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- Alegant, Brian. 2001. "Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music". Music Theory Spectrum 23, no. 1 : 1–40. (en)
- Hanson, Howard. 1960. Harmonic Materials of Modern Music: Resources of the Tempered Scale. New York: Appleton-Century-Crofts. (en)
- Forte, Allen. 1973. The Structure of Atonal Music. New Haven and London: Yale University Press. . (en)
- Schuijer, Michiel. 2008. Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts. . (en)
- Warburton, Dan. 1988. "A Working Terminology for Minimal Music". Intégral 2:135–159. (en)
- Cohn, Richard. 1992. "Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music". Perspectives of New Music 30, no. 2 : 146–177. (en)
- Cohen, Allen Laurence. 2004. Howard Hanson in Theory and Practice. Contributions to the Study of Music and Dance 66. Westport, Conn. and London: Praeger. . (en)
- Rahn, John. 1980. Basic Atonal Theory. New York: Schirmer Books; London and Toronto: Prentice Hall International. . (en)
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