. . "\u6253\u653E\u3057\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\uFF08\u3046\u3061\u306F\u306A\u3057\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\u3001\u3046\u3061\u3063\u3071\u306A\u3057\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\uFF09\u306F\u3001\u5EFA\u7BC9\u7269\u306E\u4ED5\u4E0A\u3052\u306E\u4E00\u7A2E\u3067\u3042\u308B\u3002\u73FE\u5834\u6253\u3061\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\u306E\u4E0A\u306B\u5857\u88C5\u30FB\u30BF\u30A4\u30EB\u30FB\u306A\u3069\u306E\u4ED5\u4E0A\u3052\u5DE5\u7A0B\u3092\u7701\u304D\u3001\u578B\u67A0\u3092\u5916\u3057\u305F\u76F4\u5F8C\u306E\u3080\u304D\u51FA\u3057\u306E\u307E\u307E\u306E\u72B6\u614B\u306E\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\u3092\u3082\u3063\u3066\u4ED5\u4E0A\u3052\u3068\u3059\u308B\u624B\u6CD5\u3002\u300C\u6253\u653E\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\u300D\u30FB\u300C\u6253\u3061\u653E\u3057\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\u300D\u3068\u3082\u8868\u8A18\u3055\u308C\u308B\u3002\u5358\u7D14\u306B\u300C\u6253\u653E\u3057\uFF08\u300C\u6253\u653E\u300D\u30FB\u300C\u6253\u3061\u653E\u3057\u300D\uFF09\u300D\u3068\u3082\u547C\u3070\u308C\u308B\u3002"@ja . . "Sichtbeton"@de . "B\u00E9ton brut (French pronunciation: \u200B[bet\u0254\u0303 b\u0281yt]) is a French term that translates in English to \u201Craw concrete\u201D. The term is used to describe concrete that is left unfinished after being cast, displaying the patterns and seams imprinted on it by the formwork. B\u00E9ton brut is not a material itself, but rather an architectural expression of concrete."@en . . "1123647631"^^ . "\u6253\u653E\u3057\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8"@ja . . "7210869"^^ . . . "Il cemento a vista, detto anche calcestruzzo a vista o faccia a vista, indica una modalit\u00E0 di utilizzo architettonico del calcestruzzo che consiste nel non ricoprire le superfici a vista con intonaco o rivestirle con altri materiali (pietra, mattoni, piastrelle), ma lasciarle piuttosto visibili, evidenziando le forme e le caratteristiche strutturali della costruzione edilizia. Il Municipio di Boston: un esempio di \"brutale\" uso del b\u00E9ton brut \"cemento grezzo\"."@it . . "\u062E\u0631\u0633\u0627\u0646\u0629 \u062E\u0627\u0645\u0629"@ar . . . . . . . . . "Pohledov\u00FD beton (francouzsky: B\u00E9ton brut, n\u011Bmecky: Sichtbeton, anglicky: faced concrete, b\u00E9ton brut, raw concrete etc) je ozna\u010Den\u00ED pro viditeln\u00FD povrch betonov\u00E9 konstrukce, kter\u00FD se manifestuje sv\u00FDm vlastn\u00EDm charakterem. Beton n\u00E1sledn\u011B nepokr\u00FDvan \u2013 neom\u00EDtan\u00FD, neobkl\u00E1dan\u00FD. Nej\u010Dast\u011Bji je to beton \"jen odbedn\u011Bn\u00FD\", pod pojem se (sp\u00ED\u0161e v\u00FDjime\u010Dn\u011B) n\u011Bkdy vejde i beton: brou\u0161en\u00FD, tryskan\u00FD, (\u00FAm\u011Brn\u011B) tmelen\u00FD, barven\u00FD, penetrovan\u00FD. V z\u00E1sad\u011B je to beton jen odbedn\u011Bn\u00FD. \n* geometrick\u00FD tvar konstrukce \n* \u010Dlen\u011Bn\u00ED ploch konstrukce \n* strukturu povrchu \n* barvu betonu"@cs . "B\u00E9ton brut (French pronunciation: \u200B[bet\u0254\u0303 b\u0281yt]) is a French term that translates in English to \u201Craw concrete\u201D. The term is used to describe concrete that is left unfinished after being cast, displaying the patterns and seams imprinted on it by the formwork. B\u00E9ton brut is not a material itself, but rather an architectural expression of concrete."@en . "Sichtbeton ist Beton, der nicht verputzt oder verblendet wird und dessen Ansichtsfl\u00E4chen meist gestalterische Funktionen erf\u00FCllen. Besonders ausgepr\u00E4gt und namensgebend ist das gestalterische Element im Brutalismus."@de . . . "\u6E05\u6C34\u6DF7\u51DD\u571F"@zh . "\u6E05\u6C34\u6DF7\u51DD\u571F\uFF0C\u53C8\u540D\u6E05\u6C34\u6A21\uFF08\u82F1\u8A9E\uFF1Araw concrete\uFF0C\u6CD5\u8A9E\uFF1Ab\u00E9ton brut\uFF0C\u6CD5\u8A9E\u767C\u97F3\uFF1A[bet\u0254\u0303 b\u0281y]\uFF09\u662F\u4E00\u500B\u6CD5\u8A9E\u8853\u8A9E\uFF0C\u7528\u82F1\u8A9E\u7FFB\u8B6F\u6210\u201C\u539F\u59CB\u6DF7\u51DD\u571F\u201D\u3002 \u8A72\u8853\u8A9E\u7528\u65BC\u63CF\u8FF0\u9444\u9020\u5F8C\u672A\u5B8C\u6210\u7684\u6DF7\u51DD\u571F\uFF0C\u986F\u793A\u6A21\u677F\u5370\u5728\u5176\u4E0A\u7684\u5716\u6848\u548C\u63A5\u7E2B\u3002\u662F\u5EFA\u7BC9\u73FE\u4EE3\u4E3B\u7FA9\u7684\u4E00\u7A2E\u8868\u73FE\u624B\u6CD5\uFF0C\u56E0\u5176\u6975\u5177\u88DD\u98FE\u6548\u679C\u4E5F\u7A31\u88DD\u98FE\u6DF7\u51DD\u571F\u3002\u57FA\u672C\u7684\u60F3\u6CD5\u65BC\u6DF7\u51DD\u571F\u6F86\u7F6E\u5F8C\uFF0C\u4E0D\u518D\u6709\u4EFB\u4F55\u5857\u88DD\u3001\u8CBC\u78C1\u78DA\u3001\u8CBC\u77F3\u6750\u7B49\u6750\u6599\uFF0C\u8868\u73FE\u6DF7\u51DD\u571F\u7684\u4E00\u7A2E\u7D20\u984F\u7684\u624B\u6CD5\u3002\u4F46\u7531\u65BC\u64D4\u5FC3\u6703\u88AB\u96E8\u6C34\u6D78\u900F\u6216\u52A3\u5316\uFF0C\u53EF\u80FD\u6703\u5674\u4E0A\u4E00\u5C64\u9632\u6C34\u4FDD\u8B77\u819C\u3002 \u7531\u65BC\u6E05\u6C34\u6DF7\u51DD\u571F\u4E0D\u6703\u518D\u6709\u5176\u4ED6\u88DD\u98FE\u7528\u7684\u6750\u6599\uFF0C\u56E0\u6B64\u5C0D\u65BC\u98A8\u96E8\u7684\u62B5\u6297\u529B\u8981\u975E\u5E38\u6CE8\u610F\u65BD\u5DE5\u898F\u7BC4\u4E2D\u95DC\u65BC\u92FC\u7B4B\u6DF7\u51DD\u571F\u4FDD\u8B77\u5C64\u7684\u898F\u5B9A\uFF0C\u56E0\u6B64\u5728\u65BD\u5DE5\u968E\u6BB5\u8981\u975E\u5E38\u7D30\u5FC3\u7684\u7BA1\u7406\uFF0C\u767C\u5305\u8005\u3001\u65BD\u5DE5\u8005\u5F80\u5F80\u5C0D\u6B64\u656C\u800C\u9060\u4E4B\u3002\u7136\u800C\u6E05\u6C34\u6DF7\u51DD\u571F\u69CB\u9020\u7368\u7279\u7684\u5F37\u529B\u3001\u6E05\u6F54\u611F\u3001\u7D20\u6750\u611F\u7B49\u51FA\u8272\u7684\u7F8E\u5B78\u8868\u73FE\uFF0C\u4F5C\u5BB6\u500B\u6027\u5F37\u70C8\u7684\u8A2D\u8A08\u8005\u6703\u7279\u5225\u559C\u6B61\u5B83\u3002\u53E6\u5916\uFF0C\u7531\u65BC\u6E05\u6C34\u6DF7\u51DD\u571F\u7F3A\u4E4F\u62C6\u9664\u6A21\u677F\u5F8C\u7684\u88DD\u4FEE\u5DE5\u7A0B\uFF0C\u56E0\u6B64\u5728\u7D44\u6A21\u7684\u968E\u6BB5\u5C31\u5927\u81F4\u6C7A\u5B9A\u5176\u597D\u58DE\u3002\u76F8\u8F03\u65BC\u6728\u9020\u5EFA\u7BC9\u504F\u611B\u7D20\u6728\u7D20\u6750\u611F\u7684\u50B3\u7D71\uFF0C\u5EFA\u6A21\u5DE5\u5320\u9AD8\u8D85\u7684\u65BD\u5DE5\u6280\u8853\u548C\u5B8C\u5DE5\u7684\u7CBE\u5EA6\uFF0C\u5728\u65E5\u672C\u4EE5\u300C\u5BB6\u50B3\u7D55\u6280\u300D\u4E4B\u7A31\u4E00\u679D\u7368\u79C0\u3002"@zh . "9231"^^ . . "Sichtbeton ist Beton, der nicht verputzt oder verblendet wird und dessen Ansichtsfl\u00E4chen meist gestalterische Funktionen erf\u00FCllen. Besonders ausgepr\u00E4gt und namensgebend ist das gestalterische Element im Brutalismus."@de . . . . "Brittisk brutalism"@sv . . . "B\u00E9ton brut"@en . . "\u064A\u0634\u064A\u0631 \u0645\u0635\u0637\u0644\u062D \u0627\u0644\u062E\u0631\u0633\u0627\u0646\u0629 \u0627\u0644\u062E\u0627\u0645\u0629 (raw concrete) \u0627\u0644\u0649 \u0627\u0644\u062E\u0631\u0633\u0627\u0646\u0629 \u0627\u0644\u062A\u064A \u062A\u064F\u0631\u0643\u062A \u063A\u064A\u0631 \u0645\u0643\u062A\u0645\u0644\u0629 \u0628\u0639\u062F \u0635\u0628\u0647\u0627\u060C \u0648\u062D\u064A\u062B \u062A\u0638\u0647\u0631 \u0622\u062B\u0627\u0631 \u0642\u0648\u0627\u0644\u0628 \u0627\u0644\u0628\u0646\u0627\u0621 (\u0627\u0648 \u0627\u0644\u0635\u0646\u062F\u0642\u0629). \u0648\u0628\u0627\u0644\u062A\u0627\u0644\u064A \u0641\u0647\u064A \u0644\u064A\u0633\u062A \u0645\u0627\u062F\u0629 \u0641\u064A \u062D\u062F \u0630\u0627\u062A\u0647\u0627\u060C \u0628\u0644 \u062A\u0639\u0628\u064A\u0631 \u0645\u0639\u0645\u0627\u0631\u064A \u0639\u0646 \u0627\u0644\u062E\u0631\u0633\u0627\u0646\u0629. \n* \u0628\u0648\u0627\u0628\u0629 \u0639\u0645\u0627\u0631\u0629"@ar . . . "\u064A\u0634\u064A\u0631 \u0645\u0635\u0637\u0644\u062D \u0627\u0644\u062E\u0631\u0633\u0627\u0646\u0629 \u0627\u0644\u062E\u0627\u0645\u0629 (raw concrete) \u0627\u0644\u0649 \u0627\u0644\u062E\u0631\u0633\u0627\u0646\u0629 \u0627\u0644\u062A\u064A \u062A\u064F\u0631\u0643\u062A \u063A\u064A\u0631 \u0645\u0643\u062A\u0645\u0644\u0629 \u0628\u0639\u062F \u0635\u0628\u0647\u0627\u060C \u0648\u062D\u064A\u062B \u062A\u0638\u0647\u0631 \u0622\u062B\u0627\u0631 \u0642\u0648\u0627\u0644\u0628 \u0627\u0644\u0628\u0646\u0627\u0621 (\u0627\u0648 \u0627\u0644\u0635\u0646\u062F\u0642\u0629). \u0648\u0628\u0627\u0644\u062A\u0627\u0644\u064A \u0641\u0647\u064A \u0644\u064A\u0633\u062A \u0645\u0627\u062F\u0629 \u0641\u064A \u062D\u062F \u0630\u0627\u062A\u0647\u0627\u060C \u0628\u0644 \u062A\u0639\u0628\u064A\u0631 \u0645\u0639\u0645\u0627\u0631\u064A \u0639\u0646 \u0627\u0644\u062E\u0631\u0633\u0627\u0646\u0629. \n* \u0628\u0648\u0627\u0628\u0629 \u0639\u0645\u0627\u0631\u0629"@ar . . . "Pohledov\u00FD beton"@cs . . . . . . "Pohledov\u00FD beton (francouzsky: B\u00E9ton brut, n\u011Bmecky: Sichtbeton, anglicky: faced concrete, b\u00E9ton brut, raw concrete etc) je ozna\u010Den\u00ED pro viditeln\u00FD povrch betonov\u00E9 konstrukce, kter\u00FD se manifestuje sv\u00FDm vlastn\u00EDm charakterem. Beton n\u00E1sledn\u011B nepokr\u00FDvan \u2013 neom\u00EDtan\u00FD, neobkl\u00E1dan\u00FD. Nej\u010Dast\u011Bji je to beton \"jen odbedn\u011Bn\u00FD\", pod pojem se (sp\u00ED\u0161e v\u00FDjime\u010Dn\u011B) n\u011Bkdy vejde i beton: brou\u0161en\u00FD, tryskan\u00FD, (\u00FAm\u011Brn\u011B) tmelen\u00FD, barven\u00FD, penetrovan\u00FD. V z\u00E1sad\u011B je to beton jen odbedn\u011Bn\u00FD. Po\u010D\u00E1tek hledejme v prvn\u00EDch dek\u00E1d\u00E1ch 20. stolet\u00ED (n\u011Bkter\u00E1 d\u00EDla Roberta Maillarta a Augusta Perreta). Prav\u00FD rozvoj nastal s v\u00FDvojem d\u00EDla Le Corbusiera a jeho Unit\u00E9 d'habitation v Marseille a v Berl\u00EDn\u011B. Pohledov\u00FD beton je vysoce rozvinutou technologi\u00ED, hromadn\u011B a univerz\u00E1ln\u011B u\u017E\u00EDvanou. Zvl\u00E1\u0161\u0165 obl\u00EDben\u00FD je ale ve \u0160v\u00FDcarsku, Francii, Japonsku, Rakousku, Slovensku, Slovinsku, Chorvatsku, It\u00E1lii, N\u011Bmecku a Braz\u00EDlii, nebo v\u0161ude tam, kde jsou rozs\u00E1hl\u00E9 zdroje v\u00E1pencov\u00E9 horniny a zna\u010Dn\u00E1 produkce cementu. Projektant, (zpravidla architekt), ur\u010Duje n\u00E1sleduj\u00EDc\u00ED vlastnosti: \n* geometrick\u00FD tvar konstrukce \n* \u010Dlen\u011Bn\u00ED ploch konstrukce \n* strukturu povrchu \n* barvu betonu"@cs . . . . . . . "\u6E05\u6C34\u6DF7\u51DD\u571F\uFF0C\u53C8\u540D\u6E05\u6C34\u6A21\uFF08\u82F1\u8A9E\uFF1Araw concrete\uFF0C\u6CD5\u8A9E\uFF1Ab\u00E9ton brut\uFF0C\u6CD5\u8A9E\u767C\u97F3\uFF1A[bet\u0254\u0303 b\u0281y]\uFF09\u662F\u4E00\u500B\u6CD5\u8A9E\u8853\u8A9E\uFF0C\u7528\u82F1\u8A9E\u7FFB\u8B6F\u6210\u201C\u539F\u59CB\u6DF7\u51DD\u571F\u201D\u3002 \u8A72\u8853\u8A9E\u7528\u65BC\u63CF\u8FF0\u9444\u9020\u5F8C\u672A\u5B8C\u6210\u7684\u6DF7\u51DD\u571F\uFF0C\u986F\u793A\u6A21\u677F\u5370\u5728\u5176\u4E0A\u7684\u5716\u6848\u548C\u63A5\u7E2B\u3002\u662F\u5EFA\u7BC9\u73FE\u4EE3\u4E3B\u7FA9\u7684\u4E00\u7A2E\u8868\u73FE\u624B\u6CD5\uFF0C\u56E0\u5176\u6975\u5177\u88DD\u98FE\u6548\u679C\u4E5F\u7A31\u88DD\u98FE\u6DF7\u51DD\u571F\u3002\u57FA\u672C\u7684\u60F3\u6CD5\u65BC\u6DF7\u51DD\u571F\u6F86\u7F6E\u5F8C\uFF0C\u4E0D\u518D\u6709\u4EFB\u4F55\u5857\u88DD\u3001\u8CBC\u78C1\u78DA\u3001\u8CBC\u77F3\u6750\u7B49\u6750\u6599\uFF0C\u8868\u73FE\u6DF7\u51DD\u571F\u7684\u4E00\u7A2E\u7D20\u984F\u7684\u624B\u6CD5\u3002\u4F46\u7531\u65BC\u64D4\u5FC3\u6703\u88AB\u96E8\u6C34\u6D78\u900F\u6216\u52A3\u5316\uFF0C\u53EF\u80FD\u6703\u5674\u4E0A\u4E00\u5C64\u9632\u6C34\u4FDD\u8B77\u819C\u3002 \u7531\u65BC\u6E05\u6C34\u6DF7\u51DD\u571F\u4E0D\u6703\u518D\u6709\u5176\u4ED6\u88DD\u98FE\u7528\u7684\u6750\u6599\uFF0C\u56E0\u6B64\u5C0D\u65BC\u98A8\u96E8\u7684\u62B5\u6297\u529B\u8981\u975E\u5E38\u6CE8\u610F\u65BD\u5DE5\u898F\u7BC4\u4E2D\u95DC\u65BC\u92FC\u7B4B\u6DF7\u51DD\u571F\u4FDD\u8B77\u5C64\u7684\u898F\u5B9A\uFF0C\u56E0\u6B64\u5728\u65BD\u5DE5\u968E\u6BB5\u8981\u975E\u5E38\u7D30\u5FC3\u7684\u7BA1\u7406\uFF0C\u767C\u5305\u8005\u3001\u65BD\u5DE5\u8005\u5F80\u5F80\u5C0D\u6B64\u656C\u800C\u9060\u4E4B\u3002\u7136\u800C\u6E05\u6C34\u6DF7\u51DD\u571F\u69CB\u9020\u7368\u7279\u7684\u5F37\u529B\u3001\u6E05\u6F54\u611F\u3001\u7D20\u6750\u611F\u7B49\u51FA\u8272\u7684\u7F8E\u5B78\u8868\u73FE\uFF0C\u4F5C\u5BB6\u500B\u6027\u5F37\u70C8\u7684\u8A2D\u8A08\u8005\u6703\u7279\u5225\u559C\u6B61\u5B83\u3002\u53E6\u5916\uFF0C\u7531\u65BC\u6E05\u6C34\u6DF7\u51DD\u571F\u7F3A\u4E4F\u62C6\u9664\u6A21\u677F\u5F8C\u7684\u88DD\u4FEE\u5DE5\u7A0B\uFF0C\u56E0\u6B64\u5728\u7D44\u6A21\u7684\u968E\u6BB5\u5C31\u5927\u81F4\u6C7A\u5B9A\u5176\u597D\u58DE\u3002\u76F8\u8F03\u65BC\u6728\u9020\u5EFA\u7BC9\u504F\u611B\u7D20\u6728\u7D20\u6750\u611F\u7684\u50B3\u7D71\uFF0C\u5EFA\u6A21\u5DE5\u5320\u9AD8\u8D85\u7684\u65BD\u5DE5\u6280\u8853\u548C\u5B8C\u5DE5\u7684\u7CBE\u5EA6\uFF0C\u5728\u65E5\u672C\u4EE5\u300C\u5BB6\u50B3\u7D55\u6280\u300D\u4E4B\u7A31\u4E00\u679D\u7368\u79C0\u3002"@zh . . "Brutalism eller brutalistisk arkitektur var en av mest uttrycksfulla och kontroversiella arkitektoniska stilarna under efterkrigstiden. Framf\u00F6rallt i Storbritannien vann brutalismen stort inflytande. Brutalismen v\u00E4xte fram under 1950-talet med pionj\u00E4rer som Alison och Peter Smithson och kom att bli popul\u00E4r i Storbritannien under speciellt 1960-talet genom arkitekter som Rodney Gordon, Ern\u0151 Goldfinger och Owen Luder. En rad uppm\u00E4rksammade byggnader uppf\u00F6rdes som Trinity Square, St. Peter's Seminary och Robin Hood Gardens. Byggnaderna har g\u00E5tt olika \u00F6den till m\u00F6te; m\u00E5nga har rivits efter folkligt missn\u00F6je medan andra kulturminnesm\u00E4rkts som omistliga."@sv . . . . . . . . . . . . . . . . . . . . . . . . . . . "Brutalism eller brutalistisk arkitektur var en av mest uttrycksfulla och kontroversiella arkitektoniska stilarna under efterkrigstiden. Framf\u00F6rallt i Storbritannien vann brutalismen stort inflytande. Brutalismen v\u00E4xte fram under 1950-talet med pionj\u00E4rer som Alison och Peter Smithson och kom att bli popul\u00E4r i Storbritannien under speciellt 1960-talet genom arkitekter som Rodney Gordon, Ern\u0151 Goldfinger och Owen Luder. En rad uppm\u00E4rksammade byggnader uppf\u00F6rdes som Trinity Square, St. Peter's Seminary och Robin Hood Gardens. Byggnaderna har g\u00E5tt olika \u00F6den till m\u00F6te; m\u00E5nga har rivits efter folkligt missn\u00F6je medan andra kulturminnesm\u00E4rkts som omistliga."@sv . . . . . "Cemento a vista"@it . . . "\u6253\u653E\u3057\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\uFF08\u3046\u3061\u306F\u306A\u3057\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\u3001\u3046\u3061\u3063\u3071\u306A\u3057\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\uFF09\u306F\u3001\u5EFA\u7BC9\u7269\u306E\u4ED5\u4E0A\u3052\u306E\u4E00\u7A2E\u3067\u3042\u308B\u3002\u73FE\u5834\u6253\u3061\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\u306E\u4E0A\u306B\u5857\u88C5\u30FB\u30BF\u30A4\u30EB\u30FB\u306A\u3069\u306E\u4ED5\u4E0A\u3052\u5DE5\u7A0B\u3092\u7701\u304D\u3001\u578B\u67A0\u3092\u5916\u3057\u305F\u76F4\u5F8C\u306E\u3080\u304D\u51FA\u3057\u306E\u307E\u307E\u306E\u72B6\u614B\u306E\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\u3092\u3082\u3063\u3066\u4ED5\u4E0A\u3052\u3068\u3059\u308B\u624B\u6CD5\u3002\u300C\u6253\u653E\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\u300D\u30FB\u300C\u6253\u3061\u653E\u3057\u30B3\u30F3\u30AF\u30EA\u30FC\u30C8\u300D\u3068\u3082\u8868\u8A18\u3055\u308C\u308B\u3002\u5358\u7D14\u306B\u300C\u6253\u653E\u3057\uFF08\u300C\u6253\u653E\u300D\u30FB\u300C\u6253\u3061\u653E\u3057\u300D\uFF09\u300D\u3068\u3082\u547C\u3070\u308C\u308B\u3002"@ja . "Il cemento a vista, detto anche calcestruzzo a vista o faccia a vista, indica una modalit\u00E0 di utilizzo architettonico del calcestruzzo che consiste nel non ricoprire le superfici a vista con intonaco o rivestirle con altri materiali (pietra, mattoni, piastrelle), ma lasciarle piuttosto visibili, evidenziando le forme e le caratteristiche strutturali della costruzione edilizia. Il Municipio di Boston: un esempio di \"brutale\" uso del b\u00E9ton brut \"cemento grezzo\". L'architettura moderna in special modo con la corrente architettonica del Brutalismo (dal termine francese beton brut \"cemento grezzo\") ha fatto sempre pi\u00F9 riferimento all'espressivit\u00E0 del calcestruzzo a vista. A partire dai volumi plastici ma brutali di Le Corbusier, nell'Unit\u00E9 d'Habitation de Marseille e nella realizzazione del Capitol della citt\u00E0 Indiana di Chandigarh, dopo le quali \u00E8 seguito un vero e proprio stile architettonico legato all'uso del calcestruzzo a vista. Anche in Italia possiamo trovare esempi di questa tendenza di evoluzione del Razionalismo italiano che conducono ad opere di sicuro impatto visivo ed architettonico. Possiamo ricordare la dirompente plasticit\u00E0 del cemento a vista della Chiesa dell'Autostrada del Sole di Giovanni Michelucci (1964), l'Istituto Marchiondi a Milano di Vittoriano Vigan\u00F2 (1957), il gioco volumetrico delle abitazioni del quartiere Sorgane a Firenze, di Leonardo Ricci ed altri (1966), gli edifici per unit\u00E0 abitative del quartiere Matteotti di Terni di Giancarlo De Carlo (1971-74). Con questa tecnica il cemento costruisce lo spazio architettonico divenendo parte essenziale del disegno architettonico. Si possono ottenere notevoli effetti prospettici, che esaltano la struttura con manifestazioni quasi scultoree, tese a rompere la ripetizione monotona delle superfici cementizie in rapporto anche al colore grigio per il cemento tipico."@it . . . . .