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"Church architecture refers to the architecture of buildings of churches, convents, seminaries etc. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the birth of Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, "@en . . . . . . . . . . "Early Christian: House Church at Dura, Syria, domestic rooms around a courtyard were adapted as a meeting place and baptistry."@en . . . . "Church architecture"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . "Church architecture refers to the architecture of buildings of churches, convents, seminaries etc. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions. From the birth of Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were dominant features of the towns and countryside in which they stood. However, far more numerous were the parish churches in Christendom, the focus of Christian devotion in every town and village. While a few are counted as sublime works of architecture to equal the great cathedrals and churches, the majority developed along simpler lines, showing great regional diversity and often demonstrating local vernacular technology and decoration. Buildings were at first from those originally intended for other purposes but, with the rise of distinctively ecclesiastical architecture, church buildings came to influence secular ones which have often imitated religious architecture. In the 20th century, the use of new materials, such as steel and concrete, has had an effect upon the design of churches. The history of church architecture divides itself into periods, and into countries or regions and by religious affiliation. The matter is complicated by the fact that buildings put up for one purpose may have been re-used for another, that new building techniques may permit changes in style and size, that changes in liturgical practice may result in the alteration of existing buildings and that a building built by one religious group may be used by a successor group with different purposes."@en . . "An early Christian house church and 4th-century basilica"@en . . . "\u0639\u0645\u0627\u0631\u0629 \u0627\u0644\u0643\u0646\u0627\u0626\u0633"@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Romanesque: Eschau Church, France: a cruciform plan with apse and aisles, west portal, and side entrance."@en . . . . . "Trinity Catholic Church in Dalidiocese.JPG"@en . . . . . "Roma-sanpaoloforilemura01.jpg"@en . . . . . . . . . . . . . . "Ganghwa Anglican Cathedral 03 20170916.jpg"@en . . . . . . . . . . . . . . . . . . . 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"Comparative plans"@en . . . "L'architecture eccl\u00E9siastique se r\u00E9f\u00E8re \u00E0 l'architecture de b\u00E2timents religieux chr\u00E9tiens. Elle a \u00E9volu\u00E9 en plus de deux mille ans de chr\u00E9tient\u00E9, en partie par innovation et en partie par imitation d'autres styles architecturaux, mais aussi en r\u00E9pondant aux changements de croyances, aux pratiques et aux traditions locales. Les influences \u00E0 la fois th\u00E9ologiques et pratiques sur l'architecture religieuse se sont inspir\u00E9es des b\u00E2timents pa\u00EFens ou s\u00E9culiers ainsi que ceux des autres fois. Les b\u00E2timents ont d'abord \u00E9t\u00E9 adapt\u00E9s de ceux originellement pr\u00E9vus pour d'autres programmes, puis, avec la mont\u00E9e d'une architecture eccl\u00E9siastique sp\u00E9cifique, les b\u00E2timents chr\u00E9tiens vinrent \u00E0 influencer les b\u00E2timents s\u00E9culiers qui ont souvent emprunt\u00E9 \u00E0 l'architecture religieuse. Au XXe si\u00E8cle l'utilisatio"@fr . . . . "HSX Millingen 1912 fig 102.svg"@en . . . . "Top: Arches of the Hagia Sophia sketch; Centre: Saint Peter's Basilica; Bottom: Saint Paul's Cathedral nave"@en . . . . . . . . "390"^^ . . . . . . . . . . . . . . . . . "\u0531\u057A\u0561\u0580\u0561\u0576\u056B \u054D\u0578\u0582\u0580\u0562 \u053D\u0561\u0579.jpg"@en . "2213191"^^ . . . . . "4"^^ . . . . . . . . "center"@en . . . . . . . . . . . . . . . "2"^^ . "210"^^ . . "211"^^ . . . . . "230"^^ . . "231"^^ . . . . "237"^^ . . . . . . . . . "235"^^ . . . . "Church architecture"@en . . . . . . . . . . . . . . . . . . . . "Byzantine: Chora Church, Istanbul: a domed church with an apsidal chancel, galleries at either side and a narthex. A modified cross-in-square plan."@en . . . . . . . . . . . "DuraEuropos-Church.jpg"@en . . . . . . . . . . . . . . . . . "Clockwise from top left: Boljoon church and convent, Lazi convent, Paoay church, Miag-ao church"@en . . . . . "The Mausoleum of Santa Costanza, Rome, was built by Constantine I as the tomb of his daughter."@en . . . . . . . "168"^^ . . . "Lazi convent sept2019.jpg"@en . . . . . . . . . . . . . "Santa Costanza. Exterior.JPG"@en . . . . . . "right"@en . . . . 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\uBAA8\uC544\uB193\uACE0 \uC6C5\uC7A5\uD558\uACE0 \uC544\uB984\uB2E4\uC6B4 \uC774 \uAC74\uCD95\uC591\uC2DD\uC740 \uB2F9\uC2DC \uD06C\uAC8C \uC704\uB825\uC744 \uB5A8\uCCE4\uB358 \uC911\uC138 \uAE30\uB3C5\uAD50 \uC815\uC2E0\uC744 \uBC18\uC601\uD55C \uAC83\uC774\uBA70, \uB610\uD55C \uC0C8\uB85C\uC6B4 \uAE30\uC220\uAC1C\uBC1C\uC758 \uC131\uACFC\uC774\uAE30\uB3C4 \uD558\uC600\uB2E4. \uD2B9\uD788 \uC885\uB798\uC758 \uBCBD\uCCB4 \uAD6C\uC870(\u58C1\u9AD4\u69CB\u9020)\uAC00 \uAC16\uB294 \uC5ED\uD559\uC801 \uACB0\uD568\uC744 \uAE30\uB465 \uAD6C\uC870\uC5D0 \uC758\uD558\uC5EC \uD574\uACB0\uD55C \uAC83\uC774 \uADF8 \uB4A4\uC758 \uAE30\uB3C5\uAD50 \uC608\uC220\uC5D0 \uCEE4\uB2E4\uB780 \uBCC0\uD654\uB97C \uC8FC\uAC8C \uD558\uC600\uB2E4. \uADFC\uC138 \uC774\uD6C4\uC5D0\uB3C4 \uAC01 \uC2DC\uB300\uB97C \uBC18\uC601\uD558\uB294 '\uB974\uB124\uC0C1\uC2A4\uC2DD', '\uBC14\uB85C\uD06C\uC2DD', '\uB85C\uCF54\uCF54\uC2DD' \uB4F1\uC758 \uAC74\uCD95\uC591\uC2DD\uC774 \uBC1C\uC0DD\uD588\uC73C\uBA70 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"370"^^ . . . . . . . . . . . . . . . . . . . . . "left"@en . . . . . . . . "The interior of the Basilica of Sant'Apollinare in Classe"@en . "79063"^^ . . . . . . . . . . . . . . . . . . . . . . . "San Clemente 0511-06 chiostro.JPG"@en . . . . . . . . . . . . "The Dura-Europos house church, built AD, with a chapel area on right"@en . . . "Ravenna BW 3.JPG"@en . . . . . . . . . . . . "The atrium at the Basilica di San Clemente, Rome, with reused ancient Roman columns"@en . . . "Arsitektur Gereja adalah seni bangunan gereja. Arsitektur berasal dari bahasa Yunani: \u03B1\u03C1\u03C7\u03AE (arke) yang berarti permulaan dan \u03C4\u03B5\u03C7\u03BD\u03AE (tekne) yang berarti seni pertukangan. Secara harafiah, arsitektur adalah seni pertukangan yang mula atau dasar. Arsitektur dianggap holistik, yaitu menyangkut hal-hal yang dan . Jadi, arsitektur gereja adalah seni pertukangan dari bangunan gedung gereja, sehingga pertimbangan pertama ditinjau dari tujuan dibangunnya gedung itu, yaitu untuk ibadah. Karena gereja adalah perwujudan sejarah dari hidup Kristus, maka nilai-nilai di dalamnya juga harus memiliki kesatuan dengan hati Yesus. Pentingnya sebuah rancangan yang matang agar gereja benar-benar memperhitungkan aspek-aspeknya; teologis, filosofis dan fisiknya."@in . . . . . . . . "1116844249"^^ . . "yes"@en . . . . . . . . . . . . . . . . . . . . . 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"center"@en . . . . . . . . . . . . . . . . . . "El concepto de arquitectura de iglesias hace referencia a la configuraci\u00F3n de los edificios dedicados al culto de las distintas corrientes del cristianismo. Desde el punto de vista hist\u00F3rico, es apreciable la evoluci\u00F3n experimentada en estos edificios a lo largo de los siglos, en parte por la introducci\u00F3n de innovaciones t\u00E9cnicas y en parte por la influencia de distintas corrientes arquitect\u00F3nicas, as\u00ED como respondiendo a creencias, pr\u00E1cticas y tradiciones locales cambiantes. Desde el origen de la cristiandad hasta el presente, algunos de los hitos de transformaci\u00F3n m\u00E1s significativos en el dise\u00F1o y la arquitectura de los templos cristianos fueron las grandes iglesias de Bizancio, las abad\u00EDas rom\u00E1nicas, las catedrales g\u00F3ticas y las bas\u00EDlicas renacentistas, con su \u00E9nfasis en la armon\u00EDa. Est"@es . "L'architecture eccl\u00E9siastique se r\u00E9f\u00E8re \u00E0 l'architecture de b\u00E2timents religieux chr\u00E9tiens. Elle a \u00E9volu\u00E9 en plus de deux mille ans de chr\u00E9tient\u00E9, en partie par innovation et en partie par imitation d'autres styles architecturaux, mais aussi en r\u00E9pondant aux changements de croyances, aux pratiques et aux traditions locales. Les influences \u00E0 la fois th\u00E9ologiques et pratiques sur l'architecture religieuse se sont inspir\u00E9es des b\u00E2timents pa\u00EFens ou s\u00E9culiers ainsi que ceux des autres fois. Les b\u00E2timents ont d'abord \u00E9t\u00E9 adapt\u00E9s de ceux originellement pr\u00E9vus pour d'autres programmes, puis, avec la mont\u00E9e d'une architecture eccl\u00E9siastique sp\u00E9cifique, les b\u00E2timents chr\u00E9tiens vinrent \u00E0 influencer les b\u00E2timents s\u00E9culiers qui ont souvent emprunt\u00E9 \u00E0 l'architecture religieuse. Au XXe si\u00E8cle l'utilisation de nouveaux mat\u00E9riaux comme le b\u00E9ton, ainsi que le go\u00FBt pour des styles plus d\u00E9pouill\u00E9s eurent non seulement un impact sur la conception des \u00E9glises, mais on peut aussi affirmer que l'architecture religieuse cesse alors d'\u00EAtre un mod\u00E8le et se laisse influencer par d'autres types de constructions embl\u00E9matiques."@fr . . . . "InternetArchiveBot"@en . . . . . . . . . "horizontal"@en . . . "Makiki Church - panoramio .jpg"@en . "Dehio 48 Eschau.jpg"@en . . . . . "Church dura.jpg"@en . "Miagao Church.jpg"@en . . . "Boljoon Church, Cebu.jpg"@en . . . "July 2019"@en . . . . . "El concepto de arquitectura de iglesias hace referencia a la configuraci\u00F3n de los edificios dedicados al culto de las distintas corrientes del cristianismo. Desde el punto de vista hist\u00F3rico, es apreciable la evoluci\u00F3n experimentada en estos edificios a lo largo de los siglos, en parte por la introducci\u00F3n de innovaciones t\u00E9cnicas y en parte por la influencia de distintas corrientes arquitect\u00F3nicas, as\u00ED como respondiendo a creencias, pr\u00E1cticas y tradiciones locales cambiantes. Desde el origen de la cristiandad hasta el presente, algunos de los hitos de transformaci\u00F3n m\u00E1s significativos en el dise\u00F1o y la arquitectura de los templos cristianos fueron las grandes iglesias de Bizancio, las abad\u00EDas rom\u00E1nicas, las catedrales g\u00F3ticas y las bas\u00EDlicas renacentistas, con su \u00E9nfasis en la armon\u00EDa. Estos grandes edificios, a menudo demostraciones del poder y de la influencia de la jerarqu\u00EDa eclesi\u00E1stica, eran elementos dominantes de las ciudades y de los lugares en los que se encontraban. Sin embargo, mucho m\u00E1s numerosas fueron las iglesias parroquiales, el foco de la devoci\u00F3n cristiana en cada pueblo y aldea. Si bien unas pocas se cuentan como obras de arquitectura sublimes comparables a las grandes catedrales, la mayor\u00EDa se desarroll\u00F3 siguiendo l\u00EDneas m\u00E1s simples, mostrando una gran diversidad regional y, a menudo,incorporando tecnolog\u00EDa y decoraci\u00F3n propias de cada lugar. Al principio, las primeras iglesias fueron edificios originalmente destinados a otros fines, pero, con el surgimiento de una arquitectura eclesi\u00E1stica distintiva, los edificios de las iglesias llegaron a influir en los edificios seculares, que a menudo han imitado a la arquitectura religiosa. En el siglo XX, el uso de nuevos materiales, como el acero y el hormig\u00F3n, produjo un notable efecto en el dise\u00F1o de las iglesias. La historia de la arquitectura de la iglesia se divide en per\u00EDodos, pa\u00EDses o regiones y corrientes religiosas. El asunto se complica por el hecho de que los edificios construidos para un prop\u00F3sito pueden haber sido reutilizados para otro, que las nuevas t\u00E9cnicas de construcci\u00F3n pueden permitir cambios de estilo y tama\u00F1o, que los cambios en la pr\u00E1ctica lit\u00FArgica pueden resultar en la alteraci\u00F3n de los edificios existentes y que un edificio construido por un grupo religioso puede ser utilizado por un grupo sucesor con diferentes prop\u00F3sitos."@es . . . . . . . "San Agustin Church of Paoay.jpg"@en . . . . . . . . . . . . . . . . . . . "The \"bema\" of the Basilica of Saint Paul Outside the Walls, Rome"@en . "Architecture eccl\u00E9siastique"@fr . "\uAD50\uD68C \uAC74\uCD95"@ko . . . . "Arsitektur Gereja"@in . . . . . . . . . . . . . . . . . . . . . . . . "Arsitektur Gereja adalah seni bangunan gereja. Arsitektur berasal dari bahasa Yunani: \u03B1\u03C1\u03C7\u03AE (arke) yang berarti permulaan dan \u03C4\u03B5\u03C7\u03BD\u03AE (tekne) yang berarti seni pertukangan. Secara harafiah, arsitektur adalah seni pertukangan yang mula atau dasar. Arsitektur dianggap holistik, yaitu menyangkut hal-hal yang dan . Jadi, arsitektur gereja adalah seni pertukangan dari bangunan gedung gereja, sehingga pertimbangan pertama ditinjau dari tujuan dibangunnya gedung itu, yaitu untuk ibadah. Karena gereja adalah perwujudan sejarah dari hidup Kristus, maka nilai-nilai di dalamnya juga harus memiliki kesatuan dengan hati Yesus."@in . . . . . . "Phatdiemk-77.jpg"@en . "Near East, Arabian Peninsula, North Africa, Iran, Indian subcontinent, Indonesia"@en . . . . . . . . "Arquitectura de iglesias"@es . .