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Tino Folgar (1892–1982) was a Spanish operatic tenor, primarily active in Spain and Italy. Born Juventino Folgar Ascaso in Barcelona, on 25 January 1892, he studied in his native city with Esteban Pasqual and made his stage debut at the Liceu as Rodolfo in La bohème, in 1922. He made his debut in Italy in Acqui Terme, as Almaviva in Il barbiere di Siviglia, in 1925. In 1945, he went to Mexico City where he worked as a teacher, later moving to Buenos Aires, where he remained until his death in December 1982.

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  • Juventí Folgar i Ascaso (ca)
  • Tino Folgar (es)
  • Tino Folgar (en)
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  • Tino Folgar es el nombre artístico de Juventino Folgar Ascaso (Barcelona, 25 de enero de 1892 – Buenos Aires, 31 de diciembre de 1982), un tenor español. (es)
  • Juventí Folgar i Ascaso, que actuà amb el nom de Tino Folgar (Barcelona, 25 de gener de 1892 - Buenos Aires, 31 de desembre de 1982), fou un tenor català. Va néixer a Barcelona i se'l va inscriure amb els noms de Joventino Nicolás Ramón, fill de Juan Folgar Araujo, de Aldea del Obispo (Salamanca), i de Luisa Ascaso Jordán, de (Osca). (ca)
  • Tino Folgar (1892–1982) was a Spanish operatic tenor, primarily active in Spain and Italy. Born Juventino Folgar Ascaso in Barcelona, on 25 January 1892, he studied in his native city with Esteban Pasqual and made his stage debut at the Liceu as Rodolfo in La bohème, in 1922. He made his debut in Italy in Acqui Terme, as Almaviva in Il barbiere di Siviglia, in 1925. In 1945, he went to Mexico City where he worked as a teacher, later moving to Buenos Aires, where he remained until his death in December 1982. (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Tino_Folgar.jpg
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  • Juventí Folgar i Ascaso, que actuà amb el nom de Tino Folgar (Barcelona, 25 de gener de 1892 - Buenos Aires, 31 de desembre de 1982), fou un tenor català. Va néixer a Barcelona i se'l va inscriure amb els noms de Joventino Nicolás Ramón, fill de Juan Folgar Araujo, de Aldea del Obispo (Salamanca), i de Luisa Ascaso Jordán, de (Osca). En notar les seves extraordinàries facultats, un familiar va tramitar i va aconseguir una audició al Conservatori del Liceu de Barcelona. El va escoltar el mestre Joaquim Vidal Nunell, que també tenia dues alumnes que després serien grans figures: Mercè Capsir i Conxita Badia. Després d'escoltar-ho va quedar summament complagut dient-li que la veu era valuosa i amb una gran semblança amb la del gran tenor Giuseppe Anselmi. Debutà el 1922 a l'Orfeó Gracienc amb La Bohème. L'èxit va ser total i el dia 5 de juny del mateix any la tornaria a representar al Teatre Tívoli. Actuà sovint a Itàlia i a Holanda, on el 1925 assolí un èxit notable. El 1929 enregistrà un Rigoletto sencer, però des d'aleshores interpretà sobretot sarsuela i comèdies musicals a l'estat espanyol i a l'Amèrica del Sud. Assolí una gran popularitat amb (1932), un dels primers films sonors del cinema espanyol. Establert els anys cinquanta a Buenos Aires, hi fundà i dirigí una acadèmia de cant. (ca)
  • Tino Folgar es el nombre artístico de Juventino Folgar Ascaso (Barcelona, 25 de enero de 1892 – Buenos Aires, 31 de diciembre de 1982), un tenor español. (es)
  • Tino Folgar (1892–1982) was a Spanish operatic tenor, primarily active in Spain and Italy. Born Juventino Folgar Ascaso in Barcelona, on 25 January 1892, he studied in his native city with Esteban Pasqual and made his stage debut at the Liceu as Rodolfo in La bohème, in 1922. He made his debut in Italy in Acqui Terme, as Almaviva in Il barbiere di Siviglia, in 1925. He went on appearing in Genoa, Turin, Cremona, and scored a triumph at the Teatro Adriano in Rome, as Lindoro in L'italiana in Algeri, opposite Conchita Supervia, in 1926. He is partly responsible for the Rossini renaissance, alongside Supervia. From 1929, he appeared mainly in Spain, singing in zarzuela and operetta. In 1932, he went to London, on tour with a zarzuela-ensemble. He then sang mostly in concert and on radio, he also appeared in a feature film La Canción del Dia. In 1945, he went to Mexico City where he worked as a teacher, later moving to Buenos Aires, where he remained until his death in December 1982. A stylish and refined artist, Folgar possessed a rather small but attractive voice, which he passed to posterity through his 1927 recording of the Duke of Mantua in a complete Rigoletto, opposite Luigi Piazza, Lina Pagliughi, and Salvatore Baccaloni. (en)
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