447\u043B\u0435\u043D\u0430\u043C\u0438 \u0456\u043D\u0448\u043E\u0457 \u0441\u043F\u0440\u0438\u0439\u043C\u0430\u0454\u0442\u044C\u0441\u044F \u043D\u0435\u0441\u0445\u0432\u0430\u043B\u044C\u043D\u043E, \u044F\u043A \u0433\u043E\u043B\u043E\u0432\u043D\u0438\u043C \u0447\u0438\u043D\u043E\u043C \u043D\u0435\u0433\u0430\u0442\u0438\u0432\u043D\u0435 \u044F\u0432\u0438\u0449\u0435. \u0412 \u043E\u0441\u043D\u043E\u0432\u0456 \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0456\u0457 \u043B\u0435\u0436\u0438\u0442\u044C \u0443\u044F\u0432\u0430 \u043F\u0440\u043E \u0442\u0435, \u0449\u043E \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0430, \u0435\u043B\u0435\u043C\u0435\u043D\u0442\u0438 \u044F\u043A\u043E\u0457 \u0431\u0443\u043B\u043E \u0437\u0430\u043F\u043E\u0437\u0438\u0447\u0435\u043D\u043E, \u0441\u0442\u0430\u0454 \u0442\u0430\u043A\u0438\u043C \u0447\u0438\u043D\u043E\u043C \u043E\u0431'\u0454\u043A\u0442\u043E\u043C \u0435\u043A\u0441\u043F\u043B\u0443\u0430\u0442\u0430\u0446\u0456\u0457 \u0442\u0430 \u043F\u0440\u0438\u0433\u043D\u0456\u0447\u0435\u043D\u043D\u044F \u0437 \u0431\u043E\u043A\u0443 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0438, \u044F\u043A\u0430 \u0437\u0430\u043F\u043E\u0437\u0438\u0447\u0443\u0454.\u0423 \u041F\u0456\u0432\u043D\u0456\u0447\u043D\u0456\u0439 \u0410\u043C\u0435\u0440\u0438\u0446\u0456 \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0456\u044F \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u043D\u043E\u0433\u043E \u043F\u0440\u0438\u0432\u043B\u0430\u0441\u043D\u0435\u043D\u043D\u044F \u043C\u0430\u0454 \u043E\u0441\u043E\u0431\u043B\u0438\u0432\u0438\u0439 \u0432\u043F\u043B\u0438\u0432 \u0443 \u0434\u043E\u0441\u043B\u0456\u0434\u0436\u0435\u043D\u043D\u044F\u0445 \u0442\u0430 \u043F\u0443\u0431\u043B\u0456\u043A\u0430\u0446\u0456\u044F\u0445, \u043F\u0440\u0438\u0441\u0432\u044F\u0447\u0435\u043D\u0438\u0445 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0456 \u043A\u043E\u0440\u0456\u043D\u043D\u043E\u0433\u043E \u043D\u0430\u0441\u0435\u043B\u0435\u043D\u043D\u044F \u0410\u043C\u0435\u0440\u0438\u043A\u0438, \u0430 \u0442\u0430\u043A\u043E\u0436 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0456 \u0430\u0444\u0440\u043E\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0446\u0456\u0432."@uk . . . . . . . . . . . . . . . . "Kultura alpropri\u011Do (en la angla: cultural appropriation) estas la transpreno a\u016D la uzo de la elementoj de malpli superrega kulturo en nedezirinda kaj ofenda maniero la\u016D ties membroj - tiel ke \u011Dia hereda\u0135o estas misuzata de homoj en privilegia pozicio. \u0108i tio diferencas de forpu\u015Dita grupo, kiu adoptas ion de superrega kulturo en procezo de kultura asimilado."@eo . . . . "Kulturell appropriering inneb\u00E4r att en person som tillh\u00F6r en majoritetskultur anammar s\u00E4rdrag fr\u00E5n en minoritetskultur eller kultur med l\u00E5g status, utan att visa tillr\u00E4cklig respekt f\u00F6r den senare kulturen."@sv . . . . . . . . "\u041A\u0443\u043B\u044C\u0442\u0443\u0440\u043D\u0435 \u043F\u0440\u0438\u0432\u043B\u0430\u0441\u043D\u0435\u043D\u043D\u044F (\u0430\u043D\u0433\u043B. Cultural appropriation), \u0430\u043F\u0440\u043E\u043F\u0440\u0456\u0430\u0446\u0456\u044F \u2014 \u0441\u043E\u0446\u0456\u043E\u043B\u043E\u0433\u0456\u0447\u043D\u0430 \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0456\u044F, \u0437\u0433\u0456\u0434\u043D\u043E \u0437 \u044F\u043A\u043E\u044E \u0437\u0430\u043F\u043E\u0437\u0438\u0447\u0435\u043D\u043D\u044F \u0430\u0431\u043E \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u0430\u043D\u043D\u044F \u0435\u043B\u0435\u043C\u0435\u043D\u0442\u0456\u0432 \u043E\u0434\u043D\u0456\u0454\u0457 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0438 \u0447\u043B\u0435\u043D\u0430\u043C\u0438 \u0456\u043D\u0448\u043E\u0457 \u0441\u043F\u0440\u0438\u0439\u043C\u0430\u0454\u0442\u044C\u0441\u044F \u043D\u0435\u0441\u0445\u0432\u0430\u043B\u044C\u043D\u043E, \u044F\u043A \u0433\u043E\u043B\u043E\u0432\u043D\u0438\u043C \u0447\u0438\u043D\u043E\u043C \u043D\u0435\u0433\u0430\u0442\u0438\u0432\u043D\u0435 \u044F\u0432\u0438\u0449\u0435. \u0412 \u043E\u0441\u043D\u043E\u0432\u0456 \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0456\u0457 \u043B\u0435\u0436\u0438\u0442\u044C \u0443\u044F\u0432\u0430 \u043F\u0440\u043E \u0442\u0435, \u0449\u043E \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0430, \u0435\u043B\u0435\u043C\u0435\u043D\u0442\u0438 \u044F\u043A\u043E\u0457 \u0431\u0443\u043B\u043E \u0437\u0430\u043F\u043E\u0437\u0438\u0447\u0435\u043D\u043E, \u0441\u0442\u0430\u0454 \u0442\u0430\u043A\u0438\u043C \u0447\u0438\u043D\u043E\u043C \u043E\u0431'\u0454\u043A\u0442\u043E\u043C \u0435\u043A\u0441\u043F\u043B\u0443\u0430\u0442\u0430\u0446\u0456\u0457 \u0442\u0430 \u043F\u0440\u0438\u0433\u043D\u0456\u0447\u0435\u043D\u043D\u044F \u0437 \u0431\u043E\u043A\u0443 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0438, \u044F\u043A\u0430 \u0437\u0430\u043F\u043E\u0437\u0438\u0447\u0443\u0454.\u0423 \u041F\u0456\u0432\u043D\u0456\u0447\u043D\u0456\u0439 \u0410\u043C\u0435\u0440\u0438\u0446\u0456 \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0456\u044F \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u043D\u043E\u0433\u043E \u043F\u0440\u0438\u0432\u043B\u0430\u0441\u043D\u0435\u043D\u043D\u044F \u043C\u0430\u0454 \u043E\u0441\u043E\u0431\u043B\u0438\u0432\u0438\u0439 \u0432\u043F\u043B\u0438\u0432 \u0443 \u0434\u043E\u0441\u043B\u0456\u0434\u0436\u0435\u043D\u043D\u044F\u0445 \u0442\u0430 \u043F\u0443\u0431\u043B\u0456\u043A\u0430\u0446\u0456\u044F\u0445, \u043F\u0440\u0438\u0441\u0432\u044F\u0447\u0435\u043D\u0438\u0445 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0456 \u043A\u043E\u0440\u0456\u043D\u043D\u043E\u0433\u043E \u043D\u0430\u0441\u0435\u043B\u0435\u043D\u043D\u044F \u0410\u043C\u0435\u0440\u0438\u043A\u0438, \u0430 \u0442\u0430\u043A\u043E\u0436 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0456 \u0430\u0444\u0440\u043E\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0446\u0456\u0432."@uk . . . . . . . "Cultural appropriation is the inappropriate or unacknowledged adoption of an element or elements of one culture or identity by members of another culture or identity. This can be controversial when members of a dominant culture appropriate from minority cultures. According to critics of the practice, cultural appropriation differs from acculturation, assimilation, or equal cultural exchange in that this appropriation is a form of colonialism. When cultural elements are copied from a minority culture by members of a dominant culture, and these elements are used outside of their original cultural context \u2500 sometimes even against the expressly stated wishes of members of the originating culture \u2013 the practice is often received negatively. Cultural appropriation is considered harmful by various groups and individuals, including Indigenous people working for cultural preservation, those who advocate for collective intellectual property rights of the originating, minority cultures, and those who have lived or are living under colonial rule. Cultural appropriation can include exploitation of another culture's religious and cultural traditions, dance steps, fashion, symbols, language, and music. Those who see this appropriation as exploitative state that cultural elements are lost or distorted when they are removed from their originating cultural contexts, and that such displays are disrespectful or even a form of desecration. Cultural elements that may have deep meaning to the original culture may be reduced to \"exotic\" fashion or toys by those from the dominant culture. Kjerstin Johnson has written that, when this is done, the imitator, \"who does not experience that oppression is able to 'play', temporarily, an 'exotic' other, without experiencing any of the daily discriminations faced by other cultures\". The black American academic, musician and journalist Greg Tate argued that appropriation and the \"fetishising\" of cultures, in fact, alienates those whose culture is being appropriated. The concept of cultural appropriation has also been subject to heavy criticism and debate. Critics note that the concept is often misunderstood or misapplied by the general public, and that charges of \"cultural appropriation\" are at times misapplied to situations such as trying food from a different culture or learning about different cultures. Others state that the act of cultural appropriation as it is usually defined does not meaningfully constitute social harm, or the term lacks conceptual coherence. Additionally, the term can set arbitrary limits on intellectual freedom, artists' self-expression, reinforce group divisions, or promote a feeling of enmity or grievance rather than of liberation."@en . . . . . . "\uBB38\uD654\uC801 \uC804\uC720(\u6587\u5316\u7684 \u5C08\u6709, cultural appropriation) \uD639\uC740 \uBB38\uD654\uC801 \uB3C4\uC6A9(\u6587\u5316\u7684 \u76DC\u7528)\uC774\uB780 \uB2E4\uB978 \uBB38\uD654\uB098 \uC815\uCCB4\uC131\uC758 \uAD6C\uC131\uC6D0\uC774 \uD558\uB098\uC758 \uBB38\uD654\uB098 \uC815\uCCB4\uC131\uC758 \uC694\uC18C\uB97C \uCC44\uD0DD\uD558\uB294 \uAC83\uC774\uB2E4. \uC774\uAC83\uC740 \uC758 \uAD6C\uC131\uC6D0\uB4E4\uC774 \uB97C \uB3C4\uC6A9(\uC804\uC720)\uD560 \uB54C \uB17C\uC7C1\uC758 \uC5EC\uC9C0\uAC00 \uC788\uC744 \uC218 \uC788\uB2E4. \uD2B9\uBCC4\uD788 \uC774\uB7F0 \uC804\uC720\uB294 \uC2DD\uBBFC\uC8FC\uC758 \uD615\uD0DC\uB77C\uB294 \uC810\uC5D0\uC11C \uBB38\uD654 \uBCC0\uC6A9, \uBB38\uD654 \uB3D9\uD654, \uD639\uC740 \uD3C9\uB4F1\uD55C \uBB38\uD654\uC801 \uAD50\uD658\uACFC\uB294 \uCC28\uC774\uC810\uC774 \uC788\uB2E4\uACE0 \uBE44\uD3C9\uAC00\uB4E4\uC740 \uB9D0\uD55C\uB2E4. \uBB34\uB2E8\uC73C\uB85C \uC0AC\uC6A9\uD558\uACE0 \uC6D0\uB798\uC758 \uBB38\uD654\uC758 \uC815\uC2E0\uC744 \uC874\uC911\uD558\uC9C0 \uBABB\uD55C \uC810\uB3C4 \uBB38\uC81C\uAC00 \uB41C\uB2E4. \uC774\uC5D0 \uB300\uD55C \uC0AC\uB840\uB294 \uB300\uC911\uBB38\uD654\uC5D0\uC11C \uD754\uD788 \uBC1C\uACAC\uB41C\uB2E4. \uC5F0\uADF9\uC774\uB098 \uC601\uD654\uC5D0\uC11C \uC544\uBA54\uB9AC\uCE78 \uC778\uB514\uC5B8\uC758 \uBD84\uC7A5\uACFC \uBCF5\uC7A5\uC744 \uB530\uB77C\uD558\uB294 \uAC83, \uC720\uC0C9\uC778\uC885 \uCE90\uB9AD\uD130\uB098 \uC778\uBB3C\uC744 \uBC31\uC778\uC73C\uB85C \uB300\uCCB4\uD558\uB294 \uAC83, \uC18C\uC218\uBBFC\uC871\uC758 \uC804\uD1B5\uC744 \uC0C1\uD488\uD654\uD558\uC5EC \uD310\uB9E4\uD558\uB294 \uAC83 \uB4F1\uC774 \uC8FC\uC694\uD55C \uBB38\uD654\uC801 \uB3C4\uC6A9\uC758 \uC0AC\uB840\uC774\uB2E4. \uC8FC\uB958 \uBB38\uD654\uAD8C\uC5D0\uC11C \uBE44\uC8FC\uB958 \uBB38\uD654\uAD8C\uC758 \uC804\uD1B5\uC774\uB098 \uC758\uC0C1, \uC885\uAD50\uC801 \uC81C\uC758, \uAD00\uC2B5\u00B7\uC5B8\uC5B4\u00B7\uB178\uB798 \uB4F1\uC744 \uD5C8\uAC00 \uC5C6\uC774 \uBCA0\uB07C\uB294 \uAC83\uC774\uB2E4. \uC5B4\uB290 \uD55C \uBB38\uD654\uC9D1\uB2E8\uC774 \uB2E4\uB978 \uBB38\uD654\uC9D1\uB2E8\uC758 \uC804\uD1B5\uBB38\uD654\uB97C \uBB34\uB2E8\uC73C\uB85C \uC0AC\uC6A9\uD558\uB294 \uAC83\uC774\uB2E4."@ko . . . . . . . "\u041A\u0443\u043B\u044C\u0442\u0443\u0440\u043D\u0435 \u043F\u0440\u0438\u0432\u043B\u0430\u0441\u043D\u0435\u043D\u043D\u044F"@uk . . . . . . . "Appropriation culturelle"@fr . "\u0627\u0633\u062A\u062D\u0648\u0627\u0630 \u062B\u0642\u0627\u0641\u064A"@ar . . . . . . . . . . "\u6587\u5316\u632A\u7528\uFF08\u82F1\u8A9E\uFF1ACultural Appropriation\uFF09\u6216\u6587\u5316\u8AA4\u7528\uFF08Cultural Misappropriation\uFF09\u662F\u4E00\u4E9B\u4EBA\u5728\u8FFD\u6C42\u793E\u6703\u6B63\u7FA9\u7684\u904E\u7A0B\u4E2D\u53EF\u80FD\u4F7F\u7528\u7684\u8A5E\u5F59\uFF0C\u5176\u5B9A\u7FA9\u4E0D\u660E\u78BA\uFF0C\u4F46\u4E00\u822C\u4F86\u8AAA\u662F\u6307\u8F03\u5F37\u52E2\u7684\u500B\u9AD4\u6216\u6587\u5316\u7FA4\u9AD4\u5C0D\u65BC\u76F8\u5C0D\u5F31\u52E2\u7684\u500B\u9AD4\u6216\u6587\u5316\u7FA4\u9AD4\u6642\uFF0C\u5728\u4E0D\u7406\u89E3\u3001\u8AA4\u89E3\u3001\u60E1\u610F\u6216\u6709\u5BB3\u7684\u8A6E\u91CB\u5F31\u52E2\u6587\u5316\uFF1B\u6216\u53D6\u7B11\u3001\u6B67\u8996\u3001\u4E0D\u5C0A\u91CD\u5F31\u52E2\u6587\u5316\uFF1B\u6216\u76F4\u63A5\u63A1\u7528\u3001\u4FB5\u4F54\u3001\u525D\u524A\u3001\u6284\u8972\u6216\u8907\u88FD\uFF08\u5BA3\u7A31\u64C1\u6709\uFF09\u5F31\u52E2\u6587\u5316\u7684\u73FE\u8C61\u3002 \u6839\u64DA\u6279\u8A55\u8005\u7684\u8AAA\u6CD5\uFF0C\u6587\u5316\u632A\u7528\u4E0D\u540C\u65BC\u6587\u5316\u9069\u61C9\u3001\u540C\u5316\u6216\u5E73\u7B49\u7684\u6587\u5316\u4EA4\u6D41\uFF0C\u56E0\u70BA\u6587\u5316\u632A\u7528\u662F\u4E00\u7A2E\u6B96\u6C11\u5F62\u5F0F\u3002\u7576\u4E3B\u6D41\u6587\u5316\u7684\u6210\u54E1\u5F9E\u5C11\u6578\u6C11\u65CF\u6587\u5316\u4E2D\u5FA9\u88FD\u6587\u5316\u5143\u7D20\uFF0C\u4E26\u4E14\u9019\u4E9B\u5143\u7D20\u5728\u5176\u539F\u59CB\u6587\u5316\u80CC\u666F\u4E4B\u5916\u88AB\u4F7F\u7528\u2014\u2014\u6709\u6642\u751A\u81F3\u9055\u80CC\u539F\u59CB\u6587\u5316\u6210\u54E1\u660E\u78BA\u8868\u9054\u7684\u9858\u671B\u2014\u2014\u9019\u7A2E\u505A\u6CD5\u5F80\u5F80\u6703\u53D7\u5230\u8CA0\u9762\u5F71\u97FF\u3002"@zh . . . . . . . "\u6587\u5316\u306E\u76D7\u7528"@ja . . . . . . . "\u6587\u5316\u632A\u7528\uFF08\u82F1\u8A9E\uFF1ACultural Appropriation\uFF09\u6216\u6587\u5316\u8AA4\u7528\uFF08Cultural Misappropriation\uFF09\u662F\u4E00\u4E9B\u4EBA\u5728\u8FFD\u6C42\u793E\u6703\u6B63\u7FA9\u7684\u904E\u7A0B\u4E2D\u53EF\u80FD\u4F7F\u7528\u7684\u8A5E\u5F59\uFF0C\u5176\u5B9A\u7FA9\u4E0D\u660E\u78BA\uFF0C\u4F46\u4E00\u822C\u4F86\u8AAA\u662F\u6307\u8F03\u5F37\u52E2\u7684\u500B\u9AD4\u6216\u6587\u5316\u7FA4\u9AD4\u5C0D\u65BC\u76F8\u5C0D\u5F31\u52E2\u7684\u500B\u9AD4\u6216\u6587\u5316\u7FA4\u9AD4\u6642\uFF0C\u5728\u4E0D\u7406\u89E3\u3001\u8AA4\u89E3\u3001\u60E1\u610F\u6216\u6709\u5BB3\u7684\u8A6E\u91CB\u5F31\u52E2\u6587\u5316\uFF1B\u6216\u53D6\u7B11\u3001\u6B67\u8996\u3001\u4E0D\u5C0A\u91CD\u5F31\u52E2\u6587\u5316\uFF1B\u6216\u76F4\u63A5\u63A1\u7528\u3001\u4FB5\u4F54\u3001\u525D\u524A\u3001\u6284\u8972\u6216\u8907\u88FD\uFF08\u5BA3\u7A31\u64C1\u6709\uFF09\u5F31\u52E2\u6587\u5316\u7684\u73FE\u8C61\u3002 \u6839\u64DA\u6279\u8A55\u8005\u7684\u8AAA\u6CD5\uFF0C\u6587\u5316\u632A\u7528\u4E0D\u540C\u65BC\u6587\u5316\u9069\u61C9\u3001\u540C\u5316\u6216\u5E73\u7B49\u7684\u6587\u5316\u4EA4\u6D41\uFF0C\u56E0\u70BA\u6587\u5316\u632A\u7528\u662F\u4E00\u7A2E\u6B96\u6C11\u5F62\u5F0F\u3002\u7576\u4E3B\u6D41\u6587\u5316\u7684\u6210\u54E1\u5F9E\u5C11\u6578\u6C11\u65CF\u6587\u5316\u4E2D\u5FA9\u88FD\u6587\u5316\u5143\u7D20\uFF0C\u4E26\u4E14\u9019\u4E9B\u5143\u7D20\u5728\u5176\u539F\u59CB\u6587\u5316\u80CC\u666F\u4E4B\u5916\u88AB\u4F7F\u7528\u2014\u2014\u6709\u6642\u751A\u81F3\u9055\u80CC\u539F\u59CB\u6587\u5316\u6210\u54E1\u660E\u78BA\u8868\u9054\u7684\u9858\u671B\u2014\u2014\u9019\u7A2E\u505A\u6CD5\u5F80\u5F80\u6703\u53D7\u5230\u8CA0\u9762\u5F71\u97FF\u3002"@zh . "Appropriazione culturale"@it . . . . . . . . . . . "Is \u00E9ard is Leithghabh\u00E1il chult\u00FArtha ann n\u00E1 roinnt gn\u00E9ithe de chult\u00FAr \u00E1irithe a bheith \u00E1 th\u00F3g\u00E1il agus \u00E1 \u00FAs\u00E1id ag gr\u00FApa a bhaineann le cult\u00FAr eile. D\u00E9anann s\u00E9 cur s\u00EDos ar chomhshamhl\u00FA cult\u00FAr, ach is f\u00E9idir leis tagairt do dhearcadh di\u00FAltach chult\u00FAr an mh\u00F3raimh i leith chult\u00FAr an mhionlaigh chomh maith."@ga . . . . . . . . "\u041A\u0443\u043B\u044C\u0442\u0443\u0301\u0440\u043D\u0430\u044F \u0430\u043F\u0440\u043E\u043F\u0440\u0438\u0430\u0301\u0446\u0438\u044F (\u0430\u043D\u0433\u043B. Cultural appropriation) \u2014 \u0441\u043E\u0446\u0438\u043E\u043B\u043E\u0433\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0438\u044F[\u0443\u0442\u043E\u0447\u043D\u0438\u0442\u044C], \u0441\u043E\u0433\u043B\u0430\u0441\u043D\u043E \u043A\u043E\u0442\u043E\u0440\u043E\u0439 \u0437\u0430\u0438\u043C\u0441\u0442\u0432\u043E\u0432\u0430\u043D\u0438\u0435 \u0438\u043B\u0438 \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u043E\u0432\u0430\u043D\u0438\u0435 \u044D\u043B\u0435\u043C\u0435\u043D\u0442\u043E\u0432 \u043E\u0434\u043D\u043E\u0439 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u044B \u0447\u043B\u0435\u043D\u0430\u043C\u0438 \u0434\u0440\u0443\u0433\u043E\u0439 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u044B \u0440\u0430\u0441\u0441\u043C\u0430\u0442\u0440\u0438\u0432\u0430\u0435\u0442\u0441\u044F \u043A\u0430\u043A \u0432 \u0437\u043D\u0430\u0447\u0438\u0442\u0435\u043B\u044C\u043D\u043E\u0439 \u0441\u0442\u0435\u043F\u0435\u043D\u0438 \u043E\u0442\u0440\u0438\u0446\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0435 \u044F\u0432\u043B\u0435\u043D\u0438\u0435.\u0412 \u043E\u0441\u043D\u043E\u0432\u0435 \u0434\u0430\u043D\u043D\u043E\u0439 \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0438\u0438 \u043B\u0435\u0436\u0438\u0442 \u0443\u0442\u0432\u0435\u0440\u0436\u0434\u0435\u043D\u0438\u0435, \u0447\u0442\u043E \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0430, \u043F\u043E\u0434\u0432\u0435\u0440\u0433\u0430\u044E\u0449\u0430\u044F\u0441\u044F \u0437\u0430\u0438\u043C\u0441\u0442\u0432\u043E\u0432\u0430\u043D\u0438\u044E, \u043F\u043E\u0434\u0432\u0435\u0440\u0433\u0430\u0435\u0442\u0441\u044F \u044D\u043A\u0441\u043F\u043B\u0443\u0430\u0442\u0430\u0446\u0438\u0438 \u0438 \u0443\u0433\u043D\u0435\u0442\u0435\u043D\u0438\u044E \u0441\u043E \u0441\u0442\u043E\u0440\u043E\u043D\u044B \u0437\u0430\u0438\u043C\u0441\u0442\u0432\u0443\u044E\u0449\u0435\u0439 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u044B. \u0412 \u0421\u0435\u0432\u0435\u0440\u043D\u043E\u0439 \u0410\u043C\u0435\u0440\u0438\u043A\u0435 \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0438\u044F \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u043D\u043E\u0439 \u0430\u043F\u0440\u043E\u043F\u0440\u0438\u0430\u0446\u0438\u0438 \u043E\u0441\u043E\u0431\u0435\u043D\u043D\u043E \u0437\u0430\u043C\u0435\u0442\u043D\u0430 \u0432 \u0438\u0441\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u043D\u0438\u044F\u0445 \u0438 \u043F\u0443\u0431\u043B\u0438\u043A\u0430\u0446\u0438\u044F\u0445, \u043F\u043E\u0441\u0432\u044F\u0449\u0451\u043D\u043D\u044B\u0445 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0435 \u043A\u043E\u0440\u0435\u043D\u043D\u043E\u0433\u043E \u043D\u0430\u0441\u0435\u043B\u0435\u043D\u0438\u044F \u0410\u043C\u0435\u0440\u0438\u043A\u0438, \u0430 \u0442\u0430\u043A\u0436\u0435 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0435 \u0430\u0444\u0440\u043E\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0446\u0435\u0432."@ru . . . . . . . . . "107468"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . "\u041A\u0443\u043B\u044C\u0442\u0443\u0440\u043D\u0430\u044F \u0430\u043F\u0440\u043E\u043F\u0440\u0438\u0430\u0446\u0438\u044F"@ru . . . . . . . . . . . . . . . . . "\uBB38\uD654\uC801 \uC804\uC720(\u6587\u5316\u7684 \u5C08\u6709, cultural appropriation) \uD639\uC740 \uBB38\uD654\uC801 \uB3C4\uC6A9(\u6587\u5316\u7684 \u76DC\u7528)\uC774\uB780 \uB2E4\uB978 \uBB38\uD654\uB098 \uC815\uCCB4\uC131\uC758 \uAD6C\uC131\uC6D0\uC774 \uD558\uB098\uC758 \uBB38\uD654\uB098 \uC815\uCCB4\uC131\uC758 \uC694\uC18C\uB97C \uCC44\uD0DD\uD558\uB294 \uAC83\uC774\uB2E4. \uC774\uAC83\uC740 \uC758 \uAD6C\uC131\uC6D0\uB4E4\uC774 \uB97C \uB3C4\uC6A9(\uC804\uC720)\uD560 \uB54C \uB17C\uC7C1\uC758 \uC5EC\uC9C0\uAC00 \uC788\uC744 \uC218 \uC788\uB2E4. \uD2B9\uBCC4\uD788 \uC774\uB7F0 \uC804\uC720\uB294 \uC2DD\uBBFC\uC8FC\uC758 \uD615\uD0DC\uB77C\uB294 \uC810\uC5D0\uC11C \uBB38\uD654 \uBCC0\uC6A9, \uBB38\uD654 \uB3D9\uD654, \uD639\uC740 \uD3C9\uB4F1\uD55C \uBB38\uD654\uC801 \uAD50\uD658\uACFC\uB294 \uCC28\uC774\uC810\uC774 \uC788\uB2E4\uACE0 \uBE44\uD3C9\uAC00\uB4E4\uC740 \uB9D0\uD55C\uB2E4. \uBB34\uB2E8\uC73C\uB85C \uC0AC\uC6A9\uD558\uACE0 \uC6D0\uB798\uC758 \uBB38\uD654\uC758 \uC815\uC2E0\uC744 \uC874\uC911\uD558\uC9C0 \uBABB\uD55C \uC810\uB3C4 \uBB38\uC81C\uAC00 \uB41C\uB2E4. \uC774\uC5D0 \uB300\uD55C \uC0AC\uB840\uB294 \uB300\uC911\uBB38\uD654\uC5D0\uC11C \uD754\uD788 \uBC1C\uACAC\uB41C\uB2E4. \uC5F0\uADF9\uC774\uB098 \uC601\uD654\uC5D0\uC11C \uC544\uBA54\uB9AC\uCE78 \uC778\uB514\uC5B8\uC758 \uBD84\uC7A5\uACFC \uBCF5\uC7A5\uC744 \uB530\uB77C\uD558\uB294 \uAC83, \uC720\uC0C9\uC778\uC885 \uCE90\uB9AD\uD130\uB098 \uC778\uBB3C\uC744 \uBC31\uC778\uC73C\uB85C \uB300\uCCB4\uD558\uB294 \uAC83, \uC18C\uC218\uBBFC\uC871\uC758 \uC804\uD1B5\uC744 \uC0C1\uD488\uD654\uD558\uC5EC \uD310\uB9E4\uD558\uB294 \uAC83 \uB4F1\uC774 \uC8FC\uC694\uD55C \uBB38\uD654\uC801 \uB3C4\uC6A9\uC758 \uC0AC\uB840\uC774\uB2E4. \uC8FC\uB958 \uBB38\uD654\uAD8C\uC5D0\uC11C \uBE44\uC8FC\uB958 \uBB38\uD654\uAD8C\uC758 \uC804\uD1B5\uC774\uB098 \uC758\uC0C1, \uC885\uAD50\uC801 \uC81C\uC758, \uAD00\uC2B5\u00B7\uC5B8\uC5B4\u00B7\uB178\uB798 \uB4F1\uC744 \uD5C8\uAC00 \uC5C6\uC774 \uBCA0\uB07C\uB294 \uAC83\uC774\uB2E4. \uC5B4\uB290 \uD55C \uBB38\uD654\uC9D1\uB2E8\uC774 \uB2E4\uB978 \uBB38\uD654\uC9D1\uB2E8\uC758 \uC804\uD1B5\uBB38\uD654\uB97C \uBB34\uB2E8\uC73C\uB85C \uC0AC\uC6A9\uD558\uB294 \uAC83\uC774\uB2E4."@ko . . . . . . . . . . "Is \u00E9ard is Leithghabh\u00E1il chult\u00FArtha ann n\u00E1 roinnt gn\u00E9ithe de chult\u00FAr \u00E1irithe a bheith \u00E1 th\u00F3g\u00E1il agus \u00E1 \u00FAs\u00E1id ag gr\u00FApa a bhaineann le cult\u00FAr eile. D\u00E9anann s\u00E9 cur s\u00EDos ar chomhshamhl\u00FA cult\u00FAr, ach is f\u00E9idir leis tagairt do dhearcadh di\u00FAltach chult\u00FAr an mh\u00F3raimh i leith chult\u00FAr an mhionlaigh chomh maith."@ga . . "Cultural appropriation"@en . . . . . . . . . . . . . . . . . . . . . . . . . "Kulturn\u00ED apropriace je term\u00EDn ozna\u010Duj\u00EDc\u00ED situaci, kdy \u010Dlenov\u00E9 dominantn\u00ED kultury p\u0159ej\u00EDmaj\u00ED n\u011Bkter\u00E9 aspekty minoritn\u00ED kultury (\u010Dasto takov\u00E9, kter\u00E1 jimi d\u0159\u00EDve byla utla\u010Dov\u00E1na). Kulturn\u00ED apropriace b\u00FDv\u00E1 \u010Dasto zam\u011B\u0148ov\u00E1na s , od kter\u00E9 se odli\u0161uje zejm\u00E9na p\u0159\u00EDtomnost\u00ED koloni\u00E1ln\u00EDho elementu a mocensk\u00E9 nevyv\u00E1\u017Eenosti. Li\u0161\u00ED se tak\u00E9 od asimilace, kter\u00E1 znamen\u00E1 p\u0159izp\u016Fsoben\u00ED men\u0161iny nebo p\u0159ist\u011Bhovalce okoln\u00ED v\u011Bt\u0161inov\u00E9 spole\u010Dnosti alespo\u0148 v t\u00E9 m\u00ED\u0159e, aby vz\u00E1jemn\u00E9 odli\u0161nosti nebr\u00E1nily ve spole\u010Densk\u00E9m uplatn\u011Bn\u00ED, a od akulturace, kter\u00E1 p\u0159edstavuje proces soci\u00E1ln\u00EDch a kulturn\u00EDch zm\u011Bn, kter\u00E9 vznikaj\u00ED v d\u016Fsledku interakce r\u016Fzn\u00FDch kultur. Za kulturn\u00ED apropriaci tak\u00E9 neb\u00FDv\u00E1 pova\u017Eov\u00E1na adaptace prvk\u016F dominantn\u00ED kultury \u010Dleny kultury minoritn\u00ED, jako jej\u00ED\u017E p\u0159\u00EDklad m\u016F\u017Eeme pova\u017Eovat nap\u0159\u00EDklad d\u017E\u00EDny, kter\u00E9 prvn\u011B vyrobil americk\u00FD p\u0159ist\u011Bhovalec p\u016Fvodem z N\u011Bmecka Levi Strauss a kter\u00E9 jsou dnes no\u0161eny na cel\u00E9m sv\u011Bt\u011B. Mezi v\u011Bdn\u00ED discipl\u00EDny zab\u00FDvaj\u00EDc\u00ED se kulturn\u00ED apropriac\u00ED pat\u0159\u00ED zejm\u00E9na antropologie a sociologie."@cs . . . . . . . . . . . . "L'appropriation culturelle d\u00E9signe \u00E0 l'origine l'utilisation d'\u00E9l\u00E9ments mat\u00E9riels ou immat\u00E9riels d'une culture par les membres d'une autre culture, dont l'acquisition d'artefacts d'autres cultures par des mus\u00E9es occidentaux. Par la suite, le concept est utilis\u00E9 par analogie par la critique litt\u00E9raire et artistique, le plus souvent avec une connotation d'exploitation et de domination. L'expression m\u00EAme d'\u00AB appropriation culturelle \u00BB est par ailleurs toujours employ\u00E9e pour d\u00E9noter de multiples formes de transmission et de red\u00E9finition culturelle (par exemple en sociologie et en histoire rurale)."@fr . . . "Kulturelle Aneignung (englisch cultural appropriation) wird die \u00DCbernahme von Ausdrucksformen oder Artefakten, Geschichte und Wissensformen von Tr\u00E4gern einer anderen Kultur oder Identit\u00E4t bezeichnet. In einem engeren Sinn wird als \u201Ekulturelle Aneignung\u201C angesehen, wenn Tr\u00E4ger einer \u201Edominanteren Kultur\u201C Kulturelemente einer \u201EMinderheitskultur\u201C \u00FCbernehmen und sie \u201Eohne Genehmigung, Anerkennung oder Entsch\u00E4digung\u201C in einen anderen Kontext stellen. Die ethische Dimension kultureller Aneignung wird in der Regel nur dann thematisiert, wenn die \u00FCbernommenen Kulturelemente einer Minderheit angeh\u00F6ren, die als sozial, politisch, wirtschaftlich oder milit\u00E4risch benachteiligt gilt.Kulturelle Aneignung m\u00FCsse gem\u00E4\u00DF dieser Definition von \u201Ekulturellem Austausch\u201C abgegrenzt werden: Bei kultureller Aneignu"@de . "La apropiaci\u00F3n cultural es la adopci\u00F3n o uso de elementos culturales por parte de miembros de otra cultura.\u200B Existen diversos tipos; a la variable por la cual se populariz\u00F3 este concepto, se le conoce como apropiaci\u00F3n cultural indebida; a menudo es retratada como da\u00F1ina y se le considera una violaci\u00F3n del derecho de propiedad intelectual contra la cultura de origen.\u200B\u200B\u200B La apropiaci\u00F3n cultural es inevitable cuando m\u00FAltiples culturas se juntan, la apropiaci\u00F3n cultural puede incluir usar tradiciones, comida, s\u00EDmbolos, tecnolog\u00EDa, y canciones culturales de otras culturas.\u200B\u200B\u200B De acuerdo con las cr\u00EDticas hacia esta pr\u00E1ctica, la apropiaci\u00F3n indebida es diferente a la aculturaci\u00F3n, a la asimilaci\u00F3n o al intercambio cultural, ya que la apropiaci\u00F3n, sea o no indebida, se refiere a la adopci\u00F3n de elementos culturales de manera colonial: Elementos culturales de una cultura minoritaria son copiados por una cultura dominante, entonces estas caracter\u00EDsticas son utilizadas fuera del propio contexto cultural, a veces usadas a pesar de los deseos de conservaci\u00F3n por parte de la cultura de origen.\u200B\u200B\u200B\u200B\u200B En diversas ocasiones, cuando el significado original de algunos elementos culturales se pierde o se distorsiona, personas pertenecientes a las respectivas culturas suelen ver estos actos como irrespetuosos o incluso como una forma de profanaci\u00F3n.\u200B\u200B\u200B\u200B Algunos elementos culturales con gran significado para la cultura de origen, a veces, son reducidos a modas y/o juguetes ex\u00F3ticos por la cultura dominante.\u200B\u200B\u200B Kjerstin Johnson escribi\u00F3 que, cuando esto est\u00E1 hecho, el imitador, \u00ABque no experimenta esa clase de opresi\u00F3n es capaz de \u201Cjugar\u201D, temporalmente, con algo ex\u00F3tico, sin vivir la discriminaci\u00F3n diaria a la que se enfrenta la otra cultura\u00BB.\u200B El profesor, escritor y m\u00FAsico afroamericano Greg Tate entiende que la apropiaci\u00F3n y la \u201Cfervorizaci\u00F3n\u201D de una cultura, de hecho, alinea a aquellas personas cuya cultura est\u00E1 siendo apropiada.\u200B Por otro lado, algunos profesores argumentan que el concepto es malinterpretado por el p\u00FAblico general. A veces, se califica como apropiaci\u00F3n indebida a situaciones que realmente no encajan en la definici\u00F3n. En contraste, la apropiaci\u00F3n cultural tambi\u00E9n se observa como algo inevitable y como una contribuci\u00F3n a la diversidad y a la libertad de expresi\u00F3n. Esta visi\u00F3n mantiene un diferenciaci\u00F3n entre el robo directo de artefactos culturales o estereotipos ex\u00F3ticos y pr\u00E9stamos o apreciaciones benignas. Los pr\u00E9stamos culturales y la \u201Cfertilizaci\u00F3n cruzada\u201D es considerada por los defensores como algo positivo, y llevado a cabo por admiraci\u00F3n hacia la cultura que est\u00E1 siendo imitada, sin intentar da\u00F1arlas. La difusi\u00F3n transcultural ha ocurrido a lo largo de la historia y es sujeto de estudio para una gran variedad de acad\u00E9micos de diferentes disciplinas, incluyendo folklore, antropolog\u00EDa cultural o geograf\u00EDa cultural. Por ejemplo, la mayor parte del mundo ha adoptado la numeraci\u00F3n ar\u00E1biga como la forma com\u00FAn y est\u00E1ndar para describir los n\u00FAmeros, esto puede ser interpretado como una forma de apropiaci\u00F3n. Oponerse a esta apropiaci\u00F3n tambi\u00E9n puede verse como algo contraproducente, ya que puede chocar con el derecho a participar en otra cultura.\u200B"@es . . . . . . . . . . . . . . . . . . . "La apropiaci\u00F3n cultural es la adopci\u00F3n o uso de elementos culturales por parte de miembros de otra cultura.\u200B Existen diversos tipos; a la variable por la cual se populariz\u00F3 este concepto, se le conoce como apropiaci\u00F3n cultural indebida; a menudo es retratada como da\u00F1ina y se le considera una violaci\u00F3n del derecho de propiedad intelectual contra la cultura de origen.\u200B\u200B\u200B La apropiaci\u00F3n cultural es inevitable cuando m\u00FAltiples culturas se juntan, la apropiaci\u00F3n cultural puede incluir usar tradiciones, comida, s\u00EDmbolos, tecnolog\u00EDa, y canciones culturales de otras culturas.\u200B\u200B\u200B De acuerdo con las cr\u00EDticas hacia esta pr\u00E1ctica, la apropiaci\u00F3n indebida es diferente a la aculturaci\u00F3n, a la asimilaci\u00F3n o al intercambio cultural, ya que la apropiaci\u00F3n, sea o no indebida, se refiere a la adopci\u00F3n de ele"@es . . . . . . "1982394"^^ . . . . . . . . . . . . . "Culturele toe-eigening of cultuurkaping (Engels: cultural appropriation) is de niet-erkende of ongepaste overname van een element of elementen van een cultuur of identiteit door leden van een andere cultuur of identiteit. Dit kan als controversieel worden ervaren, voornamelijk wanneer leden van een dominante cultuur stijlelementen van een sociaal-etnische minderheid overnemen."@nl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\u041A\u0443\u043B\u044C\u0442\u0443\u0301\u0440\u043D\u0430\u044F \u0430\u043F\u0440\u043E\u043F\u0440\u0438\u0430\u0301\u0446\u0438\u044F (\u0430\u043D\u0433\u043B. Cultural appropriation) \u2014 \u0441\u043E\u0446\u0438\u043E\u043B\u043E\u0433\u0438\u0447\u0435\u0441\u043A\u0430\u044F \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0438\u044F[\u0443\u0442\u043E\u0447\u043D\u0438\u0442\u044C], \u0441\u043E\u0433\u043B\u0430\u0441\u043D\u043E \u043A\u043E\u0442\u043E\u0440\u043E\u0439 \u0437\u0430\u0438\u043C\u0441\u0442\u0432\u043E\u0432\u0430\u043D\u0438\u0435 \u0438\u043B\u0438 \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u043E\u0432\u0430\u043D\u0438\u0435 \u044D\u043B\u0435\u043C\u0435\u043D\u0442\u043E\u0432 \u043E\u0434\u043D\u043E\u0439 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u044B \u0447\u043B\u0435\u043D\u0430\u043C\u0438 \u0434\u0440\u0443\u0433\u043E\u0439 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u044B \u0440\u0430\u0441\u0441\u043C\u0430\u0442\u0440\u0438\u0432\u0430\u0435\u0442\u0441\u044F \u043A\u0430\u043A \u0432 \u0437\u043D\u0430\u0447\u0438\u0442\u0435\u043B\u044C\u043D\u043E\u0439 \u0441\u0442\u0435\u043F\u0435\u043D\u0438 \u043E\u0442\u0440\u0438\u0446\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0435 \u044F\u0432\u043B\u0435\u043D\u0438\u0435.\u0412 \u043E\u0441\u043D\u043E\u0432\u0435 \u0434\u0430\u043D\u043D\u043E\u0439 \u043A\u043E\u043D\u0446\u0435\u043F\u0446\u0438\u0438 \u043B\u0435\u0436\u0438\u0442 \u0443\u0442\u0432\u0435\u0440\u0436\u0434\u0435\u043D\u0438\u0435, \u0447\u0442\u043E \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u0430, \u043F\u043E\u0434\u0432\u0435\u0440\u0433\u0430\u044E\u0449\u0430\u044F\u0441\u044F \u0437\u0430\u0438\u043C\u0441\u0442\u0432\u043E\u0432\u0430\u043D\u0438\u044E, \u043F\u043E\u0434\u0432\u0435\u0440\u0433\u0430\u0435\u0442\u0441\u044F \u044D\u043A\u0441\u043F\u043B\u0443\u0430\u0442\u0430\u0446\u0438\u0438 \u0438 \u0443\u0433\u043D\u0435\u0442\u0435\u043D\u0438\u044E \u0441\u043E \u0441\u0442\u043E\u0440\u043E\u043D\u044B \u0437\u0430\u0438\u043C\u0441\u0442\u0432\u0443\u044E\u0449\u0435\u0439 \u043A\u0443\u043B\u044C\u0442\u0443\u0440\u044B."@ru . . . "1124375881"^^ . . "Culturele toe-eigening of cultuurkaping (Engels: cultural appropriation) is de niet-erkende of ongepaste overname van een element of elementen van een cultuur of identiteit door leden van een andere cultuur of identiteit. Dit kan als controversieel worden ervaren, voornamelijk wanneer leden van een dominante cultuur stijlelementen van een sociaal-etnische minderheid overnemen."@nl . . . . . . . "A apropria\u00E7\u00E3o cultural ocorre quando uma cultura adota elementos espec\u00EDficos de outra. Estes podem ser ideias, s\u00EDmbolos, artefatos, imagens, sons, objetos, formas ou aspectos comportamentais que, uma vez removidos dos seus contextos culturais originais, podem assumir significados muito divergentes."@pt . . . . . . . . . . . . . . . . . "Apropiaci\u00F3n cultural"@es . . . . . "Kultura alpropri\u011Do (en la angla: cultural appropriation) estas la transpreno a\u016D la uzo de la elementoj de malpli superrega kulturo en nedezirinda kaj ofenda maniero la\u016D ties membroj - tiel ke \u011Dia hereda\u0135o estas misuzata de homoj en privilegia pozicio. \u0108i tio diferencas de forpu\u015Dita grupo, kiu adoptas ion de superrega kulturo en procezo de kultura asimilado. Iuj personoj kritikas kulturan alproprigon, precipe kiam elementoj de soci-etna malplimulto estas uzata de membroj de la superrega kulturo. Ofte citita ekzemplo de kultura alproprigo estas la portado de feltharoj, natura hararan\u011Do prezentata inter multaj nacioj tra la mondo."@eo . "Kultura alpropri\u011Do"@eo . . . . . . . . "L'appropriazione culturale \u00E8 un concetto accademico originario degli Stati Uniti secondo il quale l'adozione o l'utilizzazione in maniera inappropriata o inconsapevole di elementi di una cultura da parte dei membri di una cultura \"dominante\" sarebbe irrispettosa e costituirebbe una forma di oppressione e di spoliazione. La cultura \"minoritaria\" si troverebbe cos\u00EC spogliata della sua identit\u00E0, o ridotta a una semplice caricatura razzista."@it . . . . . . "Cultural appropriation is the inappropriate or unacknowledged adoption of an element or elements of one culture or identity by members of another culture or identity. This can be controversial when members of a dominant culture appropriate from minority cultures."@en . . . . . . . . . . . . . "\u0627\u0644\u0627\u0633\u062A\u064A\u0644\u0627\u0621 \u0627\u0644\u062B\u0642\u0627\u0641\u064A\u060C \u0623\u0648 \u0627\u0644\u0627\u0633\u062A\u062D\u0648\u0627\u0630 \u0627\u0644\u062B\u0642\u0627\u0641\u064A\u060C \u0647\u0648 \u062A\u0628\u0646\u064A \u0639\u0646\u0627\u0635\u0631 \u062B\u0642\u0627\u0641\u0629 \u0645\u0639\u064A\u0646\u0629 \u0645\u0646 \u0642\u0628\u0644 \u0623\u0639\u0636\u0627\u0621 \u062B\u0642\u0627\u0641\u0629 \u0623\u062E\u0631\u0649. \u0647\u0630\u0647 \u0627\u0644\u0645\u0645\u0627\u0631\u0633\u0629 \u064A\u0645\u0643\u0646 \u0623\u0646 \u062A\u0643\u0648\u0646 \u0645\u062B\u064A\u0631\u0629 \u0644\u0644\u062C\u062F\u0644 \u0639\u0646\u062F\u0645\u0627 \u064A\u0633\u062A\u062D\u0648\u0630 \u0623\u0639\u0636\u0627\u0621 \u062B\u0642\u0627\u0641\u0629 \u0645\u0647\u064A\u0645\u0646\u0629 \u0639\u0644\u0649 \u0639\u0646\u0627\u0635\u0631 \u0645\u0646 \u062B\u0642\u0627\u0641\u0627\u062A \u0627\u0644\u0623\u0642\u0644\u064A\u0627\u062A. \u064A\u0639\u062A\u0628\u0631 \u0627\u0644\u0627\u0633\u062A\u064A\u0644\u0627\u0621 \u0627\u0644\u062B\u0642\u0627\u0641\u064A \u0636\u0627\u0631\u064B\u0627 \u0645\u0646 \u0642\u0650\u0628\u0644 \u0627\u0644\u0628\u0639\u0636\u060C \u0648\u064A\u0645\u062B\u0644 \u0627\u0646\u062A\u0647\u0627\u0643\u064B\u0627 \u0644\u062B\u0642\u0627\u0641\u0627\u062A \u0627\u0644\u0623\u0642\u0644\u064A\u0627\u062A\u060C \u0648\u0644\u0627 \u0633\u064A\u0645\u0627 \u0627\u0644\u062B\u0642\u0627\u0641\u0627\u062A \u0627\u0644\u0623\u0635\u0644\u064A\u0629 \u0648\u062A\u0644\u0643 \u0627\u0644\u062A\u064A \u062A\u0639\u064A\u0634 \u062A\u062D\u062A \u0627\u0644\u062D\u0643\u0645 \u0627\u0644\u0627\u0633\u062A\u0639\u0645\u0627\u0631\u064A. \u063A\u0627\u0644\u0628\u064B\u0627 \u0645\u0627 \u064A\u062A\u0639\u0630\u0631 \u062A\u062C\u0646\u0628\u0647 \u0639\u0646\u062F\u0645\u0627 \u062A\u0644\u062A\u0642\u064A \u062B\u0642\u0627\u0641\u0627\u062A \u0645\u062A\u0639\u062F\u062F\u0629\u060C \u0648\u064A\u0645\u0643\u0646 \u0623\u0646 \u064A\u0634\u0645\u0644 \u0627\u0644\u0627\u0633\u062A\u064A\u0644\u0627\u0621 \u0627\u0644\u062B\u0642\u0627\u0641\u064A \u0627\u0633\u062A\u062E\u062F\u0627\u0645 \u0627\u0644\u062A\u0642\u0627\u0644\u064A\u062F \u0627\u0644\u062B\u0642\u0627\u0641\u064A\u0629 \u0648\u0627\u0644\u062F\u064A\u0646\u064A\u0629 \u0627\u0644\u062E\u0627\u0635\u0629 \u0628\u0627\u0644\u062B\u0642\u0627\u0641\u0627\u062A \u0627\u0644\u0623\u062E\u0631\u0649 \u0648\u0627\u0644\u0623\u0632\u064A\u0627\u0621 \u0648\u0627\u0644\u0631\u0645\u0648\u0632 \u0648\u0627\u0644\u0644\u063A\u0629 \u0648\u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649."@ar . . . . . . . . "Kulturn\u00ED apropriace"@cs . "Apropria\u00E7\u00E3o cultural"@pt . . . . . . "\u6587\u5316\u632A\u7528"@zh . . . . . . . . . . . . . . . . "L'appropriazione culturale \u00E8 un concetto accademico originario degli Stati Uniti secondo il quale l'adozione o l'utilizzazione in maniera inappropriata o inconsapevole di elementi di una cultura da parte dei membri di una cultura \"dominante\" sarebbe irrispettosa e costituirebbe una forma di oppressione e di spoliazione. La cultura \"minoritaria\" si troverebbe cos\u00EC spogliata della sua identit\u00E0, o ridotta a una semplice caricatura razzista. Dalla fine degli anni 2000, questo concetto suscita controversie e dibattiti sempre pi\u00F9 frequenti tra i suoi fautori e i suoi oppositori; questi ultimi vi vedono una manifestazione del politicamente corretto che ostacola la libert\u00E0 di espressione e di creazione, sottolineano i casi di censura e perorano un meticciato delle culture piuttosto che un multiculturalismo. L'8 settembre 2016, la romanziera Lionel Shriver prende cos\u00EC pubblicamente posizione contro il concetto di appropriazione culturale durante un discorso che provoca la polemica tra i fautori del concetto. Negli ultimi anni, il dibattito su questi temi \u00E8 uscito dai confini ristretti del mondo accademico per approdare sui mezzi di comunicazione di massa e quindi tra il grande pubblico, assumendo sempre maggiore rilevanza soprattutto nell'ambito delle industrie creative. Il confronto tra fautori e oppositori del concetto di appropriazione culturale \u00E8 quanto mai acceso, anche se \u00E8 evidente la difficolt\u00E0 di stabilire criteri o soluzioni di carattere generale. Anche alcune iniziative recentemente assunte dalle Nazioni Unite nell'ambito dell'Organizzazione mondiale per la propriet\u00E0 intellettuale non sembrano finora aver sortito risultati: al di l\u00E0 delle disquisizioni teoriche, infatti, nella variet\u00E0 dei casi che possono presentarsi concretamente, risulta sempre estremamente difficile decidere \"dove tratteggiare la complessa linea di demarcazione tra influenza, ispirazione e plagio vero e proprio\"."@it . . . . . . . . . . . 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"\uBB38\uD654\uC801 \uC804\uC720"@ko . . . . . . . . . . . . . . . . "Kulturn\u00ED apropriace je term\u00EDn ozna\u010Duj\u00EDc\u00ED situaci, kdy \u010Dlenov\u00E9 dominantn\u00ED kultury p\u0159ej\u00EDmaj\u00ED n\u011Bkter\u00E9 aspekty minoritn\u00ED kultury (\u010Dasto takov\u00E9, kter\u00E1 jimi d\u0159\u00EDve byla utla\u010Dov\u00E1na). Kulturn\u00ED apropriace b\u00FDv\u00E1 \u010Dasto zam\u011B\u0148ov\u00E1na s , od kter\u00E9 se odli\u0161uje zejm\u00E9na p\u0159\u00EDtomnost\u00ED koloni\u00E1ln\u00EDho elementu a mocensk\u00E9 nevyv\u00E1\u017Eenosti. Li\u0161\u00ED se tak\u00E9 od asimilace, kter\u00E1 znamen\u00E1 p\u0159izp\u016Fsoben\u00ED men\u0161iny nebo p\u0159ist\u011Bhovalce okoln\u00ED v\u011Bt\u0161inov\u00E9 spole\u010Dnosti alespo\u0148 v t\u00E9 m\u00ED\u0159e, aby vz\u00E1jemn\u00E9 odli\u0161nosti nebr\u00E1nily ve spole\u010Densk\u00E9m uplatn\u011Bn\u00ED, a od akulturace, kter\u00E1 p\u0159edstavuje proces soci\u00E1ln\u00EDch a kulturn\u00EDch zm\u011Bn, kter\u00E9 vznikaj\u00ED v d\u016Fsledku interakce r\u016Fzn\u00FDch kultur. Za kulturn\u00ED apropriaci tak\u00E9 neb\u00FDv\u00E1 pova\u017Eov\u00E1na adaptace prvk\u016F dominantn\u00ED kultury \u010Dleny kultury minoritn\u00ED, jako jej\u00ED\u017E p\u0159\u00EDklad m\u016F\u017Eeme pova\u017Eovat nap\u0159\u00EDklad d\u017E\u00EDny, kter\u00E9 prvn\u011B vyrobi"@cs . . "Kulturelle Aneignung"@de . . . . "L'apropiaci\u00F3 cultural \u00E9s l'adopci\u00F3 inapropiada o no reconeguda d\u00B4un element o elements d\u00B4una cultura o identitat per part de membres d\u00B4una altra cultura o identitat. Aix\u00F2 pot ser controvertit quan els membres d'una cultura dominant s'apropien de cultures minorit\u00E0ries. Segons els cr\u00EDtics d\u201Faquesta pr\u00E0ctica, l\u201Fapropiaci\u00F3 cultural difereix de l'aculturaci\u00F3, l'assimilaci\u00F3 o l'intercanvi cultural equitatiu en qu\u00E8 aquesta apropiaci\u00F3 \u00E9s una forma de colonialisme. Quan els membres d'una cultura dominant copien elements culturals d'una cultura minorit\u00E0ria i els utilitzen fora del context cultural original -de vegades fins i tot en contra dels desitjos expressos dels membres de la cultura d'origen-, la pr\u00E0ctica sol ser rebuda negativament. L'apropiaci\u00F3 cultural \u00E9s considerada perjudicial per diversos grups i individus, entre els quals els ind\u00EDgenes que treballen per la preservaci\u00F3 cultural, els que defensen els drets col\u00B7lectius de propietat intel\u00B7lectual de les cultures origin\u00E0ries i minorit\u00E0ries, i els que han viscut o viuen sota el domini colonial. L'apropiaci\u00F3 cultural pot incloure l\u00B4explotaci\u00F3 de les tradicions religioses i culturals d\u00B4una altra cultura, els passos de ball, la moda, els s\u00EDmbols, la llengua i la m\u00FAsica. Els qui veuen aquesta apropiaci\u00F3 com una explotaci\u00F3 afirmen que els elements culturals es perden o es distorsionen quan es treuen dels contextos culturals d'origen, i que aquestes exhibicions s\u00F3n irrespectuoses o fins i tot una forma de profanaci\u00F3. Elements culturals que poden tenir un profund significat per a la cultura original poden ser redu\u00EFts a moda o joguines \"ex\u00F2tiques\" per les de la cultura dominant. Kjerstin Johnson ha escrit que, quan es fa aix\u00F2, l'imitador, \"que no experimenta aquesta opressi\u00F3, \u00E9s capa\u00E7 de \"jugar\", temporalment, a ser un altre \"ex\u00F2tic\", sense experimentar cap de les discriminacions di\u00E0ries a qu\u00E8 s'enfronten altres cultures\". L'acad\u00E8mic, m\u00FAsic i periodista Greg Tate sost\u00E9 que l'apropiaci\u00F3 i la \"fetitxitzaci\u00F3\" de les cultures, de fet, distancia a aquells la cultura dels quals est\u00E0 sent apropiada. El concepte d'apropiaci\u00F3 cultural tamb\u00E9 ha estat molt criticat. Els cr\u00EDtics assenyalen que el concepte \u00E9s sovint malinterpretat o mal aplicat pel p\u00FAblic en general, i que les acusacions d'\u201Capropiaci\u00F3 cultural\u201D s'apliquen de vegades err\u00F2niament a situacions com ara tastar menjar d'una cultura diferent o aprendre sobre altres cultures. Altres afirmen que l'acte d'apropiaci\u00F3 cultural, tal com sol definir-se, no constitueix un dany social significatiu, o que el terme manca de coher\u00E8ncia conceptual. A m\u00E9s, el terme pot establir l\u00EDmits arbitraris a la llibertat intel\u00B7lectual, a l'autoexpressi\u00F3 dels artistes, refor\u00E7ar les divisions de grup o promoure un sentiment d'enemistat o greuge en lloc d'alliberament."@ca . . . . . . . . . . . . . "Apropiaci\u00F3 cultural"@ca . . . . . . . . . . . .