. . . . . . . . . . . "Concha Gentil Arcos"@en . . . . . . . . "1982-12-23"^^ . . . . . . . . "C. Gentil Arcos"@en . . . "Conchita Gentil Arcos"@en . . . . . "1897"^^ . . . . . . . . . . . . . . . . "Conchita Gentil Arcos (Valencia, Espa\u00F1a; 1897-M\u00E9xico; 23 de diciembre de 1982) fue una actriz espa\u00F1ola-mexicana de la \u00C9poca de Oro del cine mexicano como personaje de reparto."@es . . . . . "Conchita Gentil Arcos (1897 \u2013 23 December 1982) was a Mexican actress of the Golden Age of Mexican cinema as a character actress in supporting roles. She was the sister of Mar\u00EDa Gentil Arcos, also an actress in the Golden Age of Mexican cinema; Conchita began her work as an actress in 1932, while Mar\u00EDa did not start her career until 1938. Conchita starred in comedies such as Mi viuda alegre (\"My Cheerful Widow\") in 1941 or Romeo and Juliet in 1943, as well as in Music, Poetry and Madness in 1947, as the dreamy and romantic aunt by Meche Barba's character, a fan of adventure novels that falls in love with Marcelo Ch\u00E1vez's character, or in The Lost Child, also in 1947, alongside Ch\u00E1vez and Germ\u00E1n Vald\u00E9s. She also appeared as the usurer who flirts with Pedro Infante's character only to be murdered in Nosotros los Pobres in 1947. The writer Carlos Monsiv\u00E1is referred to her (alongside her sister Mar\u00EDa) as one of the \"complementary faces\" of Mexican cinema, writing, \"After all, they are not many, but their years on the screen make them a tribe...\""@en . . . . . . "1982"^^ . . . . "Conchita G. Arcos"@en . . . . . . "Concepci\u00F3n Gentil Arcos"@en . . . . . . . "61518187"^^ . . . . . . . . . . . "Actress"@en . . . . . . . . . . . "1085408343"^^ . "7586"^^ . "1897"^^ . "Conchita G. Arcos"@en . . . . . . . . . . "Conchita Gentil Arcos"@en . . "Conchita Gentil Arcos"@en . . . . . . . "C. Gentil Arcos"@en . "Conchita Gentil Arcos (Valencia, Espa\u00F1a; 1897-M\u00E9xico; 23 de diciembre de 1982) fue una actriz espa\u00F1ola-mexicana de la \u00C9poca de Oro del cine mexicano como personaje de reparto."@es . . . "Concha Gentil Arcos"@en . . . . . . . . . "Concepci\u00F3n Gentil Arcos"@en . . . . . . . "Conchita Gentil Arcos"@es . . . . . . "Magda,Conzuelo & \n Gloria Haller"@en . "1982-12-23"^^ . . . . . "Conchita Gentil Arcos (1897 \u2013 23 December 1982) was a Mexican actress of the Golden Age of Mexican cinema as a character actress in supporting roles. She was the sister of Mar\u00EDa Gentil Arcos, also an actress in the Golden Age of Mexican cinema; Conchita began her work as an actress in 1932, while Mar\u00EDa did not start her career until 1938. Conchita starred in comedies such as Mi viuda alegre (\"My Cheerful Widow\") in 1941 or Romeo and Juliet in 1943, as well as in Music, Poetry and Madness in 1947, as the dreamy and romantic aunt by Meche Barba's character, a fan of adventure novels that falls in love with Marcelo Ch\u00E1vez's character, or in The Lost Child, also in 1947, alongside Ch\u00E1vez and Germ\u00E1n Vald\u00E9s. She also appeared as the usurer who flirts with Pedro Infante's character only to be mur"@en . . "Guillermo Haller"@en . .