. "1993"^^ . . "Adrien Francis Morot"@en . . . "Adrien Francis Morot (born 1970 in Montreal) is a Canadian makeup artist. He was nominated for an Academy Award in the category Best Makeup and Hairstyling for the film Barney's Version, and has won the Genie Award for Best Makeup twice for his work on Barney's Version and Cruising Bar 2."@en . . . . . . . . "Adrien Morot, n\u00E9 \u00E0 Montr\u00E9al, est un artiste de maquillage canadien. Il a \u00E9t\u00E9 nomin\u00E9 pour un Academy Award dans la cat\u00E9gorie Meilleur maquillage et coiffure pour le film de Le Monde de Barney."@fr . "Adrien Morot"@de . "2002"^^ . "Adrien Francis Morot"@en . "Adrien Morot"@en . . . . "Adrien Francis Morot (born 1970 in Montreal) is a Canadian makeup artist. He was nominated for an Academy Award in the category Best Makeup and Hairstyling for the film Barney's Version, and has won the Genie Award for Best Makeup twice for his work on Barney's Version and Cruising Bar 2."@en . . . . . . . . . "1075671484"^^ . ""@en . . . "Adrien Morot (* 1970 in Montreal) ist ein kanadischer Maskenbildner, der bei \u00FCber 110 Filmen mitwirkte."@de . . "Adrien Morot"@pt . . . "53920641"^^ . . . . . . . . . . . . "Adrien Morot, n\u00E9 \u00E0 Montr\u00E9al, est un artiste de maquillage canadien. Il a \u00E9t\u00E9 nomin\u00E9 pour un Academy Award dans la cat\u00E9gorie Meilleur maquillage et coiffure pour le film de Le Monde de Barney."@fr . . "3559"^^ . . . . "Adrien Morot"@en . . "Adrien Morot \u00E9 um maquiador canadense. Como reconhecimento, foi nomeado ao Oscar 2011 na categoria de Melhor Maquiagem por Barney's Version."@pt . . "Adrien Morot \u00E9 um maquiador canadense. Como reconhecimento, foi nomeado ao Oscar 2011 na categoria de Melhor Maquiagem por Barney's Version."@pt . . "Montreal, Quebec, Canada"@en . . . . "Sylvania Yau"@en . "Adrien Morot"@en . . . . . . . . "Adrien Morot (* 1970 in Montreal) ist ein kanadischer Maskenbildner, der bei \u00FCber 110 Filmen mitwirkte."@de . "1970"^^ . . "1993"^^ . . . . . . . . "Adrien Morot"@fr . . . .