"D\u00F3 sustenido (D\u00F3\u266F na nota\u00E7\u00E3o europeia e C\u266F na americana) \u00E9 uma nota musical um semitom acima de d\u00F3 e uma abaixo de r\u00E9. \u00C9, pois, enarm\u00F4nica das notas si dobrado sustenido e r\u00E9 bemol."@pt . . . . . "\u5B30\u30CF"@ja . "\u5B30\u30CF\uFF08\u3048\u3044\u30CF\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306E\u97F3\u540D\u306E\u3072\u3068\u3064\u3002\u30CF\u306E\u697D\u8B5C\u4E0A\u306E\u4F4D\u7F6E\u3092\u5909\u3048\u305A\u306B\u534A\u97F3\u4E0A\u3052\u305F\u97F3\u3067\u3042\u308A\u3001\u697D\u8B5C\u3067\u306F\u30CF\u306B\u266F\u3092\u4ED8\u3051\u3066\u8868\u3059\u3002"@ja . . "Cis (muziek)"@nl . "Ciss"@sv . . "Cis (C\u266F) \u2013 podwy\u017Cszony za pomoc\u0105 krzy\u017Cyka d\u017Awi\u0119k c. Cis stanowi tonik\u0119 gam Cis-dur i cis-moll. W stroju r\u00F3wnomiernie temperowanym jest enharmonicznie r\u00F3wnowa\u017Cny d\u017Awi\u0119kom des i hisis. W stroju wsp\u00F3\u0142czesnym (zdefiniowanym w normie ISO 16), d\u017Awi\u0119k cis\u00B9 (w oktawie razkre\u015Blnej) ma cz\u0119stotliwo\u015B\u0107 ok. 277,2 Hz."@pl . "( C\u266F\uB294 \uC5EC\uAE30\uB85C \uC5F0\uACB0\uB429\uB2C8\uB2E4. \uD504\uB85C\uADF8\uB798\uBC0D \uC5B8\uC5B4\uC5D0 \uB300\uD574\uC11C\uB294 C\uFF03 \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) C\u266F (C \uC0E4\uD504) \uB610\uB294 \uC62C\uB9BC\uB2E4\uB294 \uB2E4\uC758 1\uB3C4 \uC704, \uB77C\uC758 1\uB3C4 \uC544\uB798\uC758 \uC74C\uC774\uBA70 (D \uD50C\uB7AB)\uC758 \uC74C\uACFC \uAC19\uACE0 \uD504\uB791\uC2A4 \uC758 \uB450\uBC88\uC9F8 \uBC18\uC74C\uC774\uB2E4. \uC77C\uBD80 \uC720\uB7FD \uAD6D\uAC00\uC5D0\uC11C\uC758 \uD45C\uAE30\uB294 Cis\uC774\uAE30\uB3C4 \uD558\uB2E4. B\uC758 \uC774\uBA85 \uB3D9\uC74C\uC774\uAE30\uB3C4 \uD558\uB2E4."@ko . . "Cis (d\u017Awi\u0119k)"@pl . . . "1114173305"^^ . . . . "( C\u266F\uB294 \uC5EC\uAE30\uB85C \uC5F0\uACB0\uB429\uB2C8\uB2E4. \uD504\uB85C\uADF8\uB798\uBC0D \uC5B8\uC5B4\uC5D0 \uB300\uD574\uC11C\uB294 C\uFF03 \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) C\u266F (C \uC0E4\uD504) \uB610\uB294 \uC62C\uB9BC\uB2E4\uB294 \uB2E4\uC758 1\uB3C4 \uC704, \uB77C\uC758 1\uB3C4 \uC544\uB798\uC758 \uC74C\uC774\uBA70 (D \uD50C\uB7AB)\uC758 \uC74C\uACFC \uAC19\uACE0 \uD504\uB791\uC2A4 \uC758 \uB450\uBC88\uC9F8 \uBC18\uC74C\uC774\uB2E4. \uC77C\uBD80 \uC720\uB7FD \uAD6D\uAC00\uC5D0\uC11C\uC758 \uD45C\uAE30\uB294 Cis\uC774\uAE30\uB3C4 \uD558\uB2E4. B\uC758 \uC774\uBA85 \uB3D9\uC74C\uC774\uAE30\uB3C4 \uD558\uB2E4."@ko . . . . . . "C\u266F (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solf\u00E8ge. C-sharp is thus enharmonic to D\u266D. It is the second semitone in the French solf\u00E8ge and is known there as do di\u00E8se. In some European notations, it is known as Cis. In equal temperament it is also enharmonic with B (B-double sharp/Hisis). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of C\u266F4 (the C\u266F above middle C) is about 277.183 Hz. See pitch (music) for a discussion of historical variations in frequency."@en . . "D\u00F3 sustenido"@pt . . "Cis (Ton)"@de . . "C\u266F (C-sharp) is a musical note lying a chromatic semitone above C and a diatonic semitone below D; it is the second semitone of the solf\u00E8ge. C-sharp is thus enharmonic to D\u266D. It is the second semitone in the French solf\u00E8ge and is known there as do di\u00E8se. In some European notations, it is known as Cis. In equal temperament it is also enharmonic with B (B-double sharp/Hisis)."@en . "C\u266F\uFF08C-sharp\uFF0C\u8BFB\u4F5C\u201C\u5347C\u201D\uFF0C\u53C8\u8BB0\u4F5C\u266FC\uFF09\u662FC\u7684\u4E00\u500B\u534A\u97F3\u4E4B\u4E0A\uFF0CD\u7684\u4E00\u500B\u534A\u97F3\u4E4B\u4E0B\u3002\u56E0\u6B64\uFF0CC\u266F\u8207D\u266D\u7570\u540D\u540C\u97F3\uFF08\u4E92\u4E3A\u7B49\u97F3\uFF09\u3002C\u266F\u5728\u6CD5\u8A9E\u88CF\u662F\u7B2C\u4E8C\u500B\u5531\u540D\uFF0C\u7A31\u70BAdo di\u00E8se\u3002 \u5728\u5341\u4E8C\u5E73\u5747\u5F8B\u4E2D\uFF0C\u5982\u679C\u4E2D\u592EC\u4E4B\u4E0A\u7684A\u7684\u983B\u7387\u662F440Hz\uFF0C\u90A3C\u266F4\uFF08\u4E2D\u592EC\u4E4B\u4E0A\u7684C\u266F\uFF09\u7684\u983B\u7387\u5C31\u662F\u5927\u7D04277.18 Hz\u3002\uFF08\u53C3\u898B\u97F3\u9AD8\u3002\uFF09"@zh . "12666226"^^ . . . . "De Cis is een met een halve toonafstand verhoogde stamtoon C. In de gelijkzwevende stemming is het dezelfde toon als de Des (D\u266D), een met een halve toon verlaagde D. De Cis wordt geschreven als C\u266F of in eenvoudige typografie als C#. In de van de stamtonen afgeleide (majeur) toonladders komt de toon Cis voor het eerst voor als leidtoon in de toonladder van D, die twee kruisen heeft. De verhouding van de frequenties van de grondtoon D en de leidtoon Cis is in de reine stemming 8:15."@nl . . . . . . . . . . "C\u266F (\u97F3\u540D)"@zh . . . . . . . . "Cis (C\u266F) \u2013 podwy\u017Cszony za pomoc\u0105 krzy\u017Cyka d\u017Awi\u0119k c. Cis stanowi tonik\u0119 gam Cis-dur i cis-moll. W stroju r\u00F3wnomiernie temperowanym jest enharmonicznie r\u00F3wnowa\u017Cny d\u017Awi\u0119kom des i hisis. W stroju wsp\u00F3\u0142czesnym (zdefiniowanym w normie ISO 16), d\u017Awi\u0119k cis\u00B9 (w oktawie razkre\u015Blnej) ma cz\u0119stotliwo\u015B\u0107 ok. 277,2 Hz."@pl . . "\uC62C\uB9BC\uB2E4"@ko . . . . . . . . . . . . . "D\u00F3 sustenido (D\u00F3\u266F na nota\u00E7\u00E3o europeia e C\u266F na americana) \u00E9 uma nota musical um semitom acima de d\u00F3 e uma abaixo de r\u00E9. \u00C9, pois, enarm\u00F4nica das notas si dobrado sustenido e r\u00E9 bemol."@pt . . . "De Cis is een met een halve toonafstand verhoogde stamtoon C. In de gelijkzwevende stemming is het dezelfde toon als de Des (D\u266D), een met een halve toon verlaagde D. De Cis wordt geschreven als C\u266F of in eenvoudige typografie als C#. In de van de stamtonen afgeleide (majeur) toonladders komt de toon Cis voor het eerst voor als leidtoon in de toonladder van D, die twee kruisen heeft. De verhouding van de frequenties van de grondtoon D en de leidtoon Cis is in de reine stemming 8:15."@nl . "5821"^^ . . . . . "C\u266F\uFF08C-sharp\uFF0C\u8BFB\u4F5C\u201C\u5347C\u201D\uFF0C\u53C8\u8BB0\u4F5C\u266FC\uFF09\u662FC\u7684\u4E00\u500B\u534A\u97F3\u4E4B\u4E0A\uFF0CD\u7684\u4E00\u500B\u534A\u97F3\u4E4B\u4E0B\u3002\u56E0\u6B64\uFF0CC\u266F\u8207D\u266D\u7570\u540D\u540C\u97F3\uFF08\u4E92\u4E3A\u7B49\u97F3\uFF09\u3002C\u266F\u5728\u6CD5\u8A9E\u88CF\u662F\u7B2C\u4E8C\u500B\u5531\u540D\uFF0C\u7A31\u70BAdo di\u00E8se\u3002 \u5728\u5341\u4E8C\u5E73\u5747\u5F8B\u4E2D\uFF0C\u5982\u679C\u4E2D\u592EC\u4E4B\u4E0A\u7684A\u7684\u983B\u7387\u662F440Hz\uFF0C\u90A3C\u266F4\uFF08\u4E2D\u592EC\u4E4B\u4E0A\u7684C\u266F\uFF09\u7684\u983B\u7387\u5C31\u662F\u5927\u7D04277.18 Hz\u3002\uFF08\u53C3\u898B\u97F3\u9AD8\u3002\uFF09"@zh . . . . "Ciss \u00E4r tonen C h\u00F6jd ett halvtonsteg. Tonen skrivs C#. Ciss \u00E4r grundtonen i tonarterna och . Denna musikteorirelaterade artikel saknar v\u00E4sentlig information. Du kan hj\u00E4lpa till genom att l\u00E4gga till den."@sv . . . . . . . . . . "\u5B30\u30CF\uFF08\u3048\u3044\u30CF\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306E\u97F3\u540D\u306E\u3072\u3068\u3064\u3002\u30CF\u306E\u697D\u8B5C\u4E0A\u306E\u4F4D\u7F6E\u3092\u5909\u3048\u305A\u306B\u534A\u97F3\u4E0A\u3052\u305F\u97F3\u3067\u3042\u308A\u3001\u697D\u8B5C\u3067\u306F\u30CF\u306B\u266F\u3092\u4ED8\u3051\u3066\u8868\u3059\u3002"@ja . "Ciss \u00E4r tonen C h\u00F6jd ett halvtonsteg. Tonen skrivs C#. Ciss \u00E4r grundtonen i tonarterna och . Denna musikteorirelaterade artikel saknar v\u00E4sentlig information. Du kan hj\u00E4lpa till genom att l\u00E4gga till den."@sv . . "C\u266F (musical note)"@en . .