. . . . . . . . "Traici\u00F3n (Betrayal en su t\u00EDtulo original) es una obra de teatro en nueve escenas del dramaturgo brit\u00E1nico Harold Pinter, estrenada en 1978."@es . "Betrogen, im englischen Original Betrayal, ist ein Theaterst\u00FCck des britischen Literaturnobelpreistr\u00E4gers und Autors Harold Pinter. Die Urauff\u00FChrung war am 15. November 1978 am National Theatre in London unter der Regie von Peter Hall. Am Wiener Burgtheater feierte das St\u00FCck mit dem Regisseur Peter Wood am 17. Dezember 1978 seine deutschsprachige Erstauff\u00FChrung."@de . . . . . . . . . . . . . . "Tra\u00EFci\u00F3 (obra de teatre)"@ca . . "Trahisons (Betrayal) est une pi\u00E8ce de th\u00E9\u00E2tre du dramaturge et Prix Nobel de litt\u00E9rature anglais Harold Pinter. La pi\u00E8ce a \u00E9t\u00E9 cr\u00E9\u00E9e en 1978 au Royal National Theatre de Londres dans une mise en sc\u00E8ne de Peter Hall. Raymond G\u00E9rome a mis en sc\u00E8ne la cr\u00E9ation fran\u00E7aise en 1982 au Th\u00E9\u00E2tre Montparnasse."@fr . "Tra\u00EFci\u00F3 (en angl\u00E8s original, Betrayal) \u00E9s una obra de teatre escrita per Harold Pinter l'any 1978. Considerada cr\u00EDticament com una de les obres dram\u00E0tiques m\u00E9s importants del dramaturg angl\u00E8s, presenta el seu di\u00E0leg caracter\u00EDstic de l'economia, les emocions ocultes i les motivacions velades dels personatges, i la seva superaci\u00F3 competitiva, absorta en si mateixa, en salvar la cara, la deshonestedat i (auto)enganys. Ha estat tradu\u00EFt al catal\u00E0 per Esteve Miralles per una representaci\u00F3 de ."@ca . . . . . . "Extramaritalaffair" . . "1978-11-15"^^ . . . . . "Tra\u00EFci\u00F3 (en angl\u00E8s original, Betrayal) \u00E9s una obra de teatre escrita per Harold Pinter l'any 1978. Considerada cr\u00EDticament com una de les obres dram\u00E0tiques m\u00E9s importants del dramaturg angl\u00E8s, presenta el seu di\u00E0leg caracter\u00EDstic de l'economia, les emocions ocultes i les motivacions velades dels personatges, i la seva superaci\u00F3 competitiva, absorta en si mateixa, en salvar la cara, la deshonestedat i (auto)enganys. Ha estat tradu\u00EFt al catal\u00E0 per Esteve Miralles per una representaci\u00F3 de ."@ca . . . . . "Svek (engelska originalets titel Betrayal) \u00E4r en pj\u00E4s skriven av Harold Pinter. Den hade premi\u00E4r 15 november 1978 i London. Pj\u00E4sen handlar om \u00E4kta paret Robert och Emma och hennes k\u00E4rleksaff\u00E4r med Roberts b\u00E4ste v\u00E4n Jerry. Den b\u00F6rjar med avsl\u00F6jandet om k\u00E4rleksaff\u00E4ren och sen g\u00E5r handlingen bakl\u00E4nges genom dramatiska v\u00E4ndningar och svek under 10 \u00E5r."@sv . "Betrogen (Pinter)"@de . . . . . . "Tradimenti (Betrayal) \u00E8 un\u2019opera teatrale del drammaturgo inglese Harold Pinter, debuttata a Londra nel 1978. Viene generalmente considerata una delle pi\u00F9 grandi opere dell\u2019autore, anche perch\u00E9 presenta molti dei suoi temi e caratteristiche stilistiche, come l\u2019economia nei dialoghi, la delusione e auto-illusione dei personaggi. Basata sulla relazione extraconiugale di Pinter con la presentatrice della BBC Joan Bakewell, durato per sette anni dal 1962 al 1969, la pi\u00E8ce racconta in ordine cronologico inverso la storia di amore, dal suo sgretolamento agli inizi."@it . . "Tradimenti (Pinter)"@it . "Betrayal"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "NT, poster for the 1998 production directed by Trevor Nunn"@en . . . . . . . . . . . . . . "Svek (pj\u00E4s)"@sv . . . "London andVenice" . . "Drama"@en . . . . . . . . "Lyttelton Theatre at the Royal National Theatre, London"@en . . . . . . . . . . . . . . . . . . . . . . . "Traici\u00F3n (Betrayal en su t\u00EDtulo original) es una obra de teatro en nueve escenas del dramaturgo brit\u00E1nico Harold Pinter, estrenada en 1978."@es . . . . . "Trahisons (pi\u00E8ce de th\u00E9\u00E2tre)"@fr . . . . . "London and Venice"@en . . . . . "1978-11-15"^^ . . . . . "Emma, Jerry, Robert, Waiter" . "Betrayal"@en . . . . . "2015-11-14"^^ . . "Emma, Jerry, Robert, Waiter"@en . . . . . . . . . "Svek (engelska originalets titel Betrayal) \u00E4r en pj\u00E4s skriven av Harold Pinter. Den hade premi\u00E4r 15 november 1978 i London. Pj\u00E4sen handlar om \u00E4kta paret Robert och Emma och hennes k\u00E4rleksaff\u00E4r med Roberts b\u00E4ste v\u00E4n Jerry. Den b\u00F6rjar med avsl\u00F6jandet om k\u00E4rleksaff\u00E4ren och sen g\u00E5r handlingen bakl\u00E4nges genom dramatiska v\u00E4ndningar och svek under 10 \u00E5r."@sv . . . . "Betrayal (play)"@en . . . . . . . . . . . . . . . . . . . "Tradimenti (Betrayal) \u00E8 un\u2019opera teatrale del drammaturgo inglese Harold Pinter, debuttata a Londra nel 1978. Viene generalmente considerata una delle pi\u00F9 grandi opere dell\u2019autore, anche perch\u00E9 presenta molti dei suoi temi e caratteristiche stilistiche, come l\u2019economia nei dialoghi, la delusione e auto-illusione dei personaggi. Basata sulla relazione extraconiugale di Pinter con la presentatrice della BBC Joan Bakewell, durato per sette anni dal 1962 al 1969, la pi\u00E8ce racconta in ordine cronologico inverso la storia di amore, dal suo sgretolamento agli inizi."@it . "Traici\u00F3n (obra de teatro)"@es . "Betrogen, im englischen Original Betrayal, ist ein Theaterst\u00FCck des britischen Literaturnobelpreistr\u00E4gers und Autors Harold Pinter. Die Urauff\u00FChrung war am 15. November 1978 am National Theatre in London unter der Regie von Peter Hall. Am Wiener Burgtheater feierte das St\u00FCck mit dem Regisseur Peter Wood am 17. Dezember 1978 seine deutschsprachige Erstauff\u00FChrung."@de . . . . "Trahisons (Betrayal) est une pi\u00E8ce de th\u00E9\u00E2tre du dramaturge et Prix Nobel de litt\u00E9rature anglais Harold Pinter. La pi\u00E8ce a \u00E9t\u00E9 cr\u00E9\u00E9e en 1978 au Royal National Theatre de Londres dans une mise en sc\u00E8ne de Peter Hall. Raymond G\u00E9rome a mis en sc\u00E8ne la cr\u00E9ation fran\u00E7aise en 1982 au Th\u00E9\u00E2tre Montparnasse."@fr . "Extramarital affair"@en . . . . . "180"^^ . . . . . . . "Betrayal is a play written by Harold Pinter in 1978. Critically regarded as one of the English playwright's major dramatic works, it features his characteristically economical dialogue, characters' hidden emotions and veiled motivations, and their self-absorbed competitive one-upmanship, face-saving, dishonesty, and (self-) deceptions."@en . . . . . . . . . . . . . . . "1978"^^ . . "2835473"^^ . . "Betrayal is a play written by Harold Pinter in 1978. Critically regarded as one of the English playwright's major dramatic works, it features his characteristically economical dialogue, characters' hidden emotions and veiled motivations, and their self-absorbed competitive one-upmanship, face-saving, dishonesty, and (self-) deceptions. Inspired by Pinter's clandestine extramarital affair with BBC Television presenter Joan Bakewell, which spanned seven years, from 1962 to 1969, the plot of Betrayal integrates different permutations of betrayal relating to a seven-year affair involving a married couple, Emma and Robert, and Robert's \"close friend\" Jerry, who is also married, to a woman named Judith. For five years Jerry and Emma carry on their affair without Robert's knowledge, both cuckolding Robert and betraying Judith, until Emma, without telling Jerry she has done so, admits her infidelity to Robert (in effect, betraying Jerry), although she continues their affair. In 1977, four years after exposing the affair (in 1973) and two years after their subsequent break up (in 1975), Emma meets Jerry to tell him that her marriage to Robert is over. She then lies to Jerry in telling him that, \"last night\", she had to reveal the truth to Robert and that he now knows of the affair. The truth however, is that Robert has known about the affair for the past four years. Pinter's particular usage of reverse chronology in structuring the plot is innovative: the first two scenes take place after the affair has ended, in 1977; the final scene ends when the affair begins, in 1968; and, in between 1977 and 1968, scenes in two pivotal years (1977 and 1973) move forward chronologically. As Roger Ebert observes, in his review of the 1983 film, based on Pinter's own screenplay, \"The Betrayal structure strips away all artifice. In this view, the play shows, heartlessly, that the very capacity for love itself is sometimes based on betraying not only other loved ones, but even ourselves.\" Still, drawing on the frequently commented influence of Proust's In Search of Lost Time and Pinter's work on 1977's The Proust Screenplay on Betrayal, more emotionally complex interpretations are possible based on a stress on dual motions, one forward in calendar time toward disillusion and one backward toward the redemptive recovery of time, in each work."@en . . . . . . . . . "1121569749"^^ . . . "English"@en . . . . . . . . "34547"^^ . . . . . . . . . . . . . .