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Statements

Subject Item
dbr:Come_from_the_Shadows
rdf:type
yago:Music107020895 dbo:Work yago:Communication100033020 yago:WikicatAlbumsProducedByMaynardSolomon yago:PhysicalEntity100001930 yago:AuditoryCommunication107109019 yago:MusicalComposition107037465 yago:Wikicat1972Albums wikidata:Q2188189 wikidata:Q386724 owl:Thing dbo:Album schema:CreativeWork yago:Abstraction100002137 yago:Album106591815 dbo:MusicalWork wikidata:Q482994 schema:MusicAlbum yago:Whole100003553 yago:Song107048000 yago:WikicatJoanBaezSongs yago:WikicatA&MRecordsAlbums yago:Medium106254669 yago:Artifact100021939 yago:Object100002684 yago:Wikicat1972Songs yago:WikicatJoanBaezAlbums yago:Instrumentality103575240
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Come from the Shadows Come from the Shadows Come from the Shadows Come from the Shadows Come from the Shadows
rdfs:comment
Come From the Shadows est un album de Joan Baez sorti en 1972, et son premier chez A&M Records. Come from the Shadows es el decimocuarto álbum de estudio de la cantante estadounidense Joan Báez, publicado por la compañía discográfica A&M Records en mayo de 1972. Después de grabar para el sello independiente Vanguard Records durante más de una década, Báez firmó con A&M en un intento por dirigir su carrera en un sentido más comercial, si bien manteniendo su activismo político. Además de composiciones propias como "Prison Trilogy", "Love Song to a Stranger", "Myths" y "To Bobby" (dedicada a Bob Dylan), Báez también incluyó versones como "Imagine" de John Lennon, "Song of the Partisan" de Anna Marly, y "In the Quiet Morning (for Janis Joplin)" de Mimi Fariña. La fotografía de la portada muestra a una pareja de ancianos siendo arrestados en una protesta antibelicista, unidos por la mano Come from the Shadows is the thirteenth studio album (and fifteenth overall) by Joan Baez, released in 1972. After recording for the independent label Vanguard for more than a decade, Baez signed with A&M, and attempted to point her career in a slightly more "commercial" direction (though the album still had overtly political overtones). In addition to her own compositions such as "Prison Trilogy","Love Song to a Stranger", "Myths", and "To Bobby" (addressed to Bob Dylan), Baez included John Lennon's "Imagine", Anna Marly's "Song of the Partisan", and Mimi Fariña's "In the Quiet Morning (for Janis Joplin)". Come from the Shadows — студийный альбом американской фолк-певицы Джоан Баэз, записанный и выпущенный в 1972 году. Это первый альбом Джоан Баэз после ухода с лейбла к A&M. На альбоме виден продолжающийся интерес к кантри-музыке, а также к радикальной политике. Come from the Shadows è un album in studio della cantante statunitense Joan Baez, pubblicato dalla A&M Records nel maggio del 1972.
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Come from the Shadows
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dbc:1972_albums dbc:Albums_produced_by_Maynard_Solomon dbc:A&M_Records_albums dbc:Joan_Baez_albums
dbo:wikiPageID
2021063
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1108108012
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dbo:thumbnail
n22:comefromshadows.jpg?width=300
dbp:artist
dbr:Joan_Baez
dbp:cover
comefromshadows.jpg
dbp:genre
dbr:Folk_music dbr:Country_Folk dbr:Americana_(music)
dbp:label
dbr:A&M_Records
dbp:length
2498.0
dbp:nextTitle
dbr:Where_Are_You_Now,_My_Son%3F
dbp:nextYear
1973
dbp:prevTitle
dbr:Blessed_Are...
dbp:prevYear
1971
dbp:producer
dbr:Joan_Baez
dbp:recorded
1972
dbp:released
May 1972
dbp:studio
dbr:Nashville,_Tennessee dbr:Quadrafonic_Sound_Studios
dbp:type
studio
dbp:year
1972
dbo:abstract
Come from the Shadows is the thirteenth studio album (and fifteenth overall) by Joan Baez, released in 1972. After recording for the independent label Vanguard for more than a decade, Baez signed with A&M, and attempted to point her career in a slightly more "commercial" direction (though the album still had overtly political overtones). In addition to her own compositions such as "Prison Trilogy","Love Song to a Stranger", "Myths", and "To Bobby" (addressed to Bob Dylan), Baez included John Lennon's "Imagine", Anna Marly's "Song of the Partisan", and Mimi Fariña's "In the Quiet Morning (for Janis Joplin)". "In the Quiet Morning" and "Love Song to a Stranger" were released as singles. The album was recorded at Quadrafonic Sound Studios in Nashville. The cover photo features an elderly couple being arrested at an anti-war protest, holding hands and flashing peace signs as they are led away. The album's liner notes feature a Baez quote: "...In 1972 if you don't fight against a rotten thing you become a part of it." Come from the Shadows è un album in studio della cantante statunitense Joan Baez, pubblicato dalla A&M Records nel maggio del 1972. Come from the Shadows — студийный альбом американской фолк-певицы Джоан Баэз, записанный и выпущенный в 1972 году. Это первый альбом Джоан Баэз после ухода с лейбла к A&M. На альбоме виден продолжающийся интерес к кантри-музыке, а также к радикальной политике. Come from the Shadows es el decimocuarto álbum de estudio de la cantante estadounidense Joan Báez, publicado por la compañía discográfica A&M Records en mayo de 1972. Después de grabar para el sello independiente Vanguard Records durante más de una década, Báez firmó con A&M en un intento por dirigir su carrera en un sentido más comercial, si bien manteniendo su activismo político. Además de composiciones propias como "Prison Trilogy", "Love Song to a Stranger", "Myths" y "To Bobby" (dedicada a Bob Dylan), Báez también incluyó versones como "Imagine" de John Lennon, "Song of the Partisan" de Anna Marly, y "In the Quiet Morning (for Janis Joplin)" de Mimi Fariña. La fotografía de la portada muestra a una pareja de ancianos siendo arrestados en una protesta antibelicista, unidos por la mano y mostrando el signo de la paz mientras son llevados por un policía. Come From the Shadows est un album de Joan Baez sorti en 1972, et son premier chez A&M Records.
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dbr:Album
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