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Statements

Subject Item
dbr:Pisupo_Lua_Afe_(Corned_Beef_2000)
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Pisupo Lua Afe (Corned Beef 2000)
rdfs:comment
Pisupo Lua Afe (Corned Beef 2000) is a pop art sculpture created by the New Zealand artist Michel Tuffery in 1994. It is the first in a series of tin animals, made from the packaging of foods common in Samoa. Addressing his Samoan heritage, neocolonialism and the distress of indigenous peoples in the Pacific, it is one of his most celebrated works.
foaf:name
Pisupo Lua Afe
foaf:depiction
n11:Description_for_the_artwork_Pisupo_lua_afe_(Corned_beef_2000)_by_Michel_Tuffery.jpg n11:Michel_Tuffrey's_bullfight,_Te_Ngākau_Civic_Square,_Wellington_1996.png n11:Michel_Tuffrey_and_two_of_his_bulls.png n11:Pisupo_lua_afe_(Corned_beef_2000).jpg
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n11:Pisupo_lua_afe_(Corned_beef_2000).jpg?width=300
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English
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Corned Beef 2000
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650
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dbr:Michel_Tuffery
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dbr:Wellington
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Pisupo lua afe .jpg
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dbr:Steel_and_tin_cans dbr:Rivet
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mm
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dbp:title
Pisupo Lua Afe
dbp:type
dbr:Sculpture
dbp:year
1994
dbo:abstract
Pisupo Lua Afe (Corned Beef 2000) is a pop art sculpture created by the New Zealand artist Michel Tuffery in 1994. It is the first in a series of tin animals, made from the packaging of foods common in Samoa. Addressing his Samoan heritage, neocolonialism and the distress of indigenous peoples in the Pacific, it is one of his most celebrated works. "Does foreign intervention encourage cultural and economic independence - or dependence?" was the question posed by Tuffery when the sculpture was unveiled at the exhibition Bottled Ocean, curated by Jim Vivieaere, at City Gallery Wellington in 1994. A pop art sculpture unique to the predominately Western art movement, Pisupo Lua Afe consists of a bull made of hundreds of tinned corned beef cans held together by rivets. The artwork addresses the plight of traditional Samoan cuisine and health due to the introduction of pisupo- unhealthy, commercial tinned food- by Europeans. Now a major part of Samoan culture, foreign-produced pisupo such as corned beef has become ubiquitous across their communities both in Samoa and across the diaspora, with gifting of these items customary at weddings and birthdays. This unhealthy dependence on predominately New Zealand, Australian and American companies is inherently neocolonial in nature, showing how much lobbying power New Zealand still has in Samoa almost 60 years since independence. Tuffery wanted to show Samoans as being nonetheless full of courage, despite the influence wielded by white-owned foreign food manufactures. The bull is both representative of the animal corned beef comes from (and the environmental impact it has in Samoa, an especially climate crisis-vulnerable country), and the strength of the Samoan people to overcome colonialism. The work is on display at Te Papa Tongarewa, New Zealand's national museum and the 17th-most visited art museum in the world.
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