Palestinian hip hop reportedly started in 1998 with Tamer Nafar's group DAM. These Palestinian youth forged the new Palestinian musical subgenre, which blends Arabic melodies and hip hop beats. Lyrics are often sung in Arabic, Hebrew, English, and sometimes French. Since then, the new Palestinian musical subgenre has grown to include artists in Palestine, Israel, Great Britain, the United States and Canada.
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| - Palestinian hip hop (en)
- Hip hop palestino (es)
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| - El hip hop palestino nació en 1998 con el grupo DAM, liderado por el rapero Tamer Nafar. Estos jóvenes palestinos forjaron un nuevo subgénero de la música palestina mezclando melodías árabes y ritmos de hip hop. Las canciones del hip hop palestino a menudo utilizan frases en árabe, hebreo e inglés, y ocasionalmente en francés. Desde su nacimiento, este nuevo subgénero musical palestino se ha expandido hasta incluir grupos y cantantes de Palestina, Israel, Reino Unido, Estados Unidos y Canadá. (es)
- Palestinian hip hop reportedly started in 1998 with Tamer Nafar's group DAM. These Palestinian youth forged the new Palestinian musical subgenre, which blends Arabic melodies and hip hop beats. Lyrics are often sung in Arabic, Hebrew, English, and sometimes French. Since then, the new Palestinian musical subgenre has grown to include artists in Palestine, Israel, Great Britain, the United States and Canada. (en)
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| - El hip hop palestino nació en 1998 con el grupo DAM, liderado por el rapero Tamer Nafar. Estos jóvenes palestinos forjaron un nuevo subgénero de la música palestina mezclando melodías árabes y ritmos de hip hop. Las canciones del hip hop palestino a menudo utilizan frases en árabe, hebreo e inglés, y ocasionalmente en francés. Desde su nacimiento, este nuevo subgénero musical palestino se ha expandido hasta incluir grupos y cantantes de Palestina, Israel, Reino Unido, Estados Unidos y Canadá. Influenciados por el rap old school surgido en Nueva York en los años setenta, "los jóvenes músicos palestinos han adaptado el estilo para expresar sus propias quejas sobre el clima social y político en el que viven y trabajan". El hip hop palestino trabaja para desafiar los estereotipos y propiciar el diálogo en el conflicto palestino-israelí. Sus artistas se han visto fuertemente influenciados por los mensajes de los raperos estadounidenses. Tamer Nafar comenta que “cuando oí a Tupac cantar “It's a White Man's World” (Es un Mundo del Hombre Blanco) decidí tomarme el hip hop en serio”. Además de las influencias estadounidenses, el hip hop palestino también incluye elementos de la música palestina en particular y árabe en general, incluidos el “zajal, mawwal y saj” que son comparables al árabe hablado, así como la percusión y el lirismo de música árabe. (es)
- Palestinian hip hop reportedly started in 1998 with Tamer Nafar's group DAM. These Palestinian youth forged the new Palestinian musical subgenre, which blends Arabic melodies and hip hop beats. Lyrics are often sung in Arabic, Hebrew, English, and sometimes French. Since then, the new Palestinian musical subgenre has grown to include artists in Palestine, Israel, Great Britain, the United States and Canada. Borrowing from traditional rap music that first emerged in New York in the 1970s, "young Palestinian musicians have tailored the style to express their own grievances with the social and political climate in which they live and work." Palestinian hip hop works to challenge stereotypes and instigate dialogue about the Israeli–Palestinian conflict. Palestinian hip hop artists have been strongly influenced by the messages of American rappers. Tamar Nafar says “when I heard Tupac sing “It’s a White Man’s World” I decided to take hip hop seriously”. In addition to the influences from American hip hop, it also includes musical elements from Palestinian and Arabic music including “zajal, mawwal, and saj” which can be likened to Arabic spoken word, as well as including the percussiveness and lyricism of Arabic music. Historically, music has served as an integral accompaniment to various social and religious rituals and ceremonies in Palestinian society (Al-Taee 47). Much of the Middle-Eastern and Arabic string instruments utilized in classical Palestinian music are sampled over Hip-hop beats in both Israeli and Palestinian hip-hop as part of a joint process of localization. Just as the percussiveness of the Hebrew language is emphasized in Israeli Hip-hop, Palestinian music has always revolved around the rhythmic specificity and smooth melodic tone of Arabic. “Musically speaking, Palestinian songs are usually pure melody performed monophonically with complex vocal ornamentations and strong percussive rhythm beats”. The presence of a hand-drum in classical Palestinian music indicates a cultural esthetic conducive to the vocal, verbal and instrumental percussion which serve as the foundational elements of Hip-hop. This hip hop is joining a “longer tradition of revolutionary, underground, Arabic music and political songs that have supported Palestinian Resistance”. This subgenre has served as a way to politicize the Palestinian issue through music. (en)
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