. . "\u0415\u043E\u0301\u043B\u043E\u0432\u0430 \u0430\u0301\u0440\u0444\u0430 (\u043D\u0430\u0437\u0432\u0430\u043D\u0430 \u043D\u0430 \u0447\u0435\u0441\u0442\u044C \u0431\u043E\u0433\u0430 \u0432\u0456\u0442\u0440\u0443 \u0415\u043E\u043B\u0430) \u2014 \u0434\u0435\u0440\u0435\u0432'\u044F\u043D\u0430 \u0440\u0430\u043C\u043A\u0430 \u0437 \u043A\u0456\u043B\u044C\u043A\u043E\u043C\u0430 \u043D\u0430\u0442\u044F\u0433\u043D\u0435\u043D\u0438\u043C\u0438 \u043D\u0430 \u043D\u0456\u0439 \u0441\u0442\u0440\u0443\u043D\u0430\u043C\u0438 \u0437 \u0436\u0438\u043B, \u0449\u043E, \u043A\u043E\u043B\u0438\u0432\u0430\u044E\u0447\u0438\u0441\u044C \u0432\u0456\u0434 \u0432\u0456\u0442\u0440\u0443, \u0437\u0432\u0443\u0447\u0430\u0442\u044C \u043D\u0456\u0436\u043D\u0438\u043C \u0442\u0435\u043C\u0431\u0440\u043E\u043C; \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442, \u044F\u043A\u043E\u0433\u043E \u043F\u0435\u0440\u0435\u0431\u0438\u0440\u0430\u0454 \u0432\u0456\u0442\u0435\u0440. \u0410\u0440\u0444\u0430 \u0432\u0441\u0442\u0430\u043D\u043E\u0432\u043B\u044E\u0432\u0430\u043B\u0430\u0441\u044F, \u044F\u043A \u043F\u0440\u0430\u0432\u0438\u043B\u043E, \u043D\u0430 \u0434\u0430\u0445\u0430\u0445 \u0456 \u0432 \u0456\u043D\u0448\u0438\u0445 \u0434\u043E\u0441\u0442\u0443\u043F\u043D\u0438\u0445 \u0434\u043B\u044F \u0432\u0456\u0442\u0440\u0443 \u043C\u0456\u0441\u0446\u044F\u0445, \u0437\u0432\u0443\u0447\u0430\u043B\u0430 \u043C\u0456\u0441\u0442\u0438\u0447\u043D\u043E-\u043F\u043E\u0442\u043E\u0439\u0431\u0456\u0447\u043D\u043E \u0456 \u0434\u0443\u0436\u0435 \u0431\u0443\u043B\u0430 \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u0430 \u0443 \u0440\u043E\u043C\u0430\u043D\u0442\u0438\u043A\u0456\u0432 19 \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F."@uk . . . . . . . . . . . "\u30A8\u30AA\u30EA\u30A2\u30F3\u30FB\u30CF\u30FC\u30D7\uFF08Aeolian Harp\uFF09\u306F\u5F26\u697D\u5668\u306E\u4E00\u7A2E\u3002\u30A6\u30A4\u30F3\u30C9\u30FB\u30CF\u30FC\u30D7\uFF08Wind Harp\uFF09\u3068\u3082\u3002\u81EA\u7136\u306B\u5439\u304F\u98A8\u306B\u3088\u308A\u97F3\u3092\u9CF4\u3089\u3059\u3002\u30AE\u30EA\u30B7\u30E3\u795E\u8A71\u306E\u98A8\u795E\u30A2\u30A4\u30AA\u30ED\u30B9\u306B\u7531\u6765\u3059\u308B\u3002 \u30D5\u30EC\u30C7\u30EA\u30C3\u30AF\u30FB\u30B7\u30E7\u30D1\u30F3\u306E\u300C\u7DF4\u7FD2\u66F2 \u5909\u30A4\u9577\u8ABF \u4F5C\u54C125-1\u300D\u3092\u8074\u3044\u305F\u30ED\u30D9\u30EB\u30C8\u30FB\u30B7\u30E5\u30FC\u30DE\u30F3\u304C\u300C\u307E\u308B\u3067\u30A8\u30AA\u30EA\u30A2\u30F3\u30CF\u30FC\u30D7\u3092\u805E\u3044\u3066\u3044\u308B\u3088\u3046\u3060\u300D\u3068\u8A00\u3063\u305F\u3068\u3044\u308F\u308C\u3066\u3044\u308B\u3053\u3068\u304B\u3089\u3001\u3053\u306E\u66F2\u306E\u611B\u79F0\u3068\u3057\u3066\u3082\u77E5\u3089\u308C\u308B\u3002"@ja . . "A harpa e\u00F3lica ou harpa de vento \u00E9 um instrumento de cordas, mais precisamente um cordofone soprado. Embora seja considerada como um instrumento musical, a harpa e\u00F3lica n\u00E3o \u00E9 \u201Ctocada\u201D no sentido tradicional da palavra. Ela \u00E9 geralmente colocada num s\u00EDtio exposto ao vento, \u201Ctocando sozinha\u201D. A harpa e\u00F3lica \u00E9 constitu\u00EDda por um conjunto de cordas, cada uma delas de diferente espessura, montadas numa arma\u00E7\u00E3o que funciona como . O instrumento \u00E9 colocado numa janela (ou noutra abertura) de modo a que o vento seja direcionado para as cordas. O fluxo de ar ativa as cordas, fazendo-as vibrar, e como cada corda produz um nota diferente, v\u00E3o-se formando acordes aleatoriamente. Por causa do seu som m\u00EDstico, as harpas e\u00F3licas estiveram em voga no per\u00EDodo do Romantismo. Foram depois gradualmente caindo em desuso, passando a ser utilizado apenas como uma esp\u00E9cie de amuleto ou para fins decorativos, como mobile. O instrumento n\u00E3o foi inserido no tratado de Hornbostel-Sachs, em 1914."@pt . "1122863013"^^ . . "Die \u00C4olsharfe oder Aeolsharfe (auch Geister-, Wind- oder Wetterharfe genannt) ist ein Saiteninstrument, dessen Saiten durch Einwirkung eines Luftstroms zur Resonanz und somit zum Klingen gebracht werden. Ihr Name leitet sich von Aiolos, lateinisch Aeolus, dem Beherrscher der Winde in der griechischen Mythologie, her. Nach ihrer Bauart geh\u00F6rt die \u00C4ols- oder Windharfe zur Familie der Zitherinstrumente, nicht zu den Harfen. Die \u00C4olsharfe wird h\u00E4ufig als Sinnbild f\u00FCr den Poeten gesehen. Dieser Zusammenhang beruht auf dem Begriff des Afflatus."@de . . . . "\u042D\u043E\u0301\u043B\u043E\u0432\u0430 \u0430\u0440\u0444\u0430 (\u0438\u0442\u0430\u043B. arpa eolica, arpa d'Eolo; \u043D\u0435\u043C. \u00C4olsharfe; \u0430\u043D\u0433\u043B. aeolian harp), \u0442\u0430\u043A\u0436\u0435 \u0432\u043E\u0437\u0434\u0443\u0301\u0448\u043D\u0430\u044F \u0430\u0301\u0440\u0444\u0430 (\u043D\u0435\u043C. Windharfe, Geisterharfe, \u0431\u0443\u043A\u0432. \u00AB\u0430\u0440\u0444\u0430 \u0434\u0443\u0301\u0445\u043E\u0432\u00BB; \u0430\u043D\u0433\u043B. windharp) \u2014 \u0441\u0442\u0440\u0443\u043D\u043D\u044B\u0439 \u044D\u043E\u043B\u043E\u0444\u043E\u043D, \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442 \u0442\u0438\u043F\u0430 \u0446\u0438\u0442\u0440\u044B, \u0437\u0432\u0443\u0447\u0430\u0449\u0438\u0439 \u0431\u043B\u0430\u0433\u043E\u0434\u0430\u0440\u044F \u043A\u043E\u043B\u0435\u0431\u043B\u044E\u0449\u0435\u043C\u0443 \u0441\u0442\u0440\u0443\u043D\u044B \u0432\u0435\u0442\u0440\u0443. \u041D\u0430\u0437\u0432\u0430\u043D\u0430 \u0432 \u0447\u0435\u0441\u0442\u044C \u042D\u043E\u043B\u0430, \u043C\u0438\u0444\u0438\u0447\u0435\u0441\u043A\u043E\u0433\u043E \u043F\u043E\u0432\u0435\u043B\u0438\u0442\u0435\u043B\u044F \u0432\u0435\u0442\u0440\u043E\u0432."@ru . . . "Harpa e\u00F3lica"@pt . . . "\u00C4olsharfe"@de . . . "Eolsharpa, eller vindharpa, \u00E4r ett str\u00E4nginstrument d\u00E4r vinden s\u00E4tter str\u00E4ngarna i r\u00F6relse. Den best\u00E5r av en rektangul\u00E4r resonansl\u00E5da av tr\u00E4 \u00F6ver vilken vanligen sexton likst\u00E4mda str\u00E4ngar av olika tjocklek \u00E4r sp\u00E4nda. N\u00E4r instrumentet st\u00E4lls i ett \u00F6ppet f\u00F6nster l\u00E5ter str\u00E4ngarna genom vindens inverkan h\u00F6ra b\u00E5de sin grundton och sina alikvoter i brutna ackord av en ofta f\u00F6rtrollande klang. Eol \u00E4r \u00E4ldre svensk namnform f\u00F6r vindguden Aiolos i grekisk mytologi."@sv . . . . . "Cl\u00E1irseach aeolach"@ga . . . . . . . "\u98CE\u5F26\u7434\u6D41\u884C\u4E8E18\u4E16\u7EAA\u6B27\u6D32\uFF0C\u5728\u6728\u5236\u5171\u9E23\u7BB1\u4E0A\u5B89\u88C5\u51E0\u6761\u7434\u5F26\uFF0C\u98CE\u5439\u7434\u5F26\uFF0C\u81EA\u52A8\u53D1\u51FA\u4E50\u58F0\u3002 \u82F1\u56FD\u7269\u7406\u5B66\u5BB6\u7EA6\u7FF0\u00B7\u5A01\u5EC9\u65AF\u7279\u62C9\u65AF\u00B7\u745E\u5229\u52CB\u7235\u57281915\u5E74\u53D1\u8868\u4E00\u7BC7\u8BBA\u6587\uFF0C\u7528\u5361\u95E8\u6DA1\u8857\u7684\u4EA4\u66FF\u65CB\u6DA1\u89E3\u91CA\u98CE\u5F26\u7434\u53D1\u58F0\u7684\u539F\u7406\u3002\u98CE\u5439\u7434\u5F26\uFF0C\u4EA7\u751F\u5361\u95E8\u6DA1\u8857\uFF0C\u5361\u95E8\u6DA1\u8857\u9891\u7387\u548C\u7434\u5F26\u7684\u56FA\u6709\u9891\u7387\u53D1\u751F\u5171\u632F\u800C\u53D1\u58F0\u3002\u4E2D\u56FD\u53E4\u4EE3\u5728\u98CE\u7B5D\u4E0A\u5B89\u88C5\u7AF9\u7247\uFF0C\u98CE\u5439\u53D1\u58F0\u5982\u7B5D\uFF0C\u4E5F\u662F\u5361\u95E8\u6DA1\u8857\u9020\u6210\u7684\u3002"@zh . . . . . . "Eolsharpa, eller vindharpa, \u00E4r ett str\u00E4nginstrument d\u00E4r vinden s\u00E4tter str\u00E4ngarna i r\u00F6relse. Den best\u00E5r av en rektangul\u00E4r resonansl\u00E5da av tr\u00E4 \u00F6ver vilken vanligen sexton likst\u00E4mda str\u00E4ngar av olika tjocklek \u00E4r sp\u00E4nda. N\u00E4r instrumentet st\u00E4lls i ett \u00F6ppet f\u00F6nster l\u00E5ter str\u00E4ngarna genom vindens inverkan h\u00F6ra b\u00E5de sin grundton och sina alikvoter i brutna ackord av en ofta f\u00F6rtrollande klang. Eol \u00E4r \u00E4ldre svensk namnform f\u00F6r vindguden Aiolos i grekisk mytologi."@sv . . "\u30A8\u30AA\u30EA\u30A2\u30F3\u30FB\u30CF\u30FC\u30D7"@ja . . . . "\u98CE\u5F26\u7434\u6D41\u884C\u4E8E18\u4E16\u7EAA\u6B27\u6D32\uFF0C\u5728\u6728\u5236\u5171\u9E23\u7BB1\u4E0A\u5B89\u88C5\u51E0\u6761\u7434\u5F26\uFF0C\u98CE\u5439\u7434\u5F26\uFF0C\u81EA\u52A8\u53D1\u51FA\u4E50\u58F0\u3002 \u82F1\u56FD\u7269\u7406\u5B66\u5BB6\u7EA6\u7FF0\u00B7\u5A01\u5EC9\u65AF\u7279\u62C9\u65AF\u00B7\u745E\u5229\u52CB\u7235\u57281915\u5E74\u53D1\u8868\u4E00\u7BC7\u8BBA\u6587\uFF0C\u7528\u5361\u95E8\u6DA1\u8857\u7684\u4EA4\u66FF\u65CB\u6DA1\u89E3\u91CA\u98CE\u5F26\u7434\u53D1\u58F0\u7684\u539F\u7406\u3002\u98CE\u5439\u7434\u5F26\uFF0C\u4EA7\u751F\u5361\u95E8\u6DA1\u8857\uFF0C\u5361\u95E8\u6DA1\u8857\u9891\u7387\u548C\u7434\u5F26\u7684\u56FA\u6709\u9891\u7387\u53D1\u751F\u5171\u632F\u800C\u53D1\u58F0\u3002\u4E2D\u56FD\u53E4\u4EE3\u5728\u98CE\u7B5D\u4E0A\u5B89\u88C5\u7AF9\u7247\uFF0C\u98CE\u5439\u53D1\u58F0\u5982\u7B5D\uFF0C\u4E5F\u662F\u5361\u95E8\u6DA1\u8857\u9020\u6210\u7684\u3002"@zh . . . . "Harfa eolska lub Harfa Eola \u2013 instrument muzyczny sk\u0142adaj\u0105cy si\u0119 z prostok\u0105tnego pud\u0142a rezonansowego, ustawianego na wolnym powietrzu g\u0142\u00F3wnie w ogrodach lub parkach. Sk\u0142ada\u0142 si\u0119 z pionowo rozpi\u0119tych na nim jelitowych strunach, pobudzanych przez wiatr do wydawania delikatnych d\u017Awi\u0119k\u00F3w. Znana od czas\u00F3w staro\u017Cytnych. Jej nazwa nawi\u0105zuje do Eola, boga wiatr\u00F3w w mitologii greckiej. Instrument cieszy\u0142 si\u0119 szczeg\u00F3ln\u0105 popularno\u015Bci\u0105 w okresie romantyzmu."@pl . "An Aeolian harp (also wind harp) is a musical instrument that is played by the wind. Named for Aeolus, the ancient Greek god of the wind, the traditional Aeolian harp is essentially a wooden box including a sounding board, with strings stretched lengthwise across two bridges. It is often placed in a slightly opened window where the wind can blow across the strings to produce sounds. The strings can be made of different materials (or thicknesses) and all be tuned to the same pitch, or identical strings can be tuned to different pitches. Besides being the only string instrument played solely by the wind, the Aeolian harp is also the only string instrument that plays solely harmonic frequencies. They are recognizable by the sound which is a result of this property, which has been described as"@en . "La ventoharpo a\u016D eolharpo estas muzikinstrumento (harpo), sonigita per vento. La dua nomformo venas de Eolo, la greka ventodio. \u011Ci estas \u015Datata \"meblo\" de la romantiko, oni multe pretigis el \u011Di kaj lokigis \u011Din en subtegumentojn kaj aliaj traventumaj lokoj. La ventoharpo mem estas lignoskatolo kun \u015Dtre\u0109itaj kordoj, kiuj estis divers-dikaj kaj divers-materialaj. Oni e\u0109 agordis la ventoharpon."@eo . . . . . . . . . . . . . . . . . . "Harfa eolska"@pl . . . . "Een aeolusharp of windharp is een muziekinstrument dat door de wind bespeeld wordt. Het instrument is vernoemd naar Aeolus, de Griekse god van de winden. Traditionele aeolusharpen waren in feite niet meer dan een houten kist met over twee kammen gespannen snaren. De wind die er langs blaast veroorzaakt een trilling van de snaren waardoor deze geluid gaan produceren. Tegenwoordig bestaan er veel, al dan niet kunstzinnige varianten van de aeolusharp. De aeolusharp was al in de oudheid bekend en was vooral in de romantiek een erg populair onderwerp."@nl . . . "La harpe \u00E9olienne est un instrument de musique \u00AB jou\u00E9 \u00BB par le vent. Son nom fait r\u00E9f\u00E9rence \u00E0 \u00C9ole, le dieu grec du vent."@fr . . . . "Harfa eolska lub Harfa Eola \u2013 instrument muzyczny sk\u0142adaj\u0105cy si\u0119 z prostok\u0105tnego pud\u0142a rezonansowego, ustawianego na wolnym powietrzu g\u0142\u00F3wnie w ogrodach lub parkach. Sk\u0142ada\u0142 si\u0119 z pionowo rozpi\u0119tych na nim jelitowych strunach, pobudzanych przez wiatr do wydawania delikatnych d\u017Awi\u0119k\u00F3w. Znana od czas\u00F3w staro\u017Cytnych. Jej nazwa nawi\u0105zuje do Eola, boga wiatr\u00F3w w mitologii greckiej. Instrument cieszy\u0142 si\u0119 szczeg\u00F3ln\u0105 popularno\u015Bci\u0105 w okresie romantyzmu."@pl . . . . . . "A harpa e\u00F3lica ou harpa de vento \u00E9 um instrumento de cordas, mais precisamente um cordofone soprado. Embora seja considerada como um instrumento musical, a harpa e\u00F3lica n\u00E3o \u00E9 \u201Ctocada\u201D no sentido tradicional da palavra. Ela \u00E9 geralmente colocada num s\u00EDtio exposto ao vento, \u201Ctocando sozinha\u201D. Por causa do seu som m\u00EDstico, as harpas e\u00F3licas estiveram em voga no per\u00EDodo do Romantismo. Foram depois gradualmente caindo em desuso, passando a ser utilizado apenas como uma esp\u00E9cie de amuleto ou para fins decorativos, como mobile. O instrumento n\u00E3o foi inserido no tratado de Hornbostel-Sachs, em 1914."@pt . "An Aeolian harp (also wind harp) is a musical instrument that is played by the wind. Named for Aeolus, the ancient Greek god of the wind, the traditional Aeolian harp is essentially a wooden box including a sounding board, with strings stretched lengthwise across two bridges. It is often placed in a slightly opened window where the wind can blow across the strings to produce sounds. The strings can be made of different materials (or thicknesses) and all be tuned to the same pitch, or identical strings can be tuned to different pitches. Besides being the only string instrument played solely by the wind, the Aeolian harp is also the only string instrument that plays solely harmonic frequencies. They are recognizable by the sound which is a result of this property, which has been described as eerie and ethereal. The Aeolian harp \u2013 already known in the ancient world \u2013 was first described by Athanasius Kircher (1602\u20131680) in his books Musurgia Universalis (1650) and Phonurgia Nova (1673). It became popular as a household instrument during the Romantic era, and Aeolian harps are still hand-crafted today. Some are now made in the form of monumental metal sound sculptures located on the roofs of buildings and windy hilltops. The quality of sound depends on many factors, including the lengths, gauges, and types of strings, the character of the wind, and the material of the resonating body. Metal-framed instruments with no sound board produce a music very different from that produced by wind harps with wooden sound boxes and sound boards. There is no percussive aspect to the sound like that produced by a wind chime; rather crescendos and decrescendos of harmonic frequencies are played in rhythm to the winds. As Aeolian harps are played without human intervention, the sounds they produce are an example of aleatoric music. Aside from varying in material, Aeolian harps come in many different shapes. Some resemble standard harps, others box zithers, others lyres, and, in one monument, a fiddle. More modern Aeolian harps can more closely resemble lawn ornaments than any traditional string instrument. The unifying characteristic between all Aeolian harps, regardless of appearance, is their source of sound, the strings, and the fact they are played by the wind. This distinguishes Aeolian harps from other instruments played by the wind, such as wind chimes."@en . . . . . "\u30A8\u30AA\u30EA\u30A2\u30F3\u30FB\u30CF\u30FC\u30D7\uFF08Aeolian Harp\uFF09\u306F\u5F26\u697D\u5668\u306E\u4E00\u7A2E\u3002\u30A6\u30A4\u30F3\u30C9\u30FB\u30CF\u30FC\u30D7\uFF08Wind Harp\uFF09\u3068\u3082\u3002\u81EA\u7136\u306B\u5439\u304F\u98A8\u306B\u3088\u308A\u97F3\u3092\u9CF4\u3089\u3059\u3002\u30AE\u30EA\u30B7\u30E3\u795E\u8A71\u306E\u98A8\u795E\u30A2\u30A4\u30AA\u30ED\u30B9\u306B\u7531\u6765\u3059\u308B\u3002 \u30D5\u30EC\u30C7\u30EA\u30C3\u30AF\u30FB\u30B7\u30E7\u30D1\u30F3\u306E\u300C\u7DF4\u7FD2\u66F2 \u5909\u30A4\u9577\u8ABF \u4F5C\u54C125-1\u300D\u3092\u8074\u3044\u305F\u30ED\u30D9\u30EB\u30C8\u30FB\u30B7\u30E5\u30FC\u30DE\u30F3\u304C\u300C\u307E\u308B\u3067\u30A8\u30AA\u30EA\u30A2\u30F3\u30CF\u30FC\u30D7\u3092\u805E\u3044\u3066\u3044\u308B\u3088\u3046\u3060\u300D\u3068\u8A00\u3063\u305F\u3068\u3044\u308F\u308C\u3066\u3044\u308B\u3053\u3068\u304B\u3089\u3001\u3053\u306E\u66F2\u306E\u611B\u79F0\u3068\u3057\u3066\u3082\u77E5\u3089\u308C\u308B\u3002"@ja . "\u98CE\u5F26\u7434"@zh . "\u0415\u043E\u0301\u043B\u043E\u0432\u0430 \u0430\u0301\u0440\u0444\u0430 (\u043D\u0430\u0437\u0432\u0430\u043D\u0430 \u043D\u0430 \u0447\u0435\u0441\u0442\u044C \u0431\u043E\u0433\u0430 \u0432\u0456\u0442\u0440\u0443 \u0415\u043E\u043B\u0430) \u2014 \u0434\u0435\u0440\u0435\u0432'\u044F\u043D\u0430 \u0440\u0430\u043C\u043A\u0430 \u0437 \u043A\u0456\u043B\u044C\u043A\u043E\u043C\u0430 \u043D\u0430\u0442\u044F\u0433\u043D\u0435\u043D\u0438\u043C\u0438 \u043D\u0430 \u043D\u0456\u0439 \u0441\u0442\u0440\u0443\u043D\u0430\u043C\u0438 \u0437 \u0436\u0438\u043B, \u0449\u043E, \u043A\u043E\u043B\u0438\u0432\u0430\u044E\u0447\u0438\u0441\u044C \u0432\u0456\u0434 \u0432\u0456\u0442\u0440\u0443, \u0437\u0432\u0443\u0447\u0430\u0442\u044C \u043D\u0456\u0436\u043D\u0438\u043C \u0442\u0435\u043C\u0431\u0440\u043E\u043C; \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442, \u044F\u043A\u043E\u0433\u043E \u043F\u0435\u0440\u0435\u0431\u0438\u0440\u0430\u0454 \u0432\u0456\u0442\u0435\u0440. \u0410\u0440\u0444\u0430 \u0432\u0441\u0442\u0430\u043D\u043E\u0432\u043B\u044E\u0432\u0430\u043B\u0430\u0441\u044F, \u044F\u043A \u043F\u0440\u0430\u0432\u0438\u043B\u043E, \u043D\u0430 \u0434\u0430\u0445\u0430\u0445 \u0456 \u0432 \u0456\u043D\u0448\u0438\u0445 \u0434\u043E\u0441\u0442\u0443\u043F\u043D\u0438\u0445 \u0434\u043B\u044F \u0432\u0456\u0442\u0440\u0443 \u043C\u0456\u0441\u0446\u044F\u0445, \u0437\u0432\u0443\u0447\u0430\u043B\u0430 \u043C\u0456\u0441\u0442\u0438\u0447\u043D\u043E-\u043F\u043E\u0442\u043E\u0439\u0431\u0456\u0447\u043D\u043E \u0456 \u0434\u0443\u0436\u0435 \u0431\u0443\u043B\u0430 \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u0430 \u0443 \u0440\u043E\u043C\u0430\u043D\u0442\u0438\u043A\u0456\u0432 19 \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F."@uk . "Harpe \u00E9olienne"@fr . "20226"^^ . "\u0415\u043E\u043B\u043E\u0432\u0430 \u0430\u0440\u0444\u0430"@uk . . . . . "Aeolusharp"@nl . . "\u042D\u043E\u0301\u043B\u043E\u0432\u0430 \u0430\u0440\u0444\u0430 (\u0438\u0442\u0430\u043B. arpa eolica, arpa d'Eolo; \u043D\u0435\u043C. \u00C4olsharfe; \u0430\u043D\u0433\u043B. aeolian harp), \u0442\u0430\u043A\u0436\u0435 \u0432\u043E\u0437\u0434\u0443\u0301\u0448\u043D\u0430\u044F \u0430\u0301\u0440\u0444\u0430 (\u043D\u0435\u043C. Windharfe, Geisterharfe, \u0431\u0443\u043A\u0432. \u00AB\u0430\u0440\u0444\u0430 \u0434\u0443\u0301\u0445\u043E\u0432\u00BB; \u0430\u043D\u0433\u043B. windharp) \u2014 \u0441\u0442\u0440\u0443\u043D\u043D\u044B\u0439 \u044D\u043E\u043B\u043E\u0444\u043E\u043D, \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442 \u0442\u0438\u043F\u0430 \u0446\u0438\u0442\u0440\u044B, \u0437\u0432\u0443\u0447\u0430\u0449\u0438\u0439 \u0431\u043B\u0430\u0433\u043E\u0434\u0430\u0440\u044F \u043A\u043E\u043B\u0435\u0431\u043B\u044E\u0449\u0435\u043C\u0443 \u0441\u0442\u0440\u0443\u043D\u044B \u0432\u0435\u0442\u0440\u0443. \u041D\u0430\u0437\u0432\u0430\u043D\u0430 \u0432 \u0447\u0435\u0441\u0442\u044C \u042D\u043E\u043B\u0430, \u043C\u0438\u0444\u0438\u0447\u0435\u0441\u043A\u043E\u0433\u043E \u043F\u043E\u0432\u0435\u043B\u0438\u0442\u0435\u043B\u044F \u0432\u0435\u0442\u0440\u043E\u0432."@ru . . . "232235"^^ . . "La ventoharpo a\u016D eolharpo estas muzikinstrumento (harpo), sonigita per vento. La dua nomformo venas de Eolo, la greka ventodio. \u011Ci estas \u015Datata \"meblo\" de la romantiko, oni multe pretigis el \u011Di kaj lokigis \u011Din en subtegumentojn kaj aliaj traventumaj lokoj. La ventoharpo mem estas lignoskatolo kun \u015Dtre\u0109itaj kordoj, kiuj estis divers-dikaj kaj divers-materialaj. Oni e\u0109 agordis la ventoharpon."@eo . . . "Een aeolusharp of windharp is een muziekinstrument dat door de wind bespeeld wordt. Het instrument is vernoemd naar Aeolus, de Griekse god van de winden. Traditionele aeolusharpen waren in feite niet meer dan een houten kist met over twee kammen gespannen snaren. De wind die er langs blaast veroorzaakt een trilling van de snaren waardoor deze geluid gaan produceren. Tegenwoordig bestaan er veel, al dan niet kunstzinnige varianten van de aeolusharp. De aeolusharp was al in de oudheid bekend en was vooral in de romantiek een erg populair onderwerp."@nl . . . "Fuaimbhosca, de ghn\u00E1th, 12 shreang ceangailte leis, iad ar thi\u00FAis \u00E9ags\u00FAla ach go l\u00E9ir ti\u00FAnta don airde ch\u00E9anna (an tonnfhad c\u00E9anna). Cuireann an t-aer m\u00F3rthimpeall orthu na sreanga ag crith, ag cruth\u00FA fuaime neamhshaolta d\u00EDchollaithe."@ga . . "La harpe \u00E9olienne est un instrument de musique \u00AB jou\u00E9 \u00BB par le vent. Son nom fait r\u00E9f\u00E9rence \u00E0 \u00C9ole, le dieu grec du vent."@fr . . . . "Arpa e\u00F3lica"@es . . . . . "\u042D\u043E\u043B\u043E\u0432\u0430 \u0430\u0440\u0444\u0430"@ru . "Ventoharpo"@eo . . . . "Die \u00C4olsharfe oder Aeolsharfe (auch Geister-, Wind- oder Wetterharfe genannt) ist ein Saiteninstrument, dessen Saiten durch Einwirkung eines Luftstroms zur Resonanz und somit zum Klingen gebracht werden. Ihr Name leitet sich von Aiolos, lateinisch Aeolus, dem Beherrscher der Winde in der griechischen Mythologie, her. Nach ihrer Bauart geh\u00F6rt die \u00C4ols- oder Windharfe zur Familie der Zitherinstrumente, nicht zu den Harfen. Die \u00C4olsharfe wird h\u00E4ufig als Sinnbild f\u00FCr den Poeten gesehen. Dieser Zusammenhang beruht auf dem Begriff des Afflatus."@de . . . . . "Fuaimbhosca, de ghn\u00E1th, 12 shreang ceangailte leis, iad ar thi\u00FAis \u00E9ags\u00FAla ach go l\u00E9ir ti\u00FAnta don airde ch\u00E9anna (an tonnfhad c\u00E9anna). Cuireann an t-aer m\u00F3rthimpeall orthu na sreanga ag crith, ag cruth\u00FA fuaime neamhshaolta d\u00EDchollaithe."@ga . . . . . . "Eolsharpa"@sv . . . . . . . "Un arpa e\u00F3lica, arpa eolia (o arpa de viento) es un instrumento musical que es \"tocado\" por el viento. Se llama as\u00ED por Eolo, el dios griego del viento."@es . "Un arpa e\u00F3lica, arpa eolia (o arpa de viento) es un instrumento musical que es \"tocado\" por el viento. Se llama as\u00ED por Eolo, el dios griego del viento."@es . . . . "Aeolian harp"@en . . . . . . . . . . . . . . . .