. . "1948-11-04"^^ . "2014-02-24"^^ . . "Alexis Jan Atthill Hunter (4 November 1948 \u2013 24 February 2014) was a New Zealand painter and photographer, who used feminist theory in her work. She lived and worked in London UK, and Beaurainville France. Hunter was also a member of the Stuckism collective.Her archive and artistic legacy is now administered by the Alexis Hunter Trust."@en . . . . . . . . . . . . . . . . . . . . . . . . . . "\u0623\u0644\u0643\u0633\u064A\u0633 \u0647\u0646\u062A\u0631 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Alexis Hunter)\u200F \u0647\u064A \u0631\u0633\u0627\u0645\u0629 \u0648\u0645\u0635\u0648\u0631\u0629 \u0646\u064A\u0648\u0632\u064A\u0644\u0646\u062F\u064A\u0629\u060C \u0648\u0644\u062F\u062A \u0641\u064A 4 \u0646\u0648\u0641\u0645\u0628\u0631 1948 \u0641\u064A \u0623\u0648\u0643\u0644\u0627\u0646\u062F \u0641\u064A \u0646\u064A\u0648\u0632\u064A\u0644\u0646\u062F\u0627\u060C \u0648\u062A\u0648\u0641\u064A\u062A \u0641\u064A 24 \u0641\u0628\u0631\u0627\u064A\u0631 2014 \u0641\u064A \u0644\u0646\u062F\u0646 \u0641\u064A \u0627\u0644\u0645\u0645\u0644\u0643\u0629 \u0627\u0644\u0645\u062A\u062D\u062F\u0629 \u0628\u0633\u0628\u0628 \u062A\u0635\u0644\u0628 \u062C\u0627\u0646\u0628\u064A \u0636\u0645\u0648\u0631\u064A."@ar . . . . . . . . . . "Photography, painting"@en . "Alexis Jan Atthill Hunter"@en . . . "Stuckism"@en . "Alexis Jan Atthill Hunter (4 November 1948 \u2013 24 February 2014) was a New Zealand painter and photographer, who used feminist theory in her work. She lived and worked in London UK, and Beaurainville France. Hunter was also a member of the Stuckism collective.Her archive and artistic legacy is now administered by the Alexis Hunter Trust."@en . . . . . . . . . . . . . . "Auckland, New Zealand"@en . . . . "2014-02-24"^^ . . . . . . . . . . . . . . . . . "Alexis Jan Atthill Hunter"@en . . "New Zealand"@en . . . . . "Baxter Mitchell"@en . . . . . "\u0623\u0644\u0643\u0633\u064A\u0633 \u0647\u0646\u062A\u0631 (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629: Alexis Hunter)\u200F \u0647\u064A \u0631\u0633\u0627\u0645\u0629 \u0648\u0645\u0635\u0648\u0631\u0629 \u0646\u064A\u0648\u0632\u064A\u0644\u0646\u062F\u064A\u0629\u060C \u0648\u0644\u062F\u062A \u0641\u064A 4 \u0646\u0648\u0641\u0645\u0628\u0631 1948 \u0641\u064A \u0623\u0648\u0643\u0644\u0627\u0646\u062F \u0641\u064A \u0646\u064A\u0648\u0632\u064A\u0644\u0646\u062F\u0627\u060C \u0648\u062A\u0648\u0641\u064A\u062A \u0641\u064A 24 \u0641\u0628\u0631\u0627\u064A\u0631 2014 \u0641\u064A \u0644\u0646\u062F\u0646 \u0641\u064A \u0627\u0644\u0645\u0645\u0644\u0643\u0629 \u0627\u0644\u0645\u062A\u062D\u062F\u0629 \u0628\u0633\u0628\u0628 \u062A\u0635\u0644\u0628 \u062C\u0627\u0646\u0628\u064A \u0636\u0645\u0648\u0631\u064A."@ar . . . . "1948-11-04"^^ . . . "4627328"^^ . . . "Alexis Hunter"@en . . . . "London, England"@en . . "Alexis Hunter (Auckland, Nova Zelanda, 1948 -Londres, Regne Unit, 2014) fou una artista novazelandesa. Hunter va tractar amb un punt de vista radical les normes socials de , objectivaci\u00F3 i seducci\u00F3. A Approach to Fear: Voyeurism (Aproximaci\u00F3 a la por: voyeurisme, 1973) Hunter primer indica que far\u00E0 un striptease, per\u00F2 despr\u00E9s frustra les expectatives del voyeur (home) aixecant-se la faldilla llarga que du fins a tapar-se el cap. Al final de la performance, nom\u00E9s les cames queden destapades, com si es tract\u00E9s d'una pe\u00E7a independent d'un cos, mentre que el tors queda tot tapat per la faldilla.Per a la seva s\u00E8rie Identity Crisis (Crisi d'identitat, 1974), Hunter va demanar a alguns amics que li fessin una foto; i mentre que n'hi havia que semblaven retrats publicitaris, una d'elles, la segona per l'esquerra, era un autoretrat obra de l'artista fet en un moment en el qual passava per una fase depressiva. La s\u00E8rie en el seu conjunt mostra la dist\u00E0ncia existent entre la percepci\u00F3 pr\u00F2pia i la percepci\u00F3 dels altres."@ca . "Alexis Hunter (Auckland, Nova Zelanda, 1948 -Londres, Regne Unit, 2014) fou una artista novazelandesa. Hunter va tractar amb un punt de vista radical les normes socials de , objectivaci\u00F3 i seducci\u00F3. A Approach to Fear: Voyeurism (Aproximaci\u00F3 a la por: voyeurisme, 1973) Hunter primer indica que far\u00E0 un striptease, per\u00F2 despr\u00E9s frustra les expectatives del voyeur (home) aixecant-se la faldilla llarga que du fins a tapar-se el cap. Al final de la performance, nom\u00E9s les cames queden destapades, com si es tract\u00E9s d'una pe\u00E7a independent d'un cos, mentre que el tors queda tot tapat per la faldilla.Per a la seva s\u00E8rie Identity Crisis (Crisi d'identitat, 1974), Hunter va demanar a alguns amics que li fessin una foto; i mentre que n'hi havia que semblaven retrats publicitaris, una d'elles, la segona"@ca . . . . . . . . . . . . . . . "\u0623\u0644\u0643\u0633\u064A\u0633 \u0647\u0646\u062A\u0631"@ar . . . "14321"^^ . . . . . . . . . "http://www.alexishunter.co.ukhttp://www.alexishunter-paintings.co.uk"@en . . . . . . . . . "Alexis Hunter"@ca . . . . "1121977588"^^ . . . . . . . . . . "Alexis Hunter"@en . . . . . . . . . . "Alexis Hunter"@en . . . .