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- Album von The Beach Boys (de)
- album de The Beach Boys (ro)
- albumo de The Beach Boys (eo)
- álbum de The Beach Boys (es)
- אלבום מאת The Beach Boys (iw)
- ألبوم من أداء فتيان الشاطئ (ar)
- ザ・ビーチ・ボーイズのアルバム (ja)
- muziekalbum van The Beach Boys (nl)
- album des Beach Boys, sorti en 1967 (fr)
- студийный альбом группы The Beach Boys (ru)
- The Beach Boys -yhtyeen albumi 1967 (fi)
- album incompleto dei The Beach Boys (it)
- unfinished Beach Boys album (en)
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- A cartoon illustration of a shop that sells smiles. (en)
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- One of the covers prepared by Capitol's art department; illustration by Frank Holmes (en)
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- The Beach Boys recording (en)
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- A later composite version of "Surf's Up", with Carl Wilson overdubbing a lead vocal where original recordings lacked one. (en)
- "Cabinessence" is described by MOJO as "Smile in microcosm", Jardine remembered, "a lot of challenging vocal exercises and movements in that one. But we enjoyed those challenges." (en)
- A simple rhythmic and melodic theme referred to as "Bicycle Rider" served as a recurring motif on Smile. It was later reworked into the chorus of "Heroes and Villains". (en)
- Excerpt from a discarded version of "Heroes and Villains". One of the distinguishing features of Smile was its abrupt jumpcuts. (en)
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- Heroes and Villains sample.ogg (en)
- Cabinessence.ogg (en)
- Do You Like Worms.ogg (en)
- Surfs Up Beach Boys.ogg (en)
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- 1993 (xsd:integer)
- 2004 (xsd:integer)
- 2011 (xsd:integer)
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- Ot7vCQisW_4 (en)
- SXjDqr8A8nE (en)
- g2RJvCFSeK0 (en)
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- 180.0 (dbd:second)
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- dbr:Haven_Gillespie
- dbr:Beasley_Smith
- Wilson (en)
- Wilson, Love (en)
- Brian Wilson, Mike Love (en)
- "The Old Master Painter" / "You Are My Sunshine"; Gillespie, Davis, Mitchell (en)
- Davis, Levy (en)
- Mercer, Wilson (en)
- Wilson, Parks, Johnny Mercer, Sadie Vimmerstedt (en)
- Wilson, Tony Asher, Love (en)
- Wilson, William Davis, Morris Levy (en)
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- The music was cool but it's always tinged with the reality of making it. Brian degraded us, made us lay down for hours and make barnyard noises, demoralized us, freaked out. I can't tell you a lot of it, it's really fucked up. He thought it was hilarious, he was stoned and laughing. (en)
- I seriously doubt that any of you reading this don't have a homemade cassette recorder. If you do, then try this suggestion on a blank homemade cassette: COMPILE A SMILE ALBUM BY YOURSELF AT HOME!!! (en)
- If music students in a hundred years' time want a master class in the development of compositional technique in twentieth century popular music then they should listen to the Smile tapes.[...] [it] stands totally apart from what anybody else was producing during the mid-'60s. (en)
- [Brian would go] after take after – a monotony of repeated takes – to get a performance that fell by the wayside because of maybe one eighth note [...] He was his own worst critic, and everybody suffered in the process. (en)
- [I was used to] working on my own in the studio. I was used to everybody doing exactly what I told them to do. (en)
- I'd call it contemporary American music, not rock 'n' roll. Rock 'n' roll is such a worn out phrase. It's just contemporary American. (en)
- [T]he main reason SMiLE is so unique [is that it was] the first album that forced fans to interact with it directly. We had to make our own edits and running orders on cassettes. They enjoyed debates on how it was supposed to be heard and what tracks were really intended to be included in the mythic "Elements" suite that supposedly would have climaxed the album. (en)
- Van Dyke had a lot of knowledge about America. I gave him hardly any direction. We wanted to get back to basics and try something simple. We wanted to capture something as basic as the mood of water and fire. (en)
- [...] it was just all hell breaking loose. It was tapes being lost, ideas being junked – Brian thinking, "I'm no good," then, "I'm too good" – then, "I can't sing!" I can't get those voices anymore. There was even a time back then when there hardly seemed to be a Beach Boys at all. (en)
- For so long, this project brought me nothing but humiliation. It was the first question people always asked—"How come Smile never came out?" (en)
- Psychedelic music will cover the face of the world and color the whole popular music scene. Anybody happening is psychedelic. (en)
- The gap between conception and realization was too great, and nothing satisfied Brian by the time he'd worked it out and gotten it on tape. And eventually the moment passed[...] like many other fine artists before him, Brian was unable to realize his original concept of Smile when he wanted to, and after a while he no longer wanted to. He no longer had the same vision. (en)
- I feel like I've lost my talent. I'm working harder and getting less satisfaction than ever before. (en)
- The Beach Boys' album Smile and single "Heroes And Villains" will make them the greatest group in the world. We predict they'll take over where The Beatles left off. (en)
- This LP will include "Good Vibrations" and "Heroes And Villains" and ten other tracks [plus] lots of humor—some musical and some spoken. It won't be like a comedy LP—there won't be any spoken tracks as such—but someone might say something in between verses. (en)
- The potential of what Smile would have been was the primary thing that inspired us. When we started hearing Smile bootlegs, it was mind-blowing. It was what we had hoped it would be, but a lot of those songs weren't finished, so there was still this mystery of not hearing the melodies and lyrics. We wondered, "What are these songs and how do they fit together? Is this a verse?" (en)
- We did things in sections. There might just be a few bars of music, or a verse, or a particular groove, or vamp[...] They would all fit. You could put them one in front of the other, or arrange it in any way you wanted.[...] It was sort of like making films I think. (en)
- Brian was starting to meet a fantastic amount of resistance on all fronts. Like, very slowly everything started to collapse about him. The scene with Van Dyke.[...] So he abandoned the studio. Then[...] He got his head into the business aspects of Brother Records. So that kept him out of [recording].[...] [He had] an incredible amount of excuses not to cut. (en)
- All of a sudden it wasn't just Brian and me in a room; it was Brian and me and David Anderle and Michael Vosse and Loren Schwartz and Terry Sachen and all kinds of self-interested people pulling him in various directions. (en)
- Brian was consumed with humor at the time and the importance of humor. He was fascinated with the idea of getting humor onto a disc and how to get that disc out to the people. (en)
- There's been too much press on it. It's like talking about bringing out the '67 Rolls Royce and they finally show it in [modern day]. You go, "Oh, no." (en)
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- 0001-02-17 (xsd:gMonthDay)
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- —Van Dyke Parks (en)
- —Van Dyke Parks, 2004 (en)
- —Bruce Johnston arguing against a full Smile release in 1981 (en)
- —Mike Segretto, author of 33 1/3 Revolutions Per Minute: A Critical Trip Through the Rock LP Era (en)
- —Music historian Domenic Priore writing in his book Look! Listen! Vibrate! Smile! (en)
- —Elephant 6 and Apples in Stereo co-founder Robert Schneider (en)
- —Paul Williams, writing in the September/October 1967 issue of Crawdaddy! (en)
- —Brian Wilson quoted in TeenSet, late 1966 (en)
- —Brian Wilson to Tiger Beat, circa April 1967 (en)
- —Brian Wilson, 2005 (en)
- —Brian Wilson, 2011 (en)
- —Brian Wilson, November 1966 (en)
- —Bruce Johnston, 1993 (en)
- —Carl Wilson, 1973 (en)
- —David Anderle (en)
- —David Anderle, 1968 (en)
- —Derek Taylor, 1975 (en)
- —Hit Parader, December 1966 (en)
- —Mojo journalist Rob Chapman, 2002 (en)
- —Brian Wilson discussing Smile with NME, late 1966 (en)
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- 2883.0 (dbd:second)
- 2809.0 (dbd:second)
- 2144.0 (dbd:second)
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- Comprehensive credits for every track on the box set. (en)
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- Smile (The Beach Boys album) (en)
- Smile (álbum de The Beach Boys) (es)
- Smile (album des Beach Boys) (fr)
- Smile (The Beach Boys) (it)
- Smile (비치 보이스의 음반) (ko)
- SMiLE (pl)
- SMiLE (nl)
- Smile (álbum de The Beach Boys) (pt)
- Smile (Beach Boys-album) (sv)
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