Parthenia Inviolata, or Mayden-Musicke for the Virginalls and Bass-Viol is the second book of keyboard music printed in England, containing twenty pieces scored for virginal and bass viol. It was apparently published as a companion work to Parthenia, published c. 1612, which contained 21 attributed pieces for virginal. The title extends the pun of the original work, as "inviolata" means both "unviolated" and "set for viol." Like Parthenia, no date is given, but Edward Francis Rimbault estimated 1614. Matthew Hall, who dates it somewhat later (c. 1624), noted that unlike earlier works that used keyboard to double parts in consort music, here the viol doubles a keyboard arrangement.
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| - Parthenia Inviolata (fr)
- Parthenia Inviolata (en)
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| - Parthenia Inviolata, or Mayden-Musicke for the Virginalls and Bass-Viol is the second book of keyboard music printed in England, containing twenty pieces scored for virginal and bass viol. It was apparently published as a companion work to Parthenia, published c. 1612, which contained 21 attributed pieces for virginal. The title extends the pun of the original work, as "inviolata" means both "unviolated" and "set for viol." Like Parthenia, no date is given, but Edward Francis Rimbault estimated 1614. Matthew Hall, who dates it somewhat later (c. 1624), noted that unlike earlier works that used keyboard to double parts in consort music, here the viol doubles a keyboard arrangement. (en)
- Parthenia Inviolata, or Mayden-Musicke for the Virginalls and Bass-Viol est le deuxième livre de musique pour clavier imprimé en Angleterre. Il contient vingt pièces écrites pour virginal et basse de viole. Toutes les pièces sont anonymes. Ernest Brenneke note qu'une pièce est apparemment une paraphrase basée sur une pièce de Giles Farnaby, et postule pour des raisons stylistiques que d'autres pièces de la collection pourraient être de ce compositeur. (fr)
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| - Parthenia Inviolata, or Mayden-Musicke for the Virginalls and Bass-Viol is the second book of keyboard music printed in England, containing twenty pieces scored for virginal and bass viol. It was apparently published as a companion work to Parthenia, published c. 1612, which contained 21 attributed pieces for virginal. The title extends the pun of the original work, as "inviolata" means both "unviolated" and "set for viol." Like Parthenia, no date is given, but Edward Francis Rimbault estimated 1614. Matthew Hall, who dates it somewhat later (c. 1624), noted that unlike earlier works that used keyboard to double parts in consort music, here the viol doubles a keyboard arrangement. The only known surviving copy of this publication was in the possession of Rimbault at his death in 1876. It was sold in auction to book collector Joseph William Drexel and is now in the Drexel Collection (call number Drexel 5120) in the New York Public Library. A facsimile was published in 1961 with a historical introduction by Thurston Dart, foreword by Sydney Beck, and bibliographical note by Richard J. Wolfe. All of the pieces are anonymous. Ernest Brenneke noted that one piece is apparently paraphrased from a piece by Giles Farnaby, and speculated on stylistic grounds that other pieces in the collection could be his. (en)
- Parthenia Inviolata, or Mayden-Musicke for the Virginalls and Bass-Viol est le deuxième livre de musique pour clavier imprimé en Angleterre. Il contient vingt pièces écrites pour virginal et basse de viole. Il a apparemment été publié comme une suite à Parthenia, publié vers 1612, qui contient 21 pièces pour virginal. Le titre prolonge le jeu de mots de l'œuvre originale, car « inviolata » signifie à la fois « non touché » et « mis pour viole ». Comme Parthenia, aucune date n'est donnée, mais Edouard Francis Rimbault estime 1614 comme date de publication. Matthew Hall, qui la date un peu plus tardivement (vers 1624), a noté que, contrairement aux œuvres antérieures qui utilisaient le clavier pour doubler des parties dans la musique pour consort, ici la viole double un arrangement pour clavier. Le seul exemplaire connu de cette publication était en possession de Rimbault à sa mort en 1876. Il a été vendu aux enchères au collectionneur de livres Joseph William Drexel et se trouve maintenant dans la collection Drexel (cote Drexel 5120) à la bibliothèque publique de New York. Un fac-similé a été publié en 1961 avec une introduction historique de Thurston Dart, une préface de Sydney Beck et une note bibliographique de Richard J. Wolfe. Toutes les pièces sont anonymes. Ernest Brenneke note qu'une pièce est apparemment une paraphrase basée sur une pièce de Giles Farnaby, et postule pour des raisons stylistiques que d'autres pièces de la collection pourraient être de ce compositeur. (fr)
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