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The Assumption Church on Sennaya Square in St. Petersburg was a Late Baroque penticupolar church underwritten by Orthodox merchants trading at the nearby Sennaya Square market. The church originated as a wooden building transferred across the Neva from the northern part of the city. It was rebuilt in stone in the 1750s to a Rastrelliesque design attributed to Andrey Kvasov and was slightly modified on several occasions, most importantly by Luigi Rusca in 1817. The church boasted a high belfry of three storeys, a gilded icon screen, and many valuable items. Its parish was one of the richest in the city.

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  • L'Església de l'Assumpció de la Plaça Sennaia a Sant Petersburg era una església pentacupular d'estil barroc tardà. L'església original era un edifici de fusta que es va traslladar a través del Neva des de la part nord de la ciutat. Va ser reconstruït el 1750 en pedra seguint un disseny rastrelliesc atribuït a Andrey Kvasov i va ser lleugerament modificat en diverses ocasions, les més importants de Luigi Rusca el 1817. L'església va presumir un alt campanar de tres plantes, un iconòstasi daurat, i molts elements valuosos. La seva parròquia era una del més riques de la ciutat. El gran edifici amb les inconfusibles cúpules verd fosc, popularment conegut com l'Església del Salvador, dominava el barri circumdant. Va donar el seu nom a l'illa Spassky (la zona central entre els canals Fontanka, Moika, Griboièdov i Kriukov) i l'estació de metro Spasskaya. L'edifici va sobreviure al període d'Iósif Stalin i havia estat elevada per l'Església viva a l'estatus de catedral (1923) però va ser volada durant la campanya anti-religiosa de Nikita Khrusxov el 1961. El vestíbul del metro que la va reemplaçar està lleugerament al nord. El lloc de l'església ha estat marcat per una molt petita capella des del 2003. (ca)
  • The Assumption Church on Sennaya Square in St. Petersburg was a Late Baroque penticupolar church underwritten by Orthodox merchants trading at the nearby Sennaya Square market. The church originated as a wooden building transferred across the Neva from the northern part of the city. It was rebuilt in stone in the 1750s to a Rastrelliesque design attributed to Andrey Kvasov and was slightly modified on several occasions, most importantly by Luigi Rusca in 1817. The church boasted a high belfry of three storeys, a gilded icon screen, and many valuable items. Its parish was one of the richest in the city. The large building with the distinctive dark-green jug-like domes, popularly known as the Saviour Church, used to dominate the surrounding district. It gave its name to (the central parcel of the downtown wedged between the Fontanka, Moika, Griboyedov and Kryukov canals) and Spasskaya metro station. The building survived the Joseph Stalin period intact and was even elevated by the Living Church to a cathedral status (in 1923) but was blown up at the height of Nikita Khrushchev's anti-religious campaign in 1961. A metro vestibule that was to replace it stands slightly to the north. The site of the church has been marked by a very small and plain-looking chapel since 2003. Wikimedia Commons has media related to Spas na Sennoy Church. (en)
  • La chiesa dell'Assunzione sulla Piazza Sennaja a San Pietroburgo era una chiesa a cinque cupole, in stile tardo barocco, finanziata dai mercanti ortodossi che commerciavano nel vicino mercato di Piazza Sennaja. (it)
  • De Verlosserkerk op het Hooiplein (Russisch: Церковь Спаса на Сенной) in de Russische stad Sint-Petersburg was een Russisch-orthodoxe kerk. De kerk staat ook bekend als de Kerk van de Ontslapenis van de Moeder Gods (Russisch: Собор Успения Пресвятой Богородицы). De kerk was tot de afbraak een zeer beeldbepalend gebouw in de omgeving. Er zijn vergevorderde plannen voor de herbouw. (nl)
  • Cerkiew Zaśnięcia Matki Bożej, potocznie określana jako cerkiew Zbawiciela na Siennym (Церковь Спаса на Сенной – cerkow' Spasa na Siennoj) – prawosławna cerkiew w Petersburgu, przy Placu Siennym, wzniesiona w latach 1753–1765 i zburzona w r. 1961. (pl)
  • Це́рковь Спа́са на Сенно́й; церковь во имя Успения Пресвятой Богородицы — утраченная церковь, которая находилась на Сенной площади в Санкт-Петербурге. С 1923 года — собор. Храм являлся памятником позднего барокко. Величественный и просторный храм увенчивали пять куполов, стоявших на многогранных барабанах. В городе церковь была известна под именем Спаса на Сенной, по одному из приделов — Спаса Всемилостивого. (ru)
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  • La chiesa dell'Assunzione sulla Piazza Sennaja a San Pietroburgo era una chiesa a cinque cupole, in stile tardo barocco, finanziata dai mercanti ortodossi che commerciavano nel vicino mercato di Piazza Sennaja. (it)
  • De Verlosserkerk op het Hooiplein (Russisch: Церковь Спаса на Сенной) in de Russische stad Sint-Petersburg was een Russisch-orthodoxe kerk. De kerk staat ook bekend als de Kerk van de Ontslapenis van de Moeder Gods (Russisch: Собор Успения Пресвятой Богородицы). De kerk was tot de afbraak een zeer beeldbepalend gebouw in de omgeving. Er zijn vergevorderde plannen voor de herbouw. (nl)
  • Cerkiew Zaśnięcia Matki Bożej, potocznie określana jako cerkiew Zbawiciela na Siennym (Церковь Спаса на Сенной – cerkow' Spasa na Siennoj) – prawosławna cerkiew w Petersburgu, przy Placu Siennym, wzniesiona w latach 1753–1765 i zburzona w r. 1961. (pl)
  • Це́рковь Спа́са на Сенно́й; церковь во имя Успения Пресвятой Богородицы — утраченная церковь, которая находилась на Сенной площади в Санкт-Петербурге. С 1923 года — собор. Храм являлся памятником позднего барокко. Величественный и просторный храм увенчивали пять куполов, стоявших на многогранных барабанах. В городе церковь была известна под именем Спаса на Сенной, по одному из приделов — Спаса Всемилостивого. (ru)
  • L'Església de l'Assumpció de la Plaça Sennaia a Sant Petersburg era una església pentacupular d'estil barroc tardà. L'església original era un edifici de fusta que es va traslladar a través del Neva des de la part nord de la ciutat. Va ser reconstruït el 1750 en pedra seguint un disseny rastrelliesc atribuït a Andrey Kvasov i va ser lleugerament modificat en diverses ocasions, les més importants de Luigi Rusca el 1817. L'església va presumir un alt campanar de tres plantes, un iconòstasi daurat, i molts elements valuosos. La seva parròquia era una del més riques de la ciutat. (ca)
  • The Assumption Church on Sennaya Square in St. Petersburg was a Late Baroque penticupolar church underwritten by Orthodox merchants trading at the nearby Sennaya Square market. The church originated as a wooden building transferred across the Neva from the northern part of the city. It was rebuilt in stone in the 1750s to a Rastrelliesque design attributed to Andrey Kvasov and was slightly modified on several occasions, most importantly by Luigi Rusca in 1817. The church boasted a high belfry of three storeys, a gilded icon screen, and many valuable items. Its parish was one of the richest in the city. (en)
rdfs:label
  • Església del Salvador de la plaça Sennaia (ca)
  • Chiesa del Salvatore sulla Piazza Sennaja (it)
  • Cerkiew Zaśnięcia Matki Bożej w Petersburgu (Plac Sienny) (pl)
  • Verlosserkerk (Sint-Petersburg) (nl)
  • Saviour Church on Sennaya Square (en)
  • Церковь Спаса на Сенной (ru)
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