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The Symphony No. 1 of Roger Sessions is a symphony in three movements, in E minor. The three movements are as follows: 1. * Giusto 2. * Largo 3. * Allegro vivace It was completed in January 1927, and premiered by Serge Koussevitzky and the Boston Symphony Orchestra on April 22, 1927. It was dedicated to Sessions' father Archibald. It is scored for three flutes (one doubling piccolo), three oboes (one doubling English horn), four clarinets, three bassoons, four horns, three trumpets, three trombones, one tuba, timpani, percussion, piano, and strings.

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  • Symphonie no 1 de Sessions (fr)
  • Symphony No. 1 (Sessions) (en)
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  • La Symphonie no 1 en mi mineur de Roger Sessions a été terminée en janvier 1927. Elle a été créée par Serge Koussevitzky et l'Orchestre symphonique de Boston le 22 avril 1927. Elle est dédiée à Archibald, le père du compositeur. (fr)
  • The Symphony No. 1 of Roger Sessions is a symphony in three movements, in E minor. The three movements are as follows: 1. * Giusto 2. * Largo 3. * Allegro vivace It was completed in January 1927, and premiered by Serge Koussevitzky and the Boston Symphony Orchestra on April 22, 1927. It was dedicated to Sessions' father Archibald. It is scored for three flutes (one doubling piccolo), three oboes (one doubling English horn), four clarinets, three bassoons, four horns, three trumpets, three trombones, one tuba, timpani, percussion, piano, and strings. (en)
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  • La Symphonie no 1 en mi mineur de Roger Sessions a été terminée en janvier 1927. Elle a été créée par Serge Koussevitzky et l'Orchestre symphonique de Boston le 22 avril 1927. Elle est dédiée à Archibald, le père du compositeur. (fr)
  • The Symphony No. 1 of Roger Sessions is a symphony in three movements, in E minor. The three movements are as follows: 1. * Giusto 2. * Largo 3. * Allegro vivace It was completed in January 1927, and premiered by Serge Koussevitzky and the Boston Symphony Orchestra on April 22, 1927. It was dedicated to Sessions' father Archibald. It is scored for three flutes (one doubling piccolo), three oboes (one doubling English horn), four clarinets, three bassoons, four horns, three trumpets, three trombones, one tuba, timpani, percussion, piano, and strings. Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal". In contrast, Prausnitz describes this symphony as having "a joyfully jazzy, organized vigor in its fast outer movements," in contrast with the middle movement, "a somberly reflective Largo that yields nothing to overt emotion. ..." (en)
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