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Statements

Subject Item
dbr:Sudip_Roy
rdf:type
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rdfs:label
Sudip Roy
rdfs:comment
Sudip Roy (Bengali: সুদীপ রায়) is an Indian artist, pursuing arts in the Government College of Art & Craft, Kolkata. Works of Sudip Roy includes pencil sketches and water colours, charcoals and a heady series of landscape done in limped line drawing. Roy over the years mastered the art of water colour and moved from landscapes to studies of architectural facades and association of people in historic temples and monuments. He moved to the capital city of Delhi in the mid-1990s.
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Sudip Roy
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dbp:name
Sudip Roy
foaf:depiction
n14:Sudip_Roy_at_his_studio.jpg
dbo:birthPlace
dbr:Baharampur
dbp:birthPlace
Baharampur, West Bengal
dcterms:subject
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dbp:training
dbr:Government_College_of_Art_&_Craft
dbp:works
Charulata, Benaras, Krishna, Time series, Durga, Sadhu, Monkey
dbp:wikiPageUsesTemplate
dbt:Authority_control dbt:Use_Indian_English dbt:BLP_unsourced_section dbt:Infobox_artist dbt:Use_dmy_dates dbt:Advert
dbo:thumbnail
n14:Sudip_Roy_at_his_studio.jpg?width=300
dbp:awards
The 'Lorenzo il Magnifico' Award
dbp:birthDate
October 1960
dbp:caption
Roy in his studio
dbp:field
dbr:Visual_arts
dbp:nationality
Indian
dbo:abstract
Sudip Roy (Bengali: সুদীপ রায়) is an Indian artist, pursuing arts in the Government College of Art & Craft, Kolkata. Works of Sudip Roy includes pencil sketches and water colours, charcoals and a heady series of landscape done in limped line drawing. Roy over the years mastered the art of water colour and moved from landscapes to studies of architectural facades and association of people in historic temples and monuments. He moved to the capital city of Delhi in the mid-1990s. His subjects remained architectural and figurative for the most part of his life until he shifted to moody momentousness. He started doing large abstracted works which reflected the times of the day. Voluminous sweeps of colour, drawing concurrently on still perceptions, with a light hand and the melodious design of colour's vapid vacuous tonality, these works are, as if, Sudip's encounter with the history of realism, abandoning and reconciling into the magic of Abstract Expressionism. His work of art overlaps maximal instincts as well as expressionist paintings. He discards an insistent flatness in favour of three-dimensionality, turning from the canvas to a series of densely coloured fragments delineated by strong contours.
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