. . . . . . . "B-mineur of b klein (afkorting: Bm) is een toonsoort met als grondtoon de b."@nl . . . . . "B\u5C0F\u8ABF"@zh . . "La tonalit\u00E9 de si mineur se d\u00E9veloppe en partant de la note tonique si. Elle est appel\u00E9e B minor en anglais et h-Moll dans l'Europe centrale. L'armure co\u00EFncide avec celle de la tonalit\u00E9 relative r\u00E9 majeur."@fr . . . . "H-Moll"@de . . . "Si menor"@es . "D"@en . . . "Si menor (abreviatura en sistema europeo Sim y en sistema americano Bm) es la tonalidad que consiste en la escala menor de Si, y contiene las notas si, do sostenido, re, mi, fa sostenido, sol, la y si. Su armadura contiene 2 sostenidos. Su relativo mayor es Re mayor, y su tonalidad hom\u00F3nima es Si mayor.Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias."@es . . . . . "\u0421\u0456 \u043C\u0456\u043D\u043E\u0440 (B minor, h-Moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u0441\u0456. \u0413\u0430\u043C\u0430 \u0441\u0456 \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u0441\u0456 - \u0434\u043E\u266F - \u0440\u0435 - \u043C\u0456 - \u0444\u0430\u266F - \u0441\u043E\u043B\u044C - \u043B\u044F B - C\u266F - D - E - F\u266F - G - A. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0440\u0435 \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 \u0441\u0456 \u043C\u0430\u0436\u043E\u0440. \u0421\u0456 \u043C\u0456\u043D\u043E\u0440 \u043C\u0430\u0454 \u0434\u0432\u0430 \u0434\u0456\u0454\u0437\u0438 \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0444\u0430-, \u0434\u043E-)."@uk . . . . "B-mineur of b klein (afkorting: Bm) is een toonsoort met als grondtoon de b."@nl . . "\uB098\uB2E8\uC870(-\u77ED\u8ABF)\uB294 \uB098(B) \uC74C\uC744 \uC73C\uB738\uC74C\uC73C\uB85C \uD558\uB294 \uB2E8\uC74C\uACC4\uC774\uB2E4. \uBE0C\uB77C\uC6B0\uC800\uC5D0\uC11C \uC18C\uB9AC \uC7AC\uC0DD\uC744 \uC9C0\uC6D0\uD558\uC9C0 \uC54A\uC2B5\uB2C8\uB2E4. \uD560 \uC218 \uC788\uC2B5\uB2C8\uB2E4. \uB098\uB2E8\uC870\uC758 \uC774\uBA85\uB3D9\uC74C\uC870\uC774\uC790 \uB0B4\uB9BC\uB2E4\uC7A5\uC870\uC758 \uAC19\uC740\uC73C\uB738\uC74C\uC870\uC778 \uB0B4\uB9BC\uB2E4\uB2E8\uC870(c\u266D minor) \uBC0F \uACB9\uC62C\uB9BC\uAC00\uB2E8\uC870(a\U0001D12A minor) \uC774\uB860\uC0C1 \uC874\uC7AC\uD560\uC218 \uC788\uC9C0\uB9CC, \uC74C\uACC4\uC5D0 \uACB9\uB0B4\uB9BC\uD45C\uAE4C\uC9C0 \uB4E4\uC5B4\uAC00\uAC8C \uB418\uC5B4 \uBCF5\uC7A1\uD574\uC9C0\uBBC0\uB85C, \uC870\uD45C\uAC00 \uC801\uC740 \uC774\uBA85\uB3D9\uC74C\uC870\uC778 \uB098\uB2E8\uC870(b minor)\uB85C \uB300\uBD80\uBD84 \uB300\uCCB4\uD55C\uB2E4. \uB098\uB2E8\uC870 \uC74C\uACC4(b minor scale) : b c# d e f# g a b \uB0B4\uB9BC\uB2E4\uB2E8\uC870 \uC74C\uACC4(c flat minor scale) : c\u266D d\u266D e\U0001D12B f\u266D g\u266D a\U0001D12B b\U0001D12B c\u266D"@ko . "b\u5C0F\u8ABF\u662F\u5F9EB\u97F3\u958B\u59CB\u7684\u97F3\u6A02\u7684\u5C0F\u8ABF\uFF0C\u7D44\u6210\u7684\u97F3\u6709B\u3001\u5347C\u3001D\u3001E\u3001\u5347F\u3001G\u3001A\u53CAB\u3002B\u5C0F\u8ABF\u662F\u4E00\u500B\u67092\u500B\u5347\u865F\u7684\u8ABF\u3002 \u5B83\u7684\u95DC\u4FC2\u8ABF\u662FD\u5927\u8ABF\uFF0C\u4E26\u884C\u5927\u8ABF\u662FB\u5927\u8ABF\u3002"@zh . . "G"@en . . . "\uB098\uB2E8\uC870"@ko . "h-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton h aufbaut. Die Tonart h-Moll wird in der Notenschrift mit zwei Kreuzen geschrieben (fis, cis). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart (die Tonika h-d-fis) werden mit dem Begriff h-Moll bezeichnet. Im Englischen wird die Tonart als b minor bezeichnet, daher erh\u00E4lt sie in der Unterhaltungsmusik auch oft das Akkordsymbol b bzw. Bm (siehe auch Anderssprachige Tonbezeichnungen). Viele Komponisten der Barockzeit und sp\u00E4ter (etwa Beethoven und Schubert) assoziierten diese Tonart mit Dunkelheit und Tod; vergleiche hierzu aber auch den Artikel Tonartencharakter. Die h-Moll-Messe von J. S. Bach ist nach dieser Tonart benannt, die Bachs Zeitgenosse Johann Mattheson als \u201Ebizarre, unlustig und melancholisch\u201C beschreibt. Beethoven soll sie \u201Eschwarze Tonart\u201C genannt haben (er arbeitete an einer h-Moll-Sinfonie). Auch der Ton h steht oft f\u00FCr den Tod (Schubert: \u201EDie sch\u00F6ne M\u00FCllerin\u201C, \u201EWinterreise\u201C)."@de . "6083"^^ . . "Si menor (abreviatura no sistema europeu Si m e no sistema americano Bm) \u00E9 a tonalidade que consiste na escala menor de si, e cont\u00E9m as notas si, d\u00F3 sustenido, r\u00E9, mi, f\u00E1 sustenido, sol, l\u00E1 e si. A sua armadura cont\u00E9m dois sustenidos. A sua tonalidade relativa \u00E9 r\u00E9 maior e a sua tonalidade paralela \u00E9 si maior."@pt . . . "La tonalit\u00E0 di Si minore (B minor, h-Moll) \u00E8 incentrata sulla nota tonica Si. Pu\u00F2 essere abbreviata in Sim oppure in Bm secondo il sistema anglosassone (in via eccezionale, all'inglese B minor non corrisponde la dicitura tedesca che \u00E8 h-Moll). La scala minore naturale del si \u00E8: Si, Do\u266F, Re, Mi, Fa\u266F, Sol, La, Si. L'armatura di chiave \u00E8 la seguente (2 diesis): Alterazioni (da sinistra a destra):fa\u266F, do\u266F. La rappresentazione coincide con quella della tonalit\u00E0 relativa Re maggiore."@it . "La tonalit\u00E9 de si mineur se d\u00E9veloppe en partant de la note tonique si. Elle est appel\u00E9e B minor en anglais et h-Moll dans l'Europe centrale. L'armure co\u00EFncide avec celle de la tonalit\u00E9 relative r\u00E9 majeur."@fr . . . . . . . . . . . . . "{ \\new Staff \\with{ \\magnifyStaff #3/2 } > }"@en . . . . . . "h-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton h aufbaut. Die Tonart h-Moll wird in der Notenschrift mit zwei Kreuzen geschrieben (fis, cis). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart (die Tonika h-d-fis) werden mit dem Begriff h-Moll bezeichnet. Im Englischen wird die Tonart als b minor bezeichnet, daher erh\u00E4lt sie in der Unterhaltungsmusik auch oft das Akkordsymbol b bzw. Bm (siehe auch Anderssprachige Tonbezeichnungen)."@de . . . . "E"@en . . "Si menor (abreviatura en sistema europeo Sim y en sistema americano Bm) es la tonalidad que consiste en la escala menor de Si, y contiene las notas si, do sostenido, re, mi, fa sostenido, sol, la y si. Su armadura contiene 2 sostenidos. Su relativo mayor es Re mayor, y su tonalidad hom\u00F3nima es Si mayor.Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias."@es . . . "La tonalit\u00E0 di Si minore (B minor, h-Moll) \u00E8 incentrata sulla nota tonica Si. Pu\u00F2 essere abbreviata in Sim oppure in Bm secondo il sistema anglosassone (in via eccezionale, all'inglese B minor non corrisponde la dicitura tedesca che \u00E8 h-Moll). La scala minore naturale del si \u00E8: Si, Do\u266F, Re, Mi, Fa\u266F, Sol, La, Si. L'armatura di chiave \u00E8 la seguente (2 diesis): Alterazioni (da sinistra a destra):fa\u266F, do\u266F. La rappresentazione coincide con quella della tonalit\u00E0 relativa Re maggiore."@it . . . . . "C"@en . "\u0421\u0456 \u043C\u0456\u043D\u043E\u0440 (B minor, h-Moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u0441\u0456. \u0413\u0430\u043C\u0430 \u0441\u0456 \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u0441\u0456 - \u0434\u043E\u266F - \u0440\u0435 - \u043C\u0456 - \u0444\u0430\u266F - \u0441\u043E\u043B\u044C - \u043B\u044F B - C\u266F - D - E - F\u266F - G - A. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0440\u0435 \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 \u0441\u0456 \u043C\u0430\u0436\u043E\u0440. \u0421\u0456 \u043C\u0456\u043D\u043E\u0440 \u043C\u0430\u0454 \u0434\u0432\u0430 \u0434\u0456\u0454\u0437\u0438 \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0444\u0430-, \u0434\u043E-)."@uk . . . . . "\u0421\u0438 \u043C\u0438\u043D\u043E\u0301\u0440 (\u043D\u0435\u043C. h-moll, \u0430\u043D\u0433\u043B. h minor) \u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u043D\u043E\u0442\u044B \u0441\u0438. \u0418\u043C\u0435\u0435\u0442 \u0434\u0432\u0430 \u0434\u0438\u0435\u0437\u0430 \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435: \u0444\u0430-\u0434\u0438\u0435\u0437 \u0438 \u0434\u043E-\u0434\u0438\u0435\u0437."@ru . . . "B minor"@en . . . . . . . "\u0633\u064A \u0635\u063A\u064A\u0631 \u0647\u0648 \u0633\u0644\u0645 \u0645\u0648\u0633\u064A\u0642\u064A \u0635\u063A\u064A\u0631 \u064A\u062A\u0623\u0644\u0641 \u0645\u0646 \u0627\u0644\u062F\u0631\u062C\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0633\u064A B\u060C \u062F\u0648 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FC\u060C \u0631\u064A D\u060C \u0645\u064A E\u060C \u0641\u0627 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FF\u060C \u0635\u0648\u0644 G\u060C \u0644\u0627 A\u060C \u0648\u064A\u0646\u062A\u0647\u064A \u0628\u0645\u0641\u062A\u0627\u062D \u0633\u064A B\u060C \u0648\u0630\u0644\u0643 \u0639\u0644\u0649 \u0627\u0644\u062A\u0631\u062A\u064A\u0628 \u0627\u0644\u062A\u0627\u0644\u064A \u0645\u0646 \u0627\u0644\u064A\u0633\u0627\u0631 \u0625\u0644\u0649 \u0627\u0644\u064A\u0645\u064A\u0646: B, C\u266F, D, E, F\u266F, G, A, B \u064A\u062D\u0648\u064A \u0633\u0644\u0645 \u0633\u064A \u0627\u0644\u0635\u063A\u064A\u0631 \u0639\u0644\u0649 \u0625\u0634\u0627\u0631\u062A\u064A \u0631\u0641\u0639 \u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u062F\u0648 \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0641\u0627. \u0625\u0646 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0635\u063A\u064A\u0631 \u0627\u0644\u0645\u062A\u0646\u0627\u063A\u0645 \u0645\u0639\u0647 \u064A\u0643\u0648\u0646 \u0639\u0646 \u0637\u0631\u0628\u0642 \u0631\u0641\u0639 \u0627\u0644\u0644\u0627 A \u0625\u0644\u0649 \u266FA. \u0625\u0646 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0627\u0644\u0642\u0631\u064A\u0628 \u0644\u0647 \u0639\u0644\u0649 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0643\u0628\u064A\u0631 \u0647\u0648 \u0631\u064A \u0643\u0628\u064A\u0631\u060C \u0623\u0645\u0627 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0645\u0648\u0627\u0632\u064A \u0641\u0647\u0648 \u0633\u064A \u0643\u0628\u064A\u0631."@ar . . . "b\u5C0F\u8ABF\u662F\u5F9EB\u97F3\u958B\u59CB\u7684\u97F3\u6A02\u7684\u5C0F\u8ABF\uFF0C\u7D44\u6210\u7684\u97F3\u6709B\u3001\u5347C\u3001D\u3001E\u3001\u5347F\u3001G\u3001A\u53CAB\u3002B\u5C0F\u8ABF\u662F\u4E00\u500B\u67092\u500B\u5347\u865F\u7684\u8ABF\u3002 \u5B83\u7684\u95DC\u4FC2\u8ABF\u662FD\u5927\u8ABF\uFF0C\u4E26\u884C\u5927\u8ABF\u662FB\u5927\u8ABF\u3002"@zh . "h-moll \u2013 tonacja muzyczna oparta na skali molowej, kt\u00F3rej tonik\u0105 jest d\u017Awi\u0119k h. Gama h-moll w odmianie naturalnej zawiera d\u017Awi\u0119ki: h, cis, d, e, fis, g, a. R\u00F3wnoleg\u0142\u0105 gam\u0105 durow\u0105 jest D-dur, jednoimienn\u0105 durow\u0105 \u2013 H-dur. Audio playback is not supported in your browser. You can . Nazwa h-moll oznacza tak\u017Ce akord, zbudowany z pierwszego (h), trzeciego (d) i pi\u0105tego (fis) stopnia gamy h-moll. Audio playback is not supported in your browser. You can ."@pl . "Si menor"@pt . . "B-mineur"@nl . . "A"@en . . "\u0421\u0456 \u043C\u0456\u043D\u043E\u0440"@uk . . "B minor"@en . . . . "Si mineur"@fr . . . . "2017062"^^ . . . "Si menor (tamb\u00E9 Si m en la notaci\u00F3 europea i Bm en la notaci\u00F3 americana) \u00E9s la tonalitat que t\u00E9 l'escala menor natural a partir de la nota si. Est\u00E0 constitu\u00EFda per les notes si, do, re, mi, fa, sol, i la. La seva armadura cont\u00E9 dos sostinguts. En el cas de les escales menors mel\u00F2dica i harm\u00F2nica les alteracions addicionals s'afegeixen al costat de les notes i no a l'armadura. El seu relatiu major \u00E9s la tonalitat de re major, i la tonalitat hom\u00F2nima \u00E9s si major."@ca . "H-moll"@pl . . . "1118802639"^^ . "b-minoro estas tonalo de la modalo minoro, bazi\u011Danta sur la toniko b. La tonalon b-minoro oni indikas en la notacio per du diesoj (f\u266F, c\u266F). Anka\u016D la respektivan gamon kaj la bazan akordon de \u0109i tiu tonalo (la toniko b-d-f\u266F) oni nomas b-minoro. Multaj komponistoj el la barokepoko kaj poste (ekz. Beethoven kaj Schubert) asociis \u0109i tiun tonalon kun malhelo kaj morto. Beethoven onidire nomis \u011Din \u201Enigra tonalo\u201C (li verkis pri b-minora simfonio). anka\u016D la tono b ofte reprezentas morton (Schubert: \u201EDie sch\u00F6ne M\u00FCllerin\u201C, \u201EWinterreise\u201C)."@eo . . . . . . . . "\u30ED\u77ED\u8ABF\uFF08\u30ED\u305F\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u30ED (B) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u77ED\u8ABF\u3002\u8ABF\u53F7\u306F\u30B7\u30E3\u30FC\u30D72\u7B87\u6240 (F, C)\u3067\u3042\u308B\u3002"@ja . . . . . . . "Si minore"@it . . "B"@en . . . "Si menor (tamb\u00E9 Si m en la notaci\u00F3 europea i Bm en la notaci\u00F3 americana) \u00E9s la tonalitat que t\u00E9 l'escala menor natural a partir de la nota si. Est\u00E0 constitu\u00EFda per les notes si, do, re, mi, fa, sol, i la. La seva armadura cont\u00E9 dos sostinguts. En el cas de les escales menors mel\u00F2dica i harm\u00F2nica les alteracions addicionals s'afegeixen al costat de les notes i no a l'armadura. El seu relatiu major \u00E9s la tonalitat de re major, i la tonalitat hom\u00F2nima \u00E9s si major."@ca . "B-minoro"@eo . . "\u0421\u0438 \u043C\u0438\u043D\u043E\u0440"@ru . . "\u0633\u064A \u0635\u063A\u064A\u0631 \u0647\u0648 \u0633\u0644\u0645 \u0645\u0648\u0633\u064A\u0642\u064A \u0635\u063A\u064A\u0631 \u064A\u062A\u0623\u0644\u0641 \u0645\u0646 \u0627\u0644\u062F\u0631\u062C\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0633\u064A B\u060C \u062F\u0648 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FC\u060C \u0631\u064A D\u060C \u0645\u064A E\u060C \u0641\u0627 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FF\u060C \u0635\u0648\u0644 G\u060C \u0644\u0627 A\u060C \u0648\u064A\u0646\u062A\u0647\u064A \u0628\u0645\u0641\u062A\u0627\u062D \u0633\u064A B\u060C \u0648\u0630\u0644\u0643 \u0639\u0644\u0649 \u0627\u0644\u062A\u0631\u062A\u064A\u0628 \u0627\u0644\u062A\u0627\u0644\u064A \u0645\u0646 \u0627\u0644\u064A\u0633\u0627\u0631 \u0625\u0644\u0649 \u0627\u0644\u064A\u0645\u064A\u0646: B, C\u266F, D, E, F\u266F, G, A, B \u064A\u062D\u0648\u064A \u0633\u0644\u0645 \u0633\u064A \u0627\u0644\u0635\u063A\u064A\u0631 \u0639\u0644\u0649 \u0625\u0634\u0627\u0631\u062A\u064A \u0631\u0641\u0639 \u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u062F\u0648 \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0641\u0627. \u0625\u0646 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0635\u063A\u064A\u0631 \u0627\u0644\u0645\u062A\u0646\u0627\u063A\u0645 \u0645\u0639\u0647 \u064A\u0643\u0648\u0646 \u0639\u0646 \u0637\u0631\u0628\u0642 \u0631\u0641\u0639 \u0627\u0644\u0644\u0627 A \u0625\u0644\u0649 \u266FA. \u0625\u0646 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0627\u0644\u0642\u0631\u064A\u0628 \u0644\u0647 \u0639\u0644\u0649 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0643\u0628\u064A\u0631 \u0647\u0648 \u0631\u064A \u0643\u0628\u064A\u0631\u060C \u0623\u0645\u0627 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0645\u0648\u0627\u0632\u064A \u0641\u0647\u0648 \u0633\u064A \u0643\u0628\u064A\u0631."@ar . . "Si menor (abreviatura no sistema europeu Si m e no sistema americano Bm) \u00E9 a tonalidade que consiste na escala menor de si, e cont\u00E9m as notas si, d\u00F3 sustenido, r\u00E9, mi, f\u00E1 sustenido, sol, l\u00E1 e si. A sua armadura cont\u00E9m dois sustenidos. A sua tonalidade relativa \u00E9 r\u00E9 maior e a sua tonalidade paralela \u00E9 si maior."@pt . . . "b-minoro estas tonalo de la modalo minoro, bazi\u011Danta sur la toniko b. La tonalon b-minoro oni indikas en la notacio per du diesoj (f\u266F, c\u266F). Anka\u016D la respektivan gamon kaj la bazan akordon de \u0109i tiu tonalo (la toniko b-d-f\u266F) oni nomas b-minoro. Multaj komponistoj el la barokepoko kaj poste (ekz. Beethoven kaj Schubert) asociis \u0109i tiun tonalon kun malhelo kaj morto. Beethoven onidire nomis \u011Din \u201Enigra tonalo\u201C (li verkis pri b-minora simfonio). anka\u016D la tono b ofte reprezentas morton (Schubert: \u201EDie sch\u00F6ne M\u00FCllerin\u201C, \u201EWinterreise\u201C)."@eo . . . . "\u30ED\u77ED\u8ABF\uFF08\u30ED\u305F\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u30ED (B) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u77ED\u8ABF\u3002\u8ABF\u53F7\u306F\u30B7\u30E3\u30FC\u30D72\u7B87\u6240 (F, C)\u3067\u3042\u308B\u3002"@ja . . . . . "B minor is a minor scale based on B, consisting of the pitches B, C\u266F, D, E, F\u266F, G, and A. Its key signature consists of two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: Audio playback is not supported in your browser. You can . Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic minor and melodic minor scales are: Audio playback is not supported in your browser. You can .Audio playback is not supported in your browser. You can . Christian Friedrich Daniel Schubart (1739\u20131791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his St John Passion. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758\u20131819)[[[Wikipedia:Citing_sources|page needed]]]_2-0\" class=\"reference\"> opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a \"black key\"."@en . "F"@en . . . . "\uB098\uB2E8\uC870(-\u77ED\u8ABF)\uB294 \uB098(B) \uC74C\uC744 \uC73C\uB738\uC74C\uC73C\uB85C \uD558\uB294 \uB2E8\uC74C\uACC4\uC774\uB2E4. \uBE0C\uB77C\uC6B0\uC800\uC5D0\uC11C \uC18C\uB9AC \uC7AC\uC0DD\uC744 \uC9C0\uC6D0\uD558\uC9C0 \uC54A\uC2B5\uB2C8\uB2E4. \uD560 \uC218 \uC788\uC2B5\uB2C8\uB2E4. \uB098\uB2E8\uC870\uC758 \uC774\uBA85\uB3D9\uC74C\uC870\uC774\uC790 \uB0B4\uB9BC\uB2E4\uC7A5\uC870\uC758 \uAC19\uC740\uC73C\uB738\uC74C\uC870\uC778 \uB0B4\uB9BC\uB2E4\uB2E8\uC870(c\u266D minor) \uBC0F \uACB9\uC62C\uB9BC\uAC00\uB2E8\uC870(a\U0001D12A minor) \uC774\uB860\uC0C1 \uC874\uC7AC\uD560\uC218 \uC788\uC9C0\uB9CC, \uC74C\uACC4\uC5D0 \uACB9\uB0B4\uB9BC\uD45C\uAE4C\uC9C0 \uB4E4\uC5B4\uAC00\uAC8C \uB418\uC5B4 \uBCF5\uC7A1\uD574\uC9C0\uBBC0\uB85C, \uC870\uD45C\uAC00 \uC801\uC740 \uC774\uBA85\uB3D9\uC74C\uC870\uC778 \uB098\uB2E8\uC870(b minor)\uB85C \uB300\uBD80\uBD84 \uB300\uCCB4\uD55C\uB2E4. \uB098\uB2E8\uC870 \uC74C\uACC4(b minor scale) : b c# d e f# g a b \uB0B4\uB9BC\uB2E4\uB2E8\uC870 \uC74C\uACC4(c flat minor scale) : c\u266D d\u266D e\U0001D12B f\u266D g\u266D a\U0001D12B b\U0001D12B c\u266D"@ko . . "\u30ED\u77ED\u8ABF"@ja . "h-moll \u2013 tonacja muzyczna oparta na skali molowej, kt\u00F3rej tonik\u0105 jest d\u017Awi\u0119k h. Gama h-moll w odmianie naturalnej zawiera d\u017Awi\u0119ki: h, cis, d, e, fis, g, a. R\u00F3wnoleg\u0142\u0105 gam\u0105 durow\u0105 jest D-dur, jednoimienn\u0105 durow\u0105 \u2013 H-dur. Audio playback is not supported in your browser. You can . Nazwa h-moll oznacza tak\u017Ce akord, zbudowany z pierwszego (h), trzeciego (d) i pi\u0105tego (fis) stopnia gamy h-moll. Audio playback is not supported in your browser. You can ."@pl . . . . . "\u0633\u064A \u0635\u063A\u064A\u0631"@ar . "Si menor"@ca . "B minor is a minor scale based on B, consisting of the pitches B, C\u266F, D, E, F\u266F, G, and A. Its key signature consists of two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: Audio playback is not supported in your browser. You can . Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic minor and melodic minor scales are: Audio playback is not supported in your browser. You can .Audio playback is not supported in your browser. You can ."@en . . "\u0421\u0438 \u043C\u0438\u043D\u043E\u0301\u0440 (\u043D\u0435\u043C. h-moll, \u0430\u043D\u0433\u043B. h minor) \u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u043D\u043E\u0442\u044B \u0441\u0438. \u0418\u043C\u0435\u0435\u0442 \u0434\u0432\u0430 \u0434\u0438\u0435\u0437\u0430 \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435: \u0444\u0430-\u0434\u0438\u0435\u0437 \u0438 \u0434\u043E-\u0434\u0438\u0435\u0437."@ru . . . . . . . .