. . "93241"^^ . . . . . . "\u0411\u0456\u0442\u043B\u043E\u043C\u0430\u043D\u0456\u044F (\u0430\u043D\u0433\u043B. Beatlemania) \u2014 \u0442\u0435\u0440\u043C\u0456\u043D, \u0449\u043E \u0432\u0438\u043D\u0438\u043A \u0432 1960-\u0442\u0456, \u043E\u043F\u0438\u0441\u0443\u0454 \u0441\u0442\u0430\u043D \u0441\u0438\u043B\u044C\u043D\u043E\u0433\u043E, \u0449\u043E \u043C\u0435\u0436\u0443\u0454 \u0437 \u0431\u043E\u0436\u0435\u0432\u0456\u043B\u043B\u044F\u043C, \u0437\u0430\u0445\u043E\u043F\u043B\u0435\u043D\u043D\u044F \u00ABThe Beatles\u00BB."@uk . . . . . . "Beatlemania was the fanaticism surrounding the English rock band the Beatles in the 1960s. The group's popularity grew in the United Kingdom throughout 1963, propelled by the singles \"Please Please Me\", \"From Me to You\" and \"She Loves You\". By October, the press adopted the term \"Beatlemania\" to describe the scenes of adulation that attended the band's concert performances. From the start of 1964, their world tours were characterised by the same levels of hysteria and high-pitched screaming by female fans, both at concerts and during the group's travels. Commentators likened the intensity of this adulation to a religious fervour and to a female masturbation fantasy. Among the displays of deity-like worship, fans would approach the band in the belief that they possessed supernatural healing"@en . . . "La Beatlemania \u00E8 stato un fenomeno sociologico e di antropologia culturale diffusosi negli anni sessanta. Fenomeno senza precedenti, \u00E8 consistito nell'adorazione incondizionata per il gruppo musicale dei Beatles al di l\u00E0 di estrazione sociale, cultura, sesso ed et\u00E0; si manifestava con euforia, crisi isteriche, urla, pianti, svenimenti, assembramenti di folla e consumo frenetico di oggettistica riguardante il gruppo. L'analisi della Beatlemania ha contribuito allo sviluppo di alcuni settori del marketing e della comunicazione di massa come il merchandising, il branding ed il fandom."@it . . "She Loves You .ogg"@en . . "Beatlemania"@en . . . "\u0411\u0456\u0442\u043B\u043E\u043C\u0430\u043D\u0456\u044F (\u0430\u043D\u0433\u043B. Beatlemania) \u2014 \u0442\u0435\u0440\u043C\u0456\u043D, \u0449\u043E \u0432\u0438\u043D\u0438\u043A \u0432 1960-\u0442\u0456, \u043E\u043F\u0438\u0441\u0443\u0454 \u0441\u0442\u0430\u043D \u0441\u0438\u043B\u044C\u043D\u043E\u0433\u043E, \u0449\u043E \u043C\u0435\u0436\u0443\u0454 \u0437 \u0431\u043E\u0436\u0435\u0432\u0456\u043B\u043B\u044F\u043C, \u0437\u0430\u0445\u043E\u043F\u043B\u0435\u043D\u043D\u044F \u00ABThe Beatles\u00BB."@uk . . . . "music"@en . . "\u2013 Author Peter Doggett"@en . . . . . . . . "Beatlemania"@nl . . . . . . . . . . "Beatleman\u00EDa"@es . . . . "\u62AB\u5934\u58EB\u72C2\u70ED\uFF08Beatlemania\uFF09\u6216\u62AB\u5934\u58EB\u72C2\u901A\u5E38\u6307\u82F1\u56FD\u4E50\u961F\u62AB\u5934\u58EB\u7684\u6B4C\u8FF7\uFF0C\u4E0E\u6B64\u7C7B\u8BCD\u6C47\u8FD1\u4F3C\u4F46\u66F4\u65E9\u51FA\u73B0\u7684\u8BCD\u6709\u674E\u65AF\u7279\u72C2\u71B1\u3002"@zh . . . . . "\u0411\u0438\u0442\u043B\u043E\u043C\u0430\u0301\u043D\u0438\u044F (\u0430\u043D\u0433\u043B. Beatlemania) \u2014 \u0442\u0435\u0440\u043C\u0438\u043D, \u0432\u043E\u0437\u043D\u0438\u043A\u0448\u0438\u0439 \u0432 1960-\u0435 \u0433\u043E\u0434\u044B, \u043E\u043F\u0438\u0441\u044B\u0432\u0430\u044E\u0449\u0438\u0439 \u0441\u043E\u0441\u0442\u043E\u044F\u043D\u0438\u0435 \u0441\u0438\u043B\u044C\u043D\u043E\u0439, \u0433\u0440\u0430\u043D\u0438\u0447\u0430\u0449\u0435\u0439 \u0441 \u0441\u0443\u043C\u0430\u0441\u0448\u0435\u0441\u0442\u0432\u0438\u0435\u043C, \u043B\u044E\u0431\u0432\u0438 \u043A \u0433\u0440\u0443\u043F\u043F\u0435 \u00AB\u0411\u0438\u0442\u043B\u0437\u00BB (\u0430\u043D\u0433\u043B. The Beatles)."@ru . . . "\u30D3\u30FC\u30C8\u30EB\u30DE\u30CB\u30A2\uFF08\u82F1\u8A9E:Beatlemania\uFF09\u3068\u306F\u3001\u30A4\u30AE\u30EA\u30B9\u306E\u97F3\u697D\u30D0\u30F3\u30C9\u300C\u30D3\u30FC\u30C8\u30EB\u30BA\u300D\u306E\u95A2\u9023\u7528\u8A9E\u3067\u3001\u7279\u306B1960\u5E74\u4EE3\u306B\u5B58\u5728\u3057\u305F\u71B1\u72C2\u7684\u306A\u30D5\u30A1\u30F3\u3092\u6307\u3057\u305F\u8A00\u8449\u3002\u300C\u30D3\u30FC\u30C8\u30EB\u30BA\u30FB\u30DE\u30CB\u30A2\u300D\u3068\u3082\u547C\u3070\u308C\u308B\u3002\u73FE\u4EE3\u3067\u3082\u4E00\u90E8\u306E\u30D5\u30A1\u30F3\u304C\u81EA\u79F0\u3059\u308B\u4E8B\u304C\u3042\u308B\u3002"@ja . "\u0411\u0438\u0442\u043B\u043E\u043C\u0430\u043D\u0438\u044F"@ru . . . . . . . . "Beatlemania est un terme apparu \u00E0 la fin de l'ann\u00E9e 1963 pour d\u00E9signer l'extraordinaire engouement des fans \u00E0 l'\u00E9gard du groupe de musique britannique The Beatles. Il s'agit d'un mot-valise constitu\u00E9 de \u00AB Beatle \u00BB et \u00AB mania \u00BB, dans le m\u00EAme esprit que le bien plus ancien \u00AB Lisztomania \u00BB qui d\u00E9crivait la r\u00E9action des admirateurs du pianiste virtuose Franz Liszt, au XIXe si\u00E8cle. Un promoteur de musique \u00E9cossais, Andi Lothian, pr\u00E9tend avoir invent\u00E9 l'expression Beatlemania lors d'une interview donn\u00E9e au cours d'une tourn\u00E9e des Beatles en \u00C9cosse, le 7 octobre 1963. On retrouve ce mot publi\u00E9 pour la premi\u00E8re fois dans le Daily Mail, le 21 octobre, quand le journaliste Vincent Mulchrone a \u00E9crit un article avec le titre \u00AB This Beatlemania \u00BB. Le 2 novembre suivant, le Daily Mirror r\u00E9utilise ce terme, le faisant rentrer dans l'usage courant. Le ph\u00E9nom\u00E8ne proprement dit d\u00E9bute au Royaume-Uni, pays d'origine des Beatles, lorsque le groupe atteint une grande popularit\u00E9 au d\u00E9but de 1963. Revenant d'une s\u00E9rie de s\u00E9jours tr\u00E8s formateurs de 1960 \u00E0 1962 \u00E0 Hambourg, les Beatles effectuent leur premi\u00E8re v\u00E9ritable perc\u00E9e commerciale avec leur second single britannique, Please Please Me, qui se hisse au sommet des classements, en premi\u00E8re ou deuxi\u00E8me position selon les magazines. S'ensuit un encha\u00EEnement presque sans r\u00E9pit de concerts et de tourn\u00E9es dans tout le pays, o\u00F9 les attend un public fervent et enthousiaste. La popularit\u00E9 des Beatles en vient \u00E0 surpasser celle des artistes am\u00E9ricains, comme Tommy Roe, Chris Montez et Roy Orbison ; leurs solides succ\u00E8s dans les charts britanniques ne les emp\u00EAchent pas de passer dans l'ombre des Beatles, un exploit in\u00E9dit pour un jeune groupe d'un pays \u00AB envahi \u00BB par les disques am\u00E9ricains. La Beatlemania se d\u00E9veloppe dans toute son ampleur en septembre-octobre 1963 et prend tout le monde au d\u00E9pourvu, y compris le manager du groupe Brian Epstein. Apr\u00E8s Please Please Me, c'est She Loves You qui devient num\u00E9ro un ; l'albums Please Please Me est \u00E9galement au sommet. Les sc\u00E8nes d'hyst\u00E9rie collective se multiplient au gr\u00E9 des tourn\u00E9es du groupe, hurlements, \u00E9vanouissements, mouvements de foule et salles de presse prises d'assaut par le public et les journalistes. Les Beatles font la une de tous les journaux, rallient tout le pays \u00E0 leur cause. Ils deviennent un argument m\u00E9diatique et m\u00EAme politique : les dirigeants britanniques, tr\u00E8s critiques de prime abord, ne tardent pas \u00E0 comprendre que persister dans cette voie \u00E9quivaut \u00E0 un suicide politique. La Beatlemania se r\u00E9pand comme une tra\u00EEn\u00E9e de poudre, les produits d\u00E9riv\u00E9s se multiplient et le staff de Brian Epstein se retrouve soudain surcharg\u00E9 de travail. Tous ces \u00E9v\u00E9nements sont retranscrits dans un film r\u00E9alis\u00E9 sous forme de faux documentaire o\u00F9 les Beatles jouent leur propre r\u00F4le : A Hard Day's Night. D\u00E9but 1964, la Beatlemania s'exporte hors du continent europ\u00E9en et atteint les \u00C9tats-Unis, d\u00E8s le premier voyage du groupe en terre am\u00E9ricaine, pour les m\u00EAmes effets. La perc\u00E9e des Beatles de l'autre c\u00F4t\u00E9 de l'Atlantique entra\u00EEne bient\u00F4t un changement significatif dans le paysage de la musique populaire aux \u00C9tats-Unis : d'autres groupes britanniques r\u00E9ussissent \u00E0 s'y exporter, marquant le d\u00E9but et l'essor du ph\u00E9nom\u00E8ne de la British Invasion. Hunter Davies, biographe autoris\u00E9 des Beatles, date la fin de la Beatlemania en 1967. S'ils sont toujours aussi populaires aupr\u00E8s des critiques et du public, la folie qui les entoure a nettement baiss\u00E9 d'intensit\u00E9, le groupe ayant cess\u00E9 de donner des concerts pour se focaliser sur le travail en studio d'enregistrement. Ce tournant dans leur carri\u00E8re trouve justement son origine dans la Beatlemania : fatigu\u00E9s, us\u00E9s, sentant leurs comp\u00E9tences de musiciens se d\u00E9grader au fil de ces concerts o\u00F9 leurs chansons sont couvertes par le bruit continu du public, les Beatles aspirent \u00E0 autre chose. Du c\u00F4t\u00E9 des fans, on retrouve pourtant des r\u00E9miniscences du ph\u00E9nom\u00E8ne, comme les (en), ces jeunes filles constamment en poste d'observation devant les studios ou les domiciles des Beatles, dans l'espoir de les entrapercevoir."@fr . . . "Beatlemania was the fanaticism surrounding the English rock band the Beatles in the 1960s. The group's popularity grew in the United Kingdom throughout 1963, propelled by the singles \"Please Please Me\", \"From Me to You\" and \"She Loves You\". By October, the press adopted the term \"Beatlemania\" to describe the scenes of adulation that attended the band's concert performances. From the start of 1964, their world tours were characterised by the same levels of hysteria and high-pitched screaming by female fans, both at concerts and during the group's travels. Commentators likened the intensity of this adulation to a religious fervour and to a female masturbation fantasy. Among the displays of deity-like worship, fans would approach the band in the belief that they possessed supernatural healing powers. In February 1964, the Beatles arrived in the United States and their televised performances on The Ed Sullivan Show were viewed by approximately 73 million people. There, the band's instant popularity established their international stature, and their unprecedented domination of the national sales charts was mirrored in numerous other countries. Their August 1965 concert at New York's Shea Stadium marked the first time that a large outdoor stadium was used for such a purpose, and with an audience of 55,000, set records for attendance and revenue generation. To protect them from their fans, the Beatles typically travelled to these concerts by armoured car. From the end of that year, the band embraced promo clips for their singles to avoid the difficulties of making personal appearances on television programmes. Their December 1965 album Rubber Soul marked a profound change in the dynamic between fans and artists, as many Beatles fans sought to appreciate the progressive quality in the band's look, lyrics and sound. In 1966, John Lennon controversially remarked that the group had become \"more popular than Jesus\". Soon afterwards, when the Beatles toured Japan, the Philippines and the US, they were entangled in mob revolt, violence, political backlash and threats of assassination. Frustrated by the restrictions of Beatlemania and unable to hear themselves play above their fans' screams, the group stopped touring and became a studio-only band. Their popularity and influence expanded in various social and political arenas, while Beatlemania continued on a reduced scale from then and into the members' solo careers. Beatlemania surpassed any previous examples of fan worship in its intensity and scope. Initially, the fans were predominantly young adolescent females, sometimes called \"teenyboppers\", and their behaviour was scorned by many commentators. By 1965, their fanbase included listeners who traditionally shunned youth-driven pop culture, which helped bridge divisions between folk and rock enthusiasts. During the 1960s, Beatlemania was the subject of analysis by psychologists and sociologists; a 1997 study recognised the phenomenon as an early demonstration of proto-feminist girl power. The receptions of subsequent pop acts \u2013 particularly boy bands \u2013 have drawn comparisons to Beatlemania, although none have replicated the breadth and depth of the Beatles' fandom nor its cultural impact."@en . . . . . . . . . "Beatlemania is de naam die wordt gegeven aan de massahysterie rondom de Britse rockband The Beatles."@nl . . . . . . . . . . . . . . . . . . . . . . "left"@en . . . . "Beatlemania"@fr . . "\u30D3\u30FC\u30C8\u30EB\u30DE\u30CB\u30A2"@ja . . . . . "1963.0"^^ . . "\uBE44\uD2C0\uB9C8\uB2C8\uC544(Beatlemania)\uB294 1960\uB144\uB300 \uC601\uAD6D\uC758 \uB85D \uBC34\uB4DC \uBE44\uD2C0\uC988\uB97C \uB458\uB7EC\uC2FC \uAD11\uC2E0\uC8FC\uC758\uC774\uB2E4. 1963\uB144\uAC04 \uC601\uAD6D\uC5D0\uC11C \uBE44\uD2C0\uC988\uC758 \uC778\uAE30\uB294 \uC0C1\uC2B9\uAC00\uB3C4\uB97C \uB2EC\uB838\uC73C\uBA70 \uC774\uAC83\uC740 \uB300\uBD80\uBD84 \u3008Please Please Me\u3009, \u3008From Me to You\u3009, \u3008She Loves You\u3009 \uB4F1 \uC2F1\uAE00 \uB355\uC774\uC5C8\uB2E4. \uADF8\uD574 10\uC6D4\uACBD \uC5B8\uB860\uC5D0\uC11C\uB294 \uBE44\uD2C0\uC988\uC758 \uCF58\uC11C\uD2B8\uC5D0\uC11C \uC788\uC5C8\uB358 \uBE44\uD2C0\uC988 \uCD94\uC885\uC790\uB4E4\uC758 \uC5F4\uAD11\uC744 \uBB18\uC0AC\uD558\uACE0\uC790 '\uBE44\uD2C0\uB9C8\uB2C8\uC544'\uB77C\uB294 \uC2E0\uC870\uC5B4\uB97C \uB9CC\uB4E4\uC5B4\uB0C8\uB2E4. 1964\uB144\uBD80\uD130 \uBE44\uD2C0\uC988\uAC00 \uC2DC\uC791\uD55C \uC138\uACC4\uC801 \uD22C\uC5B4\uB294 \uC5EC\uC131 \uD32C\uB4E4\uC758 \uBA3C\uC813\uBC88\uC758 \uAC83\uACFC \uB3D9\uC77C\uD55C \uC218\uC900\uC758 \uD788\uC2A4\uD14C\uB9AC\uC640 \uC2DC\uB044\uB7EC\uC6B4 \uACE0\uD568\uC18C\uB9AC\uB85C \uD2B9\uC9D5\uC9C0\uC5B4\uC84C\uC73C\uBA70 \uC774\uAC83\uC740 \uCF58\uC11C\uD2B8\uC640 \uBE44\uD2C0\uC988\uC758 \uC5EC\uD589\uC5D0\uC11C\uB3C4 \uADF8\uB300\uB85C\uC600\uB2E4. \uB17C\uD3C9\uAC00\uB4E4\uC740 \uC774\uAC19\uC740 \uBE44\uD2C0\uC988\uC5D0\uC758 \uC5F4\uAD11\uC774 \uC885\uAD50\uC5D0\uC758 \uADF8\uAC83\uC5D0 \uACAC\uC904 \uBC95\uD558\uB2E4\uACE0 \uD588\uC73C\uBA70, \uC5EC\uC131\uC758 \uC790\uC704 \uD310\uD0C0\uC9C0(masturbation fantasy)\uC640\uB3C4 \uC5F0\uAD00\uB418\uC5B4 \uC788\uB2E4\uACE0 \uBD84\uC11D\uD588\uB2E4. \uBE44\uD2C0\uC988\uB97C \uC2E0\uCC98\uB7FC \uB5A0\uBC1B\uB4DC\uB294 \uC77C\uBD80 \uD32C\uB4E4\uC740 \uBE44\uD2C0\uC988\uAC00 \uCD08\uC790\uC5F0\uC801\uC778 \uCE58\uC720\uC801 \uD798\uC744 \uAC00\uC9C0\uACE0 \uC788\uB2E4\uACE0 \uBBFF\uAE30\uB3C4 \uD588\uB2E4. 1964\uB144 2\uC6D4 \uBE44\uD2C0\uC988\uB294 \uBC29\uBBF8\uD558\uC5EC \u300A\uC5D0\uB4DC \uC124\uB9AC\uBC88 \uC1FC\u300B\uC5D0\uC11C \uD154\uB808\uBE44\uC804 \uACF5\uC5F0\uC744 \uC120\uBCF4\uC600\uC73C\uBA70 7,300\uB9CC \uBA85\uC5D0 \uAC00\uAE4C\uC6B4 \uC0AC\uB78C\uB4E4\uC774 \uC774\uAC83\uC744 \uC2DC\uCCAD\uD558\uC600\uB2E4. \uC774 \uC77C\uC744 \uACC4\uAE30\uB85C \uBE44\uD2C0\uC988\uB294 \uC77C\uC57D \uC138\uACC4\uC801 \uC2A4\uD0C0\uB364\uC744 \uC774\uB8E9\uD558\uAC8C \uB418\uC5C8\uC73C\uBA70, \uC804\uBBF8 \uCC28\uD2B8\uC5D0\uC11C\uB294 \uBBF8\uC99D\uC720\uD55C \uC218\uC900\uC758 \uCC28\uD2B8 \uC810\uB839\uC744 \uB2EC\uC131\uD558\uAE30 \uC774\uB974\uB800\uB2E4. \uC774 \uD604\uC0C1\uC740 \uC138\uACC4 \uAC01\uAD6D\uC5D0\uC11C\uB3C4 \uB3D9\uC2DC\uB2E4\uBC1C\uC801\uC73C\uB85C \uC774\uB8E8\uC5B4\uC84C\uB2E4. 1965\uB144 8\uC6D4 \uB274\uC695\uC758 \uC170\uC774 \uC2A4\uD0C0\uB514\uC6C0\uC5D0\uC11C \uC5F4\uB9B0 \uBE44\uD2C0\uC988\uC758 \uCF58\uC11C\uD2B8\uB294 \uB300\uD615 \uC57C\uC678 \uC2A4\uD0C0\uB514\uC6C0\uC5D0\uC11C \uCF58\uC11C\uD2B8\uB97C \uC5F4\uC5C8\uB2E4\uB294 \uC810\uC5D0\uC11C \uCD5C\uCD08\uC600\uC73C\uBA70, \uB610\uD55C \uAD00\uC911\uB3D9\uC6D0\uC218\uC640 \uC218\uC775 \uBA74\uC5D0\uC11C\uB3C4 \uC0C8\uB85C\uC6B4 \uAE30\uB85D\uC744 \uC218\uB9BD\uD588\uB2E4. \uBE44\uD2C0\uC988\uB97C \uD32C\uB4E4\uB85C\uBD80\uD130 \uBCF4\uD638\uD558\uAE30 \uC704\uD558\uC5EC \uC774\uB4E4\uC740 \uCF58\uC11C\uD2B8\uC7A5\uC73C\uB85C \uD5A5\uD558\uC5EC \uC790\uC8FC \uC7A5\uAC11\uCC28\uB97C \uD0C0\uACE0 \uAC14\uB2E4. \uADF8\uD574 \uB9D0 \uBE44\uD2C0\uC988\uB294 \uD154\uB808\uBE44\uC804 \uD504\uB85C\uADF8\uB7A8\uC5D0 \uAC1C\uC778\uC801 \uCD9C\uC5F0\uC744 \uC774\uB8E8\uAE30\uAC00 \uD798\uB4E4\uAC8C \uB418\uC5B4 \uC774\uB97C \uD68C\uD53C\uD558\uACE0\uC790 \uC790\uC2E0\uB4E4\uC758 \uC2F1\uAE00\uC758 \uD64D\uBCF4 \uCC28\uC6D0\uC5D0\uC11C \uC9E7\uC740 \uC601\uD654\uB97C \uC81C\uC791\uD558\uAE30 \uC2DC\uC791\uD558\uC600\uB2E4. 1965\uB144 12\uC6D4 \uC568\uBC94 \u300ARubber Soul\u300B\uC740 \uD32C\uB4E4\uACFC \uBE44\uD2C0\uC988 \uC0AC\uC774\uC758 \uC5ED\uD559\uC5D0 \uC911\uB300\uD55C \uBCC0\uD654\uAC00 \uC77C\uC5B4\uB0AC\uC74C\uC744 \uBCF4\uC5EC\uC8FC\uC5C8\uB2E4. \uB9CE\uC740 \uBE44\uD2C0\uC988 \uD32C\uB4E4\uC740 \uBE44\uD2C0\uC988\uC758 \uC678\uBAA8, \uAC00\uC0AC, \uC0AC\uC6B4\uB4DC\uC758 \uC9C4\uC804\uC744 \uB2EC\uAC11\uAC8C \uBC1B\uC544\uB4E4\uC774\uACE0\uC790 \uD558\uC600\uB2E4. 1966\uB144 \uC874 \uB808\uB17C\uC740 \uBE44\uD2C0\uC988\uAC00 \"\uC608\uC218\uBCF4\uB2E4\uB3C4 \uC720\uBA85\uD574\uC84C\uB2E4\"\uB294 \uBC1C\uC5B8\uC744 \uD568\uC73C\uB85C\uC368 \uB17C\uB780\uC744 \uC77C\uC73C\uD0A8\uB2E4. \uADF8 \uC77C\uC774 \uC788\uC740 \uC9C1\uD6C4 \uC788\uC5C8\uB358 \uC5D0\uC11C \uC774\uB4E4\uC740 \uD3ED\uB3D9, \uD3ED\uB825, \uC815\uCE58\uC801 \uBC18\uBC1C\uACFC \uC554\uC0B4 \uC704\uD611\uC5D0 \uC2DC\uB2EC\uB9AC\uAC8C \uB41C\uB2E4. \uBE44\uD2C0\uB9C8\uB2C8\uC544\uB77C\uB294 \uC790\uC2E0\uB4E4\uC744 \uB458\uB7EC\uC2FC \uD3EC\uC704\uB9DD\uACFC \uD32C\uB4E4\uC758 \uACE0\uD568\uC18C\uB9AC\uB85C \uC778\uD558\uC5EC \uC790\uC2E0\uB4E4\uC758 \uC5F0\uC8FC\uC18C\uB9AC\uAC00 \uBB3B\uD788\uAC8C \uB428\uC5D0 \uBD88\uB9CC\uC744 \uB290\uB080 \uBE44\uD2C0\uC988\uB294 \uD22C\uC5B4\uB97C \uC911\uB2E8\uD558\uACE0 \uC774\uD6C4\uB85C \uC2A4\uD29C\uB514\uC624\uC5D0\uC11C\uB9CC \uD65C\uB3D9\uD558\uB294 \uBC34\uB4DC\uB85C \uC804\uD5A5\uD574\uBC84\uB9B0\uB2E4. \uBE44\uD2C0\uC988\uC758 \uC720\uBA85\uD568\uACFC \uC601\uD5A5\uB825\uC774 \uC0AC\uD68C\uC801\u00B7\uC815\uCE58\uC801 \uBB34\uB300\uC5D0\uB3C4 \uC190\uC744 \uBED7\uCE58\uAC8C \uB418\uBA74\uC11C \uB610\uD55C \uBE44\uD2C0\uC988\uAC00 \uD574\uC0B0\uD558\uACE0 \uBA64\uBC84\uB4E4\uC774 \uAC01\uC790 \uC194\uB85C \uCEE4\uB9AC\uC5B4\uB97C \uC2DC\uC791\uD558\uAC8C \uB418\uBA74\uC11C\uBD80\uD130 \uBE44\uD2C0\uB9C8\uB2C8\uC544\uB294 \uC810\uCC28 \uC0AC\uADF8\uB77C\uB4E4\uAE30 \uC2DC\uC791\uD588\uB2E4. \uBE44\uD2C0\uB9C8\uB2C8\uC544\uB294 \uD32C\uC758 \uC22D\uBC30\uC5D0 \uC788\uC5B4 \uADF8 \uAC15\uB3C4\uC640 \uBC94\uC704\uC758 \uBA74\uC5D0\uC11C \uC804\uC5D0 \uC5C6\uB294 \uC218\uC900\uC774\uC5C8\uB2E4. \uC560\uC2DC\uB2F9\uCD08 \uBE44\uD2C0\uC988\uC758 \uD32C\uB4E4\uC740 \uC774\uB978\uBC14 ''\uB77C\uACE0 \uBD88\uB9AC\uB294 \uC80A\uC740 \uC5EC\uC131\uCCAD\uB144\uB4E4\uC774\uC5C8\uC73C\uBA70 \uC774\uB4E4\uC758 \uD589\uB3D9\uAC70\uC9C0\uB294 \uB9CE\uC740 \uB17C\uD3C9\uAC00\uB4E4\uC758 \uBE44\uB09C\uC744 \uC0C0\uB2E4. 1965\uB144\uACBD \uC774\uB4E4 \uD32C\uBCA0\uC774\uC2A4\uC5D0 \uD3C9\uC18C \uC80A\uC740\uC774\uAC00 \uB9AC\uB4DC\uD558\uB294 \uB300\uC911\uBB38\uD654\uB97C \uACBD\uBA78\uD55C \uB9AC\uC2A4\uB108\uAC00 \uD3B8\uC785\uB418\uC5C8\uC73C\uBA70, \uC774\uB85C \uC778\uD558\uC5EC \uD3EC\uD06C\uC640 \uB85D\uC758 \uC22D\uBC30\uC790\uB4E4\uC758 \uACBD\uACC4\uAC00 \uBB34\uB108\uC9C0\uAE30 \uC2DC\uC791\uD588\uB2E4. 1960\uB144\uB300 \uBE44\uD2C0\uB9C8\uB2C8\uC544\uB294 \uC2EC\uB9AC\uD559\uACFC \uC0AC\uD68C\uD559\uC5D0\uC11C \uD574\uC11D\uC758 \uB300\uC0C1\uC774\uC5C8\uB2E4. 1997\uB144 \uC5F0\uAD6C\uC5D0\uC11C\uB294 \uC774 \uD604\uC0C1\uC744 \uC6D0\uC2DC\uC801 \uD398\uBBF8\uB2C8\uC2A4\uD2B8 \uAC78 \uD30C\uC6CC\uC758 \uCD08\uAE30 \uC608\uC2DC\uB85C \uB4E4\uAE30\uB3C4 \uD558\uC600\uB2E4. \uB098\uC911\uC758 \uB300\uC911\uC74C\uC545 \uBC34\uB4DC\uB4E4-\uD2B9\uD788\uB098 \uBCF4\uC774 \uBC34\uB4DC\uB4E4-\uC774 \uBE44\uD2C0\uB9C8\uB2C8\uC544 \uACAC\uC8FC\uC5B4\uC9C0\uB294 \uACBD\uC6B0\uAC00 \uB9CE\uC774 \uC788\uC5C8\uC9C0\uB9CC \uBE44\uD2C0\uC988 \uD32C\uB364\uC758 \uB113\uC774\uC640 \uAE4A\uC774\uC758 \uBA74\uC5D0\uC11C\uB098 \uADF8 \uBB38\uD654\uC801 \uC601\uD5A5\uB825 \uBA74\uC5D0\uC11C\uB098 \uBE44\uD2C0\uB9C8\uB2C8\uC544\uB97C \uB6F0\uC5B4\uB118\uB294 \uAC83\uC740 \uC544\uC9C1 \uC5C6\uB2E4."@ko . . . . . . . "30.0"^^ . "\uBE44\uD2C0\uB9C8\uB2C8\uC544(Beatlemania)\uB294 1960\uB144\uB300 \uC601\uAD6D\uC758 \uB85D \uBC34\uB4DC \uBE44\uD2C0\uC988\uB97C \uB458\uB7EC\uC2FC \uAD11\uC2E0\uC8FC\uC758\uC774\uB2E4. 1963\uB144\uAC04 \uC601\uAD6D\uC5D0\uC11C \uBE44\uD2C0\uC988\uC758 \uC778\uAE30\uB294 \uC0C1\uC2B9\uAC00\uB3C4\uB97C \uB2EC\uB838\uC73C\uBA70 \uC774\uAC83\uC740 \uB300\uBD80\uBD84 \u3008Please Please Me\u3009, \u3008From Me to You\u3009, \u3008She Loves You\u3009 \uB4F1 \uC2F1\uAE00 \uB355\uC774\uC5C8\uB2E4. \uADF8\uD574 10\uC6D4\uACBD \uC5B8\uB860\uC5D0\uC11C\uB294 \uBE44\uD2C0\uC988\uC758 \uCF58\uC11C\uD2B8\uC5D0\uC11C \uC788\uC5C8\uB358 \uBE44\uD2C0\uC988 \uCD94\uC885\uC790\uB4E4\uC758 \uC5F4\uAD11\uC744 \uBB18\uC0AC\uD558\uACE0\uC790 '\uBE44\uD2C0\uB9C8\uB2C8\uC544'\uB77C\uB294 \uC2E0\uC870\uC5B4\uB97C \uB9CC\uB4E4\uC5B4\uB0C8\uB2E4. 1964\uB144\uBD80\uD130 \uBE44\uD2C0\uC988\uAC00 \uC2DC\uC791\uD55C \uC138\uACC4\uC801 \uD22C\uC5B4\uB294 \uC5EC\uC131 \uD32C\uB4E4\uC758 \uBA3C\uC813\uBC88\uC758 \uAC83\uACFC \uB3D9\uC77C\uD55C \uC218\uC900\uC758 \uD788\uC2A4\uD14C\uB9AC\uC640 \uC2DC\uB044\uB7EC\uC6B4 \uACE0\uD568\uC18C\uB9AC\uB85C \uD2B9\uC9D5\uC9C0\uC5B4\uC84C\uC73C\uBA70 \uC774\uAC83\uC740 \uCF58\uC11C\uD2B8\uC640 \uBE44\uD2C0\uC988\uC758 \uC5EC\uD589\uC5D0\uC11C\uB3C4 \uADF8\uB300\uB85C\uC600\uB2E4. \uB17C\uD3C9\uAC00\uB4E4\uC740 \uC774\uAC19\uC740 \uBE44\uD2C0\uC988\uC5D0\uC758 \uC5F4\uAD11\uC774 \uC885\uAD50\uC5D0\uC758 \uADF8\uAC83\uC5D0 \uACAC\uC904 \uBC95\uD558\uB2E4\uACE0 \uD588\uC73C\uBA70, \uC5EC\uC131\uC758 \uC790\uC704 \uD310\uD0C0\uC9C0(masturbation fantasy)\uC640\uB3C4 \uC5F0\uAD00\uB418\uC5B4 \uC788\uB2E4\uACE0 \uBD84\uC11D\uD588\uB2E4. \uBE44\uD2C0\uC988\uB97C \uC2E0\uCC98\uB7FC \uB5A0\uBC1B\uB4DC\uB294 \uC77C\uBD80 \uD32C\uB4E4\uC740 \uBE44\uD2C0\uC988\uAC00 \uCD08\uC790\uC5F0\uC801\uC778 \uCE58\uC720\uC801 \uD798\uC744 \uAC00\uC9C0\uACE0 \uC788\uB2E4\uACE0 \uBBFF\uAE30\uB3C4 \uD588\uB2E4."@ko . . . "844475"^^ . . . . . . . . . "Beatlemania"@in . . . . . . . . . "Beatlemania \u2013 termin powsta\u0142y w latach 60. XX wieku do opisania ogromnej popularno\u015Bci zespo\u0142u The Beatles, szczeg\u00F3lnie charakteryzuj\u0105cej si\u0119 histerycznymi reakcjami nastolatek. Beatlemania mia\u0142a sw\u00F3j pocz\u0105tek w Europie, do USA dotar\u0142a jeszcze przed zespo\u0142em, a to za spraw\u0105 piosenki \u201EI Want to Hold Your Hand\u201D. Gdy Beatlesi l\u0105dowali w Nowym Jorku 7 lutego 1964, czeka\u0142a ju\u017C na nich rozentuzjazmowana m\u0142odzie\u017C. W p\u00F3\u017Aniejszym okresie u\u017Cywano terminu r\u00F3wnie\u017C dla okre\u015Blenia licznych zespo\u0142\u00F3w na\u015Bladuj\u0105cych styl The Beatles w swojej muzyce."@pl . "Beatlemania adalah istilah yang digunakan sekitar tahun 1960an untuk melukiskan kegilaan penggemar The Beatles, khususnya ditunjukkan remaja perempuan saat awal-awal kesuksesan grup band tersebut. Istilah ini merupakan gabungan dari dua kata \"The Beatles\" dan \"mania\". Andi Lothian, mantan promotor musik di Skotlandia, mengklaim bahwa ia menciptakan istilah tersebut saat berbicara dengan seorang wartawan dalam salah satu konser The Beatles di Skotlandia pada tanggal 7 Oktober 1963, meskipun koran Daily Mirror tertanggal 2 November 1963 menyebutkan istilah tersebut saat mewartakan konser The Beatles di Cheltenham sehari sebelumnya. Istilah ini mulai kerap dipakai setelah The Beatles mengadakan pertunjukan di pada tahun 1964. Karakteristik dari Beatlemania adalah adanya tingkat histeria yang"@in . . . "Beatlemania"@sv . . . . . "Beatlemania \u00E9 um termo criado originalmente para descrever o intenso frenesi dos f\u00E3s dos Beatles, demonstrado principalmente por garotas adolescentes, nos locais em que a banda se apresentava durante seus anos iniciais de sucesso. O termo adquiriu um significado mais amplo, referindo-se ao forte interesse mundial pela banda."@pt . . . . . . . . . . . . . . . "\"She Loves You\""@en . . . . . . . "\u2013 Author Nicholas Schaffner"@en . . . . . . . . . . . . . . . "Beatlemania"@pt . "Beatlemania adalah istilah yang digunakan sekitar tahun 1960an untuk melukiskan kegilaan penggemar The Beatles, khususnya ditunjukkan remaja perempuan saat awal-awal kesuksesan grup band tersebut. Istilah ini merupakan gabungan dari dua kata \"The Beatles\" dan \"mania\". Andi Lothian, mantan promotor musik di Skotlandia, mengklaim bahwa ia menciptakan istilah tersebut saat berbicara dengan seorang wartawan dalam salah satu konser The Beatles di Skotlandia pada tanggal 7 Oktober 1963, meskipun koran Daily Mirror tertanggal 2 November 1963 menyebutkan istilah tersebut saat mewartakan konser The Beatles di Cheltenham sehari sebelumnya. Istilah ini mulai kerap dipakai setelah The Beatles mengadakan pertunjukan di pada tahun 1964. Karakteristik dari Beatlemania adalah adanya tingkat histeria yang intens oleh para penggemar saat pertunjukan, kedatangan di suatu kota atau negara dan perjalanan band dari dan menuju berbagai lokasi. \n* l \n* b \n* s"@in . . . . . . . . "\u30D3\u30FC\u30C8\u30EB\u30DE\u30CB\u30A2\uFF08\u82F1\u8A9E:Beatlemania\uFF09\u3068\u306F\u3001\u30A4\u30AE\u30EA\u30B9\u306E\u97F3\u697D\u30D0\u30F3\u30C9\u300C\u30D3\u30FC\u30C8\u30EB\u30BA\u300D\u306E\u95A2\u9023\u7528\u8A9E\u3067\u3001\u7279\u306B1960\u5E74\u4EE3\u306B\u5B58\u5728\u3057\u305F\u71B1\u72C2\u7684\u306A\u30D5\u30A1\u30F3\u3092\u6307\u3057\u305F\u8A00\u8449\u3002\u300C\u30D3\u30FC\u30C8\u30EB\u30BA\u30FB\u30DE\u30CB\u30A2\u300D\u3068\u3082\u547C\u3070\u308C\u308B\u3002\u73FE\u4EE3\u3067\u3082\u4E00\u90E8\u306E\u30D5\u30A1\u30F3\u304C\u81EA\u79F0\u3059\u308B\u4E8B\u304C\u3042\u308B\u3002"@ja . . . "padding:8px;"@en . . . . . . . . . . "Beatlemania"@de . "I went absolutely mad round about 1964. My head was just so swollen. I thought I was a God, a living God. And the other three looked at me and said, Excuse me, I am the God. We all went through a period of going mad."@en . . "1119634102"^^ . . . . . . . . . . . "Beatlemania \u00E9 um termo criado originalmente para descrever o intenso frenesi dos f\u00E3s dos Beatles, demonstrado principalmente por garotas adolescentes, nos locais em que a banda se apresentava durante seus anos iniciais de sucesso. O termo adquiriu um significado mais amplo, referindo-se ao forte interesse mundial pela banda."@pt . . . . . . . . . "La Beatlemania \u00E8 stato un fenomeno sociologico e di antropologia culturale diffusosi negli anni sessanta. Fenomeno senza precedenti, \u00E8 consistito nell'adorazione incondizionata per il gruppo musicale dei Beatles al di l\u00E0 di estrazione sociale, cultura, sesso ed et\u00E0; si manifestava con euforia, crisi isteriche, urla, pianti, svenimenti, assembramenti di folla e consumo frenetico di oggettistica riguardante il gruppo. L'analisi della Beatlemania ha contribuito allo sviluppo di alcuni settori del marketing e della comunicazione di massa come il merchandising, il branding ed il fandom."@it . "Fenomenet kallat Beatlemania har sitt ursprung i Storbritannien, The Beatles hemland, n\u00E4r bandet f\u00F6rst vunnit sin enorma popularitet i slutet av 1962. Efter \u00E5terkomsten fr\u00E5n en tv\u00E5\u00E5rsperiod i Tyskland, fick The Beatles ett kommersiellt genombrott med sitt andra brittiska singelsl\u00E4pp, \"Please Please Me\", och pl\u00F6tsligt \u00F6kade efterfr\u00E5gan enormt p\u00E5 deras musik. Sedan f\u00F6ljde en n\u00E4stan nonstop serie av konserter och turn\u00E9er, och ett brinnande intresse \u00F6ver hela Storbritannien, hela n\u00E4stkommande \u00E5r. The Beatles popularitet i Storbritannien kom att bli st\u00F6rre \u00E4n de otroligt popul\u00E4ra amerikanska artisterna Tommy Roe, Chris Montez och Roy Orbison, vars stora framg\u00E5ngar p\u00E5 de brittiska topplistorna vid den tidpunkten kom att \u00F6verskuggas av The Beatles - en prestation av hittills ok\u00E4nt fenomen f\u00F6r ett relativt nytt engelskt band \u2013 en h\u00E4ndelse som 1963 resulterade i landsomfattande turn\u00E9er i Storbritannien och ett utlandsbes\u00F6k i Sverige i oktober, november samma \u00E5r och ett framtr\u00E4dande i svensk television i programmet Drop-In. I och med mediernas intensiva intresse f\u00F6r The Beatles under 1963 b\u00F6rjade de ocks\u00E5 upptr\u00E4da i olika tv-program, tidningsintervjuer, och vara med i ett radioprogram varje vecka. Trots detta intensiva program fortsatte bandet att arbeta i inspelningsstudion och sl\u00E4ppa ett antal album och singlar under \u00E5ret. 1963 var ocks\u00E5 \u00E5ret d\u00E5 Lennons son Julian Lennon f\u00F6ddes."@sv . . "Beatlem\u00E1nie je pojem, kter\u00FD vznikl v 60. letech 20. stolet\u00ED. Popisuje v\u00E1\u0161niv\u00E9 \u0161\u00EDlenstv\u00ED fanou\u0161k\u016F The Beatles na po\u010D\u00E1tku jejich \u00FAsp\u011Bchu. Toto slovo je podobn\u00E9 daleko d\u0159\u00EDv\u011Bj\u0161\u00EDmu term\u00EDnu Lisztomania, kter\u00E9 je u\u017E\u00EDv\u00E1no pro popis fanou\u0161kovsk\u00FDch reakc\u00ED na koncerty pianisty Franze Liszta."@cs . . . . . . . . . . . . . . . . . . . . . . . . . . "Beatleman\u00EDa es un t\u00E9rmino que se utiliz\u00F3 durante la d\u00E9cada de los a\u00F1os 1960, para describir el enorme inter\u00E9s demostrado -especialmente por los j\u00F3venes- al cuarteto brit\u00E1nico The Beatles en los primeros a\u00F1os de su \u00E9xito."@es . . . . . . "Beatlemania est un terme apparu \u00E0 la fin de l'ann\u00E9e 1963 pour d\u00E9signer l'extraordinaire engouement des fans \u00E0 l'\u00E9gard du groupe de musique britannique The Beatles. Il s'agit d'un mot-valise constitu\u00E9 de \u00AB Beatle \u00BB et \u00AB mania \u00BB, dans le m\u00EAme esprit que le bien plus ancien \u00AB Lisztomania \u00BB qui d\u00E9crivait la r\u00E9action des admirateurs du pianiste virtuose Franz Liszt, au XIXe si\u00E8cle. Un promoteur de musique \u00E9cossais, Andi Lothian, pr\u00E9tend avoir invent\u00E9 l'expression Beatlemania lors d'une interview donn\u00E9e au cours d'une tourn\u00E9e des Beatles en \u00C9cosse, le 7 octobre 1963. On retrouve ce mot publi\u00E9 pour la premi\u00E8re fois dans le Daily Mail, le 21 octobre, quand le journaliste Vincent Mulchrone a \u00E9crit un article avec le titre \u00AB This Beatlemania \u00BB. Le 2 novembre suivant, le Daily Mirror r\u00E9utilise ce ter"@fr . "Fenomenet kallat Beatlemania har sitt ursprung i Storbritannien, The Beatles hemland, n\u00E4r bandet f\u00F6rst vunnit sin enorma popularitet i slutet av 1962. Efter \u00E5terkomsten fr\u00E5n en tv\u00E5\u00E5rsperiod i Tyskland, fick The Beatles ett kommersiellt genombrott med sitt andra brittiska singelsl\u00E4pp, \"Please Please Me\", och pl\u00F6tsligt \u00F6kade efterfr\u00E5gan enormt p\u00E5 deras musik. Sedan f\u00F6ljde en n\u00E4stan nonstop serie av konserter och turn\u00E9er, och ett brinnande intresse \u00F6ver hela Storbritannien, hela n\u00E4stkommande \u00E5r. The Beatles popularitet i Storbritannien kom att bli st\u00F6rre \u00E4n de otroligt popul\u00E4ra amerikanska artisterna Tommy Roe, Chris Montez och Roy Orbison, vars stora framg\u00E5ngar p\u00E5 de brittiska topplistorna vid den tidpunkten kom att \u00F6verskuggas av The Beatles - en prestation av hittills ok\u00E4nt fenomen f\u00F6r ett"@sv . . . . . . . . . . "\u62AB\u5934\u58EB\u72C2\u70ED\uFF08Beatlemania\uFF09\u6216\u62AB\u5934\u58EB\u72C2\u901A\u5E38\u6307\u82F1\u56FD\u4E50\u961F\u62AB\u5934\u58EB\u7684\u6B4C\u8FF7\uFF0C\u4E0E\u6B64\u7C7B\u8BCD\u6C47\u8FD1\u4F3C\u4F46\u66F4\u65E9\u51FA\u73B0\u7684\u8BCD\u6709\u674E\u65AF\u7279\u72C2\u71B1\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . . . . . "Beatlem\u00E1nie je pojem, kter\u00FD vznikl v 60. letech 20. stolet\u00ED. Popisuje v\u00E1\u0161niv\u00E9 \u0161\u00EDlenstv\u00ED fanou\u0161k\u016F The Beatles na po\u010D\u00E1tku jejich \u00FAsp\u011Bchu. Toto slovo je podobn\u00E9 daleko d\u0159\u00EDv\u011Bj\u0161\u00EDmu term\u00EDnu Lisztomania, kter\u00E9 je u\u017E\u00EDv\u00E1no pro popis fanou\u0161kovsk\u00FDch reakc\u00ED na koncerty pianisty Franze Liszta."@cs . "Beatlemania is de naam die wordt gegeven aan de massahysterie rondom de Britse rockband The Beatles."@nl . . . . . . . . . "Beatlemania"@pl . . . . . . . "Beatlemania"@it . "Als Beatlemania (englisch; eingedeutscht: \u201EBeatlemanie\u201C) wird die weltweite Euphorie um die britische Band The Beatles bezeichnet. Als Beginn wird allgemein der 13. Oktober 1963 angegeben. An diesem Tag traten die Beatles in der TV-Show Val Parnell's Sunday Night At The London Palladium auf. W\u00E4hrend der ersten USA-Tournee der Band im Jahr 1964 erreichte die Beatlemania ihren H\u00F6hepunkt. Die Live-Konzerte dieser Jahre wurden von \u201Eorkanartigem\u201C Kreischen und Ohnmachtsanf\u00E4llen der vor allem weiblichen Fans begleitet. Der L\u00E4rmpegel war so hoch, dass die Musiker kaum h\u00F6ren konnten, was sie spielten. Die Beatles beschlossen daher 1966, in Zukunft keine Live-Konzerte mehr zu geben. Am 29. August 1966 spielten sie letztmals vor einem gr\u00F6\u00DFeren Publikum in San Francisco."@de . . . "Beatleman\u00EDa es un t\u00E9rmino que se utiliz\u00F3 durante la d\u00E9cada de los a\u00F1os 1960, para describir el enorme inter\u00E9s demostrado -especialmente por los j\u00F3venes- al cuarteto brit\u00E1nico The Beatles en los primeros a\u00F1os de su \u00E9xito."@es . . . . . "\u0411\u0456\u0442\u043B\u043E\u043C\u0430\u043D\u0456\u044F"@uk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "An admirer from their pre-fame days in Liverpool was shocked to witness a Beatles performance in 1963, at which every note of their music was buried beneath the screams of young girls. Why didn't they listen to their idols? she asked. \"We came to see the Beatles\", a fan replied. \"We can hear them on records. Anyway, we might be disappointed if we heard them in real life.\""@en . . . . . . . . "Beatlem\u00E1nie"@cs . . . . . "Als Beatlemania (englisch; eingedeutscht: \u201EBeatlemanie\u201C) wird die weltweite Euphorie um die britische Band The Beatles bezeichnet. Als Beginn wird allgemein der 13. Oktober 1963 angegeben. An diesem Tag traten die Beatles in der TV-Show Val Parnell's Sunday Night At The London Palladium auf. W\u00E4hrend der ersten USA-Tournee der Band im Jahr 1964 erreichte die Beatlemania ihren H\u00F6hepunkt. Die Live-Konzerte dieser Jahre wurden von \u201Eorkanartigem\u201C Kreischen und Ohnmachtsanf\u00E4llen der vor allem weiblichen Fans begleitet. Der L\u00E4rmpegel war so hoch, dass die Musiker kaum h\u00F6ren konnten, was sie spielten. Die Beatles beschlossen daher 1966, in Zukunft keine Live-Konzerte mehr zu geben. Am 29. August 1966 spielten sie letztmals vor einem gr\u00F6\u00DFeren Publikum in San Francisco. Die Beatlemania flachte danach bis zur Aufl\u00F6sung der Band im Jahr 1970 ab. John Lennon sah die Beatlemania mit seiner und Yoko Onos Verhaftung wegen Drogenbesitzes 1968 als beendet an. Als endg\u00FCltiges Ende der sieben Jahre lang grassierenden Beatlemania wird auch das Jahr 1970 angesehen, nachdem Paul McCartney die Band verlassen hatte."@de . "\u0411\u0438\u0442\u043B\u043E\u043C\u0430\u0301\u043D\u0438\u044F (\u0430\u043D\u0433\u043B. Beatlemania) \u2014 \u0442\u0435\u0440\u043C\u0438\u043D, \u0432\u043E\u0437\u043D\u0438\u043A\u0448\u0438\u0439 \u0432 1960-\u0435 \u0433\u043E\u0434\u044B, \u043E\u043F\u0438\u0441\u044B\u0432\u0430\u044E\u0449\u0438\u0439 \u0441\u043E\u0441\u0442\u043E\u044F\u043D\u0438\u0435 \u0441\u0438\u043B\u044C\u043D\u043E\u0439, \u0433\u0440\u0430\u043D\u0438\u0447\u0430\u0449\u0435\u0439 \u0441 \u0441\u0443\u043C\u0430\u0441\u0448\u0435\u0441\u0442\u0432\u0438\u0435\u043C, \u043B\u044E\u0431\u0432\u0438 \u043A \u0433\u0440\u0443\u043F\u043F\u0435 \u00AB\u0411\u0438\u0442\u043B\u0437\u00BB (\u0430\u043D\u0433\u043B. The Beatles)."@ru . . "1966"^^ . "\uBE44\uD2C0\uB9C8\uB2C8\uC544"@ko . . . . . . . . . . "Beatlemania \u2013 termin powsta\u0142y w latach 60. XX wieku do opisania ogromnej popularno\u015Bci zespo\u0142u The Beatles, szczeg\u00F3lnie charakteryzuj\u0105cej si\u0119 histerycznymi reakcjami nastolatek. Beatlemania mia\u0142a sw\u00F3j pocz\u0105tek w Europie, do USA dotar\u0142a jeszcze przed zespo\u0142em, a to za spraw\u0105 piosenki \u201EI Want to Hold Your Hand\u201D. Gdy Beatlesi l\u0105dowali w Nowym Jorku 7 lutego 1964, czeka\u0142a ju\u017C na nich rozentuzjazmowana m\u0142odzie\u017C. W p\u00F3\u017Aniejszym okresie u\u017Cywano terminu r\u00F3wnie\u017C dla okre\u015Blenia licznych zespo\u0142\u00F3w na\u015Bladuj\u0105cych styl The Beatles w swojej muzyce."@pl . . "25.0"^^ . "right"@en . . "27"^^ . . . "The British Are Coming! The British Art Coming!: The U.S.A. is invaded by a wave of long-haired English rockers"@en . . . . . . . . . . . . . . . . . "\u2013 Ringo Starr"@en . "\u62AB\u5934\u58EB\u72C2\u70ED"@zh . . . .