The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1970s. It was originally written and performed as "Stalag 17" (named after the 1953 war film) by Ansel Collins, and released by Winston Riley's Techniques record label in 1973. In 1982 it successfully made the transition into dancehall, e.g. with Sister Nancy's hit "Bam Bam".
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| - Stalag Riddim (de)
- Stalag 17 (riddim) (fr)
- Stalag riddim (en)
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| - Der Stalag Riddim ist einer der bekanntesten Riddims der Reggaemusik. Insgesamt wurden 293 offizielle Songs auf diesem Riddim gesungen bzw. getoastet. Außerdem existieren diverse Remixe und inoffizielle Versionen. Viele bekannte Reggae- und Dancehall-Künstler haben ein oder sogar mehrere Songs damit veröffentlicht u. a. Barrington Levy, Cocoa Tea, Buju Banton und Yellowman. (de)
- Stalag 17 est un riddim de reggae créé en 1974 par le groupe The Soul Syndicate, et maintes fois adapté depuis : All Nations Have To Bow de Big Youth, Arleen de (1980), Ring The Alarm de Tenor Saw (1985), et plus récemment, Aiguisé Comme Une Lame de Raggasonic et NTM (1995), etc. sont une infime partie des chansons basées sur le Stalag 17. Bob Marley lui-même l'utilisa comme introduction à ses concerts durant sa tournée Uprising en 1980, sous le titre Marley Chant.
* Portail de la musique
* Portail du reggae (fr)
- The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1970s. It was originally written and performed as "Stalag 17" (named after the 1953 war film) by Ansel Collins, and released by Winston Riley's Techniques record label in 1973. In 1982 it successfully made the transition into dancehall, e.g. with Sister Nancy's hit "Bam Bam". (en)
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| - Der Stalag Riddim ist einer der bekanntesten Riddims der Reggaemusik. Insgesamt wurden 293 offizielle Songs auf diesem Riddim gesungen bzw. getoastet. Außerdem existieren diverse Remixe und inoffizielle Versionen. Viele bekannte Reggae- und Dancehall-Künstler haben ein oder sogar mehrere Songs damit veröffentlicht u. a. Barrington Levy, Cocoa Tea, Buju Banton und Yellowman. (de)
- Stalag 17 est un riddim de reggae créé en 1974 par le groupe The Soul Syndicate, et maintes fois adapté depuis : All Nations Have To Bow de Big Youth, Arleen de (1980), Ring The Alarm de Tenor Saw (1985), et plus récemment, Aiguisé Comme Une Lame de Raggasonic et NTM (1995), etc. sont une infime partie des chansons basées sur le Stalag 17. Bob Marley lui-même l'utilisa comme introduction à ses concerts durant sa tournée Uprising en 1980, sous le titre Marley Chant.
* Portail de la musique
* Portail du reggae (fr)
- The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1970s. It was originally written and performed as "Stalag 17" (named after the 1953 war film) by Ansel Collins, and released by Winston Riley's Techniques record label in 1973. It was mainly used for dub instrumental versions, often b-sides of records. The rhythm also influenced early hip-hop, and can be discerned on Public Enemy's hit 'Don't Believe the Hype' as well as on Too Short's Blowjob Betty. In 1980, reggae superstar Bob Marley's band The Wailers used the riddim as an introductory theme to the Uprising Tour concerts, with keyboardist Tyrone Downie chanting "Marley!" over the riddim while Marley comes to the stage (therefore the intro is commonly called "Marley Chant" among fans). In 1982 it successfully made the transition into dancehall, e.g. with Sister Nancy's hit "Bam Bam". (en)
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