"\u0627\u0644\u0643\u062A\u0627\u0628\u0629 \u0627\u0644\u0623\u0635\u0644\u064A\u0629 (\u0623\u0631\u0634\u064A \u0625\u0643\u0631\u064A\u062A\u0648\u0631) \u0623\u0637\u0644\u0642\u0647\u0627 \u062C\u0627\u0643 \u062F\u064A\u0631\u064A\u062F\u0627 \u0645\u062C\u0627\u0632\u0627 \u0639\u0644\u0649 \u0627\u0644\u0644\u063A\u0629.\u0630\u0644\u0643 \u0623\u0646 \u0627\u0644\u0644\u063A\u0629 \u062A\u0633\u0628\u0642 \u0643\u0644\u0627 \u0645\u0646 \u0627\u0644\u0643\u0644\u0627\u0645 \u0648\u0627\u0644\u0643\u062A\u0627\u0628\u0629 \u0627\u0644\u062A\u064A \u0642\u0627\u0644 \u0623\u0641\u0644\u0627\u0637\u0648\u0646 \u0623\u0646\u0647\u0627 \u062F\u0648\u0627\u0621 (\u0641\u0627\u0631\u0645\u0627\u0643\u0648\u0646) \u064A\u0633\u0645\u0645 \u0627\u0644\u0630\u0627\u0643\u0631\u0629."@ar . "Archi-\u00E9criture"@sv . . "1074710829"^^ . . "\"Arche-writing\" (French: archi-\u00E9criture) is a term used by French philosopher Jacques Derrida in his attempt to re-orient the relationship between speech and writing. Derrida argued that as far back as Plato, speech had been always given priority over writing. In the West, phonetic writing was considered as a secondary imitation of speech, a poor copy of the immediate living act of speech. Derrida argued that in later centuries philosopher Jean-Jacques Rousseau and linguist Ferdinand de Saussure both gave writing a secondary or parasitic role. In Derrida's essay Plato's Pharmacy, he sought to question this prioritising by firstly complicating the two terms speech and writing."@en . . . . "\"Arquiescrita\" (em franc\u00EAs: archi-\u00E9criture) \u00E9 um termo usado pelo fil\u00F3sofo franc\u00EAs Jacques Derrida em sua tentativa de reorientar a rela\u00E7\u00E3o entre fala e escrita. Derrida argumenta que, desde Plat\u00E3o, a fala sempre teve prioridade sobre a escrita. No Ocidente, a escrita fon\u00E9tica era considerada uma imita\u00E7\u00E3o secund\u00E1ria da fala, uma c\u00F3pia pobre do ato vivo imediato da fala. Derrida argumenta que em s\u00E9culos posteriores o fil\u00F3sofo Jean-Jacques Rousseau e o linguista Ferdinand de Saussure deram \u00E0 escrita um papel secund\u00E1rio ou parasit\u00E1rio. No ensaio Plat\u00E3o's Pharmacy, de Derrida, ele procurou questionar essa prioriza\u00E7\u00E3o, primeiramente complicando os dois termos fala e escrita. De acordo com Derrida, essa complica\u00E7\u00E3o \u00E9 vis\u00EDvel na palavra grega \u03C6\u03AC\u03C1\u03BC\u03B1\u03BA\u03BF\u03BD pharmakon, que significa \"cura\" e \"veneno\". Derrida observou que Plat\u00E3o argumentou que a escrita era \"venenosa\" para a mem\u00F3ria, uma vez que a escrita \u00E9 uma mera repeti\u00E7\u00E3o, em compara\u00E7\u00E3o com a mem\u00F3ria viva necess\u00E1ria para a fala. Derrida ressalta, no entanto, que, uma vez que tanto a fala quanto a escrita dependem da repeti\u00E7\u00E3o, a duas n\u00E3o podem ser completamente distinguidas. No neologismo arche-writing, \"arche-\" que significa \"origem, princ\u00EDpio ou telos \", tenta ir al\u00E9m da simples divis\u00E3o escrita/fala. Arche-escrita refere-se a um tipo de escrita que precede tanto a fala quanto a escrita. Derrida argumentou que a arquiescrita \u00E9, em certo sentido, linguagem, na medida em que j\u00E1 est\u00E1 l\u00E1 antes de us\u00E1-la, j\u00E1 tem uma estrutura/g\u00EAnese pr\u00E9-dada, mas male\u00E1vel, que \u00E9 uma configura\u00E7\u00E3o semifixa de diferentes palavras e sintaxes. Essa fixidez \u00E9 a escrita a que Derrida se refere, tal 'escrita' pode at\u00E9 ser vista em culturas que n\u00E3o empregam a escrita, pode ser vista em entalhes em uma corda ou barril, costumes fixos ou posicionamentos ao redor das \u00E1reas de conviv\u00EAncia."@pt . . . . . . . . . "Arquiescrita"@pt . "5957245"^^ . "\u0410\u0440\u0445\u0435\u043F\u0438\u0441\u044C\u043C\u043E (\u0444\u0440. archi-ecriture) \u0438\u043B\u0438 \u043F\u0440\u043E\u0442\u043E-\u043F\u0438\u0441\u044C\u043C\u043E \u2014 \u0442\u0435\u0440\u043C\u0438\u043D \u0432 \u0444\u0438\u043B\u043E\u0441\u043E\u0444\u0438\u0438 \u0416. \u0414\u0435\u0440\u0440\u0438\u0434\u0430, \u043E\u0431\u043E\u0437\u043D\u0430\u0447\u0430\u044E\u0449\u0438\u0439 \u0434\u0432\u0438\u0436\u0443\u0449\u0438\u0439 \u0438\u043C\u043F\u0443\u043B\u044C\u0441 \u043F\u0440\u043E\u0446\u0435\u0441\u0441\u0430 \u0431\u0435\u0441\u043A\u043E\u043D\u0435\u0447\u043D\u043E\u0433\u043E \u0437\u0430\u043C\u0435\u0449\u0435\u043D\u0438\u044F \u0437\u043D\u0430\u043A\u043E\u0432, \u0438\u0445 \u043F\u043E\u0441\u0442\u043E\u044F\u043D\u043D\u043E\u0433\u043E \u043F\u0435\u0440\u0435\u043A\u043E\u0434\u0438\u0440\u043E\u0432\u0430\u043D\u0438\u044F, \u043D\u0435\u043F\u0440\u0435\u0441\u0442\u0430\u043D\u043D\u043E\u0433\u043E \u043F\u043E\u0440\u043E\u0436\u0434\u0435\u043D\u0438\u044F \u0437\u043D\u0430\u0447\u0438\u043C\u044B\u0445 \u0440\u0430\u0437\u043B\u0438\u0447\u0438\u0439. \u0414\u0435\u0440\u0440\u0438\u0434\u0430 \u0432\u0432\u0451\u043B \u0442\u0435\u0440\u043C\u0438\u043D \u0432 \u0441\u0432\u043E\u0451\u043C \u0442\u0440\u0443\u0434\u0435 \u00AB\u041E \u0433\u0440\u0430\u043C\u043C\u0430\u0442\u043E\u043B\u043E\u0433\u0438\u0438\u00BB. \u0410\u0440\u0445\u0435\u043F\u0438\u0441\u044C\u043C\u043E \u0432 \u043F\u0435\u0440\u0432\u0443\u044E \u043E\u0447\u0435\u0440\u0435\u0434\u044C \u043D\u0435\u0441\u0451\u0442 \u0432 \u0441\u0435\u0431\u0435 \u043F\u0440\u0435\u0434\u043F\u043E\u0441\u044B\u043B\u043A\u0438 \u0434\u043B\u044F \u0441\u043E\u0437\u0434\u0430\u043D\u0438\u044F \u043A\u043E\u043C\u043C\u0443\u043D\u0438\u043A\u0430\u0446\u0438\u0438 \u0438 \u043F\u043E\u0438\u0441\u043A\u0430 \u0433\u043B\u0443\u0431\u0438\u043D\u043D\u043E\u0439 \u0441\u043C\u044B\u0441\u043B\u043E\u0432\u043E\u0439 \u0438\u0441\u0442\u0438\u043D\u044B. \u0424\u0443\u043D\u043A\u0446\u0438\u0435\u0439 \u0430\u0440\u0445\u0435\u043F\u0438\u0441\u044C\u043C\u0430 \u043C\u043E\u0436\u043D\u043E \u043D\u0430\u0437\u0432\u0430\u0442\u044C \u0443\u043A\u0430\u0437\u0430\u043D\u0438\u0435 \u043D\u0430 \u043D\u0435\u0440\u0430\u0441\u043A\u0440\u044B\u0442\u044B\u0435 \u043C\u0435\u0441\u0442\u0430 \u0438 \u043D\u044E\u0430\u043D\u0441\u044B \u0442\u0435\u043A\u0441\u0442\u0430. \u0410\u0440\u0445\u0435\u043F\u0438\u0441\u044C\u043C\u043E \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0438\u0434\u0435\u0430\u043B\u044C\u043D\u043E\u0439 \u043C\u043E\u0434\u0435\u043B\u044C\u044E, \u0443\u043F\u0440\u0430\u0432\u043B\u044F\u044E\u0449\u0435\u0439 \u0432\u0441\u0435\u043C\u0438 \u0437\u043D\u0430\u043A\u043E\u0432\u044B\u043C\u0438 \u0441\u0438\u0441\u0442\u0435\u043C\u0430\u043C\u0438, \u0438 \u0432 \u0442\u043E\u043C \u0447\u0438\u0441\u043B\u0435 \u0443\u0441\u0442\u043D\u043E\u0439 \u0440\u0435\u0447\u044C\u044E."@ru . . "Archi-\u00E9criture (ungef\u00E4r \"\u00E4rkeskrift\", \"protoskrift\", av grekiskans \u1F00\u03C1\u03C7\u03AE vilket betyder \"b\u00F6rjan\" eller \"ursprung\") \u00E4r en term lanserad av den franske filosofen Jacques Derrida i boken fr\u00E5n 1967. Enligt Derrida f\u00F6reg\u00E5r archi-\u00E9criture v\u00E5rt traditionella tal och skrift. Han menar att archi-\u00E9criture p\u00E5 s\u00E4tt och vis utg\u00F6r ett spr\u00E5k med en f\u00F6rutbest\u00E4md, men dock formbar, struktur. Archi-\u00E9criture besitter en mer eller mindre best\u00E4md upps\u00E4ttning ord och syntax. Derrida h\u00E4vdar att v\u00E5r konventionella skrift m\u00E5ste betraktas p\u00E5 tv\u00E5 s\u00E4tt: dels som skrift i vanlig mening (det vill s\u00E4ga som texten i en bok), dels som ett potentiellt villkor f\u00F6r kunskap och mening. Archi-\u00E9criture f\u00E5r d\u00E5 till viss del en transcendental mening."@sv . "\"Arquiescrita\" (em franc\u00EAs: archi-\u00E9criture) \u00E9 um termo usado pelo fil\u00F3sofo franc\u00EAs Jacques Derrida em sua tentativa de reorientar a rela\u00E7\u00E3o entre fala e escrita. Derrida argumenta que, desde Plat\u00E3o, a fala sempre teve prioridade sobre a escrita. No Ocidente, a escrita fon\u00E9tica era considerada uma imita\u00E7\u00E3o secund\u00E1ria da fala, uma c\u00F3pia pobre do ato vivo imediato da fala. Derrida argumenta que em s\u00E9culos posteriores o fil\u00F3sofo Jean-Jacques Rousseau e o linguista Ferdinand de Saussure deram \u00E0 escrita um papel secund\u00E1rio ou parasit\u00E1rio. No ensaio Plat\u00E3o's Pharmacy, de Derrida, ele procurou questionar essa prioriza\u00E7\u00E3o, primeiramente complicando os dois termos fala e escrita."@pt . "\u0410\u0440\u0445\u0435\u043F\u0438\u0441\u044C\u043C\u043E (\u0444\u0440. archi-ecriture) \u0438\u043B\u0438 \u043F\u0440\u043E\u0442\u043E-\u043F\u0438\u0441\u044C\u043C\u043E \u2014 \u0442\u0435\u0440\u043C\u0438\u043D \u0432 \u0444\u0438\u043B\u043E\u0441\u043E\u0444\u0438\u0438 \u0416. \u0414\u0435\u0440\u0440\u0438\u0434\u0430, \u043E\u0431\u043E\u0437\u043D\u0430\u0447\u0430\u044E\u0449\u0438\u0439 \u0434\u0432\u0438\u0436\u0443\u0449\u0438\u0439 \u0438\u043C\u043F\u0443\u043B\u044C\u0441 \u043F\u0440\u043E\u0446\u0435\u0441\u0441\u0430 \u0431\u0435\u0441\u043A\u043E\u043D\u0435\u0447\u043D\u043E\u0433\u043E \u0437\u0430\u043C\u0435\u0449\u0435\u043D\u0438\u044F \u0437\u043D\u0430\u043A\u043E\u0432, \u0438\u0445 \u043F\u043E\u0441\u0442\u043E\u044F\u043D\u043D\u043E\u0433\u043E \u043F\u0435\u0440\u0435\u043A\u043E\u0434\u0438\u0440\u043E\u0432\u0430\u043D\u0438\u044F, \u043D\u0435\u043F\u0440\u0435\u0441\u0442\u0430\u043D\u043D\u043E\u0433\u043E \u043F\u043E\u0440\u043E\u0436\u0434\u0435\u043D\u0438\u044F \u0437\u043D\u0430\u0447\u0438\u043C\u044B\u0445 \u0440\u0430\u0437\u043B\u0438\u0447\u0438\u0439. \u0414\u0435\u0440\u0440\u0438\u0434\u0430 \u0432\u0432\u0451\u043B \u0442\u0435\u0440\u043C\u0438\u043D \u0432 \u0441\u0432\u043E\u0451\u043C \u0442\u0440\u0443\u0434\u0435 \u00AB\u041E \u0433\u0440\u0430\u043C\u043C\u0430\u0442\u043E\u043B\u043E\u0433\u0438\u0438\u00BB. \u0410\u0440\u0445\u0435\u043F\u0438\u0441\u044C\u043C\u043E \u0432 \u043F\u0435\u0440\u0432\u0443\u044E \u043E\u0447\u0435\u0440\u0435\u0434\u044C \u043D\u0435\u0441\u0451\u0442 \u0432 \u0441\u0435\u0431\u0435 \u043F\u0440\u0435\u0434\u043F\u043E\u0441\u044B\u043B\u043A\u0438 \u0434\u043B\u044F \u0441\u043E\u0437\u0434\u0430\u043D\u0438\u044F \u043A\u043E\u043C\u043C\u0443\u043D\u0438\u043A\u0430\u0446\u0438\u0438 \u0438 \u043F\u043E\u0438\u0441\u043A\u0430 \u0433\u043B\u0443\u0431\u0438\u043D\u043D\u043E\u0439 \u0441\u043C\u044B\u0441\u043B\u043E\u0432\u043E\u0439 \u0438\u0441\u0442\u0438\u043D\u044B. \u0424\u0443\u043D\u043A\u0446\u0438\u0435\u0439 \u0430\u0440\u0445\u0435\u043F\u0438\u0441\u044C\u043C\u0430 \u043C\u043E\u0436\u043D\u043E \u043D\u0430\u0437\u0432\u0430\u0442\u044C \u0443\u043A\u0430\u0437\u0430\u043D\u0438\u0435 \u043D\u0430 \u043D\u0435\u0440\u0430\u0441\u043A\u0440\u044B\u0442\u044B\u0435 \u043C\u0435\u0441\u0442\u0430 \u0438 \u043D\u044E\u0430\u043D\u0441\u044B \u0442\u0435\u043A\u0441\u0442\u0430. \u0410\u0440\u0445\u0435\u043F\u0438\u0441\u044C\u043C\u043E \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0438\u0434\u0435\u0430\u043B\u044C\u043D\u043E\u0439 \u043C\u043E\u0434\u0435\u043B\u044C\u044E, \u0443\u043F\u0440\u0430\u0432\u043B\u044F\u044E\u0449\u0435\u0439 \u0432\u0441\u0435\u043C\u0438 \u0437\u043D\u0430\u043A\u043E\u0432\u044B\u043C\u0438 \u0441\u0438\u0441\u0442\u0435\u043C\u0430\u043C\u0438, \u0438 \u0432 \u0442\u043E\u043C \u0447\u0438\u0441\u043B\u0435 \u0443\u0441\u0442\u043D\u043E\u0439 \u0440\u0435\u0447\u044C\u044E."@ru . "\u0627\u0644\u0643\u062A\u0627\u0628\u0629 \u0627\u0644\u0623\u0635\u0644\u064A\u0629"@ar . . "\u0410\u0440\u0445\u0435\u043F\u0438\u0441\u044C\u043C\u043E"@ru . . "2097"^^ . . . "\u0627\u0644\u0643\u062A\u0627\u0628\u0629 \u0627\u0644\u0623\u0635\u0644\u064A\u0629 (\u0623\u0631\u0634\u064A \u0625\u0643\u0631\u064A\u062A\u0648\u0631) \u0623\u0637\u0644\u0642\u0647\u0627 \u062C\u0627\u0643 \u062F\u064A\u0631\u064A\u062F\u0627 \u0645\u062C\u0627\u0632\u0627 \u0639\u0644\u0649 \u0627\u0644\u0644\u063A\u0629.\u0630\u0644\u0643 \u0623\u0646 \u0627\u0644\u0644\u063A\u0629 \u062A\u0633\u0628\u0642 \u0643\u0644\u0627 \u0645\u0646 \u0627\u0644\u0643\u0644\u0627\u0645 \u0648\u0627\u0644\u0643\u062A\u0627\u0628\u0629 \u0627\u0644\u062A\u064A \u0642\u0627\u0644 \u0623\u0641\u0644\u0627\u0637\u0648\u0646 \u0623\u0646\u0647\u0627 \u062F\u0648\u0627\u0621 (\u0641\u0627\u0631\u0645\u0627\u0643\u0648\u0646) \u064A\u0633\u0645\u0645 \u0627\u0644\u0630\u0627\u0643\u0631\u0629."@ar . . "Archi-\u00E9criture (ungef\u00E4r \"\u00E4rkeskrift\", \"protoskrift\", av grekiskans \u1F00\u03C1\u03C7\u03AE vilket betyder \"b\u00F6rjan\" eller \"ursprung\") \u00E4r en term lanserad av den franske filosofen Jacques Derrida i boken fr\u00E5n 1967. Enligt Derrida f\u00F6reg\u00E5r archi-\u00E9criture v\u00E5rt traditionella tal och skrift. Han menar att archi-\u00E9criture p\u00E5 s\u00E4tt och vis utg\u00F6r ett spr\u00E5k med en f\u00F6rutbest\u00E4md, men dock formbar, struktur. Archi-\u00E9criture besitter en mer eller mindre best\u00E4md upps\u00E4ttning ord och syntax. Derrida h\u00E4vdar att v\u00E5r konventionella skrift m\u00E5ste betraktas p\u00E5 tv\u00E5 s\u00E4tt: dels som skrift i vanlig mening (det vill s\u00E4ga som texten i en bok), dels som ett potentiellt villkor f\u00F6r kunskap och mening. Archi-\u00E9criture f\u00E5r d\u00E5 till viss del en transcendental mening."@sv . . . "\"Arche-writing\" (French: archi-\u00E9criture) is a term used by French philosopher Jacques Derrida in his attempt to re-orient the relationship between speech and writing. Derrida argued that as far back as Plato, speech had been always given priority over writing. In the West, phonetic writing was considered as a secondary imitation of speech, a poor copy of the immediate living act of speech. Derrida argued that in later centuries philosopher Jean-Jacques Rousseau and linguist Ferdinand de Saussure both gave writing a secondary or parasitic role. In Derrida's essay Plato's Pharmacy, he sought to question this prioritising by firstly complicating the two terms speech and writing. According to Derrida, this complication is visible in the Greek word \u03C6\u03AC\u03C1\u03BC\u03B1\u03BA\u03BF\u03BD pharmakon, which meant both \"cure\" and \"poison\". Derrida noted that Plato argued that writing was \"poisonous\" to memory, since writing is a mere repetition, as compared to the living memory required for speech. Derrida points out however, that since both speech and writing rely upon repetition they cannot be completely distinguished. In the neologism arche-writing, \"arche-\" meaning \"origin, principle, or telos\", attempts to go beyond the simple division of writing/speech. Arche-writing refers to a kind of writing that precedes both speech and writing. Derrida argued that arche-writing is, in a sense, language, in that it is already there before we use it, it already has a pregiven, yet malleable, structure/genesis, which is a semi-fixed set-up of different words and syntax. This fixedness is the writing to which Derrida refers, just such a 'writing' can even be seen in cultures that do not employ writing, it could be seen in notches on a rope or barrel, fixed customs, or placements around the living areas."@en . . . . "Arche-writing"@en .