Technical week (also called tech week, tech, techweek, production week or Hell Week) is the week prior to the opening night of a play, musical or similar production in which all of the technical elements (such as costumes, lights, sound, set and makeup) are present during rehearsal for the first time. For both the technicians and actors, it is the most hectic part of a show's run, as they are forced to do a massive amount of work getting timings and cues correct, often without having seen the scenes in their entirety.
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| - Technical week (en)
- 技术周 (zh)
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| - Technical week (also called tech week, tech, techweek, production week or Hell Week) is the week prior to the opening night of a play, musical or similar production in which all of the technical elements (such as costumes, lights, sound, set and makeup) are present during rehearsal for the first time. For both the technicians and actors, it is the most hectic part of a show's run, as they are forced to do a massive amount of work getting timings and cues correct, often without having seen the scenes in their entirety. (en)
- 技术周（technical week, tech week, tech, techweek, production week, Hell Week） 是戏剧、音乐剧或类似作品开幕前的一周，其中所有技术元素（如服装、灯光，音响，布景和化妆）首次参与排练。 在尚未进入技术周之前，演员可能一直在单独的排练厅或舞台上排练，但没有所有技术元素。 导演、（舞美）设计、剧组应已独自预演过演出的技术环节，即“技术干排”（dry tech）。 排练进行到此时，创作方面应已完成。演员已背熟台词，灯光、音响、布景、服装等的设计、制作已完成。如果制作是音乐剧，则乐池应已充分排练过音乐，舞蹈演员应已记熟动作编排。而在技术周，一切技术环节需要完全实现，使排练效果十分接近实际演出。 技术周的目的是在技术方面就位的情况下排练演出，以使演员熟悉布景、服装，使技术制作组解决未曾预见的问题，使导演看到整体的艺术效果。制作环节在舞台上实现时，在技术周中可以发现实际问题。例如，演员可能在此时发现服装限制了他的动作，又或者道具过于笨重等，一扇道具门在之前正常，但现场架设麦克风之后，关门声过响。 头几场排练，现场会经常断断续续，以便技术组练习操作（正确地按提示执行操作、换景等）。 排练期间的各种差错都应在第二天修复。 当预演已流畅时，技术周的最后一两次排练通常是全剧完整表演的彩排，有时彩排是公开的。 (zh)
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| - Technical week (also called tech week, tech, techweek, production week or Hell Week) is the week prior to the opening night of a play, musical or similar production in which all of the technical elements (such as costumes, lights, sound, set and makeup) are present during rehearsal for the first time. Prior to this point, the actors may have been rehearsing in a separate rehearsal hall, or on the stage but without all technical elements present. The director, designers, and crew may have already run through the technical elements of the show without the actors, also known as a dry tech. At this point in the rehearsal progress, it is expected that the creative aspects of the production are ready. Actors have their lines memorized; lights, sound, scenery, and costumes are fully designed and completely constructed. If the production is a musical, then the pit orchestra has rehearsed the music completely, and any dancers are prepared with their choreography memorized. During technical week all of the various technical elements are fully implemented, making the rehearsals very similar to the actual performance. The purpose of tech week is to rehearse the show with all technical elements in place. This allows the actors to become familiar with the set and costumes, the technical production crew to iron out unforeseen problems, and the director to see how everything comes together as an artistic whole. Tech week is when practical problems with the implementation of production elements are discovered. For example, an actor may report that their costume restricts their movement or that a hand prop is overly cumbersome. A set door that performed fine the week before may bang shut too loudly now that there are live microphones on the stage. The first few rehearsals are characterized by the frequent stopping and starting of scenes so that the technical crew can practice their necessary duties (such as executing their cues or scene changes correctly). Everything that goes wrong during a rehearsal is expected to be fixed by the next day. For both the technicians and actors, it is the most hectic part of a show's run, as they are forced to do a massive amount of work getting timings and cues correct, often without having seen the scenes in their entirety. Once the show is running smoothly, the last one or two rehearsals of technical week are often dress rehearsals which are sometimes open to the public in which the play is performed completely. (en)
- 技术周（technical week, tech week, tech, techweek, production week, Hell Week） 是戏剧、音乐剧或类似作品开幕前的一周，其中所有技术元素（如服装、灯光，音响，布景和化妆）首次参与排练。 在尚未进入技术周之前，演员可能一直在单独的排练厅或舞台上排练，但没有所有技术元素。 导演、（舞美）设计、剧组应已独自预演过演出的技术环节，即“技术干排”（dry tech）。 排练进行到此时，创作方面应已完成。演员已背熟台词，灯光、音响、布景、服装等的设计、制作已完成。如果制作是音乐剧，则乐池应已充分排练过音乐，舞蹈演员应已记熟动作编排。而在技术周，一切技术环节需要完全实现，使排练效果十分接近实际演出。 技术周的目的是在技术方面就位的情况下排练演出，以使演员熟悉布景、服装，使技术制作组解决未曾预见的问题，使导演看到整体的艺术效果。制作环节在舞台上实现时，在技术周中可以发现实际问题。例如，演员可能在此时发现服装限制了他的动作，又或者道具过于笨重等，一扇道具门在之前正常，但现场架设麦克风之后，关门声过响。 头几场排练，现场会经常断断续续，以便技术组练习操作（正确地按提示执行操作、换景等）。 排练期间的各种差错都应在第二天修复。 无论对技师还是演员，技术周都是演出最忙碌的关键环节，要致力于精准衔接、配合时机，又无法完整看到整个演出，需要做大量工作。 当预演已流畅时，技术周的最后一两次排练通常是全剧完整表演的彩排，有时彩排是公开的。 (zh)
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