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Takeshi Umehara (梅原 猛, Umehara Takeshi, March 20, 1925 – January 12, 2019) was born in Miyagi Prefecture in Tōhoku and graduated from the philosophical faculty of Kyoto University in 1948. He taught philosophy at Ritsumeikan University and was subsequently appointed president of the Kyoto City University of Arts. He is noted for his prolific essays on Japanese culture, in which he has endeavoured to refound the discipline of Japanese studies along more Japanocentric lines, notably in his book Nihongaku kotohajime (日本学事始) written in 1972 in collaboration with Shunpei Ueyama. Aside from his voluminous academic essays on numerous aspects of Japanese culture he has also composed theatrical works on figures as varied as Yamato Takeru and Gilgamesh.

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  • Takeshi Umehara (de)
  • Takeshi Umehara (fr)
  • 梅原猛 (ja)
  • Takeshi Umehara (en)
  • 梅原猛 (zh)
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  • Takeshi Umehara (japanisch 梅原猛 Umehara Takeshi; * 20. März 1925 in Sendai, Präfektur Miyagi, Region Tôhoku; † 12. Januar 2019 in Kyôto) war ein japanischer Religionsforscher, Philosoph, Publizist und sogenannter „Medienintellektueller“ (jap.文化人 bunkajin), der auch als Berater der japanischen Regierung tätig war. (de)
  • Takeshi Umehara (梅原 猛, Umehara Takeshi) (né le 20 mars 1925 à Sendai, décédé à Kyoto le 12 janvier 2019) est diplômé de la faculté de philosophie de l'université de Kyoto en 1948. (fr)
  • 梅原 猛(うめはら たけし、1925年(大正14年)3月20日 - 2019年(平成31年)1月12日)は、日本の哲学者。ものつくり大学総長(初代)、京都市立芸術大学名誉教授、国際日本文化研究センター名誉教授。東日本大震災復興構想会議特別顧問(名誉議長)。碧南市哲学たいけん村無我苑名誉村長。京都市名誉市民。 京都大学文学部哲学科卒業。立命館大学文学部哲学教授、京都市立芸術大学教授・学長の他、国際日本文化研究センター所長(初代)、社団法人日本ペンクラブ会長(第13代)などを歴任した。 (ja)
  • 梅原猛(日语:梅原 猛/うめはら たけし Umehara Takeshi,1925年3月20日-2019年1月12日)是一名日本的哲學家,曾任教於龍谷大學、立命館大學、京都市立藝術大學。1987年,任職首任所長。1998年,獲授京都市名譽市民。1999年,獲頒文化勳章。 (zh)
  • Takeshi Umehara (梅原 猛, Umehara Takeshi, March 20, 1925 – January 12, 2019) was born in Miyagi Prefecture in Tōhoku and graduated from the philosophical faculty of Kyoto University in 1948. He taught philosophy at Ritsumeikan University and was subsequently appointed president of the Kyoto City University of Arts. He is noted for his prolific essays on Japanese culture, in which he has endeavoured to refound the discipline of Japanese studies along more Japanocentric lines, notably in his book Nihongaku kotohajime (日本学事始) written in 1972 in collaboration with Shunpei Ueyama. Aside from his voluminous academic essays on numerous aspects of Japanese culture he has also composed theatrical works on figures as varied as Yamato Takeru and Gilgamesh. (en)
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