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Yōji Sakate (坂手 洋二, Sakate Yōji, born March 11, 1962) is a contemporary Japanese playwright notable for his plays that frequently comment on social and political issues in Japan. His most prominent plays are The Attic (屋根裏 Yaneura, 2002), Come Out (カムアウト Kamu auto, 1989), Tokyo Trial (トーキョー裁判 Tōkyō saiban, 1988), and Epitaph for the Whales (くじらの墓標 Kujira no bohyō, 1993). In his works, he focuses on dramatizing real-life events, and also depicts the historical past. In 1983, he founded his own theater company called the Phosphorescence Troupe (燐光群 Rinkōgun). Sakate is currently the president of the Japanese Playwrights Association, and the director of both the Japan Directors Association and Japanese Center of International Theater Institute.

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  • Yōji Sakate (de)
  • Yōji Sakate (fr)
  • 坂手洋二 (ja)
  • Yōji Sakate (en)
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  • Yōji Sakate (坂手 洋二 Sakate Yōji; * 1962 in Kakegawa, Präfektur Okayama) ist ein japanischer Dramatiker und Schriftsteller. (de)
  • Yōji Sakate ( 坂手 洋二, Sakate Yōji; né en 1962 à Kakegawa, préfecture d'Okayama) est un dramaturge et écrivain japonais. (fr)
  • Yōji Sakate (坂手 洋二, Sakate Yōji, born March 11, 1962) is a contemporary Japanese playwright notable for his plays that frequently comment on social and political issues in Japan. His most prominent plays are The Attic (屋根裏 Yaneura, 2002), Come Out (カムアウト Kamu auto, 1989), Tokyo Trial (トーキョー裁判 Tōkyō saiban, 1988), and Epitaph for the Whales (くじらの墓標 Kujira no bohyō, 1993). In his works, he focuses on dramatizing real-life events, and also depicts the historical past. In 1983, he founded his own theater company called the Phosphorescence Troupe (燐光群 Rinkōgun). Sakate is currently the president of the Japanese Playwrights Association, and the director of both the Japan Directors Association and Japanese Center of International Theater Institute. (en)
  • 坂手 洋二(さかて ようじ、1962年3月11日 - )は、日本の劇作家。劇団「燐光群」主宰。日本演出者協会理事。岸田国士戯曲賞選考委員。 (ja)
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  • Yōji Sakate (en)
  • 坂手洋二 (en)
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name
  • Yōji Sakate (en)
  • 坂手洋二 (en)
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  • Japanese (en)
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  • Playwright, director, company founder (en)
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  • Yōji Sakate (en)
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  • (en)
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  • If we are to confront such circular patterning, we must make theater an indisputable “coming-out”. An individual, by coming out, can liberate himself from his own internalized social system and give birth to a new self. Such a process seems analogous to what a theatrical vision requires in order for a play to be even minimally dramatic. (en)
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