• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: The Mystery of Picasso     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFrenchDocumentaryFilms, within Data Space : dbpedia.org associated with source document(s)

Type: Thingschema:CreativeWorkschema:MovieworkFilmwikidata:Q386724yago:WikicatAutobiographicalDocumentaryFilmsyago:Abstraction100002137yago:Artifact100021939yago:Creation103129123yago:Documentary106616806yago:Event100029378yago:Movie106613686yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:PsychologicalFeature100023100yago:YagoPermanentlyLocatedEntitymovieyago:Show106619065yago:SocialEvent107288639yago:Whole100003553yago:Wikicat1950sDocumentaryFilmsyago:Wikicat1956Filmsyago:WikicatDocumentaryFilmsAboutVisualArtistsyago:WikicatFilmsDirectedByHenri-GeorgesClouzotyago:WikicatFrenchDocumentaryFilms New Facet based on Instances of this Class

The Mystery of Picasso (French: Le mystère Picasso) is a 1956 French documentary film directed by Henri-Georges Clouzot. In it, the painter Pablo Picasso produces 20 drawings and paintings, at first using inks that bleed through the paper on which he is drawing, with the act of creation filmed in real-time from the backside of the easel, and later using oil paints, with Clouzot employing a stop-motion-like effect to depict the development and modification of the works. The film begins with Picasso creating simple marker drawings in black and white, and he gradually progresses to full-scale collages and oil paintings.