. . . . . . . "\u5357\u30A4\u30F3\u30C9\u306E\u6620\u753B\uFF08\u307F\u306A\u307F\u30A4\u30F3\u30C9\u306E\u3048\u3044\u304C\u3001Cinema of South India\uFF09\u3068\u306F\u3001\u30A4\u30F3\u30C9\u3067\u88FD\u4F5C\u3055\u308C\u308B\u6620\u753B\u306E\u3046\u3061\u30AB\u30F3\u30CA\u30C0\u8A9E\u6620\u753B\u3001\u30DE\u30E9\u30E4\u30FC\u30E9\u30E0\u8A9E\u6620\u753B\u3001\u30BF\u30DF\u30EB\u8A9E\u6620\u753B\u3001\u30C6\u30EB\u30B0\u8A9E\u6620\u753B\u3001\u30C8\u30A5\u30EB\u8A9E\u6620\u753B\u306E5\u3064\u306E\u6620\u753B\u7523\u696D\u3092\u6307\u3059\u3002\u5404\u6620\u753B\u7523\u696D\u306F\u305D\u308C\u305E\u308C\u30D0\u30F3\u30AC\u30ED\u30FC\u30EB\u3001\u30B3\u30FC\u30C1\u3001\u30C1\u30A7\u30F3\u30CA\u30A4\u3001\u30CF\u30A4\u30C7\u30E9\u30D0\u30FC\u30C9\u3001\u30DE\u30F3\u30AC\u30ED\u30FC\u30EB\u3092\u62E0\u70B9\u3068\u3057\u3066\u3044\u308B\u3002 \u3053\u308C\u3089\u306E\u6620\u753B\u7523\u696D\u306F\u305D\u308C\u305E\u308C\u72EC\u7ACB\u3057\u305F\u7523\u696D\u3068\u3057\u3066\u6D3B\u52D5\u3057\u3066\u3044\u305F\u304C\u3001\u4FF3\u512A\u3084\u30B9\u30BF\u30C3\u30D5\u306E\u4EBA\u7684\u4EA4\u6D41\u3001\u30B0\u30ED\u30FC\u30D0\u30EA\u30BC\u30FC\u30B7\u30E7\u30F3\u306E\u4FC3\u9032\u306B\u3088\u308A1\u3064\u306E\u6620\u753B\u7523\u696D\u3068\u3057\u3066\u306E\u30A2\u30A4\u30C7\u30F3\u30C6\u30A3\u30C6\u30A3\u304C\u5F62\u6210\u3055\u308C\u3066\u3044\u3063\u305F\u3002\u5357\u30A4\u30F3\u30C9\u6620\u753B\u306F\u5357\u30A4\u30F3\u30C9\u6620\u753B\u5546\u696D\u4F1A\u8B70\u6240\u304C\u7BA1\u8F44\u3057\u3066\u304A\u308A\u3001\u30C6\u30EB\u30B0\u8A9E\u6620\u753B\u3068\u30BF\u30DF\u30EB\u8A9E\u6620\u753B\u304C\u5168\u4F53\u306E\u53CE\u76CA\u306E36%\u3092\u5360\u3081\u3066\u3044\u308B\u3002"@ja . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Sinema India Selatan"@in . . . . . . . . . "Sinema India Selatan digunakan secara kolektif untuk merujuk kepada empat industri film di India Selatan, yakni industri film Telugu, Tamil, dan Kannada, sebagai sebuah entitas tunggal. Industri-industri film tersebut masing-masing berbasis di Hyderabad, Chennai, Kochi dan Bengaluru."@in . . . . . . . . . . . . . . . . . "1124304664"^^ . . "Worldwide"@en . "34025932"^^ . . . . . . . . . . . . . . . . "The Cinema of South India refers collectively to the six distinct film industries based in Southern region of India \u2014 namely Tamil, Telugu, Tulu, Kannada, Konkani, and Malayalam. Although these industries developed independently for a long period of time, gross exchange of artists and technicians, as well as globalisation helped in shaping this unique identity."@en . . . . . . . . . . . . "Cinema of South India"@en . . . . . . . . "Sinema India Selatan digunakan secara kolektif untuk merujuk kepada empat industri film di India Selatan, yakni industri film Telugu, Tamil, dan Kannada, sebagai sebuah entitas tunggal. Industri-industri film tersebut masing-masing berbasis di Hyderabad, Chennai, Kochi dan Bengaluru. Meskipun dikembangkan secara independen dalam tempo jangka panjang, pertukaran keuntungan penampil film dan teknisi serta globalisasi membantu pembentukan identitas baru ini, demi bersaing dengan industri film lainnya di dunia. Industri terbesar-nya adalah industri film Tamil dan Telugu, yang meliputi 55% dari seluruh pengedaran film di India Selatan pada 2013. Industri tersebut diregulasi oleh ."@in . . . . . . . . . . . . . . . . . . . . . . . . . . "\u5357\u30A4\u30F3\u30C9\u306E\u6620\u753B\uFF08\u307F\u306A\u307F\u30A4\u30F3\u30C9\u306E\u3048\u3044\u304C\u3001Cinema of South India\uFF09\u3068\u306F\u3001\u30A4\u30F3\u30C9\u3067\u88FD\u4F5C\u3055\u308C\u308B\u6620\u753B\u306E\u3046\u3061\u30AB\u30F3\u30CA\u30C0\u8A9E\u6620\u753B\u3001\u30DE\u30E9\u30E4\u30FC\u30E9\u30E0\u8A9E\u6620\u753B\u3001\u30BF\u30DF\u30EB\u8A9E\u6620\u753B\u3001\u30C6\u30EB\u30B0\u8A9E\u6620\u753B\u3001\u30C8\u30A5\u30EB\u8A9E\u6620\u753B\u306E5\u3064\u306E\u6620\u753B\u7523\u696D\u3092\u6307\u3059\u3002\u5404\u6620\u753B\u7523\u696D\u306F\u305D\u308C\u305E\u308C\u30D0\u30F3\u30AC\u30ED\u30FC\u30EB\u3001\u30B3\u30FC\u30C1\u3001\u30C1\u30A7\u30F3\u30CA\u30A4\u3001\u30CF\u30A4\u30C7\u30E9\u30D0\u30FC\u30C9\u3001\u30DE\u30F3\u30AC\u30ED\u30FC\u30EB\u3092\u62E0\u70B9\u3068\u3057\u3066\u3044\u308B\u3002 \u3053\u308C\u3089\u306E\u6620\u753B\u7523\u696D\u306F\u305D\u308C\u305E\u308C\u72EC\u7ACB\u3057\u305F\u7523\u696D\u3068\u3057\u3066\u6D3B\u52D5\u3057\u3066\u3044\u305F\u304C\u3001\u4FF3\u512A\u3084\u30B9\u30BF\u30C3\u30D5\u306E\u4EBA\u7684\u4EA4\u6D41\u3001\u30B0\u30ED\u30FC\u30D0\u30EA\u30BC\u30FC\u30B7\u30E7\u30F3\u306E\u4FC3\u9032\u306B\u3088\u308A1\u3064\u306E\u6620\u753B\u7523\u696D\u3068\u3057\u3066\u306E\u30A2\u30A4\u30C7\u30F3\u30C6\u30A3\u30C6\u30A3\u304C\u5F62\u6210\u3055\u308C\u3066\u3044\u3063\u305F\u3002\u5357\u30A4\u30F3\u30C9\u6620\u753B\u306F\u5357\u30A4\u30F3\u30C9\u6620\u753B\u5546\u696D\u4F1A\u8B70\u6240\u304C\u7BA1\u8F44\u3057\u3066\u304A\u308A\u3001\u30C6\u30EB\u30B0\u8A9E\u6620\u753B\u3068\u30BF\u30DF\u30EB\u8A9E\u6620\u753B\u304C\u5168\u4F53\u306E\u53CE\u76CA\u306E36%\u3092\u5360\u3081\u3066\u3044\u308B\u3002"@ja . . . . . . . . . . . . "22176"^^ . "The Cinema of South India refers collectively to the six distinct film industries based in Southern region of India \u2014 namely Tamil, Telugu, Tulu, Kannada, Konkani, and Malayalam. Although these industries developed independently for a long period of time, gross exchange of artists and technicians, as well as globalisation helped in shaping this unique identity. By 2010, South India became the home for 6320, or about 62% of the 10,167 movie theatres in India. For the financial year of 2013, the combined net box office revenue of Tamil and Telugu films stood at nearly 40% of the total net revenue of Indian films.In 2020, the combined market of the Tamil, Telugu, Kannada and Malayalam film industries grossed revenue of Rs 1,040 crore, and surpassed that of Hindi film markets where box office collection stood at Rs 870 crore. In 2021, Telugu film industry emerged as the largest film industry of India in terms of box office revenue."@en . . . . . "\u5357\u30A4\u30F3\u30C9\u306E\u6620\u753B"@ja . . . . . . . . .