. . "\u0627\u0644\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0629 \u0647\u064A \u0623\u0633\u0644\u0648\u0628 \u0639\u0645\u0627\u0631\u0629 \u0643\u0646\u0633\u064A\u064E\u0651\u0629 \u0645\u0631\u062A\u0628\u0637 \u0628\u0627\u0644\u0643\u0646\u0627\u0626\u0633 \u0648\u0627\u0644\u0623\u062F\u064A\u0631\u0629 \u0648\u0643\u0646\u0627\u0626\u0633 \u0627\u0644\u062F\u064A\u0631 \u0627\u0644\u062E\u0627\u0635\u0629 \u0628\u0627\u0644\u0646\u0638\u0627\u0645 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0651 \u0627\u0644\u0631\u0648\u0645\u0627\u0646\u064A\u0651 \u0627\u0644\u0643\u0627\u062B\u0648\u0644\u064A\u0643\u064A\u0651. \u0643\u0627\u0646 \u064A\u0631\u0623\u0633\u0647\u0627 \u0627\u0644\u0623\u0628 \u0628\u0631\u0646\u0627\u0631\u062F \u0645\u0646 \u0643\u0644\u064A\u0631\u0641\u0648 (1153 \u0645\u064A\u0644\u0627\u062F\u064A)\u060C \u0627\u0644\u0630\u064A \u0627\u0639\u062A\u0642\u062F \u0623\u0646 \u0627\u0644\u0643\u0646\u0627\u0626\u0633 \u064A\u062C\u0628 \u0623\u0646 \u062A\u062A\u062C\u0646\u0628 \u0627\u0644\u0632\u062E\u0631\u0641\u0629 \u0627\u0644\u0632\u0627\u0626\u062F\u0629 \u062D\u062A\u0649 \u0644\u0627 \u062A\u0635\u0631\u0641 \u0627\u0644\u0627\u0646\u062A\u0628\u0627\u0647 \u0639\u0646 \u0627\u0644\u062D\u064A\u0627\u0629 \u0627\u0644\u062F\u064A\u0646\u064A\u0629\u060C \u0644\u0630\u0627 \u062C\u0627\u0621\u062A \u0627\u0644\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0629 \u0628\u0633\u064A\u0637\u0629 \u0648\u0648\u0638\u064A\u0641\u064A\u0629. \u0644\u0645 \u064A\u064F\u0633\u0645\u062D \u0628\u062A\u0635\u0648\u064A\u0631 \u0627\u0644\u0634\u062E\u0635\u064A\u0627\u062A \u0627\u0644\u062A\u064A \u0643\u0627\u0646\u062A \u062A\u0632\u064A\u0646 \u0627\u0644\u0643\u0646\u0627\u0626\u0633 \u0641\u064A \u0627\u0644\u0639\u0635\u0648\u0631 \u0627\u0644\u0648\u0633\u0637\u0649\u060C \u0639\u0644\u0649 \u0627\u0644\u0631\u063A\u0645 \u0645\u0646 \u0627\u0644\u0633\u0645\u0627\u062D \u0628\u0627\u0644\u0635\u0648\u0631 \u0627\u0644\u0645\u062A\u0639\u0644\u0642\u0629 \u0628\u0627\u0644\u0645\u0648\u0636\u0648\u0639\u0627\u062A \u0627\u0644\u062F\u064A\u0646\u064A\u0629 \u0641\u064A \u062D\u0627\u0644\u0627\u062A \u0646\u0627\u062F\u0631\u0629 \u062C\u062F\u064B\u0627 \u0645\u062B\u0644 \u0635\u0648\u0631\u0629 \u0627\u0644\u0645\u0633\u064A\u062D \u0627\u0644\u0645\u0635\u0644\u0648\u0628. \u0627\u0646\u062A\u0642\u062F \u0628\u0631\u0646\u0627\u0631\u062F \u0641\u064A \u0631\u0633\u0627\u0644\u0629 \u0645\u0634\u0647\u0648\u0631\u0629 \u0644\u0647 \u0642\u062F\u0631\u0629 \u0647\u0630\u0647 \u0627\u0644\u0634\u062E\u0635\u064A\u0627\u062A \u0639\u0644\u0649 \u062A\u0634\u062A\u064A\u062A \u0630\u0647\u0646 \u0627\u0644\u0631\u0647\u0628\u0627\u0646. \u062A\u064F\u0628\u062F\u064A \u0627\u0644\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0629 \u0627\u0644\u0645\u0628\u0643\u0631\u0629 \u0627\u0646\u062A\u0642\u0627\u0644\u064B\u0627 \u0628\u064A\u0646 \u0627\u0644\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0631\u0648\u0645\u0627\u0646\u0633\u064A\u0643\u064A\u0629 \u0648\u0627\u0644\u0642\u0648\u0637\u064A\u0629. \u0628\u064F\u0646\u064A\u062A \u0627\u0644\u0623\u062F\u064A\u0631\u0629 \u0627\u0644\u0644\u0627\u062D\u0642\u0629 \u0628\u0627\u0639\u062A\u0645\u0627\u062F \u0623\u0633\u0627\u0644\u064A\u0628 \u0639\u0635\u0631 \u0627\u0644\u0646\u0647\u0636\u0629 \u0648\u0627\u0644\u0628\u0627\u0631\u0648\u0643\u060C \u0627\u0644\u062A\u064A \u0643\u0627\u0646\u062A \u0645\u0632\u062E\u0631\u0641\u0629 \u0623\u0643\u062B\u0631 \u0628\u0637\u0628\u064A\u0639\u062A\u0647\u0627\u060C \u0644\u0643\u0646\u0647\u0627 \u0645\u0627 \u062A\u0632\u0627\u0644 \u062A\u064F\u0638\u0647\u0631 \u062A\u0642\u0634\u0641\u064B\u0627 \u0643\u0628\u064A\u0631\u064B\u0627 \u0645\u0642\u0627\u0631\u0646\u0629 \u0628\u0627\u0644\u0645\u0628\u0627\u0646\u064A \u0627\u0644\u0623\u062E\u0631\u0649 \u0627\u0644\u062A\u064A \u062A\u0639\u062A\u0645\u062F \u0647\u0630\u0647 \u0627\u0644\u0623\u0633\u0627\u0644\u064A\u0628. \u0645\u0646 \u0627\u0644\u0646\u0627\u062D\u064A\u0629 \u0627\u0644\u0625\u0646\u0634\u0627\u0626\u064A\u0629\u060C \u0628\u064F\u0646\u064A\u062A \u0627\u0644\u0645\u0628\u0627\u0646\u064A \u062D\u064A\u062B\u0645\u0627 \u0623\u0645\u0643\u0646 \u0645\u0646 \u0627\u0644\u062D\u062C\u0631 \u0627\u0644\u0623\u0645\u0644\u0633 \u0627\u0644\u0634\u0627\u062D\u0628. \u062A\u0642\u0639 \u0627\u0644\u0623\u0639\u0645\u062F\u0629 \u0648\u0627\u0644\u062F\u0639\u0627\u0645\u0627\u062A \u0648\u0627\u0644\u0646\u0648\u0627\u0641\u0630 \u0641\u064A \u0646\u0641\u0633 \u0645\u0633\u062A\u0648\u0649 \u0627\u0644\u0642\u0627\u0639\u062F\u0629\u060C \u0648\u0641\u064A \u062D\u0627\u0644 \u0636\u0631\u0648\u0631\u0629 \u0627\u0644\u0646\u062B\u0631 \u0628\u0627\u0644\u0645\u0648\u0646\u0629\u060C \u0638\u0644 \u0627\u0644\u0623\u0645\u0631 \u0628\u0633\u064A\u0637\u064B\u0627 \u0644\u0644\u063A\u0627\u064A\u0629. \u0627\u062D\u062A\u0641\u0638 \u0627\u0644\u062D\u0631\u0645 \u0628\u0623\u0633\u0644\u0648\u0628 \u0628\u0633\u064A\u0637 \u0630\u064A \u0646\u0633\u0628\u0629 2:1 \u0641\u064A \u0643\u0644 \u0645\u0646 \u0627\u0644\u0627\u0631\u062A\u0641\u0627\u0639 \u0648\u0627\u0644\u0623\u0631\u0636\u064A\u0629. \u0628\u064F\u0646\u064A\u062A \u0645\u0648\u0627\u0642\u0639 \u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0629 \u0644\u0644\u062D\u0641\u0627\u0638 \u0639\u0644\u0649 \u0645\u0638\u0647\u0631 \u0627\u0644\u0645\u0628\u0627\u0646\u064A \u0627\u0644\u0643\u0646\u0633\u064A\u0629 \u0628\u0623\u0633\u0644\u0648\u0628 \u0646\u0642\u064A \u0639\u0642\u0644\u0627\u0646\u064A\u060C \u0648\u064A\u0645\u0643\u0646 \u0627\u0639\u062A\u0628\u0627\u0631\u0647\u0627 \u0645\u0646 \u0623\u062C\u0645\u0644 \u0622\u062B\u0627\u0631 \u0627\u0644\u0639\u0635\u0648\u0631 \u0627\u0644\u0648\u0633\u0637\u0649. \u0628\u064F\u0646\u064A\u062A \u0645\u0639\u0638\u0645 \u0627\u0644\u0623\u062F\u064A\u0631\u0629 \u0648\u0627\u0644\u0643\u0646\u0627\u0626\u0633 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0629 \u0641\u064A \u0648\u062F\u064A\u0627\u0646 \u0646\u0627\u0626\u064A\u0629 \u0628\u0639\u064A\u062F\u0629 \u0639\u0646 \u0627\u0644\u0645\u062F\u0646 \u0648\u0627\u0644\u0645\u0646\u0627\u0637\u0642 \u0627\u0644\u0645\u0623\u0647\u0648\u0644\u0629\u060C \u0648\u0642\u062F \u0648\u0644\u062F\u062A \u0647\u0630\u0647 \u0627\u0644\u0639\u0632\u0644\u0629 \u0648\u0627\u0644\u062D\u0627\u062C\u0629 \u0625\u0644\u0649 \u0627\u0644\u0627\u0633\u062A\u062F\u0627\u0645\u0629 \u0627\u0644\u0630\u0627\u062A\u064A\u0629 \u0627\u0644\u0627\u0628\u062A\u0643\u0627\u0631 \u0628\u064A\u0646 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u064A\u0646. \u062A\u0639\u0631\u0636 \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0627\u0644\u0625\u0646\u0634\u0627\u0621\u0627\u062A \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0629 \u0623\u0645\u062B\u0644\u0629 \u0645\u0628\u0643\u0631\u0629 \u062D\u0648\u0644 \u0627\u0644\u0647\u0646\u062F\u0633\u0629 \u0627\u0644\u0647\u064A\u062F\u0631\u0648\u0644\u064A\u0643\u064A\u0629 \u0648\u0639\u062C\u0644\u0627\u062A \u0627\u0644\u0645\u064A\u0627\u0647. \u062C\u0627\u0621 \u0627\u0644\u062E\u0634\u0628 \u0648\u0627\u0644\u0645\u0639\u062F\u0646 \u0628\u0639\u062F \u0627\u0644\u062D\u062C\u0631 \u0644\u0645\u0648\u0627\u062F \u0627\u0644\u0628\u0646\u0627\u0621\u060C \u0648\u0643\u0627\u0646 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0648\u0646 \u062D\u0630\u0631\u064A\u0646 \u0641\u064A\u0645\u0627 \u064A\u062A\u0639\u0644\u0642 \u0628\u0625\u062F\u0627\u0631\u0629 \u063A\u0627\u0628\u0627\u062A\u0647\u0645 \u0648\u062D\u0641\u0638\u0647\u0627\u060C \u0625\u0636\u0627\u0641\u0629 \u0625\u0644\u0649 \u0643\u0648\u0646\u0647\u0645 \u062E\u0628\u0631\u0627\u0621 \u0641\u064A \u0627\u0644\u0645\u0639\u0627\u062F\u0646\u060C \u0648\u0627\u0631\u062A\u0628\u0637\u062A \u0645\u0647\u0627\u0631\u062A\u0647\u0645 \u0641\u064A\u0647\u0627 \u0628\u0634\u0643\u0644 \u0645\u0628\u0627\u0634\u0631 \u0628\u062A\u0637\u0648\u0631 \u0627\u0644\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0629 \u0648\u0641\u064A \u0627\u0646\u062A\u0634\u0627\u0631 \u0627\u0644\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0642\u0648\u0637\u064A\u0629 \u0643\u0643\u0644."@ar . . . . . "Es denomina art cistercenc al desenvolupat pels monjos cistercencs en la construcci\u00F3 de les seues abadies a partir del segle xii, moment de l'expansi\u00F3 inicial d'aquest orde religi\u00F3s. Les seues construccions tendeixen a la senzillesa i prescindeixen d'adornaments, d'acord amb els preceptes del seu orde d'ascetisme rigor\u00F3s i pobresa, aconseguint uns espais conceptuals, nets i originals. El seu estil s'inscriu en el final del rom\u00E0nic, amb elements del g\u00F2tic inicial, el que s'ha cridat \"estil de transici\u00F3\"."@ca . . . . . . "Cistercian architecture is a style of architecture associated with the churches, monasteries and abbeys of the Roman Catholic Cistercian Order. It was heavily influenced by Abbot Bernard of Clairvaux (d. 1153), who believed that churches should avoid superfluous ornamentation so as not to distract from prayer. Cistercian architecture was simple and utilitarian. Although a few images of religious subjects were allowed, such as the crucifix, elaborate figures common in medieval churches were prohibited. Bernard noted their capacity for distracting monks in a famous letter. Early Cistercian architecture shows a transition between Romanesque and Gothic architecture. Later abbeys were constructed in Renaissance and Baroque styles, which were more ornate by nature. In terms of construction, buildings were made where possible of smooth, pale, stone. Columns, pillars and windows fell at the same base level, and if plastering was done at all, it was kept extremely simple. The sanctuary kept a simple style of proportion of 1:2 at both elevation and floor levels. To maintain the appearance of ecclesiastical buildings, Cistercian sites were constructed in a pure, rational style; and may be counted among the most beautiful relics of the Middle Ages. Most Cistercian abbeys and churches were built in remote valleys far from cities and populated areas; the isolation and a need for self-sustainability bred innovativeness among the Cistercians. Many Cistercian settlements display early examples of hydraulic engineering and waterwheels. After stone, the two most important building materials were wood and metal. The Cistercians were also skilled metallurgists, and their skill with metal has been associated directly with the development of Cistercian architecture and the spread of Gothic architecture as a whole."@en . . . . "Architettura cistercense"@it . . . . . . . . "Se denomina arte cisterciense al desarrollado por los monjes cistercienses en la construcci\u00F3n de sus abad\u00EDas a partir del siglo XII, momento de la expansi\u00F3n inicial de esta orden religiosa. La orden cisterciense naci\u00F3 como una reforma de la cluniacense, con el deseo de eliminar todo el peso que ejerc\u00EDan en la vida temporal. Por eso buscan el yermo como lugar de emplazamiento para sus monasterios. Sus construcciones prescinden de los adornos, en consonancia con los preceptos de su orden de ascetismo riguroso y pobreza, consiguiendo unos espacios conceptuales, limpios y originales. Su estilo se inscribe en el final del rom\u00E1nico, con elementos del g\u00F3tico inicial, lo que se ha llamado \"estilo de transici\u00F3n\". La Orden, siguiendo la Regla de San Benito, observa el aislamiento y la clausura, por lo que este arte se desarrolla en construcciones interiores para el uso de los monjes: iglesia, claustro, refectorio o sala capitular. Estas dependencias se encuentran dispuestas generalmente de la misma manera. La expansi\u00F3n de la Orden fue dirigida por el Cap\u00EDtulo General, integrado por todos los abades, aplicando un programa preconcebido en la construcci\u00F3n de los nuevos monasterios. El resultado fue una gran uniformidad en las abad\u00EDas de toda Europa. Su figura decisiva fue Bernardo de Claraval. Planific\u00F3 y dirigi\u00F3 el dise\u00F1o inicial (Claraval II, a partir de 1135), influy\u00F3 en el programa de la orden y particip\u00F3 activamente en la construcci\u00F3n de nuevas abad\u00EDas. A su muerte en 1153, la Orden hab\u00EDa fundado 343. En Espa\u00F1a hay notables construcciones cistercienses, que permanecen muy bien conservadas."@es . . . . "1"^^ . . "Se denomina arte cisterciense al desarrollado por los monjes cistercienses en la construcci\u00F3n de sus abad\u00EDas a partir del siglo XII, momento de la expansi\u00F3n inicial de esta orden religiosa. La orden cisterciense naci\u00F3 como una reforma de la cluniacense, con el deseo de eliminar todo el peso que ejerc\u00EDan en la vida temporal. Por eso buscan el yermo como lugar de emplazamiento para sus monasterios. En Espa\u00F1a hay notables construcciones cistercienses, que permanecen muy bien conservadas."@es . "Cistercian architecture"@en . . . . . . . . . "A arquitetura cisterciense \u00E9 um estilo de arquitetura associado \u00E0s igrejas, mosteiros e abadias da Ordem Cisterciense Cat\u00F3lica Romana. Foi fortemente influenciado pelo abade Bernardo de Claraval (d. 1153), que acreditava que as igrejas deveriam evitar ornamenta\u00E7\u00E3o sup\u00E9rflua para n\u00E3o distrair a ora\u00E7\u00E3o. A arquitetura cisterciense era simples e utilit\u00E1ria. Embora algumas imagens de assuntos religiosos fossem permitidas, como o crucifixo, figuras elaboradas comuns nas igrejas medievais eram proibidas. Bernardo observou sua capacidade de distrair os monges em uma carta famosa. A arquitetura cisterciense inicial mostra uma transi\u00E7\u00E3o entre a arquitetura rom\u00E2nica e g\u00F3tica. Abadias posteriores foram constru\u00EDdas nos estilos renascentista e barroco, que eram mais ornamentados por natureza. Em termos de constru\u00E7\u00E3o, os edif\u00EDcios eram feitos sempre que poss\u00EDvel de pedra lisa e clara. Colunas, pilares e janelas ca\u00EDram no mesmo n\u00EDvel da base e, se o reboco foi feito, foi mantido extremamente simples. O santu\u00E1rio manteve um estilo simples de propor\u00E7\u00E3o de 1:2 tanto no n\u00EDvel da eleva\u00E7\u00E3o quanto do piso. Para manter a apar\u00EAncia dos edif\u00EDcios eclesi\u00E1sticos, os s\u00EDtios cistercienses foram constru\u00EDdos em um estilo puro e racional; e pode ser contada entre as mais belas rel\u00EDquias da Idade M\u00E9dia. A maioria das abadias e igrejas cistercienses foram constru\u00EDdas em vales remotos, longe das cidades e \u00E1reas povoadas; o isolamento e a necessidade de auto-sustentabilidade geraram inova\u00E7\u00E3o entre os cistercienses. Muitos assentamentos cistercienses exibem os primeiros exemplos de engenharia hidr\u00E1ulica e rodas d'\u00E1gua. Depois da pedra, os dois materiais de constru\u00E7\u00E3o mais importantes eram a madeira e o metal. Os cistercienses tamb\u00E9m eram metal\u00FArgicos habilidosos, e sua habilidade com o metal foi associada diretamente ao desenvolvimento da arquitetura cisterciense e \u00E0 dissemina\u00E7\u00E3o da arquitetura g\u00F3tica como um todo."@pt . . "Arte cisterciense"@es . . . . . . "L'art cistercien est cr\u00E9\u00E9 et transmis par l'ordre religieux fond\u00E9 en 1098 par saint Robert de Molesme, en r\u00E9action au laisser-aller des monast\u00E8res clunisiens vis-\u00E0-vis de la r\u00E8gle de saint Beno\u00EEt. On peut caract\u00E9riser l'architecture cistercienne par des b\u00E2timents remarquables par la puret\u00E9 de leur lignes, l'\u00E9conomie des mat\u00E9riaux et la simplicit\u00E9 du plan d'ensemble. Les monast\u00E8res cisterciens se distinguent par la sobri\u00E9t\u00E9 de l'architecture et des ornements. Cet art a trois fonctions : d'abord louer Dieu et lui faire une offrande pour obtenir ses gr\u00E2ces. Ensuite, rendre pr\u00E9sent l'invisible, le Royaume de Dieu, enfin, affirmer la puissance par une \u0153uvre d'art. Les rivi\u00E8res environnantes \u00E9taient utilis\u00E9e pour l'\u00E9nergie hydraulique (moulins) ; l'\u00E9glise \u00E9tait \u00E9lev\u00E9e au nord du site, tandis que le monast\u00E8re et son clo\u00EEtre \u00E9taient \u00E9tablis au sud. D'apr\u00E8s Georges Duby, cet art na\u00EEt des consonances entre la pens\u00E9e d'un homme, saint Bernard, et la forme qu'est une abbaye cistercienne qui exprime sa pens\u00E9e, et le monde dans lequel a v\u00E9cu Bernard de Clairvaux. C'est le carr\u00E9 qui va \u00EAtre la forme choisie par Bernard pour \u00EAtre celle qui exprime au mieux son projet de vie monastique : le carr\u00E9 est une figure simple qui permet d'approcher le myst\u00E8re dans l'humilit\u00E9 ; le carr\u00E9 peut \u00EAtre appliqu\u00E9 partout ; le carr\u00E9 est le signe de la J\u00E9rusalem nouvelle ; le carr\u00E9 est le symbole du passage du sensuel au spirituel. L'art cistercien est en phase avec leur spiritualit\u00E9: il doit \u00EAtre une aide pour le cheminement int\u00E9rieur des moines. En 1134, lors d'une r\u00E9union du Chapitre g\u00E9n\u00E9ral de l'ordre, Bernard de Clairvaux qui est au sommet de son influence, recommande la simplicit\u00E9 dans toutes les expressions de l'art. D\u00E8s lors, les cisterciens vont d\u00E9velopper un art d\u00E9pouill\u00E9 et souvent monochrome."@fr . "L'art cistercien est cr\u00E9\u00E9 et transmis par l'ordre religieux fond\u00E9 en 1098 par saint Robert de Molesme, en r\u00E9action au laisser-aller des monast\u00E8res clunisiens vis-\u00E0-vis de la r\u00E8gle de saint Beno\u00EEt. On peut caract\u00E9riser l'architecture cistercienne par des b\u00E2timents remarquables par la puret\u00E9 de leur lignes, l'\u00E9conomie des mat\u00E9riaux et la simplicit\u00E9 du plan d'ensemble. Les monast\u00E8res cisterciens se distinguent par la sobri\u00E9t\u00E9 de l'architecture et des ornements."@fr . "Arte cisterciense"@pt . . . . . . . . . . . . . . . . . . . . . . "3350961"^^ . "Abbey/Cistercian"@en . . . . . . . . . . "19416"^^ . . . "A arquitetura cisterciense \u00E9 um estilo de arquitetura associado \u00E0s igrejas, mosteiros e abadias da Ordem Cisterciense Cat\u00F3lica Romana. Foi fortemente influenciado pelo abade Bernardo de Claraval (d. 1153), que acreditava que as igrejas deveriam evitar ornamenta\u00E7\u00E3o sup\u00E9rflua para n\u00E3o distrair a ora\u00E7\u00E3o. A arquitetura cisterciense era simples e utilit\u00E1ria. Embora algumas imagens de assuntos religiosos fossem permitidas, como o crucifixo, figuras elaboradas comuns nas igrejas medievais eram proibidas. Bernardo observou sua capacidade de distrair os monges em uma carta famosa. A arquitetura cisterciense inicial mostra uma transi\u00E7\u00E3o entre a arquitetura rom\u00E2nica e g\u00F3tica. Abadias posteriores foram constru\u00EDdas nos estilos renascentista e barroco, que eram mais ornamentados por natureza."@pt . . . "Es denomina art cistercenc al desenvolupat pels monjos cistercencs en la construcci\u00F3 de les seues abadies a partir del segle xii, moment de l'expansi\u00F3 inicial d'aquest orde religi\u00F3s. Les seues construccions tendeixen a la senzillesa i prescindeixen d'adornaments, d'acord amb els preceptes del seu orde d'ascetisme rigor\u00F3s i pobresa, aconseguint uns espais conceptuals, nets i originals. El seu estil s'inscriu en el final del rom\u00E0nic, amb elements del g\u00F2tic inicial, el que s'ha cridat \"estil de transici\u00F3\". L'Orde, seguint la Regla de sant Benet, observa l'a\u00EFllament i la clausura, pel que aquest art es desenvolupa en construccions interiors per a l'\u00FAs dels monjos: esgl\u00E9sia, claustre, refetor o sala capitular. Aquestes depend\u00E8ncies es troben disposades generalment de la mateixa manera. L'expansi\u00F3 de l'Orde va ser dirigida pel cap\u00EDtol general, integrat per tots els abats, aplicant un programa preconcebut en la construcci\u00F3 dels nous monestirs. El resultat va ser una gran uniformitat en les abadies de tot Europa. La seua figura decisiva va ser Bernat de Claravall. Va planificar i va dirigir el disseny inicial (Claraval II, a partir de 1135), va influir en el programa de l'ordre i va participar activament en la construcci\u00F3 de noves abadies. A la seua mort en 1153, l'Orde havia fundat 343."@ca . . . "1097684469"^^ . . . . . . . . . . . . . "Art cistercenc"@ca . . . . "Si denomina architettura cistercense quella sviluppata dai monaci cistercensi nella costruzione delle loro abbazie a partire dal XII secolo, momento dell'espansione iniziale di questo ordine religioso. L'ordine cistercense nacque come una riforma di quello cluniacense, con il desiderio di eliminare tutto il peso che esercitavano nella vita temporale. Per questo cercano il deserto come luogo di collocazione per i loro monasteri. Ma la verit\u00E0 \u00E8 che l'organizzazione perfetta del lavoro sarebbe terminata in ricchezza, e l'ordine sarebbe stato vittima del difetto che aveva censurato in origine."@it . . . . "\u0627\u0644\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0629 \u0647\u064A \u0623\u0633\u0644\u0648\u0628 \u0639\u0645\u0627\u0631\u0629 \u0643\u0646\u0633\u064A\u064E\u0651\u0629 \u0645\u0631\u062A\u0628\u0637 \u0628\u0627\u0644\u0643\u0646\u0627\u0626\u0633 \u0648\u0627\u0644\u0623\u062F\u064A\u0631\u0629 \u0648\u0643\u0646\u0627\u0626\u0633 \u0627\u0644\u062F\u064A\u0631 \u0627\u0644\u062E\u0627\u0635\u0629 \u0628\u0627\u0644\u0646\u0638\u0627\u0645 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0651 \u0627\u0644\u0631\u0648\u0645\u0627\u0646\u064A\u0651 \u0627\u0644\u0643\u0627\u062B\u0648\u0644\u064A\u0643\u064A\u0651. \u0643\u0627\u0646 \u064A\u0631\u0623\u0633\u0647\u0627 \u0627\u0644\u0623\u0628 \u0628\u0631\u0646\u0627\u0631\u062F \u0645\u0646 \u0643\u0644\u064A\u0631\u0641\u0648 (1153 \u0645\u064A\u0644\u0627\u062F\u064A)\u060C \u0627\u0644\u0630\u064A \u0627\u0639\u062A\u0642\u062F \u0623\u0646 \u0627\u0644\u0643\u0646\u0627\u0626\u0633 \u064A\u062C\u0628 \u0623\u0646 \u062A\u062A\u062C\u0646\u0628 \u0627\u0644\u0632\u062E\u0631\u0641\u0629 \u0627\u0644\u0632\u0627\u0626\u062F\u0629 \u062D\u062A\u0649 \u0644\u0627 \u062A\u0635\u0631\u0641 \u0627\u0644\u0627\u0646\u062A\u0628\u0627\u0647 \u0639\u0646 \u0627\u0644\u062D\u064A\u0627\u0629 \u0627\u0644\u062F\u064A\u0646\u064A\u0629\u060C \u0644\u0630\u0627 \u062C\u0627\u0621\u062A \u0627\u0644\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0629 \u0628\u0633\u064A\u0637\u0629 \u0648\u0648\u0638\u064A\u0641\u064A\u0629. \u0644\u0645 \u064A\u064F\u0633\u0645\u062D \u0628\u062A\u0635\u0648\u064A\u0631 \u0627\u0644\u0634\u062E\u0635\u064A\u0627\u062A \u0627\u0644\u062A\u064A \u0643\u0627\u0646\u062A \u062A\u0632\u064A\u0646 \u0627\u0644\u0643\u0646\u0627\u0626\u0633 \u0641\u064A \u0627\u0644\u0639\u0635\u0648\u0631 \u0627\u0644\u0648\u0633\u0637\u0649\u060C \u0639\u0644\u0649 \u0627\u0644\u0631\u063A\u0645 \u0645\u0646 \u0627\u0644\u0633\u0645\u0627\u062D \u0628\u0627\u0644\u0635\u0648\u0631 \u0627\u0644\u0645\u062A\u0639\u0644\u0642\u0629 \u0628\u0627\u0644\u0645\u0648\u0636\u0648\u0639\u0627\u062A \u0627\u0644\u062F\u064A\u0646\u064A\u0629 \u0641\u064A \u062D\u0627\u0644\u0627\u062A \u0646\u0627\u062F\u0631\u0629 \u062C\u062F\u064B\u0627 \u0645\u062B\u0644 \u0635\u0648\u0631\u0629 \u0627\u0644\u0645\u0633\u064A\u062D \u0627\u0644\u0645\u0635\u0644\u0648\u0628. \u0627\u0646\u062A\u0642\u062F \u0628\u0631\u0646\u0627\u0631\u062F \u0641\u064A \u0631\u0633\u0627\u0644\u0629 \u0645\u0634\u0647\u0648\u0631\u0629 \u0644\u0647 \u0642\u062F\u0631\u0629 \u0647\u0630\u0647 \u0627\u0644\u0634\u062E\u0635\u064A\u0627\u062A \u0639\u0644\u0649 \u062A\u0634\u062A\u064A\u062A \u0630\u0647\u0646 \u0627\u0644\u0631\u0647\u0628\u0627\u0646. \u062A\u064F\u0628\u062F\u064A \u0627\u0644\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0629 \u0627\u0644\u0645\u0628\u0643\u0631\u0629 \u0627\u0646\u062A\u0642\u0627\u0644\u064B\u0627 \u0628\u064A\u0646 \u0627\u0644\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0631\u0648\u0645\u0627\u0646\u0633\u064A\u0643\u064A\u0629 \u0648\u0627\u0644\u0642\u0648\u0637\u064A\u0629. \u0628\u064F\u0646\u064A\u062A \u0627\u0644\u0623\u062F\u064A\u0631\u0629 \u0627\u0644\u0644\u0627\u062D\u0642\u0629 \u0628\u0627\u0639\u062A\u0645\u0627\u062F \u0623\u0633\u0627\u0644\u064A\u0628 \u0639\u0635\u0631 \u0627\u0644\u0646\u0647\u0636\u0629 \u0648\u0627\u0644\u0628\u0627\u0631\u0648\u0643\u060C \u0627\u0644\u062A\u064A \u0643\u0627\u0646\u062A \u0645\u0632\u062E\u0631\u0641\u0629 \u0623\u0643\u062B\u0631 \u0628\u0637\u0628\u064A\u0639\u062A\u0647\u0627\u060C \u0644\u0643\u0646\u0647\u0627 \u0645\u0627 \u062A\u0632\u0627\u0644 \u062A\u064F\u0638\u0647\u0631 \u062A\u0642\u0634\u0641\u064B\u0627 \u0643\u0628\u064A\u0631\u064B\u0627 \u0645\u0642\u0627\u0631\u0646\u0629 \u0628\u0627\u0644\u0645\u0628\u0627\u0646\u064A \u0627\u0644\u0623\u062E\u0631\u0649 \u0627\u0644\u062A\u064A \u062A\u0639\u062A\u0645\u062F \u0647\u0630\u0647 \u0627\u0644\u0623\u0633\u0627\u0644\u064A\u0628."@ar . . . . . . . . . . . . . "Si denomina architettura cistercense quella sviluppata dai monaci cistercensi nella costruzione delle loro abbazie a partire dal XII secolo, momento dell'espansione iniziale di questo ordine religioso. L'ordine cistercense nacque come una riforma di quello cluniacense, con il desiderio di eliminare tutto il peso che esercitavano nella vita temporale. Per questo cercano il deserto come luogo di collocazione per i loro monasteri. Ma la verit\u00E0 \u00E8 che l'organizzazione perfetta del lavoro sarebbe terminata in ricchezza, e l'ordine sarebbe stato vittima del difetto che aveva censurato in origine. Le costruzioni dell'architettura cistercense prescindono dagli ornamenti, in consonanza con i precetti di rigoroso ascetismo e povert\u00E0 del suo ordine, conseguendo spazi concettuali, netti e originali. Il suo stile si iscrive nella fine del romanico, con elementi del gotico iniziale, quello che si \u00E8 chiamato \"stile di transizione\". L'ordine, seguendo la Regola benedettina, osserva l'isolamento e la clausura, per cui quest'arte si sviluppa in costruzioni interne per l'uso dei monaci: chiesa, chiostro, refettorio o sala capitolare. Questi ambienti si trovano disposti generalmente nella stessa maniera. L'espansione dell'ordine fu diretta dal Capitolo Generale, integrato da tutti gli abati, applicando un programma prestabilito nella costruzione dei nuovi monasteri. Il risultato fu una grande uniformit\u00E0 nelle abbazie di tutta Europa. La sua figura decisiva fu Bernardo di Chiaravalle. Pianific\u00F2 e diresse il disegno iniziale (Chiaravalle II, a partire dal 1135), influ\u00EC sul programma dell'ordine e partecip\u00F2 attivamente alla costruzione di nuove abbazie. Alla sua morte nel 1153, l'ordine ne aveva fondate 343. In Italia vi sono notevoli costruzioni cistercensi, che permangono molto ben conservate."@it . "Art cistercien"@fr . . . . "Cistercian architecture is a style of architecture associated with the churches, monasteries and abbeys of the Roman Catholic Cistercian Order. It was heavily influenced by Abbot Bernard of Clairvaux (d. 1153), who believed that churches should avoid superfluous ornamentation so as not to distract from prayer. Cistercian architecture was simple and utilitarian. Although a few images of religious subjects were allowed, such as the crucifix, elaborate figures common in medieval churches were prohibited. Bernard noted their capacity for distracting monks in a famous letter. Early Cistercian architecture shows a transition between Romanesque and Gothic architecture. Later abbeys were constructed in Renaissance and Baroque styles, which were more ornate by nature."@en . . . . . . . . . . . . . . "16"^^ . . . . . . "\u0639\u0645\u0627\u0631\u0629 \u0633\u064A\u0633\u062A\u0631\u0633\u064A\u0629"@ar .