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Statements

Subject Item
dbr:Francesco_St_Jerome
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yago:Wikicat1590sPaintings yago:Creation103129123 yago:Artifact100021939 yago:GraphicArt103453809 yago:Object100002684 yago:Painting103876519 yago:Art102743547 yago:PhysicalEntity100001930 yago:Whole100003553 dbo:Artwork
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Francesco St Jerome
rdfs:comment
The Francesco St Jerome is an oil painting on copper attributed to the circle of the Italian Renaissance artist Palma the Younger, dating from c. 1595. The painting was believed to possibly be the lost original work by Palma when it was rediscovered in January 2008 and became known to the public upon its featuring in a number of newspapers in the United Kingdom and around the world.
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dbc:Skulls_in_art dbc:Paintings_of_Jerome dbc:Books_in_art dbc:Paintings_of_crucifixes dbc:Lions_in_art dbc:1590s_paintings
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16190811
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dbp:date
November 2022
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yes
dbo:abstract
The Francesco St Jerome is an oil painting on copper attributed to the circle of the Italian Renaissance artist Palma the Younger, dating from c. 1595. The painting was believed to possibly be the lost original work by Palma when it was rediscovered in January 2008 and became known to the public upon its featuring in a number of newspapers in the United Kingdom and around the world. Named after Palma's patron, Francesco Maria II della Rovere, Duke of Urbino. The Duke is believed to have commissioned the original composition and the Francesco St Jerome is the finest surviving example of the now believed lost masterpiece. After its discovery, the painting was loaned for two years to The Courtauld Gallery as a teaching aid to students. Offering for academic study a rare surviving example of copper painting from the period, This included extensive research and restoration in an attempt to ascertain its authorship. The painting dates from the height of Palma's fame and artistic ability and was most likely created by one of his students or a pupil in the workshop of Hendrik Goltioz, who famously produced an engraving of the composition. One of the most outstanding aspects of the painting is its fine detail and vividly bright colours: paintings on copper often retain their brightness and condition better than those on canvas. The painting is currently part of The Albertyne Collections on loan to History Portal, a not for profit community, arts, history, and cultural focus organisation.
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