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The Wicked Lady is the soundtrack to the 1983 remake of the film of the same title. It was composed by Genesis keyboardist Tony Banks. The first side of the LP features Banks performing solo versions of themes from the soundtrack. The second side of the LP is the actual soundtrack performed by the National Philharmonic Orchestra. For many years this had been the only entire solo LP by a Genesis member never to have been released on CD. However, a CD version was released on April 15, 2013.

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  • The Wicked Lady (colonna sonora) (it)
  • The Wicked Lady (nl)
  • The Wicked Lady (album) (en)
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  • The Wicked Lady is the soundtrack to the 1983 remake of the film of the same title. It was composed by Genesis keyboardist Tony Banks. The first side of the LP features Banks performing solo versions of themes from the soundtrack. The second side of the LP is the actual soundtrack performed by the National Philharmonic Orchestra. For many years this had been the only entire solo LP by a Genesis member never to have been released on CD. However, a CD version was released on April 15, 2013. (en)
  • The Wicked Lady è la colonna sonora firmata da Tony Banks per il film L'avventuriera perversa (1983) diretto da Michael Winner. La colonna sonora vera e propria è contenuta nel lato B, dove i brani scritti da Banks sono eseguiti dalla National Philharmonic Orchestra di Londra diretta da Stanley Black, con arrangiamento e orchestrazione di Christopher Palmer. La prima facciata presenta gli stessi temi, ordinati in modo diverso e con titoli lievemente differenti, eseguiti dal solo Banks alle tastiere o con accompagnamento di batteria elettronica, incisi a casa su un registratore a otto tracce e poi missati a The Farm, lo studio di proprietà dei Genesis. (it)
  • The Wicked Lady is een studioalbum van Tony Banks. Het album bevat filmmuziek die Banks componeerde voor -versie 1983, waarin Faye Dunaway, Alan Bates en John Gielgud de hoofdrollen speelden. Een kleine rol was weggelegd voor Glynis Barber, die later furore maakte met Dempsey and Makepeace. Banks nam de eerste kant voor de elpee voornamelijk in 1982 thuis op. Voor de tweede elpeekant werd uitgeweken naar St. Peter’s Church in Morden. Het nam op 24 januari 1983 onder leiding van de orkestversie voor hun rekening. schreef het arrangement. (nl)
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  • The Wicked Lady (en)
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  • April 1983 (en)
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  • The Wicked Lady is the soundtrack to the 1983 remake of the film of the same title. It was composed by Genesis keyboardist Tony Banks. The first side of the LP features Banks performing solo versions of themes from the soundtrack. The second side of the LP is the actual soundtrack performed by the National Philharmonic Orchestra. For many years this had been the only entire solo LP by a Genesis member never to have been released on CD. However, a CD version was released on April 15, 2013. (en)
  • The Wicked Lady è la colonna sonora firmata da Tony Banks per il film L'avventuriera perversa (1983) diretto da Michael Winner. La colonna sonora vera e propria è contenuta nel lato B, dove i brani scritti da Banks sono eseguiti dalla National Philharmonic Orchestra di Londra diretta da Stanley Black, con arrangiamento e orchestrazione di Christopher Palmer. La prima facciata presenta gli stessi temi, ordinati in modo diverso e con titoli lievemente differenti, eseguiti dal solo Banks alle tastiere o con accompagnamento di batteria elettronica, incisi a casa su un registratore a otto tracce e poi missati a The Farm, lo studio di proprietà dei Genesis. (it)
  • The Wicked Lady is een studioalbum van Tony Banks. Het album bevat filmmuziek die Banks componeerde voor -versie 1983, waarin Faye Dunaway, Alan Bates en John Gielgud de hoofdrollen speelden. Een kleine rol was weggelegd voor Glynis Barber, die later furore maakte met Dempsey and Makepeace. Banks nam de eerste kant voor de elpee voornamelijk in 1982 thuis op. Voor de tweede elpeekant werd uitgeweken naar St. Peter’s Church in Morden. Het nam op 24 januari 1983 onder leiding van de orkestversie voor hun rekening. schreef het arrangement. In tegenstelling tot Genesis verkochten de soloalbums van Banks matig. Bovendien vond de pers Banks eerste poging, A curious feeling, veel te pompeus. Dit album kon iets meer waardering krijgen, maar het kon niet voorkomen dat het net als het andere solowerk van Banks in de la verdween. In 1983 was Genesis bezig met wat een van hun succesvolste albums zou worden: Genesis. (nl)
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